logo
House Under Demolition Has No Link With Satyajit Ray, Never Did: Bangladesh

House Under Demolition Has No Link With Satyajit Ray, Never Did: Bangladesh

NDTV17-07-2025
New Delhi:
The dilapidated one-storey house in Bangladesh's Mymensingh, which several reports had identified as Satyajit Ray's ancestral home, has no connection with the legendary filmmaker, the Bangladesh government has said. The clarification comes in the aftermath of India expressing concern over the ongoing demolition of the structure and offering help to Dhaka to reconstruct it as a museum.
Multiple reports had claimed that the house belonged to Ray's grandfather and well-known Bengali writer Upendrakishore Ray Chowdhury and expressed concern over its demolition. The reports played out against the backdrop of tense ties between New Delhi and Dhaka after the change of guard in Bangladesh and former Prime Minister Sheikh Hasina's escape to Delhi. The demolition was also seen as a cultural shift in the neighbouring country.
Detailed inquiry into archive/records in #Bangladesh reconfirm: the building being demolished in #Mymensingh district has no historical/familial link to iconic Bengali filmmaker #Satyajit Ray or his ancestors. pic.twitter.com/IT4uwtvBFm
— Ministry of Foreign Affairs (@BDMOFA) July 17, 2025
"Detailed inquiry into the archival records re-confirmed that the house in question never had any relation with the ancestors of the esteemed laureate Satyajit Ray. It was built by a local Zamindar Shashikant Acharya Chowdhury, next to his bungalow house 'Shashi Lodge', for his employees. Upon the abolition of the zamindari system, it came under the control of the government. The government later allocated it to the Bangladesh 'Shishu Academy'. Ever since, the house has been used as the office of the District Shishu Academy. And, the land itself was a non-agricultural government (Khas) land and leased to Shishu Academy on a long-term basis," the Bangladesh Ministry of Foreign Affairs said in a statement.
"The District Authorities have reviewed the land records related to the house and confirmed that as per the past records the land belongs to the Government and has no association with the Ray family whatsoever. Local senior citizens and respected individuals from various communities also attested that there is no known historical connection between the Ray family and the house and land currently leased to the Shishu Academy. The house is not listed as an archaeological monument, either," the statement said.
It underlined that road in front of the house is named after Satyajit Ray's great-grandfather Harikishore Ray, the adoptive parent of his grandfather Upendrakishore Ray Chowdhury. "The Ray family had a house on Harikishore Ray Road, which they had sold long ago and thus no longer exists. A multi-storied building was constructed there by the new owner," the statement said.
The building, the Bangladesh government said, was "dilapidated, risky and unusable". "Since 2014, the Academy had shifted to a rented property elsewhere in Mymensingh city, and the abandoned house became a den for unlawful activities by local anti-social elements. Hence, an initiative was taken to construct a semi-permanent building at the site in the first half of 2024. Later, following due process, Bangladesh Shishu Academy accorded permission to the District authorities to remove the old, dilapidated building through an auction."
"Drawing on the factual and meticulous re-examination of all records, the Government of Bangladesh urges all quarters to refrain from spreading misleading or factually inaccurate narrative, in any form, that end up creating confusion and disrupt harmony amongst the people," the ministry said.
Earlier, India's Ministry of External Affairs had expressed regret over the demolition. "The property, presently owned by the Government of Bangladesh, is in a state of disrepair. Given the building's landmark status, symbolising Bangla cultural renaissance, it would be preferable to reconsider the demolition and examine options for its repair and reconstruction as a museum of literature and a symbol of the shared culture of India and Bangladesh," it had said, adding that New Delhi would be willing to cooperate with Dhaka in this matter.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jalpaiguri Municipality Notice: 'বাংলা'র পক্ষে জলপাইগুড়ি, সব বাংলায় লেখার নির্দেশ
Jalpaiguri Municipality Notice: 'বাংলা'র পক্ষে জলপাইগুড়ি, সব বাংলায় লেখার নির্দেশ

India.com

time14 hours ago

  • India.com

Jalpaiguri Municipality Notice: 'বাংলা'র পক্ষে জলপাইগুড়ি, সব বাংলায় লেখার নির্দেশ

Videos Jalpaiguri Municipality Notice: 'বাংলা'র পক্ষে জলপাইগুড়ি, সব বাংলায় লেখার নির্দেশ | Zee 24 Ghanta Jalpaiguri Municipality Notice: Jalpaiguri Stands for 'Bangla' — Official Order Issued to Use Only Bengali Jalpaiguri Municipality Notice: Jalpaiguri Stands for 'Bangla' — Official Order Issued to Use Only Bengali | Updated: Jul 31, 2025, 10:25 PM IST Advertisement Jalpaiguri Municipality Notice: Jalpaiguri Stands for 'Bangla' — Official Order Issued to Use Only Bengali

CBSE 10th, 12th Sample Papers, Marking Scheme For 2026 Board Exams Out; Check Details
CBSE 10th, 12th Sample Papers, Marking Scheme For 2026 Board Exams Out; Check Details

News18

timea day ago

  • News18

CBSE 10th, 12th Sample Papers, Marking Scheme For 2026 Board Exams Out; Check Details

Last Updated: Students can download CBSE class 10 an 12 sample papers from to familiarise themselves with the exam pattern, question format, and marking scheme. CBSE has released sample papers and marking schemes for classes 10th and 12th for the 2025-26 session. Students can download them from the official website at to understand the exam pattern, question style, and mark distribution. Here's what these sample papers entail and how they can be beneficial for you: CBSE has issued sample papers and marking schemes for all major subjects of classes 10th and 12th. The primary subjects include English, Mathematics, Hindi, Social Science, Science, Accountancy, Business Studies, Computer Applications, Physics, Health Science, Biology, and others like Assamese, Bengali, Bharatanatyam, Manipuri, Hindustani Music (Vocal), Carnatic Music (Melodic and Percussion Instruments), Painting, Arabic, etc. The marking scheme for class 10th and 12th exams this year remains unchanged from 2024-25. Most sample papers are provided in English and Hindi, except for language papers. General instructions, total marks, and section-wise marks are outlined in the sample papers. CBSE exams will commence from February 2026. These sample papers are crucial for enhancing your board exam preparation. They offer insights into the exam pattern, the types of questions, their marks, and the number of sections. Understanding the marking scheme will help you write answers that fetch maximum marks. Sample papers also aid in time management, enabling better exam performance. By practising, you can identify topics that need more focus. Step 1 – To download the sample papers and marking scheme, visit CBSE's website, Step 2 – Click on the Sample Question Papers 2025-26 link on the homepage. Step 3 – Select class 10th or 12th, and download the sample papers and marking schemes for your subjects. Print them out and start practising. Meanwhile, from the 2026-27 academic yeat, Class 10 students will have the opportunity to sit for the CBSE board exams twice within one academic year. However, they must attend the first phase in February, as this is mandatory, officials announced on Wednesday. Students who wish to improve their scores can take the optional second phase in May. view comments Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Classical Manipuri dance has not received fame, recognition it deserves: Anthropologist
Classical Manipuri dance has not received fame, recognition it deserves: Anthropologist

Hindustan Times

time5 days ago

  • Hindustan Times

Classical Manipuri dance has not received fame, recognition it deserves: Anthropologist

Imphal, Anthropologist and researcher Sohini Roy, who has been a Manipuri classical dancer for over five decades, felt that the art form has not received the fame and recognition it deserves. Classical Manipuri dance has not received fame, recognition it deserves: Anthropologist In a telephonic conversation with PTI, Roy, who hails from West Bengal but speaks Manipuri fluently, blamed a lack of leadership in the art form, as compared to other classical dances of the country. "Manipuri classical dance has not received the fame and recognition it requires and deserves. Sadly, I observe a lack of leadership in the art form as compared to other national classical dances. "Along with this, verbal communication issues also hindered its propagation at the national and global levels. The Manipuri diaspora is very strong now, but somehow the classical dance has not been propagated as it should have been," she said. Still, students in Imphal are very eager to take this art form forward, and there is a lot of honesty in their efforts, Roy added. "The uniqueness of Manipuri classical dance comes from the land itself. If you are to appreciate Manipuri dance, you have to be in Imphal Valley. The unique geography, environment, trees and bamboo groves have shaped the movements in a certain way and have made it rich," she said. Roy recalled how one of her students from Andhra Pradesh, during her visit to Manipur two years back, could instantly feel how unique the dance was while witnessing performances in the temples of Imphal. Recalling her introduction to Manipuri classical dance, Roy said she started learning it at the age of five in a dance school in her hometown Kolkata. "Two years later, my teacher in that school advised my mother to put me in my guru's school in Manipuri Nartanalaya, Kolkata, where I started studying with the Sangeet Natak Akademi awardee, the Late Guru Bipin Singh," she said. Born in Kolkata in 1966 in a Bengali family, Roy not only trained under Guru Bipin Singh but travelled with renowned Manipuri dancers Jhaveri sisters across the country and started working as Singh's research assistant from the age of 14. "I visited Manipur for the first time in September, 1988 when I was 22 years old. I started doing my research on Manipur from 1991, when I was 24. My first project was a part of my M Sc dissertation paper in anthropology. It was on the relationship between society and dance in Manipur. This was the beginning of a very long journey, which is still continuing," she said. "I did not choose Manipuri dance consciously. I was too young to make any conscious choice. The art form chose me, and I feel fortunate that way," Roy said. Roy said she gave her first performance in Delhi in 1980 when she was studying in class 8, after which she travelled with the Jhaveri sisters across the country. She moved to the United States in 1992 and taught Manipuri dance at the New York University and then the University of California, Los Angeles, where she did her MA in dance and then PhD in anthropology, focusing on Meitei Mayek . "My first performance in New York was 1992. I have toured all of the United States, Canada, Mexico and Europe since then," she added. Roy, who has taken both academic and practical dance classes in several American universities, said, "I started Manipuri Dance Visions in 2005 in the US. It was a collective of a few dancers who trained with me. Our unit did numerous performances of classical Manipuri dance." "Our signature production 'Gita Govinda' won the prestigious Lestor Horton award in 2008 in Los Angeles. Later, I started to teach online Manipuri classical dance and also Lai Haraoba to students across India," she added. Roy said her guru, who was her greatest support, passed away in 2000. Roy, who has been appointed a senior guru at Radha Madhob Cultural Institution in Imphal since March 2024, said the trust of her students at the institution and her own Manipuri Dance Visions are now her biggest source of inspiration. "My future plan is to strengthen my guru's gharana in Imphal," she said. Her research on Manipuri dance won the prestigious J B Donne prize in anthropology of art from the Royal Anthropological Institute, UK in 2009. This article was generated from an automated news agency feed without modifications to text.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store