‘Black Mirror' Sets Emmy Campaigns for Paul Giamatti, Rashida Jones, Cristin Milioti and More (EXCLUSIVE)
Netflix has a strong Emmy hand to play this TV awards season, positioning the seventh season of its flagship anthology series 'Black Mirror' for a major awards run — and this time, the dystopian drama might be among its most formidable contenders yet.
Confirmed exclusively to Variety, the streamer is submitting three standout performances for lead acting honors in the limited or anthology series or TV movie categories: Paul Giamatti for the melancholic and moving 'Eulogy,' and Chris O'Dowd and Rashida Jones for their resonant turns in the sociopolitical two-hander 'Common People.' It's a bold push that signals high hopes for a season already being hailed as a return to form — and possibly the series' strongest outing since its Emmy-winning heyday.
More from Variety
Netflix Orders Adult Animated Comedy 'Mating Season' From 'Big Mouth' Team
Netflix Sets 'Mad Unicorn' Thai Drama on Express Delivery Startup Saga
'North of North' Renewed for Season 2 at Netflix
Giamatti's performance as Phillip, a solitary man navigating grief through digital means in 'Eulogy,' has generated both tears and buzz. The 46-minute episode explores the ethics of AI-driven memorials, as Phillip participates in the virtual funeral of a former flame with the help of an empathetic AI guide, played by Patsy Ferran.
In 'Common People,' Jones and O'Dowd deliver career-best performances as a couple who agrees to a contract with a startup to remotely restore her brain function following a tumor diagnosis for a monthly fee. Co-star and Emmy nominee Tracee Ellis Ross, will vie for supporting attention.
Indeed, the streamer has stacked its acting deck, and many of the other notable cast members will also seek attention in the supporting actor and actress categories, notably: Issa Rae and Emma Corrin's enigmatic turns in 'Hotel Reverie,' Peter Capaldi's unhinged villain in 'Plaything,' rising star Siena Kelly's fiery and timely execution in 'Bête Noire,' and Cristin Milioti and Jesse Plemons' return in the meta-sequel 'USS Callister: Into Infinity,' which all add to the campaign's power. Milioti, notably, is also an early frontrunner in the lead actress race for HBO's 'The Penguin,' making her a potential double nominee.
But 'Black Mirror' isn't chasing gold in a vacuum. Netflix is also juggling two other high-profile limited series contenders: the British mystery thriller 'Adolescence,' starring Stephen Graham, and Ryan Murphy's biographical crime drama 'Monsters: The Lyle and Erik Menendez Story.' If all three land nominations in the limited series category, Netflix would achieve a rare trifecta — a feat last accomplished in 2022 by Hulu with 'Dopesick,' 'The Dropout' and 'Pam & Tommy.' That lineup, however, was ultimately bested by HBO's 'The White Lotus,' which has since transitioned to the drama category.
'Black Mirror' creator and writer Charlie Brooker will submit two episodes for Emmy consideration in the writing categories: 'Common People' (teleplay by Brooker, story by Brooker and Bisha K. Ali) and 'Eulogy' (written by Brooker and Ella Road). Four directors — Ally Pankiw ('Common People'), Haolu Wang ('Hotel Reverie'), David Slade ('Plaything') and Chris Barrett and Luke Taylor ('Eulogy') — are eligible to submit individually for their respective episodes. Per Emmy rules, Toby Haynes, who directed both 'Bête Noire' and 'USS Callister: Into Infinity,' must choose one episode to submit, with a final decision expected by the May 8 submission deadline.
With Emmy voters facing tough choices, Netflix is clearly betting that a reinvigorated 'Black Mirror,' rich with emotional depth, biting satire and top-tier talent, will rise above the competition.
The nomination voting window runs from June 12 to June 23, with official nominations set to be announced in July. Season 7 of 'Black Mirror' is now streaming on Netflix.
Variety Awards Circuit: Emmys
Check out this week's Emmy predictions in key series and acting categories below. For a full breakdown of every Primetime Emmy race, visit our main awards page, and explore the official rankings on each individual category page.
Drama Series'Andor''The Diplomat''The Last of Us''The Pitt''Severance''Slow Horses''Squid Game''The White Lotus'
Lead Actor (Drama)Sterling K. Brown, 'Paradise'Jon Hamm, 'Your Friends and Neighbors'Gary Oldman, 'Slow Horses'Adam Scott, 'Severance'Billy Bob Thornton, 'Landman'Noah Wyle, 'The Pitt'
Lead Actress (Drama)Kathy Bates, 'Matlock'Britt Lower, 'Severance'Melanie Lynskey, 'Yellowjackets'Elisabeth Moss, 'The Handmaid's Tale'Bella Ramsey, 'The Last of Us'Keri Russell, 'The Diplomat'
Supporting Actor (Drama)Patrick Ball, 'The Pitt'Zach Cherry, 'Severance'Walton Goggins, 'The White Lotus'Jason Isaacs, 'The White Lotus'Young Mazino, 'The Last of Us'Sam Rockwell, 'The White Lotus'Tramell Tillman, 'Severance'John Turturro, 'Severance'
Supporting Actress (Drama)Patricia Arquette, 'Severance'Leslie Bibb, 'The White Lotus'Carrie Coon, 'The White Lotus'Fiona Dourif, 'The Pitt'Allison Janney, 'The Diplomat'Katherine LaNasa, 'The Pitt'Isabela Merced, 'The Last of Us'Parker Posey, 'The White Lotus'
Guest Actor (Drama)Andy Garcia, 'Landman'Scott Glenn, 'The White Lotus'Shawn Hatosy, 'The Pitt'Joe Pantoliano, 'The Last of Us'Jeffrey Wright, 'The Last of Us'
Guest Actress (Drama)Gwendoline Christie, 'Severance'Kaitlyn Dever, 'The Last of Us'Catherine O'Hara, 'The Last of Us'Hilary Swank, 'Yellowjackets'Merrit Wever, 'Severance'
Comedy Series'Abbott Elementary''The Bear''The Four Seasons''Hacks''Nobody Wants This''Only Murders in the Building''Shrinking''The Studio'
Lead Actor (Comedy)Adam Brody, 'Nobody Wants This'Seth Rogen, 'The Studio'Jason Segel, 'Shrinking'Martin Short, 'Only Murders in the Building'Jeremy Allen White, 'The Bear'
Lead Actress (Comedy)Kristen Bell, 'Nobody Wants This'Quinta Brunson, 'Abbott Elementary'Ayo Edebiri, 'The Bear'Natasha Lyonne, 'Poker Face'Jean Smart, 'Hacks'
Supporting Actor (Comedy)Ike Barinholtz, 'The Studio'Colman Domingo, 'The Four Seasons'Paul W. Downs, 'Hacks'Harrison Ford, 'Shrinking'Ebon Moss-Bachrach, 'The Bear'Tyler James Williams, 'Abbott Elementary'Bowen Yang, 'Saturday Night Live'
Supporting Actress (Comedy)Liza Colón-Zayas, 'The Bear'Hannah Einbinder, 'Hacks'Kathryn Hahn, 'The Studio'Janelle James, 'Abbott Elementary'Catherine O'Hara, 'The Studio'Sheryl Lee Ralph, 'Abbott Elementary'Jessica Williams, 'Shrinking'
Guest Actor (Comedy)Jon Bernthal, 'The Bear'John Cena, 'The Bear'Bryan Cranston, 'The Studio'Timothée Chalamet, 'Saturday Night Live'Christopher McDonald, 'Hacks'Martin Scorsese, 'The Studio'
Guest Actress (Comedy)Jamie Lee Curtis, 'The Bear'Cynthia Erivo, 'Poker Face'Ariana Grande, 'Saturday Night Live'Melissa McCarthy, 'Only Murders in the Building'Julianne Nicholson, 'Hacks'Sarah Polley, 'The Studio'
Limited or Anthology Series'Adolescence''Black Mirror''Disclaimer''Monsters: The Lyle and Erik Menendez Story''The Penguin'
Television Movie'Bridget Jones: Mad About the Boy''The Gorge''Mountainhead''Out of My Mind''Rebel Ridge'
Lead Actor (Limited or Anthology Series or TV Movie)Colin Farrell, 'The Penguin'Paul Giamatti, 'Black Mirror'Stephen Graham, 'Adolescence'Brian Tyree Henry, 'Dope Thief'Cooper Koch, 'Monsters: The Lyle and Erik Menendez Story'
Lead Actress (Limited or Anthology Series or TV Movie)Cate Blanchett, 'Disclaimer'Rashida Jones, 'Black Mirror'Cristin Milioti, 'The Penguin'Amanda Seyfried, 'Long Bright River'Michelle Williams, 'Dying for Sex'
Supporting Actor (Limited or Anthology Series or TV Movie)Javier Bardem, 'Monsters: The Lyle and Erik Menendez Story'Owen Cooper, 'Adolescence'Rob Delaney, 'Dying for Sex'Rhenzy Feliz, 'The Penguin'Diego Luna, 'La Máquina'Wagner Moura, 'Dope Thief'Ashley Walters, 'Adolescence'
Supporting Actress (Limited or Anthology Series or TV Movie)Emma Corrin, 'Black Mirror'Erin Doherty, 'Adolescence'Lesley Manville, 'Disclaimer'Cristin Milioti, 'Black Mirror'Deirdre O'Connell, 'The Penguin'Jenny Slate, 'Dying for Sex'Christine Tremarco, 'Adolescence'
Talk Series'The Daily Show''Hot Ones''The Late Show with Stephen Colbert'
Scripted Variety'Last Week Tonight with John Oliver''Saturday Night Live'
Directing (Drama)'Andor' — Alonso Ruizpalacios'The Last of Us' — Mark Mylod'The Pitt' — John Wells'Severance' — Jessica Lee Gagné'Severance' — Ben Stiller'Squid Game' — Hwang Dong-hyuk'The White Lotus' — Mike White
Directing (Comedy)'The Bear' — Ayo Edebiri'The Four Seasons' — Shari Springer Berman and Robert Pulcini'Hacks' — Lucia Aniello'Mid-Century Modern' — James Burrows'The Ms. Pat Show' — Mary Lou Belli'Only Murders in the Building' — John Hoffman'The Studio' — Seth Rogen and Evan Goldberg
Directing (Limited/TV Movie)'Adolescence' — Philip Barantini'Black Mirror' — Chris Barrett and Luke Taylor'Disclaimer' — Alfonso Cuarón'Dope Thief' — Ridley Scott'The Penguin' — Craig Zobel'Presumed Innocent' — Anne Sewitsky
Writing (Drama)'The Agency' — Jez Butterworth, John-Henry Butterworth'Andor' — Tony Gilroy'The Last of Us' — Craig Mazin'Matlock' — Jennie Snyder Urman'Severance' — Dan Erickson'Slow Horses' — Will Smith'The White Lotus' — Mike White
Writing (Comedy)'Abbott Elementary' — Quinta Brunson'The Four Seasons' — Tina Fey, Lang Fisher, Tracey Wigfield'Hacks' — Lucia Aniello, Paul W. Downs, Jen Statsky'The Studio' — Alex Gregory'The Studio' — Peter Huyck'The Studio' — Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory, Frida Perez'What We Do in the Shadows' — Sam Johnson, Sarah Naftalis, Paul Simms
Writing (Limited/TV Movie)'Adolescence' — Stephen Graham, Jack Thorne'Black Mirror' — Charlie Brooker'Black Mirror' — Charlie Brooker, Bisha K. Ali'Disclaimer' — Alfonso Cuarón'Dying for Sex' — Kim Rosenstock, Elizabeth Meriwether'The Penguin' — Lauren LeFranc
Best of Variety
2025 Tony Awards Predictions: Kieran Culkin Eyes Historic Triple Crown, Latinos Take Center Stage and Star Power Could Rule Broadway Honors
New Movies Out Now in Theaters: What to See This Week
What's Coming to Netflix in May 2025
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
13 minutes ago
- Tom's Guide
'House of the Dragon' season 3 will go experimental with a concept episode
Westeros fans are already excited about the promise of "House of the Dragon" season 3, the next installment of the "Game of Thrones" prequel series. Alas, we still don't have a release date (we'll keep you posted the second we hear!), but news of filming kicking off in England and new actors joining the cast should be enough to hold George R. R. Martin stans over for awhile. Still, we're chomping at the bit until Rhaenyra Targaryen (Emma D'Arcy), Alicent Hightower (Olivia Cooke), Daemon Targaryen (Matt Smith) and the rest of our favorite "House of the Dragon" characters are back on screen. That's especially so now that showrunner Ryan Condal has teased a special high-concept episode to come in the new season. While speaking to Josh Horowitz on the Happy Sad Confused podcast, the showrunner revealed that one episode of the third season will be a more "conceptual" and "character-driven" installment than "House of the Dragon" fans have seen from the HBO fantasy series so far. 'We got to have a little fun this season, and there's a conceptual episode that I'm really excited about that [Sara Hess] wrote, and that's all I'm gonna say about it," Condal shared during the podcast appearance. "It isn't in the traditional vernacular of what we have laid out. It's very character-driven, I think it's really great and I'm really excited to see it rendered.' Exactly which character's journey will be on the receiving end of this more experimental narrative style in the new episodes is so far unknown. Condal played coy when it came to naming names, as well as how that treatment will play out visually onscreen. But it will be interesting getting a more introspective and emotional look into a character's mindset, especially as the turmoil of a major war rages around them. Outside of the more focused, interior look into the personalities of "House of the Dragon," the third season is set to go bigger and better with its storylines. In a previous interview with Gold Derby, Condal said: "Season 2 is huge. Season 3 is huger, in many ways. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. "There are, by my quick count on stage, four major events from the book that we get to adapt and realize in three dimensions in this season. That's really exciting on a scope-and-scale perspective, and I think it's the thing the show does really well." Tom's Guide will keep you posted on all things related to "House of the Dragon" season 3, including that aforementioned concept episode as well as new teaser trailers, plot points, character details, casting announcements and more.
Yahoo
14 minutes ago
- Yahoo
‘Twelve Moons' Debuts First-Look Clip Ahead of Tribeca Premiere, Director Victoria Franco Speaks About Societal Pressures on Women (EXCLUSIVE)
'Twelve Moons,' the feature debut of Mexican filmmaker Victoria Franco, premieres on Saturday in the International Narrative Competition of Tribeca Festival. Variety debuts an exclusive first clip from the film and speaks to the director. The film stars acclaimed Mexican actor Ana de la Reguera, whose career bridges Hollywood and Latin American cinema, alongside Ariel Award winner Enrique Arreola. Filmmaker Michel Franco, Victoria's brother, is a producer on the film, and the Match Factory is handling international sales. More from Variety 'Billy Joel: And So It Goes' Directors Share Inspirational Message From Ailing Singer: 'He Will Be Back' Tribeca Festival: Miley Cyrus' 'Something Beautiful,' Barbara Walters Doc and 11 Other Films We're Excited to See 'The Shadow Scholars,' Executive Produced by Steve McQueen, Debuts Trailer Ahead of North American Premiere at Tribeca (EXCLUSIVE) 'Twelve Moons' follows Sofia, a 40-year-old architect in Mexico City, who has suffered a devastating loss, and must navigate her complex emotions while trying to stay true to herself. As she struggles with her fertility and identity as a woman, both her personal and professional life begin to deteriorate forcing her to look inward to find the light that will lead her forward. In the clip, we see that Sofia has an issue with alcohol consumption, and in the film, we discover she is also a drug user. 'For me, it's really important to portray people who don't feel comfortable with social conventions,' Franco says. 'There are many people who don't feel that they are part of society but feel societal pressure. And as a woman, there is the added pressure to have a child, have a family, be the perfect woman, and I really admire people who are really authentic and don't give in to these pressures.' Sofia is portrayed with empathy and her alcohol and drug dependency should be seen as a 'disease,' Franco says. It is Sofia's way of relaxing when faced with societal expectations and the pressure to conform – to feel 'normal,' overcome her insecurity, and appear self-confident. Unable to conceive, Sofia's life – both personal and professional – starts to unravel. 'She has no boundaries, so she doesn't know how to separate her professional and personal life, and she takes them both so seriously,' the director says. 'She feels that through her architecture, her feelings can become connected with other people. She tries to work in a way that is parallel to her feelings. Architecture is very important in this film, because I portray many places that are representing her feelings through their architecture.' Franco describes Sofia as an 'ethical' architect who tries to create buildings that encourage a feeling of freedom in those who inhabit them. We see her visiting buildings in Mexico City that exemplify that approach, like those designed by the architect Luis Barragán. 'She fights to create spaces that allow people to have more liberty within them. There's a conversation where she's arguing about putting fewer parking lots in order to create more green spaces so people can be happier in these places. 'I love Luis Barragán, who talks about a spiritual architecture, about architecture where you can feel the connection between the space and the mind, and you can feel connected with it, and it's the architecture of silence too. He won the Pritzker Prize, and his acceptance speech was amazing. It's beautiful.' Speaking about Ana de la Reguera, Franco says: 'Ana has great presence. She has a lovely face. She's a person with a deep, deep soul. And when I talked to her about the script, I felt that she was very connected with the matter of being a woman in her 40s and the social demands that people make. 'And she's an actress who has like 20 years of experience, so I was really amazed when we were talking and playing around, like, 'Imagine the camera is here, and what would you do?,' and she was improvising and doing things that I was amazed by, because sometimes I felt that she had known the character for her entire life, like she has lived with her.' Regarding the cinematography, she comments: 'First of all, I decided that the movie should be black and white, so the spectator had no distractions with the colors, and he could be really connected with the emotions and the state of mind of the character. 'And also, the movie is about architecture as well, so it's very geometrical. We looked for many locations that were really hard to get permission to film there, but we made it. There's a beautiful fountain by Isamu Noguchi, the Japanese artist, for example. 'The cinematographer, Sergio Armstrong G., is a genius. We improvised a lot. We never felt that we were in control of everything. We played with the freedom of being in the moment and sensing where to put the camera. We didn't have a shooting list of everything, and I felt so free. If I didn't have this cinematographer, Sergio, it would be pretty difficult, because I was pretty sure of the emotional state and everything but the visual things… it was Sergio who put everything together to make the movie look like the state of mind of the character.' As in film noir, the film uses light and shade to reflect the internal landscape of the character, but there were other cinematic influences. 'Many times, I felt inspired by Italian Neo Realism, because we didn't have much budget for lighting, but with its realism sometimes the film feels like a documentary, and the camera was very, very humbled, because we didn't need so much lighting to make it look beautiful. And the shadows and the geometric forms are so important.' There are similarities to how she and her brother work, she says. 'We both film chronologically. That was very helpful, because the actress was really involved with the process of the character and the emotions, and we improvised a lot, so the script changed a lot while shooting. Michel also does that, so I believe we're similar in terms of production.' She is full of praise for her brother's contribution as a producer. 'I think he was the best producer because he really got my back, and he just cares about the creativity and the process that I wanted, and he never gave up, for example, in getting some locations. Even though we didn't have enough money, he'd fight for everything. So, it was a paradise working with him.' Next up for Franco, she says, is a film about a teenager in New York, for which she is writing the screenplay now. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?


Tom's Guide
21 minutes ago
- Tom's Guide
'The Boys' just dropped an unhinged video poking fun at 'The Bear,' 'The Last of Us,' 'House of the Dragon' and itself
"The Boys" season 5 is still filming and is tentatively projected for a 2026 release window. But in the meantime, "The Boys" season 4 is campaigning for Emmy nominations, and it's doing it in a way that is as delightfully demented as the twisted superhero show itself. Titled "Acting for Awards Season," this for your consideration (FYC) video is a parody of "Masterclass" that stars "award-winning" director Adam Bourke (P.J. Byrne), who directed the Vought Studios films "Dawn of the Seven" and 'Training A-Train.' In the video, the (entirely fictional) director lays out his guide to dominating awards season and makes fun of several very real shows along the way. None of these shows are explicitly named, but you can pretty easily spot most of them. First up? "Mare of Easttown," and its "Philadelphia accents," which get attacked at the 0:36 mark. Then it's on to skewering "Bridgerton" and its prolific amount of promiscuous people, while possibly also going after "Shogun" and its use of seppuku. Of course, "Game of Thrones" wasn't going to escape Bourke's razor wit. "Dragons. Cheesy as hell," the director declared, clearly taking aim at "House of the Dragon." "But banging your sister on a dragon? Jackpot!" Get instant access to breaking news, the hottest reviews, great deals and helpful tips. From there, we go into a brief musing on whether or not the stars of "The Bear" are qualified to speak on political issues like immigration before giving praise to "The Last of Us" season 1 for being "one-eighth gay." This is, of course, a reference to the season 1 episode "Long Long Time," which is possibly the best episode of any show ever. If you've never seen it, or you don't believe me, go watch it on Max right now, then come back and tell me I'm wrong. You won't be able to because, like Bourke in this video, you'll be too busy choking back sobs, having just watched an absolute masterpiece. Finally, "The Boys" took aim at itself, declaring you should "never do a superhero TV show." Granted, it then couldn't resist a parting shot at "Friday Night Lights," but it was still nice to see a moment of self-deprecating humor amongst the deluge of potshots at other acclaimed shows. So, if you haven't become offended to the point of closing out of this article already, or if, like me, you found this unhinged parody to be hysterical, make sure to follow all our latest "The Boys" season 5 coverage to stay up to date with the show's final season. If you haven't already seen the first four seasons, make sure to go check them out on Prime Video right now to make sure you're caught up before season 5 debuts next year. Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately: