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Arabian Post
2 hours ago
- Arabian Post
Capella at Galaxy Macau Offers Exclusive Previews to the Luxury Resort's Most Distinguished Clientele
Previewing the Glittering New Landmark, Galaxy Macau celebrates its unwavering commitment to the craft of ultra-luxury hospitality at Asia's Award-Winning Integrated Resort MACAU SAR – Media OutReach Newswire – 11 August 2025 – In a move which promises to redefine the contours of luxury hospitality in Asia, Galaxy Macau announces the soft opening of Capella at Galaxy Macau. This meticulously conceived property brings with it an ethos of crafted luxury, cultural authenticity and highly personalized service. The porte cochère signals the entrance to Capella at Galaxy Macau, where discerning guests can expect to encounter the ultimate expression of handcrafted elegance, bespoke luxury and refined hospitality. This eagerly anticipated exclusive private preview of Capella at Galaxy Macau for the luxury resort's most distinguished VIPs, is offering stays and previews of its food and beverage concepts by invitation only. As Asia's entertainment capital enhances its contemporary lifestyle offering as a global center of UNESCO World Heritage and sensory fusion, the arrival of Capella at Galaxy Macau marks a bold new chapter in the city's rich history, one that thoughtfully aligns with the evolving needs of the discerning global traveler. ADVERTISEMENT Designed by dynamic French interior architects Moinard Bétaille – whose clientele includes the world's leading luxury maisons, palaces, museums and private residences, such as Cartier, Grimaldi Forum, the Monte-Carlo Cigar Club and Opéra Garnier – the 17-storey property has been seamlessly integrated into the Galaxy Macau luxury resort's 'house of brands'; nestled alongside the world's largest collection of luxury hotel brands held under one sphere of influence. Behind the gilded façade lies 95 signature suites and private, infinity-pool Capella Penthouses, which invite guests to unwind within sensory spaces infused with tropical splendor and a tapestry of high art and Michelin ambitions. Together, they catapult Macau's living heritage into a new era of contemporary sophistication. Spacious, light-filled Capella Penthouses feature private balconies with transparent, infinity-edge pools that invite guests to unwind overlooking panoramic views of Macau's glittering architecture. Discerning guests of Capella at Galaxy Macau can expect to encounter the ultimate expression of handcrafted elegance, bespoke luxury and refined hospitality courtesy of Capella Hotels and Resorts, voted the 'No.1 Hotel Brand in the World' in Travel + Leisure's World's Best Awards for the third consecutive year. This exclusive glimpse of Capella at Galaxy Macau marks a new era of ultra-luxury hospitality; offering new possibilities for distinguished stays at the luxury resort. Underpinned by Galaxy Macau's signature 'World-Class Asian Heart' service philosophy, Capella at Galaxy Macau reinforces the city's status as a 'World Center of Tourism and Leisure.' Hashtag: #GalaxyMacau ADVERTISEMENT The issuer is solely responsible for the content of this announcement. About Galaxy Macau Integrated Resort Galaxy Macau™, The World-class Luxury Integrated Resort delivers the 'Most Spectacular Entertainment and Leisure Destination in the World'. Developed at an investment of HK$43 billion, the property covers 1.1 million-square-meters of unique entertainment and leisure attractions that are unlike anything else in Macau. Eight award-winning world-class luxury hotels provide close to 5,000 rooms, suites and villas. They include Banyan Tree Macau, Galaxy Hotel™, Hotel Okura Macau, JW Marriott Hotel Macau, The Ritz-Carlton, Macau, Broadway Hotel, Raffles at Galaxy Macau and Andaz Macau. Unique to Galaxy Macau, the 75,000-square-meter Grand Resort Deck features the world's longest Skytop Adventure Rapids at 575-meters, the largest Skytop Wave Pool with waves up to 1.5-meters high and 150-meters pristine white sand beach. Two five-star spas from Banyan Tree Spa Macau and The Ritz-Carlton Spa, Macau help guests relax and rejuvenate. As the dining destination in Asia, Galaxy Macau offers a wide variety of gastronomic delights, exquisite experiences and ingredients of the finest quality with over 120 dining options from Michelin dining to authentic delicacies; Galaxy Promenade is the hottest shopping destination featuring the latest in fashion and curated experiences in Macau. Spanning over 100,000-square-meter, luxury flagship stores, lifestyle boutiques and our selection of labels are among the more than 200 world-renowned brands for a world-class shopping journey; Galaxy Cinemas, immersive thrills and luxurious comfort go hand in hand at Galaxy Cinemas. All 10 theaters are equipped with the latest audio-visual technology; CHINA ROUGE, one-of-a-kind deluxe lounge that evokes the glitz and glamor of Shanghai's golden era with entertainment in luxury and style; and Foot Hub presents the traditional art of reflexology to make you feel more relaxed and revitalized. For Authentic Macau Flavours & Vibrant Asian Experiences, Broadway Macau – just a 90-second walk via a bridge from Galaxy Macau, has over 35 Authentic Macau & Asian Flavours at its Broadway Food Street. The 2,500-seat Broadway Theatre plays host to world-class entertainers and a diverse array of cultural events. Meeting, incentive and banquet groups are also well looked after with a portfolio of unique venues in Galaxy Macau and a professional service staff. Galaxy International Convention Center (GICC) is the latest addition to the Group's ever-expanding integrated resort precinct and will usher in a new era for the MICE industry in Macau. GICC is a world-class event venue featuring 40,000-square-meter of total flexible MICE, and a 16,000-seat Galaxy Arena – the largest indoor arena in Macau. For more details, please visit About Capella Hotel Group Capella Hotel Group is a leading hospitality management company specializing in luxury hotels, resorts, and serviced residences. Based in Singapore, the rapidly expanding group has two brands under its portfolio and properties across eight destinations. The award-winning Capella Hotels and Resorts is renowned for its service excellence, crafted luxury design and immersive experiences celebrating the locale, while Patina Hotels & Resorts is the group's transformative luxury brand pioneering a fresh perspective in luxury hospitality. For more information visit About Capella Hotels and Resorts The Capella Hotels and Resorts constellation consists of properties located in Singapore, Sydney, Ubud, Bangkok, Hanoi, Shanghai, and Hainan. Future openings include exciting destinations such as Macau, Kyoto, Seoul, Riyadh, Nanjing and Shenzhen. The exceptional hospitality brand, taking its name from the brightest star of the Auriga constellation, shines a spotlight on local heritage, culture and community whilst crafting authentic guest experiences with the highest level of personalised service and combining a legacy of thoughtful design. Capella was named Best Hotel Brand in Travel + Leisure's 'World's Best Awards' from 2023 to 2025. Capella Bangkok and Capella Singapore earned the distinction of being included in The World's 50 Best Hotels in 2023 and 2024. Capella Bangkok was named The World's Best Hotel and Asia's Best Hotel in 2024, with Côte by Mauro Colagreco elevated to Two MICHELIN Stars for 2025. Capella Hotels and Resorts is a member of GHA DISCOVERY, a multi-brand loyalty programme representing a collection of 40 independent hotel brands over 100 countries worldwide. For more information, visit Instagram @capellahotels | Linkedin @capellahotels
The National
5 hours ago
- The National
The 12 scariest horror movies of the 2020s
Want to see the future of film? Look to the horror genre. While some corners of Hollywood feel stuck in the past, with the same old directors making the same sorts of movies year after year, scary movies are experiencing a genuinely thrilling moment. Young filmmakers worldwide are turning in bold and inventive work, and even with small budgets and little marketing, audiences are turning out in droves. And with Halloween just more than two months away and many of us searching for a good scare towards the end of summer, here are 12 of the best and most frightening films that have come out this decade, from underrated chillers to terrifying blockbuster hits. Weapons (2025) One night in a small town, at 2.17am, 17 children run away from their homes and are never seen again. Weapons, the second film from Cregger, is the story of what happens next – blending elements of Stephen King's It, Hirokazu Kore-eda's Monster and Kiyoshi Kurosawa's Cure. Operating in a mystery-box format as we jump between character perspectives to figure out what really happened, Weapons executes its scares first through our fear of the unknown, punctuated with the unnerving creepiness with the security footage of the children running from their home. It then pays off that unease with shocking, violent moments when the danger gets closer, and the answers begin to unfold. The film is a big box office hit so far – and while Jordan Peele may not have fired his team after they lost the bidding war, its success virtually guarantees that the story will become myth. While it may not be wholly original, what makes this different from its influences, of course, is Cregger's sense of humour, and while it may be a funnier film than Barbarian, it may not be a scarier one. Oddity (2024) It's not just that Oddity is scary – it's how many different ways that the film finds to terrify you that's most impressive. The tension begins with a knock at the door. A young woman awaiting her husband's return is greeted by a strange man who has come to warn her that she is not alone. He's a patient of her husband's, he says, and while he may have been stalking her, he now only has her safety in mind. Is there danger lurking behind her? Or is the man the danger? You don't immediately find out. The film cuts forward in time months after the woman's death, introducing you to her sister who runs a shop that sells supernatural oddities, herself determined to figure out what happened. It's a ghost story, a murder mystery and a monster movie all in one, with the duelling tones leaving you unsure where it may go next from beginning to end. Longlegs (2024) Early on, Longlegs feels like it will coast along as a riff on Silence of the Lambs. In it, a young detective pursues a serial killer in a case that slowly starts consuming her life. But while it starts more eerie than scary, Nicolas Cage's unforgettable turn as the titular killer brings the film to another level, delivering goosebumps in the truckload, and adding an unexpected supernatural element as well. The film's outsized success has cemented Osgood Perkins, son of the late Psycho star Anthony Perkins, as one of the genre's new pillars, and his next film The Monkey is already one of next year's most anticipated. Barbarian (2022) Horror comedies have been around since the early days of film, but in almost every case, the moment humour is introduced, the horror dissipates entirely. Barbarian, the directorial debut of former sketch comedian Zach Cregger, somehow manages both. It begins with two strangers forced to share an Airbnb, and just when their night couldn't get any worse, the film cuts to actor Justin Long singing like a fool, and a new thread begins. Fiendishly clever in twists and turns through both plot and tone, this is a singular film that lingers long after it ends. Host (2020) When global lockdowns began during the pandemic in 2020, people worldwide pledged that they would use that time to create their masterpiece. Director Rob Savage may have been the first person to achieve that goal. Host, his screenlife film documenting a video call among friends who decide to hold a virtual ceremony to contact the dead, is simple in concept, but terrifyingly effective in execution. A product of its time, sure, but one that is worth revisiting even as lockdown memories begin to fade. Anything for Jackson (2020) Of all of the films on this list, Anything for Jackson is the one that has flown most deeply under the radar, moving straight to the boutique horror streaming service Shudder after a small festival tour. But if you give it a shot, you'll most likely be hooked from the opening scene. In it, a seemingly normal elderly couple are mourning the loss of their grandson. But while they may be easygoing in their demeanour, they secretly worship darker forces, determined to find a vessel that could bring their beloved progeny back from the dead. And while it could easily have veered into familiar and gory territory, the film has a restrained take that allows an unsettling feeling to take hold instead. Nope (2022) Nope, Jordan Peele's third film, is perhaps both his best and most perplexing. It's about many things: aliens, paranoia, grief, poverty, all wrapped in the general anxiety in modern-day America. But most importantly, this is about the human obsession with spectacle and the subsequent exploitation of it for monetary gain. It's even a commentary on the history of cinema, and how everything can be sacrificed for the sake of that one perfect shot. What makes Nope scary, apart from the obvious alien presence that literally looms large over the characters, is the fact that many of us are not much different. We as humans are drawn to darkness, no matter how gruesome. And facing that is a deeply unsettling truth. Talk to Me (2022) Sometimes you never know where the best horror talent will get their start. In 2022, a giggling pair of YouTuber twin brothers from Australia named Danny and Michael Philippou somehow gave the world one of the scariest films in recent memory. Following a group of young people who contact the dead by holding hands with a mysterious porcelain statue, it quickly becomes a moving exploration of grief. And while it often relies on jump scares, it uses them well, and the truly scary moments are psychological rather than simple shocks. Bring Her Back (2025) The second film by the Philippou brothers is far better than the first. And while Bring Her Back is a deceptively kinder-hearted film than its predecessor Talk to Me – offering us characters who feel fresh, real and impossible not to root for – it's all the more terrifying for it, as our emotional investment makes every brutal twist and turn even harder to bear. The film follows two siblings who are forced to enter foster care after the death of their father – and find themselves in the home of a woman who is thrilled at how much the younger sister resembles her own dead daughter. Not for the squeamish, this two-hour film will make you more anxious than any other film on this list, without ever feeling cheap or exploitative. It's a masterwork. Late Night with the Devil (2023) Starring David Dastmalchian, Late Night with the Devil shows the downfall of a late-night talk show host whose ratings drop so he must resort to cheap tactics such as a Halloween episode in which he hosts a cast of guests that attempt to communicate with the dead. The whole film is presented like a lost episode, in which we see both the show and the behind-the-scenes happenings, with every passing segment building up to an incredible crescendo. The scariest thing about the film is how it lulls you into the sense that you're watching a real true crime documentary, hoping you would forget that it's a horror film at all. If it works on you, then you're in for a thrill ride that will get under your skin. The Empty Man (2020) Directed by David Prior, a regular collaborator of filmmaker David Fincher, The Empty Man is unlike any other horror movie in recent years. It dances between genres and explores familiar themes – spooky cults, disappearances, murder and supernatural beings – but it does it all with a singular vibe that hooks it all together. Something feels off from the start, and that unease doesn't dissipate until the twist ending. Speak No Evil (2022) The 2024 remake of Speak No Evil starring James McAvoy received rave reviews upon release, but it doesn't hold a candle to the Danish original from 2022. Some films are scary because of a lurking unknown force of evil like a ghost or monster, others are scary because of the prospect of being the victim of a serial killer. Speak No Evil 's horror is found in social awkwardness. In it, a meek and polite family become prisoners of an abrasive and straight-talking couple. And it happens not by force or persuasion, but just merely to avoid an uncomfortable confrontation. Even if you've seen the new version, give this one a shot. It may start the same, but the last 20 minutes, completely changed in the remake, will leave you cowering behind the sofa. A version of this story was first published in October 2024
Gulf Today
10 hours ago
- Gulf Today
Spike Lee's new movie is much more than a Kurosawa remake
Decked out in a resplendent orange-and-blue-striped zoot suit symbolizing the colours of his beloved New York Knicks, Spike Lee hit the Cannes Film Festival's red carpet in May in full boogie mode. As Lee and his wife, producer Tonya Lewis Lee, huddled under an umbrella and made their way through a throng of photographers, he started dancing as speakers blasted 'Trunks,' a track from the soundtrack of his new film, 'Highest 2 Lowest,' by ASAP Rocky, who also acts in the movie. Accompanied by his superstar partner, Rihanna, exhibiting her sizable baby bump, the rapper locked eyes with Lee and the two broke out into a spontaneous shimmy. With the exception of the Knicks winning the NBA championship (they would be eliminated from the playoffs a few days later), it would be hard to imagine Lee in a more joyous spirit than the one he was in at that May 19 event. His film 'Do The Right Thing' had premiered at Cannes on the same date in 1989. It was also the 100th birthday of Malcolm X, who was portrayed by 'Highest' actor Denzel Washington in their most successful partnership, 1992's 'Malcolm X.' Though months have passed since that triumphant evening, Lee is extending his 'Highest 2 Lowest' victory lap, delighted that he and Washington, whom he calls 'America's greatest living actor,' have joined forces for a fifth time. 'I've had a love relationship with the Cannes Film Festival since 1986 — they've loved all my films that have been there,' says Lee, 68, speaking on a recent video call from his residence at Oak Bluffs in Martha's Vineyard. 'May 19, 2025, was a continuation of that. I don't think it was a mistake that the world premiere of 'Do the Right Thing' was May 19, 1989. I don't think it was a mistake that May 19, 2025, was Malcolm X's 100th birthday. 'For me, some things you just cannot explain. They just happen. And to add to that, this is the first time Denzel has ever been to Cannes with a film.' He pauses: 'It was ancestral spirits, whatever you want to call it,' adding with a mischievous cackle, 'But not voodoo!' A reimagining of Akira Kurosawa's 1963 thriller 'High and Low,' 'Highest 2 Lowest' stars Washington as a wealthy music mogul whose livelihood is threatened by a life-or-death ransom demand. (The film is Lee's first with Washington since 2006's 'Inside Man.') The idea for an updated 'High and Low' has circulated around Hollywood for several years, sparking interest from David Mamet and Chris Rock, among others. Playwright Alan Fox's New York-set script was sent to Lee by Washington, who was convinced he was the only director who could do it justice. 'He didn't have to ask me twice,' cracks Lee. Seated in front of a Kehinde Wiley painting and within reach of a 'Jaws 50th' T-shirt, Lee, who wore a Knicks cap, is relentlessly jubilant, flavoring his comments with humorous exclamations and explosive laughter while declaring 'Highest 2 Lowest' as one of the most deeply felt endeavors of his decades-long career. The passage of time since he and Washington worked together stunned them both. 'Denzel and I didn't realize that it's been 18 years since 'Inside Man,'' he says. 'We only found out when journalists told us.' 'Highest' is also his first film shot and set in New York in more than a decade. The action moves from Brooklyn to the South Bronx. A key set piece involving a subway chase (an homage to 'The French Connection' and the late Gene Hackman, Lee says) is a kinetic mash-up, switching between the pursuit, rowdy Yankee fans traveling to a day game against the 'the hated motherf—ing Boston Red Sox' and a boisterous National Puerto Rican Day celebration in the Bronx featuring Rosie Perez, Anthony Ramos and Eddie Palmieri's Salsa Orchestra. 'We were not playing around,' declares Lee, almost doubled over with glee. 'Bedlam! Mayhem! Puerto Rico is in da house! It's the Bronx, baby! The Bronx!' The new movie also reflects Lee's serious admiration for Kurosawa. His introduction to the work of the legendary Japanese filmmaker came while attending New York University's Graduate Film School: Tribune News Service
