
Nowruz 2025: What is the Persian New Year and how is it celebrated?
Festivities are under way for Nowruz, popularly known as the Persian New Year. Believed to have been celebrated for more than 3,000 years, the festival is held on the spring equinox to usher in the blooming season. Around 300 million people celebrate the occasion, though the start dates can vary between countries. It can be traced back to the ancient religion Zoroastrianism but has evolved to become a secular celebration, observed by people with Silk Road roots, including those from Afghanistan, Albania, Azerbaijan, Georgia, Iran, India, Kazakhstan, Kosovo, Kyrgyzstan, Mongolia, Tajikistan, Turkmenistan and Uzbekistan, as well as Kurds across the Middle East. Nowruz is a combination of the Farsi words 'now', meaning 'new', and 'ruz', meaning 'day'. The start of Nowruz varies in different countries because of time zones. It is marked during the vernal equinox, or the astronomical start of spring in the Northern Hemisphere. This year, the festival starts on Thursday, March 20, in Iran. Similar to last year, Iranian artist Pendar Yousefi has created a Google Doodle for the occasion. The artwork incorporates elements central to Nowruz traditions, such as the haft-sin table, a display of seven symbolic items each beginning with the Persian letter 'sin'. These are sprouts for rebirth, wheat pudding for strength, olives for love, berries for the sunrise, vinegar for patience, apples for beauty and garlic for health. There are also depictions of activities during Nowruz, such as spring cleaning to prepare for a fresh start, decorating eggs, and even leaping over a bonfire, which is believed to cleanse energy from the previous year and invite vitality in the future. The Google Doodle appeared on the search engine on Thursday in several countries, including Afghanistan, India, Pakistan, the UK and Canada. Celebrating Nowruz was added to the Unesco list of Intangible Cultural Heritage in 2009. Updated annually, the list by the UN agency safeguards traditions and ways of living in the face of increasing globalisation. In 2010, the UN declared March 21 as International Nowruz Day. Festivities typically run for two weeks. While there are many unique traditions connected to the celebration around the world, almost all communities will mark the day with a feast and by spending time with family and friends. People also give their homes a spring clean, buy auspicious items such as fish and flowers, and decorate their doors and windows with flowers. Many set their tables based on haft-sin. While buying sweets and nuts is common, most people also have certain go-to dishes during Nowruz, including sabzi polo mahi, or herbed rice with fish. It is traditionally served as the first meal of the new year in Iran. In Kurdish households, dolma or rice-stuffed vegetables, are a staple. Popular sweets include raisin and walnut cookies, and nan-e nokhodchi or Persian chickpea cookies. To celebrate, people light bonfires, set off fireworks and send wish lanterns floating into the night sky. Others jump over and around fires, chanting: 'My yellow is yours, your red is mine,' invoking the replacement of ills with warmth and energy. In more regional celebrations, people in Kyrgyzstan display traditional horsemanship to mark the arrival of the new year. Greetings during the festival include 'Happy Nowruz' and 'Nowruz Mubarak'. While Nowruz is a secular festival for many of the communities that celebrate it, it remains a holy day for Zoroastrians and people of the Baha'i Faith. This year, however, it falls during Ramadan when Muslims fast during the day. In Iran, tourism minister Reza Salehi Amiri said that Nowruzgahs – cultural events held to mark Nowruz – will be held after the evening iftar meals until midnight. 'We have formed a dedicated committee to ensure that Nowruzgah activities align with the sanctity of Ramadan while maintaining the celebratory essence of Nowruz,' he told state news agency Irna.
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Middle East Eye
4 days ago
- Middle East Eye
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Gulf Today
27-05-2025
- Gulf Today
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Salman Farooqi's composition in oil on canvas. They define various artistic styles and perspectives of Pakistan. 'By connecting Pakistani artists who would not have the opportunity to meet international audiences, Naqsh Art Dxb plays a crucial role in the global art ecosystem,' Faiza says. 'The company's efforts contribute to recognising and appreciating Pakistani art on the world stage, while enriching Dubai's cultural landscape. By showcasing established and emerging talents, Naqsh Art Dxb shapes the narrative of Pakistani art internationally, fostering cultural understanding and artistic exchange. Naqsh has clients worldwide, in Singapore, UAE, UK, and US, and ships internationally.' Born and raised in Karachi, Pakistan, Faiza developed a passion for art at an early age, inspired by her mother's love for collecting artwork. Her academic journey took her across continents, to Montreal, Canada, and then to the United States. Her professional career began in the banking sector in Dubai. Following her marriage, she relocated to Singapore, where she first ventured into the art world in 2001. In 2004, she returned to Dubai and founded Naqsh. It marked her official entry into the art business. Faiza's career has been characterised by frequent travel between Dubai and Singapore. Her multicultural experiences in Pakistan, Canada, the United States, Dubai and Singapore, have undoubtedly influenced her perspective on art and business, of which she speaks to Gulf Today What is your background in art? I grew up in an environment with a great appreciation for art. Over the past 25 years, I have been personally curating and collecting artworks by the great masters of the Eastern world, especially Pakistan. Combining my love for art and my desire to share it with a wider audience, was the foundation for Naqsh Art Dxb. Shaista Momin's work in acrylic on canvas. Do you think Pakistani art is not ideally marketed? Was it a reason for the establishment of Naqsh Art Dxb? Pakistani art is gaining global recognition; but there is substantial room for more growth and exposure. The new generation of upcoming artists, for instance, rarely get a chance to partake in events such as global exhibitions, to showcase their talent. For example, there are over 400 new graduates per year from the Indus Valley School of Art in Karachi. There is possibly similar graduating cohort — if not more — from the National College of Arts (NCA), in Lahore. A very low percentage of this new generation of artists will ever reach a level of recognition in the local Pakistani art market, leave alone win global recognition. Naqsh Art Dxb aims to reach out to the talented, young, upcoming artists from Pakistan. We buy artworks from both established and new, emerging artists, instead of acquiring them on consignment basis. When we buy artworks from emerging artists, we increase their purchase price, thus motivating them. 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Dubai is a cultural hub, attracting global attention. Various efforts such as Art Dubai, one of the greatest global art gatherings in the Middle East, reflect the changing dynamics and substantial growth of the art market in the region and globally. Our worldwide connectivity to clients has been possible only due to the strategic location of Dubai. How do you source your artworks? Artworks are sourced through my personal connections in the art world. We are in direct touch with artists and purchase in person from them. How did you build your buyers' network? Through Instagram (@ and social media, we are increasing followers and our client base. Word of mouth has also helped transform potential clients into satisfied repeat-purchasers. How do you see Naqsh Art Dxb evolving in the next 25 years? We want to be perceived as the go to house for Eastern Art. A place where people can be sure they are going to get honest and trustworthy art advice.


The National
25-05-2025
- The National
First Iraqi director at Cannes wins top prize with The President's Cake
Hasan Hadi, the first filmmaker from Iraq to win a top prize at the Cannes Film Festival said he's optimistic about the future of cinema in his country. "I think this proves that our story matters and if you can tell them and tell them well, people around the world will respond positively," he said. At the festival on Saturday, Hadi's childhood adventure film, The President's Cake, won the Camera d'Or, which honours first-time directors. Set in the 1990s when Iraq was under crippling UN sanctions, the drama follows nine-year-old Lamia after her school teacher picks her to bake the class a cake for President Saddam Hussein's birthday or risk being denounced for disloyalty. Along with her grandmother, the pair set off from their home in the marshlands into town to try to track down the unaffordable ingredients. Speaking at a press conference following his win, Hadi called the win "overwhelming and exciting". "It means more responsibility and that you have to make films in the same level," he said. "We are an emerging industry. There's still a lot to be done, there are lot of artists that are coming up and I'm optimistic about the future of cinema." The President's Cake received excellent reviews since premiering last week in the Directors' Fortnight section. Hadi and his team shot the feature entirely in Iraq, filming predominantly amid the ancient wetlands in the south of the country, listed as a Unesco World Heritage Site since 2016. He spoke to AFP about how the near-total trade and financial embargo imposed on Iraq after it invaded Kuwait "demolished the moral fabric of society," Hadi said. It sent the country "hundreds of years back", he said, adding that he did not taste cake until he was in his early teens, after the US-led invasion in 2003 toppled Saddam and sanctions were lifted. "Sanctions empower dictators," he said. "In the history of the world, there was no one time when they imposed sanctions and the president couldn't eat." Following his win, Hadi dedicated his award to "every kid or child around the world who somehow finds love, friendship and joy amid war, sanctions and dictatorship". "You are the real heroes," he said. He later shared the stage with dissident Iranian filmmaker Jafar Panahi, who won the festival's Palme D'Or top prize for his film It Was Just an Accident, the tale of five ordinary Iranians confronting a man they believed tortured them in jail. Also from the Middle East, Palestinian director Tawfeek Barhom received his award for his short film I'm Glad You're Dead Now. After giving thanks, he took the opportunity to mention the war in Gaza. "In 20 years from now when we are visiting the Gaza Strip, try not to think about the dead and have a nice trip," he said. US President Donald Trump sparked controversy this year by saying he wanted to turn the war-ravaged Palestinian territory into the "Riviera of the Middle East". Agencies contributed to this report