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UK judge slams Paddington Bear statue vandals

UK judge slams Paddington Bear statue vandals

Yahoo25-03-2025
Two vandals who broke a statue of Paddington Bear in half were the "antithesis" of everything the affable character from British storybooks stands for, a UK judge sentencing the pair said on Tuesday.
Royal Air Force engineers Daniel Heath and William Lawrence, both 22, set upon the statue in Newbury, southern England after a night out drinking on March 2.
CCTV footage shows the pair struggling to prize it from a bench, before splitting the hollow sculpture in two and carting half away.
They took the fragment back to their air force base in a taxi, and it was later found in Lawrence's car.
Judge Sam Goozee condemned the "act of wanton vandalism" at Reading Magistrates' Court on Tuesday, sentencing the pair to 12-month community orders after they admitted causing criminal damage.
"Paddington Bear is a beloved cultural icon with children and adults alike," Goozee said. "He represents kindness, tolerance and promotes integration and acceptance in our society.
"His famous label attached to his duffle coat says 'Please look after this bear'.
"On the night of March 2, 2025, your actions were the antithesis of everything Paddington stands for."
The vandals were ordered to pay £2,725 ($3,530) each towards repairs, and told to carry out 150 hours of unpaid work "as payback to the community", the judge said.
The statue was one of 23 along a Paddington-themed walking trail across the UK and Ireland.
Newbury was the hometown of Paddington's creator Michael Bond, which added to the statue's importance for the town, the court heard.
The friendly but accident-prone bear from Peru has long been popular in Britain following the publication of Bond's "A Bear Called Paddington" in 1958.
The character gained popularity further afield after the blockbuster success of the 2014 "Paddington" film.
In the books, the impeccably polite stowaway turns up at Paddington station with a battered suitcase containing a jar of marmalade, and the label on his blue duffle coat asking people to take care of him.
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5 Tu Clothing autumn pieces to buy before they sell out, according to a shopping expert
5 Tu Clothing autumn pieces to buy before they sell out, according to a shopping expert

Yahoo

time2 hours ago

  • Yahoo

5 Tu Clothing autumn pieces to buy before they sell out, according to a shopping expert

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Today in Chicago History: The Beatles play two shows at Comiskey Park, and scarcely a note was heard
Today in Chicago History: The Beatles play two shows at Comiskey Park, and scarcely a note was heard

Chicago Tribune

time2 hours ago

  • Chicago Tribune

Today in Chicago History: The Beatles play two shows at Comiskey Park, and scarcely a note was heard

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Olivia Colman and Benedict Cumberbatch's War of Wit in 'The Roses'
Olivia Colman and Benedict Cumberbatch's War of Wit in 'The Roses'

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time4 hours ago

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Olivia Colman and Benedict Cumberbatch's War of Wit in 'The Roses'

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It takes nothing away from the original film. It's a beautiful piece, a seminal piece that we all remember. But ours is with a sort of respectful nod to it and has taken it in a slightly different direction. What feels fresh about this take on the story? Cumberbatch: Well, I think they love each other. Colman: Yes, they do. They love each other more. Yeah, I think that's right. Cumberbatch: There's a little bit more humor, dare I say it. The first one is funny, but it's very, very dark. Colman: There's more silliness. Cumberbatch: Yeah, I think so. And I feel that Tony's very smart. He kept us English in an American context. You have that kind of cultural clash and misunderstanding. I think it means that they then become even more English, and their invective and humor and wit that's celebrated by friends becomes even more mean without them really knowing what damage it's doing. The humorous joshing and teasing that came out of their initial love just gets worse and worse. 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The film reverses gender stereotypes, with the wife becoming the primary breadwinner. How important was that gender role reversal to you? Cumberbatch: To me, it's not about gender, it's really just about an imbalance in a relationship that was existing in another dynamic. It could work equally well if it was her having a career suicide, let's say, and me having an up-and-up stretch from having been at home. Colman: I suppose for many people, they do see it like that, because we're still laboring under this idea. But with this film, it could be either. It could be a same-sex relationship. I don't think it's a mother, father, male, female. It's partners. It's two humans trying to cope with being partners who work, who are parents. Cumberbatch: It's the extreme nature of the change [in their circumstances]. When you try to be bold and impulsive and you've got kids and you're 10 years into a marriage, you have to take a little bit more care. He moves his obsession from architecture to his children and her career takes off, and they just start to miss each other. They don't hold each other and look at each other, collaborate on what unites them. And that can happen in any dynamic. Colman: It would be lovely, one day, when people don't [see it as a gender issue]. Cumberbatch: Sadly, this is still [that] world. We shouldn't have to imagine, it should actually be the reality, and I think it's coming up a lot [in interviews about the film], sadly, because it still isn't the case. We have to keep working, people, to make that not the case. Director Jay Roach with Olivia Colman and Benedict Cumberbatch on the set of THE ROSES. Director Jay Roach with Olivia Colman and Benedict Cumberbatch on the set of THE ROSES. Jaap Buitendijk, Courtesy of Searchlight Pictures You're surrounded by comedy legends like Kate McKinnon and Andy Samberg. How did working with them elevate the process? Colman: It did up the ante. We had front-row seats to McKinnon and Samberg. Cumberbatch: And when she [McKinnon] gets going on a line that she hasn't yet tested and starts laughing because she knows what's ahead, then you are all in trouble. But our director, Jay, is very patient. He lets that run a little bit, and we all end up going, "Sorry, sorry, sorry." But it's to foster a moment that's rare to get, where the fifth or sixth take is as alive as it would be if it was the first. Colman: Yes, absolutely. It was exciting. You didn't want to let them down. But also, I think what's really nice is being in the presence of such comedy greatness, genuinely. You can show a little humility. Cumberbatch: Yeah, give them the floor and just, "Oh my God. That's it!" Colman: "Oh my God, we're not worthy!" We'd be paid to sit that close to those people, watch them do their thing. It was really... Cumberbatch: Free entertainment. Got paid for it. Paid for the pleasure.

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