The Bear is back with a new season. But will you be watching?
This story contains spoilers for The Bear 's third season.
Welcome back, cousin. We're about to get another serving of The Bear. The trailer for season four of the Emmy award-winning comedy/drama has just dropped featuring all the gang – there's Carmy (Jeremy Allen White) obsessing about the beauty of culinary excellence, Sydney (Ayo Edebiri) trying to drag him back to reality, and Natalie, aka Sugar (Abby Elliott), adjusting to life with her new baby.
But, while all major cast members have returned – including Jamie Lee Curtis, as Carmy's mum Donna – we'll have to wait and see if viewers do the same. After two seasons of effusive praise for this star-making FX hit, last year's third instalment left many fans cold, saddled with criticisms of being 'aimless' and 'undercooked', and ultimately landing with an audience score of just 51 per cent on Rotten Tomatoes (compared to previous seasons' scores in the nineties). Can season four reignite our passion?
Where did we leave off?
Season three ended on a cliffhanger, as Carmy gets a Google alert for The Chicago Tribune 's review of his restaurant. A collection of words flash on the screen – confusing, excellent, brilliant, sloppy, complex, simple, stale, talent – before the beleaguered chef utters one more: 'Motherf---er'.
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Meanwhile, Syd has just excused herself from partying with all her hospo mates to hyperventilate in a stairwell. Carmy's increasingly erratic behaviour has been dragging her down, and she's now been thrown a lifeline in the form of a position as chef de cuisine at Chef Adam's (Adam Shapiro) new restaurant. What's stopping her? All the happy smiley faces, her chosen family, wooping to '90s bangers in the next room.
For all the criticism season three faced for being too slow or self-indulgent – that final episode also featured a parade of real-life chefs waxing lyrical about the 'controlled chaos' of the kitchen around a dinner table – the season did have standout episodes.
Napkins, which was also Edebiri's directorial debut, offered a rich and unvarnished throwback to how middle-aged mum Tina (Liza Colon-Zayas) came to work at The Bear after struggling to find a job following lay-offs. And Ice Chips, an emotional two-hander between Sugar (Elliott) and her dysfunctional mother Donna (Curtis) during labour, was another highlight that was described by some critics as 'quietly radical' – particularly by those who have experienced birth and motherhood.
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