
Andrew Schulz, ‘Podcast Bro,' Might Be America's Foremost Political Journalist
The comedian Andrew Schulz has risen to arena-headliner status on the strength of his irreverent, defiantly anti-woke standup. His material is a high-energy blend of gleeful raunch and precise observation, all peppered with ethnic jokes, slurs and smack talk. (Which, as much as such a thing is possible, generally comes across as good-hearted or, at least, not meanspirited.) But provocation is not the only trick in his bag. In Schulz's most recent special, 'Life,' which came out on Netflix this year, the 41-year-old moved into more vulnerable and narratively driven territory. It's about his and his wife's experience with I.V.F. (told in highly un-family-friendly language).
Despite all his success with standup, Schulz has perhaps become even better known for his podcasting. His shows 'Flagrant,' co-hosted by Akaash Singh, and 'Brilliant Idiots,' co-hosted by Charlamagne tha God, are appointment listening for millions, not just for humor but for political discussion too. That relatively newfound breadth and Schulz's ready embrace of disparate subject matter — from politics to sports to theology to culture writ large — has led to him becoming a star of the so-called online manosphere. Although that term, or 'podcast bro,' or any other potentially reductive label one might apply, would most likely frustrate the entertainingly pugnacious Schulz.
But whatever you want to call him or his corner of the online world, it's influential. Donald Trump went on 'Flagrant' last fall ahead of the presidential election, and progressive politicians like Bernie Sanders and Pete Buttigieg have been guests on the show this year. For me, that raised questions about what Schulz's bigger goals are, and what responsibilities might come with his growing influence.
Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio App
In the last four or five years, you've really blown up. What has shifted in the culture to enable you to come to prominence? When I started posting stuff on the internet, specifically standup, things changed for me. I was trying to get an HBO special or, back in the day, Netflix is just coming to prominence, or Comedy Central. I was trying to get anything, and I couldn't get any motion with standup. So out of desperation, I filmed my own special, pitched it to everybody, nobody wanted it, and I was like, I'm going to put this online. At the time there was a sensitivity, especially in corporate America, about edginess and jokes. So my gamble was maybe if I put this out on YouTube, there will be an audience that likes this type of comedy. I put it out, and a weird thing happened: Everybody only watched 20 minutes. So I put out a 20-minute version of it, and the next weekend, I sold out a comedy club. The next weekend I sold out another one. I was like, Whoa, there's really something over here on the internet, and I can be my authentic self with comedy despite what the cultural sensitivity of the time is.
You obviously have clear ideas about what works with audiences. Does that create a temptation to pander? If you actually are trying to create something authentic, you're going to make less money, but you maintain your integrity. Oftentimes what happens is you'll have an opinion that's maybe a little different, and you'll be rebuked for that opinion for years, and then people will start to come around. Then the same people that rebuked you will start echoing those sentiments with no accountability. We had Bernie on the pod, who I love.
Want all of The Times? Subscribe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
8 minutes ago
- Forbes
If The Punisher In ‘Spider-Man' Rumor Was True, Is Savage Hulk Next?
The Punisher/Hulk Back in 2019, it seemed up in the air whether we'd ever see Jon Bernthal's Punisher again, given the cancellation of all Netflix series and the absence of his character going forward. Now, he's everywhere. It's now been confirmed that Bernthal's Punisher will be coming to, of all places, the upcoming Spider-Man: Brand New Day, the fourth film in the series. It's the unusual blending of the most brutal, R-rated antihero in the MCU with one of its most family-friendly offerings in Spider-Man, raising questions about what's going on here. Yes, the two have paired up many times in the comics, but this is certainly the highest-profile instance of that ever now. There's one aspect of this that's also a bit eyebrow-raising. The rumors that The Punisher was joining Spider-Man in his film is an old one, going all the way back to January. But now in late May, insider Jeff Sneider and John Rocha discussed the report again, saying that trustworthy sources said that the plan was for The Punisher was to join forces with Spider-Man to fight against The Hulk. Spider-Man Yes, The Hulk, former Avenger, and with the last time we saw him being the 'smart' version training his cousin She-Hulk in the ways of Hulkdom, also revealing that he had a son out of nowhere, and his mini-plotline seemed to be leading to some sort of upcoming comic-based Planet Hulk/World War Hulk storyline that never materialized. This is, of course, not that. We have no idea what would have transformed chill Banner Hulk into some sort of monstrous Savage Hulk, another version. This is also in the wake of Captain America: Brave New World having Red Hulk as its antagonist (a film that almost felt like a Hulk sequel that did not contain Hulk). So, if the Punisher part of the rumor is true, the question is whether or not the rest of it is, and Hulk really may be the big bad in Spider-Man 4. The news also comes with the confirmation that Zendaya and Jacob Batalon are reportedly back as MJ and Ned in some capacity, despite the ending, which hinted the series was moving on from them. The other high-profile casting is Stranger Things' Sadie Sink in an unknown role that most guess is either 'real' MJ, Mary Jane, or perhaps Gwen Stacy. Bernthal went from nowhere in the MCU to one of its most prolific stars. He will be in both seasons of Daredevil: Born Again, he's starring in his own 'special' on Disney Plus later. Now he's in Spider-Man. Tom Holland and Bernthal have a long history. They helped each other audition for their respective roles way back then, and currently, they're starring in Christopher Nolan's The Odyssey together. Now, this is going to be one hell of a team-up. Follow me on Twitter, YouTube, Bluesky and Instagram. Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.


Forbes
13 minutes ago
- Forbes
Jelly Roll Charts His First Hit In The Genre Where He Started His Career
Jelly Roll lands his first win on a hip-hop-focused Billboard chart, debuting at No. 9 on the ... More R&B/Hip-Hop Streaming Songs tally with Lil Wayne's 'Sharks.' SAN ANTONIO, TEXAS - APRIL 05: Jelly Roll performs onstage for Coca Cola Live during the 2025 NCAA March Madness Music Festival on April 05, 2025 in San Antonio, Texas. (Photo byfor 2025 NCAA March Madness Music Festival) Jelly Roll first got his start in the music industry in the hip-hop space, and a number of his early albums see him rapping alongside several other well-known musicians in the hip-hop genre. That trajectory didn't see him gain much traction, so a few years back, he decided to change things up. It wasn't until he ventured into rock and country that he broke out into the American mainstream and became the superstar he is today. Despite his early beginnings, many of Jelly's hits now land on the rock, country, and pop charts, and he has seen only limited success on Billboard's hip-hop rankings. The singer-songwriter finally earns his first win on a genre-specific tally his early work would fit on thanks to his new collaboration with one of the biggest rappers of all time. Lil Wayne's "Sharks" Featuring Jelly Roll Debuts Jelly debuts at No. 9 on this week's R&B/Hip-Hop Streaming Songs chart as a featured artist on "Sharks." The track is fronted by Lil Wayne and appears on his new album, Tha Carter VI, and it also credits rapper Big Sean. "Sharks" is the third-loftiest debut of the week on the R&B/Hip-Hop Streaming Songs tally. It comes in behind "Hip-Hop" — another Wayne track, this time featuring BigXthaPlug and Jay Jones — and GloRilla's "Typa," both of which open inside the top five. Jelly Roll Earns His First Hip-Hop Streaming Hit Jelly earns his first placement on Billboard's list of the most-streamed tracks in America that are classified as hip-hop, rap, or R&B. "Sharks" earns Big Sean his seventh top 10 and twenty-second overall appearance on the roster. Wayne, meanwhile, beats his collaborators by a mile, as he now boasts a milestone 50 total appearances on the R&B/Hip-Hop Streaming Songs ranking throughout the years. "Sharks" Brings Jelly Roll to the Hip-Hop Rankings "Sharks" is a rare hip-hop win for Jelly Roll, as it brings him to half a dozen Billboard charts focused on either hip-hop or rap. The R&B/Hip-Hop Streaming Songs tally is the only list where the Grammy nominee scores his first win, but the collaborative tune also lands him on multiple other rosters. These include the Hot R&B/Hip-Hop Songs, R&B/Hip-Hop Digital Song Sales, and Hot Rap Songs rankings — for just the second time in his career.


Forbes
18 minutes ago
- Forbes
NYAFF 2025 Lineup Features More Than A Dozen Korean Films
Lee Min-ho stars in 'Omniscient Reader: The Prophet,' which airs at NYAFF on July 26. The New York Asian Film Festival and Film at Lincoln Center has published the full list of films that make up its 24th edition. NYAFF 2025 will run from July 11 to 27 across four New York City venues and champions the idea of Cinema as Disruption. 'This completes our most ambitious program ever,' says Samuel Jamier, NYAFF Executive Director. 'Eight breakthrough filmmakers competing for Uncaged, plus sidebars that reimagine what Asian cinema can be. This full-circle moment reminds us why NYAFF exists: to support bold artists before the world fully recognizes them—and to celebrate how far they've come.' This year's festival opens with one of its Korean selections, the world premiere of Informant, a Korean action-comedy that sets the tone for the lineup. Director Kim Seok will attend the premiere alongside actor Heo Sung-tae, known for his multiple appearances in films and dramas, including his memorable role in Squid Game. The Uncaged Award for Best Feature Film Competition celebrates visionary filmmakers who challenge cinematic conventions. This year's Uncaged Award nominees include one Korean film, Time To Be Strong by Namkoong Sun, which won the Jeonju Grand Prize in 2024. The festival will also include North Korean Cool, an action-focused sidebar on how North Korean characters have become slick operatives, tragic heroes, and sharp-edged mirrors of South Korean fears, fantasies, and politics. 'The Informant," starring Her Sung-tae will open the festival, The Korean films airing at the festival include several premieres as well as special screenings of some noteworthy older films that exemplify this year's theme of Cinema as Disruption. The selection includes Commitment, directed by Park Hong-soo (2013), Forbidden Fairytales, directed by Lee Jong-seok (2024), Fragment, directed by Kim Sung-yoon (2024), The Front Line, directed by Jang Hoon (2011), A Girl With Closed Eyes, directed by Chun Sun-young (2024), Hear Me: Our Summer, directed by Jo Seon-ho (2024), Hidden Face, directed by Kim Dae-woo ( 2024), Horoomon, directed by Lee Il-ha (2025) Informant (Opening Night Film) directed by Kim Seok (2024), Method Acting, directed by Lee Ki-hyuk (2024), The Old Woman With The Knife, directed by Min Kyu-dong (2024), Omniscient Reader: The Prophet, directed by Kim Byong-woo (2025), The Secret House, directed by Park Sang-min (2025), Somebody, directed by Lee Jung-chan, Kim Yeo-jung (2024), The Suspect, directed by Won Shin-yun (2013), Swing Kids, directed by Kang Hyeong-cheol (2018) and Time To Be Strong, directed by Namkoong Sun (2024). NYAFF 2025 also features a selection of cinematic shorts by South Korean directors. The New York Asian Film Foundation Inc. is a 501(c)(3) nonprofit organization dedicated to the exhibition and appreciation of Asian film culture in all its forms, with year-round festivals and programs, and a view to building bridges between Asia and America.