Is It Ever Okay to Fire a Bridesmaid? Here's What You Need to Know If You've Grown Apart or She's Not Living Up to the Role
It's your wedding and you make the rules. After choosing your venue, hiring your key vendor team, and making the guest list, one of the biggest decisions you face is deciding who will—and won't—be part of your wedding party. "For brides and bridesmaids, they have likely been planning to be in each others' wedding parties for years, often dreaming of the day together since childhood or college," Emilie Dulles, etiquette and wedding invitations expert says.Meet our Expert
Emilie Dulles is an etiquette, calligraphy, and wedding invitations expert with over two decades of custom stationery design and printing experience for affluent clients in the US, Europe, and Caribbean Islands. Find out more at Dulles Designs or follow the official Instagram."Being a bridesmaid has its share of responsibilities, and all bridesmaids should be up and fit for the task, quick and elegant in their duties, and on their best behavior for many months leading up to [the] wedding," our expert notes. "The minute your save-the-dates go into the mail, your bridesmaids now have an elegant mission to accomplish."
So, what happens if you realize you've made a mistake? Whether you two have grown apart or she's no longer living up to her duties in the role, is it ever okay to fire a bridesmaid? Can you really ask her to step back without ruining your relationship and wreaking havoc on your own wedding plans? Yes, but how you do it is important. "Given my decades of experience, I can tell you all wedding plans experience revised decisions and relationship setbacks to some extent, especially during the final weeks and months leading up to the day," explains Dulles.
Ahead, we share when it is—and isn't—appropriate to fire a bridesmaid and how to do it respectfully and tactfully. Plus, we share what not to do when asking this attendant to step back from her role.
Related: 7 Signs That Indicate You're Being a Difficult Bridesmaid
Is It Okay to Fire a Bridesmaid?
A quick Google search about firing bridesmaids will lead you to what seems like hundreds of Reddit posts asking this simple question. If you feel like you need to ask an attendant to take a step back from the role, it's important to know that you're not alone. Sadly, this situation occurs more than you'd think, and it's okay to ask her to step down if she's no longer living up to the role, you two have grown apart, or another extenuating circumstance is taking place.
Still, asking your friend to step down from this honor is a drastic measure and not one that you ought to take lightly. It's not just about asking them to give up their place in your wedding party. The move speaks volumes about how you view your relationship with your friend. If you've grown apart and see each other less than you did when you popped the bridesmaid question, Dulles says that's not really an excuse to ask her to take a step back. "You should only rescind a bridesmaid ask in unfixable situations involving wrongdoing, or if a bizarre twist of fate befalls your wedding date for the both of you simultaneously," she explains.
So, when can you fire a bridesmaid? "In my experience, the most common instigation for a bridesmaid being removed from any wedding party is when some unsavory or deviant behavior, nastiness, or bitter betrayal of their doing unfolds during the final stages of your wedding plan, and the person becomes no longer welcome," Dulles says. If you she refuses to help with any part of the wedding or involve herself in pre-wedding events, this could also be cause to ask her to step down.
How to Fire a Bridesmaid
Ready to take the plunge and ask your friend not to be your bridesmaid? While there's no perfect way to un-pop the question, there are some tips that will help you get through this somewhat unscathed.
Consider how this will affect your relationship with this person and others.
Before you ask her to step down from her role, you should think about how this move will affect not only your friendship with your bridesmaid, but also your wider circle of family members and friends. "Your friendship may be in jeopardy after the conversation takes place and reverberates socially, so be prepared for all possible outcomes when you decide to ask someone to no longer be a member of your wedding's inner circle," says Dulles.
If you're asking your future spouse's sister to step back, for example, you may find yourself in an uncomfortable situation with your in-laws. If the bridesmaid in question is friends with other attendants, the rest of your 'maids might start choosing sides.
Be clear in your decision.
There are no ifs, buts, or maybes here. You have made the decision and that is final. "Explain how much your friendship means to you, yet you want to make sure that everyone at your wedding has the best time possible—especially your fiancé and you included—and that's why you feel the need to rescind the ask. The key is to be clear and remain firm in your decision," Dulles offers.
Ask a friend to be present.
Gossip spreads like wildfire. If you're concerned that your friend will be sharing a remix of how you let them down, make sure you have a witness. Dulles explains, "If the person is prone to getting upset or retaliating socially, having a witness present with you as a third party observer is a good idea."
Avoid using tired cliches.
You may be tempted to go with the old 'it's not me, it's you' excuse but don't do it. "Try to avoid cliches or cop-outs, and definitely do not rehash all the details or open up a new court case over the matter. You must phrase the conversation as a case-closed communication, not something that's up for negotiation or entreaties. Be fair, be clear, and be honest."
Give her some time and space.
This news may come as a shock to your friend. "Give them the space to react whilst you remain as calm as possible," says Dulles. "Once you've explained your position, there's no need to argue or delve into more reasons why she's disinvited from your bridal party. The phrase: 'I'm sorry, yet I'm making this decision for myself, my future spouse, and our families' is all you need to say."
Let her know she's still invited to the wedding (if she is!).
If the relationship isn't entirely irreparable, make it clear that you'd still love her to be present as a guest. Being asked to step back from bridesmaids' duties might even come as a relief to her.
Try to salvage the friendship.
Last but not least, try to save the friendship (if you can!). "The first sign of anyone taking responsibility for their actions or transgressions is to try and make amends, accept the disinvitation elegantly, and move past the unpleasantness like mature adults," says Dulles. "If she reaches out her hand in apology and sees the decision as a good idea, then the friendship is surely salvageable."
What Not to Do When Firing a Bridesmaid
There's a right and a wrong way to ask an attendant to step down, so it's important to do this tactfully and respectfully. Here's what you shouldn't do.
Don't tell her over text message.
It may be uncomfortable, but it's best to have this conversation in person; if that's not possible, do it over the phone. A text message or email isn't appropriate here.
Don't harp on everything that's gone wrong.
It's important that you tell her why you're making this decision, it's best not to harp on every shortcoming. Be clear with her, but also be concise—dragging out the conversation will feel worse for both of you.
Don't doubt yourself.
Once you've made this decision, be firm with it. The last thing you want to do it start to second-guess your feelings or give her an opportunity to step back into the role.
Up Next: 10 Things Brides Do That Annoy Their Bridesmaids
Read the original article on Brides
Solve the daily Crossword
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
29 minutes ago
- Yahoo
The YouTube-ification of streaming? Why Netflix is making big deals with YouTubers
YouTube-ification? Is that a thing? It appears to be what's happening now with Netflix and other streaming services. Some of YouTube's hottest creators are landing lucrative deals to bring their shows to even wider audiences on streaming services where bigger production budgets mean they can take their content to the next level. Beloved children's educator and entertainer Ms. Rachel has done just that with her bubbly, toddler-friendly learning videos, which have amassed more than 11 billion views on her YouTube channel. The creator, whose real name is Rachel Accurso, partnered with Netflix earlier this year to license four existing episodes for the streamer while still continuing to upload monthly content for her 16 million YouTube subscribers. It's a similar story for the Sidemen, a collective of seven British YouTubers who carry out wild stunts and do sketch comedy. They inked a deal with Netflix last year that saw them take their second season over to that platform, after saying they had hit the ceiling with what they could do at YouTube. It may seem that Netflix and its fellow streaming giants are trying to scoop up talent from a platform that already made creators famous — and rich, thanks to ads, sponsorships and other revenues. But as Netflix and YouTube vie for the eyeballs on TV sets, Netflix (and other streamers) are increasingly using YouTube to test the waters for the kind of content viewers will flock to. Philip Mai, co-director of the Social Media Lab at Toronto Metropolitan University, says companies like Netflix are trying to "meet the viewers where they are" and attract them with content without the risk of investing in an original production that may flop. Clash of the video titans YouTube has more than 2.7 billion active monthly users worldwide logging on to its website and mobile app to watch everything from viral videos to news reports and series that are created by individual users and independent content production companies. Netflix, however, has dominated the subscription-based video streaming market for years and has been an industry leader in creating original series and movies — and it's continuing to grow. The company's chief financial officer, Spencer Neumann, said in March that the streamer is "not anywhere near a ceiling" when it comes to spending money on both licensed and original content. He estimated Netflix would spend $18 billion US on content this year alone, according to Variety. LISTEN | How Ms. Rachel translated kid-friendly content to success — and a Netflix deal: He recognized there's stiff competition when it comes to viewers who are increasingly watching YouTube on their television sets, not just on its website or mobile app. But Nemann said what set them apart, when it comes to content, is that Netflix shares "in the creative and economic risk with our creators," where as YouTube creators often start to build their content and audiences on their own. But that's exactly why Mai says YouTube has become a testing ground for the streaming companies. He says it allows them to watch what becomes popular and then approaching creators about the possibility of licensing their content or collaborating on a series. "It's a cheaper way of doing development, without having to pay for the pilot," he said. Called up to the big leagues That's what happened with The Amazing Digital Circus, an animated series created by independent Glitch Productions, based in Sydney, Australia. The series only has five 25-ish-minute episodes on YouTube, but those have racked up a combined 750 million views since premiering in October 2023. Kevin Lerdwichagul, Glitch's co-founder and CEO, said Netflix came knocking about six months after they dropped the pilot episode. He compares it to being like a comedian scouted by a network television show while performing at open mic night. "The new version of that is like going to YouTube and you're hoping someone like Netflix sees your product and then brings you along," he told CBC News. WATCH | Trailer for the hit YouTube series The Amazing Digital Circus: Lerdwichagul says the audience for the series is teens and young adults, which remains a strong demographic for YouTube — and why it has no plans to abandon the platform — but going to a streaming service as well allows people "outside of that demographic circle" to discover the show. "Our friends [and] parents started watching Digital Circus once and moved to Netflix," he said, adding that another Glitch series called Murder Drums has made its way to Amazon Prime. What we're watching on the TV YouTube is also adapting to make content more easily viewed on televisions — and in ways that also make it easier for content to be adapted for streamers — such as allowing creators to make episodic content and have seasons. That's because more and more people are watching YouTube, Netflix and other streaming services on their TVs. But YouTube is the juggernaut. In June of this year, YouTube accounted for 12.8 per cent of TV viewing, a number that has been rising consistently for the past year, according to ratings tracker Nielsen. As for the streamers, Netflix still has the most eyeballs on it, with 8.3 per cent, followed by Disney (encompassing Disney+, Hulu and ESPN+) with 4.8 per cent. As such, Andrew Peterson, who is YouTube's head of content partnerships in Canada, says it's not a surprise that streamers are keeping a close eye on YouTube content. "We really see YouTube as the foundational home for so much creativity, where creators can build that audience," he said. WATCH | Quebec pushing for streaming giants to add more French-language content: YouTube not a pipeline to steaming platforms What is different about YouTube, says Peterson, is that creators can grow their channels and brands without the backing of a production studio or steaming deal and still hit it big. Brandon Katz, director of insights and content strategy at U.S.-based Greenlight Analytics, says you only have to look to YouTube success story MrBeast as evidence. The channel, created by American YouTuber Jimmy Donaldson, is the most-subscribed on the platform with a whopping 418 million followers. Amazon Prime Video and production house Amazon MGM Studios scored a highly sought after deal with Donaldson in 2024, shelling out a reported $100 million US for him to create Beast Games, with players taking part in what has been dubbed the biggest reality competition series ever in pursuit of a $5-million US prize. The first season was produced in Toronto and it was renewed earlier this year for Season 2. But Katz says it's only the "cream of the crop" that will can "successfully transition to more traditional entertainment." "You have to have a huge footprint already," he said. "You have have to content that is tailored to a new platform." At the same time, he says, YouTube remains lucrative for the top content creators like MrBeast and Ms. Rachel who have become popular enough to expand their empires. "The longer they exist on YouTube, the greater their following grows," he said, explaining that means they continue to make more off ads and sponsorships. "There's no way massive top one per cent creators are going to want to sacrifice all that." WATCH | How MrBeast made it big on YouTube:
Yahoo
an hour ago
- Yahoo
Netflix's New Releases Coming in August 2025
An Oxford-set college rom-com from the guy behind The Inbetweeners; the return of one of Netflix's biggest ever shows; Genndy Tartakovsky's latest adult animated project; Vanessa Kirby's return to more intimate dramas about the human condition; a documentary that promised to shed new light on the Jussie Smollett hate crime incident; and a murder mystery film featuring several British and Irish acting icons are some of the highlights among the new films and series hitting Netflix in August. Kicking off August is the rom-com My Oxford Year, which focuses on the tried and trusted formula of a young American girl heading to stuffy old Europe and finding love with some impossibly handsome and terribly charming guy, so it's almost guaranteed to find a huge audience. In this instance, Sofia Carson plays Anna, an ambitious American student at Oxford University whose life is changed when she meets impossibly handsome and terribly charming local Jamie played by Corey Mylchreest. The film is directed by Iain Morris (yes, the same guy who co-created and co-wrote The Inbetweeners) and is written by Allison Burnett and Melissa Osborne, based on the novel by the same name by Julia Whelan. The cast also includes Dougray Scott, Catherine McCormack, Harry Trevaldwyn, and Hugh Coles. My Oxford Year debuts on Aug. 1. More from The Hollywood Reporter Arnold Schwarzenegger's 'FUBAR' Canceled at Netflix After Two Seasons British Tough Guy Ray Winstone to Receive Sarajevo Festival Award Former Netflix Executive Alleges Gender Bias and Sexual Harassment in Lawsuit Netflix's big launch this month is season two of the monster hit Wednesday, which premieres Part 1 on Aug. 6. Wednesday season one is amongst Netflix's most watched shows ever, and the streamer has already confirmed a third season and plans for spinoffs. The sophomore outing for the show sees Jenna Ortega's kooky Wednesday Addams return for another year at the dark, mysterious and very Gothic Nevermore Academy. The creative team that made season one of Wednesday such a huge hit are all back, including creators/showrunners Alfred Gough and Miles Millar and of course EP and director Tim Burton who gave the show his unmistakable look and feel. New cast additions include Steve Buscemi, Joanna Lumley and Billie Piper and returning castmembers include Emma Myers, Fred Arminsen Catherine Zeta-Jones, Luiz Guzman and Isaac Ordonez. Genndy Tartakovsky is one of the biggest names in animation, and the man behind Dexter's Laboratory, Samurai Jack, Star Wars: Clone Wars and Hotel Transylvania has a new animated feature launching on Netflix on Aug. 13. Produced by Sony Pictures Animation, Fixed sees Tartakovsky in full adult comedy mode, the logline reads, '[the film is about] Bull, an average, all-around good dog who discovers he's going to be neutered in the morning! As the gravity of this life-altering event sets in, Bull realizes he needs one last adventure with his pack of best friends as these are the last 24 hours with his balls!' The stellar voice cast includes Adam DeVine, Idris Elba, Kathryn Hahn, Fred Armisen, Beck Bennett, and Bobby Moynihan. The Invisible Woman will be very visible on Netflix in August, with Vanessa Kirby debuting her new film Night Always Comes on Aug. 15. The Oscar-nominated British actress is on a career hot streak at the moment, starring in big budget spectacles like The Fantastic Four: First Steps, Napoleon and Mission: Impossible — Dead Reckoning as well as critically acclaimed dramas such as Pieces of a Woman, and her latest, which she also produced, is more in the vain of the latter film that scored Kirby an Academy Award nomination. Directed by Benjamin Caron, Night Always Comes is a gritty crime thriller about a desperate woman (Kirby), who over the course of a night risks everything in order to secure her home and her future. The feature is an adaptation of Willy Vlautin's 2021 novel and is written by Sarah Conradt. The cast also includes Jennifer Jason Leigh, Zack Gottsagen, Stephen James, Randall Park, Julia Fox, Michael Kelly, and Eli Roth. On Aug. 22, Netflix launches the sure-to-be-controversial and discourse-breaking The Truth About Jussie Smollett? The documentary film purports to tell 'a shocking true story of an allegedly fake story that some now say might just be a true story,' casting new light on the absolutely wild incident that involved Empire actor Jussie Smollett who in January 2019 claimed to have been victim of a viscious hate crime. The doc features interviews with police, lawyers, journalists, investigators and with Smollett. The Truth About Jussie Smollett? comes from RAW, the producers behind the viral docs Don't F**k with Cats and Tinder Swindler. Another big movie release for Netflix this month is The Thursday Murder Club, a feature based on the 2020 murder mystery novel by Richard Osman. The film, directed by Chris Columbus, features an all-star cast of British and Irish acting legends including Oscar-winners Helen Mirren and Ben Kingsley, as well as Pierce Brosnan, Celia Imrie, Jonathan Pryce, David Tennant, Richard E. Grant and rising Naomie Akie. The Thursday Murder Club tells the story of four 70-somethings, with unique past lives, who decide to solve a murder in a retirement home. Tapping into some of the ingredients that made films like The Best Exotic Marigold Hotel and even Netflix's own recently released Nonnas a hit, The Thursday Murder Club debuts on Aug. 28. Movies added to Netflix in August include American Pie, American Pie 2, Anaconda, Clueless, Dazed and Confused, The Departed, Despicable Me, Despicable Me 2, Fast Times at Ridgemont High, Groundhog Day, Journey 2: The Mysterious Island, Journey to the Center of the Earth, Jurassic Park, The Lost World: Jurassic Park, Jurassic Park III, Megamind, Minions, Rush Hour, Rush Hour 2, Rush Hour 3, Thirteen, Weird Science, Wet Hot American Summer, Wyatt Earp, The Fast and the Furious, 2 Fast 2 Furious, The Fast and the Furious: Tokyo Drift, Fast Five, Fast & Furious 6, Furious 7 and Fast & Furious Presents: Hobbs & Shaw. Missed what came to Netflix last month? Check out the July additions here. Read on for the complete list of titles hitting Netflix in August. Aug. 1 My Oxford YearPerfect Match: Season 3American PieAmerican Pie 2AnacondaCluelessDazed and ConfusedThe DepartedDespicable MeDespicable Me 2Fast Times at Ridgemont HighFire Country: Season 2Groundhog DayJourney 2: The Mysterious IslandJourney to the Center of the EarthJurassic ParkThe Lost World: Jurassic ParkJurassic Park IIIMegamindMinionsPawn Stars: Season 16Rush HourRush Hour 2Rush Hour 3ThirteenWeird ScienceWet Hot American SummerWyatt Earp Aug. 2 Beyond the Bar (KR) Aug. 5 Love Life: Seasons 1-2SEC Football: Any Given SaturdayTitans: The Rise of Hollywood: Season 1 Aug. 6 Wednesday: Season 2 Part 1 Aug. 8 Stolen: Heist of the Century (GB) Aug. 10 Marry Me Aug. 11 Outlander: Season 7 Part 1Sullivan's Crossing: Season 3 Aug. 12 Final Draft (JP)Jim Jefferies: Two Limb Policy Aug. 13 Love Is Blind: UK: Season 2 (GB)FixedSaare Jahan Se Accha: The Silent Guardians (IN)Songs From the HoleYoung Millionaires (FR) Aug. 14 In the Mud (AR)Miss Governor: Season 1 Part 2Mononoke The Movie: Chapter II – The Ashes of Rage (JP)Quantum Leap: Seasons 1-2 Aug. 15 The Echoes of Survivors: Inside Korea's Tragedies (KR)Fit for TV: The Reality of the Biggest LoserNight Always Comes Aug. 16 The Fast and the Furious2 Fast 2 FuriousThe Fast and the Furious: Tokyo DriftFast FiveFast & Furious 6Furious 7Fast & Furious Presents: Hobbs & Shaw Aug. 18 CoComelon Lane: Season 5Extant: Seasons 1-2 Aug. 19 America's Team: The Gambler and His CowboysTitans: The Rise of Wall Street: Season 1 Aug. 20 Fisk: Season 3Rivers of Fate (BR) Aug. 21 The 355Death Inc.: Season 3 (ES)Fall for Me (DE)Gold Rush Gang (TH)Hostage (GB)One Hit Wonder (PH) Aug. 22 Abandoned Man (TR)Long Story ShortThe Truth About Jussie Smollett? (GB) Aug. 27 Fantasy Football Ruined Our Lives (IT) Aug. 28 Barbie Mysteries: Beach DetectivesMy Life With the Walter Boys: Season 2The Thursday Murder Club Aug. 29 Two Graves (ES)Unknown Number: The High School Catfish Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Yahoo
an hour ago
- Yahoo
If even Pride & Prejudice has to have a ‘diverse' cast, the English period drama is dead
Five years ago the BBC website published an article headlined: 'Is It Time the All-White Period Drama Was Made Extinct?' Well, it clearly is now. These days every period drama has an ethnically diverse cast, regardless of when it's set: the 1920s (Wicked Little Letters), the 1530s (Wolf Hall: The Mirror and the Light), even 1066 (King and Conqueror, the BBC's forthcoming serial about the Battle of Hastings). So it came as no surprise to read, this week, that Netflix's new adaptation of Pride & Prejudice will have a diverse cast, too. Personally I find this a fascinating trend. Producers of period dramas always go to the most painstaking lengths to ensure that costumes, furniture and decor look scrupulously authentic. Yet when it comes to casting, they do the opposite – and pretend that, 200 or 500 or 1,000 years ago, England was every bit as multicultural as it is in the 2020s. They would die of embarrassment if, in the background, viewers were to glimpse a set of solar panels, or double yellow lines. But black Anglo-Saxons? No problem at all. It's a peculiar combination. If we've decided that historical verisimilitude no longer matters in casting, surely we should be consistent, and decide that it no longer matters in clothing or behaviour, either. Let Regency noblemen wear Arsenal shirts. Show the Normans riding into battle in Chinooks. Have Sir Thomas More take a selfie on the scaffold. At any rate, the author of the BBC's article about making the 'all-white' period drama extinct seemed to approve of this new trend in casting. 'Finally,' she wrote, 'the industry is demonstrating that period drama is a genre in which racial diversity can be both reflected and celebrated.' This is all very well. The trouble is, it makes it look as if racial diversity has been 'celebrated' throughout our history. To viewers, this must be puzzling. In recent years, we've been endlessly told that Britain's past was shamefully racist. Yet period dramas tell us it was a multicultural utopia, in which people of all races were welcome at every level of society. Still, we mustn't carp. I'm sure this colour-blind approach to casting applies equally to all. I look forward to the BBC airing a period drama about the Windrush, in which the main passengers are played by Hugh Grant and Keira Knightley. At last: a Labour policy I actually like Normally I believe that a job should always go to the best-qualified candidate, and that preferential treatment should not be given to 'under-represented' groups. On this occasion, however, I'm going to be brazenly hypocritical and toss my principles aside. This is because, from now on, the Government wants all civil service interns to be working-class. And I think it sounds like a great idea. Of course it's not meritocratic. But Whitehall is the one place that might actually benefit from a bit of naked class warfare. Remember that Laura Kuenssberg documentary from 2023, which revealed that, the morning after the EU referendum, civil servants were 'in tears'? How many working-class staff would have reacted like that? If Nigel Farage is worried that a Reform government would be stymied by Brexit-hating mandarins, this dramatic change in recruitment policy should please him no end. The trouble with the 'Islamo-Left' In 1999, the writers of the satirical website The Onion published a very funny book called Our Dumb Century. It consisted of spoof newspaper front pages, inspired by the key events of the previous 100 years. And among its countless highlights was the headline of a story about Japan entering the Second World War on the side of Nazi Germany. It read: 'Japan Forms Alliance with White Supremacists in Well-Thought-Out Scheme.' I always remember that phrase 'Well-Thought-Out Scheme', whenever I read about the Western anti-Israel LGBTQIA+ group that calls itself Queers for Palestine. Yet, no matter how often critics argue that it might as well call itself Chickens for KFC, its members remain undeterred. Mind you, they aren't the only ones who believe there's a happy and united future for the so-called 'Islamo-Left'. The new party led by Jeremy Corbyn and Zarah Sultana is likely to attract many others who see no drawbacks to forming an alliance between one group that's extremely liberal on social issues, and another that is sometimes, shall we say, a bit more conservative. I wonder how many of these adorably well-meaning Corbynites are aware of what happened a few years ago in Hamtramck, Michigan. When the city elected America's first ever all-Muslim council, local progressives were jubilant. This was a glorious victory for marginalised minorities – and a crushing defeat for small-minded bigots. Imagine their shock, therefore, when the Muslim council then banned the flying of the LGBTQIA+ Pride flag from city property. According to the Washington Post, the local progressives felt not just appalled, but 'betrayed'. 'We welcomed you,' wailed a retired social worker. 'We created nonprofits to help feed, clothe, find housing. We did everything we could to make your transition here easier – and this is how you repay us, by stabbing us in the back?' Sadly, as Robert Burns more or less put it: the well-thought-out schemes o' mice an' men gang aft agley. Way of the World is a twice-weekly satirical look at the headlines aiming to mock the absurdities of the modern world. It is published at 6am every Tuesday and Saturday Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more. Solve the daily Crossword