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Gabrielle Union, Mikey Madison, and More Attend Tiffany Blue Book Gala

Gabrielle Union, Mikey Madison, and More Attend Tiffany Blue Book Gala

Yahoo27-04-2025

Gabrielle Union, Alicia Keys, Mikey Madison, Quinta Brunson and more celebrities attended the 2025 Tiffany Blue Book Gala at The Metropolitan Museum of Art on April 25. Tiffany & Co. hosted the party to celebrate the launch of its Blue Book 2025: Sea of Wonder high jewelry collection. Check out what they wore below.
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Gabrielle Union at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Quinta Brunson at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Mikey Madison at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Adriana Lima at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Taylor Russell at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Rosie Huntington-Whiteley at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Anya Taylor-Joy at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Alicia Keys at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Gabrielle Union, Dwyane Wade at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Greta Lee at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Zoey Deutch at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Sririta Jensen at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Kelsey Merritt at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Phoebe Gates at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Gabrielle Union at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Cooper Koch at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.
Gabrielle Union, Dwyane Wade at the Tiffany Blue Book Gala held at The Metropolitan Museum of Art on April 25, 2025 in New York, New York.

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Kunié Sugiura's groundbreaking art gets long-overdue spotlight at SFMOMA
Kunié Sugiura's groundbreaking art gets long-overdue spotlight at SFMOMA

San Francisco Chronicle​

time2 hours ago

  • San Francisco Chronicle​

Kunié Sugiura's groundbreaking art gets long-overdue spotlight at SFMOMA

During a recent morning stroll through her new solo exhibition at the San Francisco Museum of Modern Art, Japanese artist Kunié Sugiura paused in front of a wall-size photo of herself that was taken 53 years ago in a New York gallery. 'I don't even know who she is,' said the 82-year-old photographer with a smile, looking bemused at the image of her younger self. In the 1972 photo, Sugiura stands in front of one of her early photocanvases, one similar to those on view in the SFMOMA survey exhibition 'Kunié Sugiura: Photopainting.' It's a semi-abstract photograph of a detail from nature, maybe beach sand, ash or a Central Park stone, which she blew up and then printed by hand on photosensitized canvas, applying graphite to accentuate contrast. The result, like much of Sugiura's work from the 1970s on, looks surprisingly contemporary. She started creating hybrid work that played with the boundaries between photography and painting years before it was popular, and yet Sugiura has only recently received the attention from museums and collectors that she deserves. Just last year, the Metropolitan Museum of Art in New York bought two of her photopaintings, and the SFMOMA acquired two of the standout images in its exhibition — her 1969 photocanvas 'Yellow Mum,' the cover image of the exhibition's accompanying catalog, published by MACK; and 'Deadend Street' (1978), a sculptural photopainting that juxtaposes a gritty street in Queens, N.Y., with monochromatic black painted panels, divided in the center by empty space. 'Kunié started making color photographs as art at a time when pretty much nobody else was,' explained Erin O'Toole, who curated the SFMOMA show and serves as head of photography at the museum. 'I think that's likely why her work took some time to get attention, because people didn't quite know what to make of it.' O'Toole went on to explain that there was a perceived divide in the art world well into the 1970s between painting, deemed expressive, and photography, regarded as more formal and purely representational — 'Kunié insisted on blurring that boundary.' Unlike the young black-haired artist who exudes tough-girl cool in the 1972 photo, with her arms crossed and her thumbs looped in her bell-bottoms, Sugiura today is calm and cheerful. She said it was gratifying to see more than 60 works from her six decades of artistic experimentationon view together. Touring the newly installed show prompted her to recall positive memories and fruitful, collaborative friendships – like with 94-year-old artist Ushio Shinohara, who's depicted splattering paint with boxing gloves in one of her bold photograms from 1999. 'People might not know this about me, but my life has been the best of the best,' Sugiura said. 'I'm happy I've found a way of life and of working that's stayed interesting for so long.' The SFMOMA exhibition dedicates a room to each chronologically distinct phase in Sugiura's career, spanning from the 1960s to 2021, featuring photocanvases, photopaintings, photograms and x-rays. 'I couldn't believe that her work had never been the subject of a major exhibition in the U.S.,' said O'Toole, who started planning the SFMOMA show after visiting Sugiura in her New York studio three years ago. 'I could already envision how dynamic an exhibition of the full arc of her career could be.' Sugiura was born in Nagoya, Japan, at the height of World War II. Before she turned 2, her father was killed in a U.S. military bombing of the munitions factory where he worked. She showed artistic ability as well as scientific promise from a young age, and enrolled in a women's university in Tokyo to study physics before making the radical decision to apply to art school in the United States. In 1967, just a few days after graduating from the School of the Art Institute of Chicago, where she had been influenced by conceptual photographer Ken Josephson, Sugiura moved to New York and began her ongoing exploration into new ways to approach photography. Her early experimentations involved coating large sheets of canvas with liquid photo emulsion, also called 'liquid light,' which created unique and surprising results. Working at home and at a large scale, she had to use her bathroom as a darkroom and would wash the massive canvases in her tub, wearing a swimsuit to avoid ruining her clothes. She recalled feeling 'very happy' with the results, and it allowed her to marry her science background with creative darkroom improvisation. 'I think like an Impressionist painter,' said Sugiura, 'but I was glad that I didn't have to just do painting because I was very frustrated by it. I also didn't want to just create simple black and whites (with a camera). I saw possibilities in making large images on canvas, a material people assume is for painting.' Her best photopaintings, like 'Deadend Street' (1978), marry Sugiura's eye for natural or architectural detail with an urban sophistication. Unlike Andy Warhol and Robert Rauschenberg, both of whom she cites as influences, she used her own photos, rather than screenprinting mass-media images. Stuck at home during the COVID pandemic, Sugiura revisited her anatomical x-ray series, which she had begun 30 years earlier. During a 1990 hospitalization for a collapsed lung, she became fascinated with the mysterious, anonymous beauty of x-rays which were then printed on thick film stock. 'When I was in the hospital, every four hours they were taking x-rays,' she recalled. 'I said, 'I want to see what you are looking at. I think I could do something very interesting with these images.'' The doctors agreed to give her other patients' discarded films, as long as she blacked out their names (which would surely be a HIPAA violation today). She amassed a sizable collection and created a series of haunting, surprisingly beautiful images. 'X-rays are innocent of gender. Man or woman, we all have the same structure. I might be weird, but I find that beautiful,' she said, standing in front of her large 2021 work 'Vertebra,' a massive grid of spinal column x-rays connected by colorful, interchangeable painted panels. Sugiura said she still makes art almost daily in the same fourth-floor Chinatown loft she's lived and worked in since 1974. 'I used to try to separate living and working, but the whole place is now a place for work,' she said. 'I work every day as much as I can, and I love it.'

A woman lives with her husband and ex-husband to save money. It's been surprisingly beneficial for their kids.
A woman lives with her husband and ex-husband to save money. It's been surprisingly beneficial for their kids.

Yahoo

time6 hours ago

  • Yahoo

A woman lives with her husband and ex-husband to save money. It's been surprisingly beneficial for their kids.

Megan Meyer has lived with her husband and ex-husband for nearly a year. They co-parent under one roof, saving them money and time. Meyer, her husband, and her ex plan to live on the same property until her daughter is an adult. In the summer of 2024, Megan Meyer and her ex-husband, Tyler, were stressed. It had been an eventful year for the former spouses. They split in September 2023 after three years of marriage and had to figure out how to co-parent their daughter. A few months after the separation, Meyer reconnected with her high school sweetheart, Michael Flores. Soon, they were expecting a son together. Meyer, 25, Flores, 26, and Tyler, 25, whose last name was omitted to protect his and Meyer's daughter's privacy, all agreed to settle in South Carolina to raise their children. Meyer, a stay-at-home mom and content creator, has family in the state, and Tyler found work as a police officer. Meanwhile, Flores works in the tree industry. When they moved to South Carolina, Tyler lived about 30 minutes away from Flores and Meyer, who eventually wed in June 2024. He saw his daughter often, but the financial and emotional realities of the move were weighing on all three parents. As they adjusted to their new life, Meyer thought of a way to solve their problems: she, her husband, and her ex-husband would live under one roof. The financial strain of moving and the cost of living in a new area led Meyer to consider alternative housing situations for her family. "Every time my ex and I would exchange our daughter, we would just constantly be complaining like, 'Oh, it's so expensive,'" Meyer told Business Insider, pointing to day-to-day costs like gas and rent. Meyer's son was due at the end of the summer in 2024, and she knew life would only get more expensive when he arrived. Meanwhile, Meyer's daughter was struggling with her parents' separation. "The transition was really hard on our daughter," she said. "She had just turned 2, and the back and forth was just so hard for her." As she thought more about their situation — and saw that Flores and Tyler were getting along surprisingly well — Meyer decided to approach Tyler about merging their households. "I finally was just like, 'What if we all got a place together?'" Meyer said. She was worried that the thought of living with her and her new husband might upset Tyler, but to her surprise, he was thinking the same thing. "He was like, 'You know what, I wanted to mention something about this last week, but I was scared that you would get mad,'" Meyer told BI. By July 2024, the three had signed a lease on a three-bedroom, three-bathroom house, which BI was able to review. Nearly a year later, Meyer said living with her ex and her husband has been the best thing for her family. Meyer had some initial anxiety about sharing a home with her ex when they first moved back in together. "I was 8 months pregnant at the time, so I was like, 'Am I going to be emotionally stable enough for this?'" she told BI. "But it actually ended up being so much easier than I had ever imagined." Tyler works a two-days-on, two-days-off schedule, and when he isn't working, the three function like one family unit. Meyer said it's "pretty laid back," and they now "coexist as one big family." "On the days that he's off, we'll all usually eat meals together, and then we'll either all go to the pool together or go on walks together," Meyer said. "Sometimes, my ex will just take my daughter somewhere, and my husband and I will have some time to hang out at the house." Tyler's schedule also ensures Meyer still gets one-on-one time with her new husband, who was a huge source of comfort for her through the transition. "My husband is just like my safe space, so even if my ex did something that ticked me off, my husband would cool me down," she said. It also helps that Flores and Tyler have developed a close relationship. The pair are unlikely friends, as Meyer documents on their shared TikTok account, jokingly called "notbrotherhusbands." Still, Tyler does refer to Flores as his brother, as seen in one video. When it comes to raising their kids, all three parents are hands-on with both children. Tyler doesn't parent Flores and Meyer's son, but he has babysat him several times. Meyer said her daughter is thriving now that she's living with both parents, and having her two children living together has also been a big benefit. "I love seeing our daughter become a big sister, and having her around all the time has been great for my son," Meyer said. "He's starting to play and engage with her more, and it's been really great just seeing that bond." Meyer said the living situation works so well for her, Tyler, and Flores because they all did substantial "personal growth" before moving into the same house. "There was a lot of work that was put into mending our co-parent relationship, healing ourselves of the reasons that we had split in the first place," Meyer said, adding that they addressed any "resentment" and "bitterness" before the move. The three of them hope to continue living on the same property until their daughter is an adult. They plan to stay in their rental home for another year and are saving money to buy a house with land in 2026. They plan to eventually have a family compound, and they envision Tyler living in a tiny home while they build him a full, separate house. "If Tyler were to get a tiny home on the property, our daughter probably wouldn't have a room there, so he could come and go from the 'main house' as often as he wanted," Meyer said. "A family compound is the goal," she added. Read the original article on Business Insider

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