
Avignon Festival: 'When I Saw the Sea', Ali Chahrour's peaceful and political work
When I Saw the Sea centers on three women. These domestic workers, who came from Africa, met Chahrour through a nongovernmental organization. They, along with others, testified about their harrowing survival conditions at the hands of employers who treated them as slaves. Emerging from the darkness of the stage, they share their stories and simply recount what they experienced, detailing one act of violence and humiliation after another. One, an orphan, was abandoned on the street by her mother, a housemaid, raped by her employer, and describes the abuses suffered by domestic workers: burned with boiling oil, forced into prostitution. Another explains how her hair was cut, she was forced to bathe in front of "Madame," and made to sign a paper forbidding her from having sex.

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Local France
17-07-2025
- Local France
French town withdraws festival funding over Kneecap appearance
British police are investigating Kneecap's lead singer under a terror offence after he was accused of displaying a Hezbollah flag at a concert last year. The Lebanese militant group is banned in Britain. Police said they are also investigating videos allegedly showing calls for the death of British lawmakers. The Paris suburb of Saint-Cloud approved a €40,000 subsidy this year for the Rock En Seine festival that last year attracted 180,000 people over four days. The town council said the money had been agreed before the lineup was announced. Kneecap are to appear at the event on August 24th. Saint-Cloud said its council had now voted to withdraw the subsidy. A statement said the town, 'finances, within its means, a cultural and artistic project. On the other hand it does not finance political action, nor demands, and even less calls to violence, such as calls to kill lawmakers, whatever their nationality.' The town said it respects the festival's 'freedom' to decide its lineup and had not sought 'any kind of negotiation with the aim of influencing the programme'. Advertisement Kneecap have been taken off the bill for festivals in Scotland and Germany this year because of the controversy. The group have said they are committed to the Palestinian cause but have denied any terrorism connection. Singer Liam O'Hanna, who appears under the name Mo Chara, has condemned the charges against him as political. O'Hanna is to appear in court again four days before the Rock En Seine show.


France 24
15-07-2025
- France 24
Arabic language takes centre stage at Avignon's 79th theatre festival
Culture 12:58 12:58 min From the show For three weeks every summer, the streets of the southern French city of Avignon are overrun with performances of all kinds, from classical drama to spontaneous stand-up comedy. FRANCE 24's Olivia Salazar-Winspear went to check out this year's programme, as festival director Tiago Rodrigues invites Arabic-speaking artists to show their work as part of his guest language initiative. We discuss the multimedia storytelling of "When I saw the Sea", a performance created by Lebanese director Ali Chahrour exploring the injustices and indignities experienced by migrant workers in the "Kafala" system and hear how personal stories give his work powerful emotional authenticity and a universal resonance. We also hear from Zena, one of his inspiring actresses, and reflect upon the resistance of the Lebanese cultural sector, despite the recent crises the country has endured.


Fashion Network
11-07-2025
- Fashion Network
Paris couture: Elie Saab, By Fang Couture and ArdAzAei
Often, the greatest progenitors of couture – a very French concept – are born thousands of kilometers from France. Three such talents – Elie Saab, By Fang Couture and ArdAzAei – offered up impressive visions of revived couture classicism. None of them were born in France. Elie Saab: Royal court couture 'I dreamed of a royal court,' beamed Elie Saab, after one of his most opulent and sculptural collections to date. Staged inside the Pavillon Cambon, opposite Chanel 's HQ, the cast marched down the Belle Époque wrought-iron staircase into a packed house for the Lebanese couturier's latest show. Keeping to the regal theme, Elie sent out three veteran runway princesses to open the show. The ever-defiantly moody Dutch blonde beauty Lara Stone, swaddled in charcoal and crème caramel silk shantung, sculpted into a stunning gown. Russian beauty Sasha Pivovarova followed up in a décolleté black velvet jacket, laced at the back, and paired with crepe knickerbockers and a moiré satin train. Isabeli Fontana completed the trilogy in a va-va-vroom curvy velour gown, held together with diagonal lace stitching. Their hair left tousled, the throats looped in black ribbon, this was the sexiest Saab opening in eons. And no harm in that. Then Elie sent his famous atelier into overdrive with beautiful gowns made in magnified spring flowers, finished with bugle beading, strass and crystals. One technique of knotting folds of fabric at the front, used on duchess satin gowns, was the work of a master couturier working his magic. While his pyramidal pink feather dress was a work of astounding skill, as was his reinvented and seductive French corsetry. Composed in a fresh macaron palette of nude, rose coral pink, faint blue, and mint, with dollops of imperial black and gold, this felt like a magnificent court. For those who desire their couture to blend beauty with technical excellence, Saab and his atelier are second to none on their day. No wonder Elie won a standing ovation. As the cast assembled on the staircase, he took his familiar modest bow. By Fang Couture: Zhezhi chic at the Eiffel Tower East dialogued with West this season at By Fang Couture, an elegant indie label that staged its first show on a terrace facing the Eiffel Tower. Created by China-born Fang Yang, a graduate of noted Paris fashion college Esmod, By Fang is all about blending great European fabrics and silhouettes with clever Chinese techniques. The collection's key idea was using Zhezhi, the Chinese art of paper folding, a little like their version of origami, which ranged from handkerchiefs folded into wee flowers to some beguiling dresses made of dexterously folded duchess satin. The result was a very refined series of folded lattice dresses, such as a ruby red sheath finished with tiny buds of jade beads. Yang founded the brand with her life partner Grégoire Caillol, and together they have dreamed up a marque with a distinctive point of view. In 2015, she opened the couture maison By Fang. By Fang also showed breastplate tops made in puckered black organza finished with crystals, or a pair of beautiful chiffon lattice bustier dresses decorated with tiny amethysts – in red or softer beige. 'I wanted to work with silk and other fabrics the way I had worked with paper. It's a homage to my heritage and also to my idea of Parisian elegance,' explained Yang in a pre-show preview. As the sun descended, Yang staged her show, the refined delicacy of the clothes happily contrasted by the raw power of the tower across the Seine. East rather at ease with the West, just like this collection. ArdAzAei: Folded sea, fine food Charles Darwin would have loved the latest collection by ArdAzAei, and the audience certainly did too. Darwin believed – quite rightly – that the origin of life was the meeting of land and sea, which was why he studied mollusks on the shores of the North Sea, while a student at the University of Edinburgh. Like the great scientist, ArdAzAei's designer Bahareh Arkadani found inspiration from the sea, more specifically the sea urchin, with its unlikely pentaradial geometry and mythical status as 'talismans of protection.' Entitled The Folded Sea, the collection played on the ideal shape of sea urchins, whose shells decorate seaside homes from Galway to Gothenburg, Nantes to Naples. The result was a hyper-original collection of undulating shapes, ribbed formers, and unexpected drama. Suggesting the curvature of a bivalve with opening black crepe blazers and bustier dresses. The glistening finish of crustaceans in techy ecru pantsuits. Or playing visually on a stormy sea in a superb, layered lurex gown, finished with bold cut-outs. Everything looked elegant and noble in the midday light of the airy ground floor of the Cartier Foundation. To ArdAzAei fell the honor of being the first couture house to show there since the art center's recent restoration, in some savvy management. Though highly eco-conscious, Arkadani is not afraid to use advanced fabrics – like the 'armor-plated' cocktail with protective straps that sat three inches off the shoulders, made of silk, cotton and stainless steel. Arkadani could do with a little self-editing. Quite a few looks had one too many swirls, dissections or ruffles. But this was still a special fashion statement, using the power of fabric and fashion imagery to suggest a more beautiful, and understanding, world. Staged at a slow speed, surprisingly to a soundtrack that included a lovely quirky industrial track named Metabolism by Baintermix, this was one of those shows one only ever sees in Paris couture. Celebrated with delightful food courtesy of the happening Danish chef Claus Meyer, a new star of Nordic cuisine. Hand-dived scallops on caviar with white sturgeon caviar, topped by a sprinkling of fennel. Oyster emulsion with pickled cucumber and flowers, all washed down by an excellent Spanish biodynamic wine, Can Sumoi Ancestral Montonega. Come to think of it, Darwin would have approved of the food too.