
‘Burning' director Lee Chang-dong's anthology to hit US shelves Tuesday
'Snowy Day and Other Stories' is Lee's first collection available in English
Acclaimed South Korean filmmaker and writer Lee Chang-dong, known recently for "Burning" (2018), will for the first time release an English short story collection in the US on Tuesday.
"Snowy Day and Other Stories," a compilation of seven stories translated by Yoosup Chang and Heinz Insu Fenkl, is being published by Penguin Books, according to Korean publisher Moonji Publishing.
The anthology -- including some of Lee's previous works from "Burning Paper" (1987) and "There's a Lot of S--- in Nokcheon" (1992) -- investigates themes of injustice, betrayal and terror. How individuals and nations perceive them is explored, Penguin Books said.
In "Snowy Day," the title story inspired by Lee's own experience in the South Korean military, the class divide between a university-educated private and a working-class corporal serving sentry duty together one snowy night leads to tragic consequences.
Lee's career took off in 1983, when he won the Donga Ilbo Literary Award for the novella "War Trophy." He went on to screenwriting and directing acclaimed works such as "Green Fish" (1997), "A Peppermint Candy" (1999), "Oasis" (2002), "Secret Sunshine" (2007) and "Burning." From 2003-2004, he served as South Korea's minister of culture and tourism.
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Korea Herald
18 hours ago
- Korea Herald
[김대균의 영어산책] "Flex" – 뽐내기와 자신감의 영어 표현
Flex란? 요즘 젊은 세대 사이에서 'flex'는 하나의 문화가 되었다. 'Flex'란 원래 '근육을 구부리다(자랑하듯 보여주다)'**는 뜻이지만, 요즘에는 비싼 물건, 능력, 라이프스타일 등을 자랑하다는 의미로 자주 사용된다. Flex (v.): to show off, to boast confidently or playfully 예: "He's flexing his new iPhone." 그 사람 새 아이폰 자랑 중이야. Flex 표현이 쓰이는 상황들 명품을 자랑할 때: 'She was flexing her Louis Vuitton bag at the party.' (파티에서 루이비통 가방 뽐냈어.) 운동 후 근육을 보여줄 때: 'Time to flex these gains!' (운동 성과 좀 보여줄까?) 재능이나 능력을 드러낼 때: 'He flexed his piano skills at the talent show.' (그 친구 재능쇼에서 피아노 실력 뽐냈지.) Flex 관련 재미있는 명언/유머 표현 센스 있는 영어 문장들 I don't mean to flex, but I just finished a 100-question TOEIC test in 20 minutes. 자랑하려는 건 아닌데, 토익 100문제 20분 만에 끝냈어요. Flexing isn't just about money—it's about confidence. Flex는 돈 자랑이 아니라 자신감의 표현이기도 하다! 'Not to flex, but I've memorized all TOEIC Part 5 vocabulary.' 자랑은 아니지만 토익 파트 5 단어는 다 외웠어요. (자랑 맞음 ) 유머 섞인 "Flex" 상황들 Friend: 'Did you just buy another pair of sneakers?' You: 'Yeah, just a little weekend flex.' 친구: 또 운동화 샀어? 나: 주말 기분 전환용 flex야~ "He posted his lunch on Instagram again. That's his daily flex." 또 점심 인스타 올렸네. 걔의 데일리 플렉스야. "Your English is so good!" "Oh, thanks! Just a little TOEIC flex." 영어 너무 잘하시네요! 아, 감사합니다. 그냥 토익 실력 좀 뽐낸 거예요~ Flex로 끝나는 명언 패러디 'To flex or not to flex, that is the question.'(To be or not to be , that is the question) 윌리엄 셰익스피어가 '사느냐 죽느냐 그것이 문제로다'를 빗대어 '자랑하느냐 마느냐, 그것이 문제로다' 'With great flex comes great responsibility.' 능력자라면 겸손도 필요합니다! 'I flex, therefore I am.'( I think, therefore I am.) 데카르트의 '나는 생각한다. 고로 나는 존재한다' 를 빗대어 '나는 자랑한다. 고로 나는 존재한다.'


Korea Herald
2 days ago
- Korea Herald
Korean cinema's political dramas
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Director Byun Sung-hyun crafts this character study around the relationship between the late Lee Sun-kyun's Machiavellian campaign mastermind and Sol Kyung-gu's principled presidential candidate, exploring how far good intentions can bend before they break entirely. The film shines in its refusal to romanticize either man. Chang-dae's dirty tricks prove devastatingly effective — vote buying, character assassination, and stoking the regional divisions that still plague Korean politics today all get deployed with ruthless efficiency. But Byun never lets us forget the human cost of these tactics, particularly as the two men's friendship fractures over the question of means and ends. The late Lee Sun-kyun brings measured calculation to the role that portrays depths of ambition beneath the surface, while Sol delivers one of his finest performances as a politician wrestling with his own complicity. Based loosely on the real-life relationship between future president Kim Dae-jung and his strategist Eom Chang-rok, "Kingmaker" asks whether winning at all costs in the name of democracy can ultimately betray the very ideals it claims to uphold. The answer it offers feels uncomfortably relevant to today's politics worldwide. Available on Google Play and Amazon Prime with English subtitles. "The Man Standing Next" (2020) Days before President Park Chung-hee's assassination in 1979, Korean CIA director Kim Gyu-pyeong finds himself caught between loyalty to an increasingly paranoid dictator and his own moral compass. The regime's inner circle becomes a nest of competing ambitions, with Kim facing off against the president's warmongering security chief (Lee Hee-jun) as he grapples with growing popular unrest and pressure from Washington. Director Woo Min-ho ("Inside Men," "Harbin") transforms this historical thriller into a masterclass in political paranoia where every conversation carries the weight of life and death. His direction maintains a carefully calibrated pace that allows tension to build organically, which explodes in a brutal finale that strips away any romanticism about political violence. As Korean cinema's most dependable leading man, Lee Byung-hun anchors the film with a performance of remarkable restraint and ambiguity, portraying Kim as a man whose stoic exterior barely contains his growing horror at the regime's excesses. "The Man Standing Next" succeeds as both compelling period drama and a timeless warning about the corrupting nature of unchecked power. Its exploration of how conflicts and pressure build up under authoritarian systems resonates far beyond the era it portrays. Available on Disney Plus, Amazon Prime, Google Play, and Apple TV with English subtitles. "The Fortress" (2017) Winter of 1636 finds Korea's Joseon dynasty trapped in a mountain fortress, besieged by Qing forces demanding submission to their new Chinese empire. Director Hwang Dong-hyuk (of "Squid Game" fame) uses this crucible of crisis to examine how high-stakes political maneuvering unfolds when a nation's survival hangs in the balance. The film centers on the philosophical divide between two royal advisors: Lee Byung-hun's pragmatic minister Choi, who advocates for immediately surrender to save lives, and Kim Yun-seok's idealistic minister Kim, who insists on fighting till the end to preserve honor. Park Hae-il's young king becomes the fulcrum between these opposing forces, ultimately responsible for decisions that will determine not just his own fate but that of his entire kingdom. Hwang's direction emphasizes the physical and psychological toll of the siege alongside the intricate ideological debates unfolding within the fortress walls, with stunning cinematography that captures both the fortress's imposing beauty and its gradual transformation into a frozen prison. The film's deliberate pacing mirrors the dizzying complexity of the moral arguments themselves, though this methodical approach may occasionally tests the viewer's patience. What elevates "The Fortress" beyond spectacle is the profound sincerity with which these arguments are delivered — each side rooted in genuine devotion to the country and its people. Both ministers present their cases with riveting conviction, and the film suggests that in extreme circumstances, there may be no purely moral choices — only different forms of compromise with an unforgiving reality.


Korea Herald
2 days ago
- Korea Herald
dotmill, Korean immersive content specialist, creates content for the Las Vegas Sphere
- Content direction and production for the world's largest spherical LED display, the Sphere - Co-produced with Galaxy Corporation, demonstrating Korea's immersive content capabilities on the global stage SEOUL, South Korea, June 4, 2025 /PRNewswire/ -- South Korea's immersive content specialist dotmill participated in the content direction and production for the world's largest spherical LED display, the Sphere, located in Las Vegas, USA. This project was carried out in partnership with Galaxy Corporation, making dotmill the first Korean company to directly produce content for the Sphere. The Sphere is an ultra-large spherical media façade measuring 157 meters in diameter and 111 meters in height. It stands as the world's only immersive LED screen capable of a full 360-degree panoramic display. Due to its enveloping structure and curved surface, the platform demands sophisticated graphic design and spatial analysis, making it an iconic stage accessible to only a few global content producers. dotmill collaborated closely with Galaxy Corporation across the entire project spectrum—from planning and direction to production—crafting a new form of immersive content optimized for the Sphere's structural characteristics and immersive environment. The final content serves as part of a major Korean financial group's brand campaign. It opens with a scene where the "Daisy" motif and logo, symbolic of the brand's model, visually converge in outer space. Viewers are then immersed in the brand message through expressive digital artwork and cinematic production techniques. "The Sphere is not merely a colossal screen but a platform that requires an entirely new approach to content, both in terms of its physical structure and viewing environment. This project demanded technical interpretation and visual strategies vastly different from traditional video production processes, and we believe it is highly meaningful that we were able to meet those challenges successfully. Through our collaboration with Galaxy Corporation, we were able to demonstrate that dotmill's technological prowess and creativity are truly competitive on the global stage," a dotmill spokesperson commented. dotmill is a South Korean media-tech firm specializing in immersive content, including extended reality (XR), interactive media, and production and operations of theme attractions powered by digital twin technology. With a strong portfolio spanning major exhibition halls, urban content, and multi-purpose cultural spaces, the company plans to further solidify its global market position following the Sphere project. - About dotmill (KRX: 464580 KQ) Founded in 2015, dotmill is a leading South Korean immersive content specialist that plans, produces, and operates content based on extended reality (XR), interactive media, and digital twin technologies. With a unique blend of technical expertise and creative storytelling, dotmill is driving innovation in the global immersive content industry. The company has built a strong global reputation through a diverse portfolio of high-profile projects. These include content production for BLACKPINK's debut stage in 2016, holographic stage direction for BTS at the 2017 Mnet Asian Music Awards (MAMA), immersive content production for the opening and closing ceremonies of the 2018 PyeongChang Winter Olympics, and the planning and production of the BTS exhibition series from 2023 to 2024. More recently, dotmill directed content for Samsung Electronics' THE WALL showcased at ISE 2025 and participated in the Las Vegas Sphere content project in 2025—further cementing its position as a pioneer in immersive media on the global stage. In addition to commissioned works, dotmill develops and operates its own immersive attraction IPs, including Lunafall, OPCI, Glow Safari, and Waterworld, offering innovative experiences that seamlessly blend physical spaces with digital content. Headquartered in Seoul, dotmill was listed on the KOSDAQ in 2024 and continues to expand globally with the vision of transforming the immersive content landscape—from planning and production to promotion and marketing.