Fashion show producer Daniel Boey launches Singapore collective for up-and-coming designers
SINGAPORE – Local fashion show producer Daniel Boey is marking his 60th birthday – and Singapore's – with the launch of his first fashion label, Furry Tales, as well as a collective bringing together young designers.
Called dBX, it aims to provide community and support to up-and-coming Singaporeans in fashion , who will receive Boey's mentorship as well as tangible resources such as production contacts, to navigate the cut-throat world of fashion .
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'We were looking to move past that, to take the important archetypical bits, the tail fins, the turbines, the visual icons of that era, but then shed some of the silliness and move to a more sophisticated version of mid-century futurism.' Here is a closer look at how three specific design aspects were achieved. The Baxter Building Living Room In the Marvel universe, the Baxter Building performs double duty as the Fantastic Four's headquarters and home, complete with research laboratories, hangar decks, a home gym and, in this latest film, the most stylish of living rooms. Farahani drew inspiration from the works of architects Eero Saarinen (the TWA Flight Center at the John F. Kennedy International Airport) and Oscar Niemeyer (the Cathedral of Brasilia). The room's centrepiece is a circular conversation pit done up in Fantastic Four blue; the carpeted, coved stairs and floors were inspired by Niemeyer's work on the French Communist Party headquarters in Paris. One of the larger design challenges was adding warmth to what is essentially a n expansive New York City penthouse. 'We brought in a lot of natural materials that one usually associates with West Coast mid-century modernism,' Farahani said. 'There's tons of wood, lots of ferns and plantings, flagstone flooring.' To complete the space, designers added a rotating centrepiece with a fireplace on one side and a TV on the other; a large, multi-coloured mobile inspired by American sculptor Alexander Calder; and a Saarinen-designed Womb chair next to the record player listening station. The Fantasticar In 1962, Fantastic Four artist Jack Kirby – who created the comic book with Stan Lee – debuted the original Fantasticar, an open-air flying vehicle whose shape earned it the nickname 'the flying bathtub'. For First Steps, the film-makers went for something a bit more aerodynamic, taking their design cues from American concept cars like the 1964 General Motors Firebird IV. The new and improved Fantasticar shares the same sleek profile and bubble canopy top, as well as a cockpit-like front seat and rear lights that double as jets. The film-makers built two versions for the movie. The main car's bubble canopy and sliding doors open up to allow all four superheroes – even the lumpish Thing – to jump in and out with ease . Special effects supervisor Alistair Williams was tasked with bringing Farahani's designs to practical life. 'It was a real challenge,' he said. 'I've got goofy footage of me and my guys in a soundstage jumping in and out of the car, just trying to get that timing really, really tight.' The designers also added white wall tyres, chrome bullet tips poking out of the turbines and expandable front and back seats to accommodate the Thing's larger backside . The stunt version of the car, which took 22 weeks to make, features rear-wheel drive and a 450 horsepower-equivalent electric motor. 'For a concept car, it handled remarkably well,' Williams said. New York City Joseph Quinn as Johnny Storm/Human Torch in The Fantastic Four: First Steps. PHOTO: THE WALT DISNEY CO For the film's Manhattan, designers envisioned a city whose streets and skyline have been transformed by the scientific wonders enabled by the team's eggheaded leader Reed Richards/Mister Fantastic (Pedro Pascal). In this alternate universe, the Chrysler Building and the Empire State Building share real estate with domed skyscrapers straight out of 1950s sci-fi pulp novels. The concept artists and set designers drew inspiration from Arthur Radebaugh's Closer Than We Think!, a newspaper comic strip that ran from 1958 to 1963 and envisioned such hopeful possibilities as rocket-powered mail carriers and mining expeditions on the moon . 'The comics are very pulpy, very over the top,' Farahani said. 'But they were trying to show that these things were not just fantasy, and there was always some tenuous link to current technological discoveries.' The film-makers also installed a monorail system that runs through midtown, and billboards and signage that reflect a world in which the Fantastic Four are not just superheroes, but celebrity shills and stars of their own Saturday morning cartoon. Period-accurate billboards for Canada Dry and Wrigley's Spearmint gum share the borough with a faux billboard for Coppertone ('official sun lotion of the Fantastic Four!') starring a bare-bottomed Johnny Storm/Human Torch (Joseph Quinn). Ebon Moss-Bachrach as Ben Grimm/The Thing in The Fantastic Four: First Steps. PHOTO: THE WALT DISNEY CO. On the street, the prop department mixed period cars – a Ford pickup, a classic Volkswagen Beetle – and vintage New York checker cabs with one-person bubble cars created by the film's vehicles crew. 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