logo
Prehistoric chariot wheel unearthed at golf course

Prehistoric chariot wheel unearthed at golf course

Yahoo24-04-2025

The remains of a prehistoric chariot wheel have been discovered at the site of a new Highland golf course.
Archaeologists made the find in a pit used for cremations thousands of years ago.
Flint tools and evidence of at least 25 Neolithic wooden buildings were also uncovered during excavations at the site of the new Old Petty championship golf course, near Inverness.
Avon Archaeology Highland described the discovery of the chariot wheel as "rare".
A 3,500-year-old Bronze Age cremation urn and evidence of medieval field systems and grain-drying kilns were among other finds.
Archaeologists said the discoveries "painted a picture" of ceremonial practices and farming life in the area from about 6,000 years ago through to the Middle Ages, which ended about 500 years ago.
The finds are to be radiocarbon dated and documented before being handed over to museums in Inverness and Edinburgh.
Andy Young, principal archaeologist at Avon Archaeology Highland, said the wheel was the most important of the discoveries.
The remains were found in a cremation pit inside a palisade circle, an area enclosed by a fence made of wooden posts.
Golf course company Cabot is developing the new site.
Stuart McColm, vice-president of golf development, said: "It's humbling to think that our new championship course, Old Petty, will rest on such historically rich ground."
In 2008, archaeologists uncovered a small - but vital - clue to the use of a chariot about 40 miles (64km) away at Birnie, near Elgin.
The piece for a horse harness was found during an archaeological dig at an Iron Age site.
Loch's island could be a rare medieval settlement
New study of Scotland's ancient burial monuments
Avon Archaeology Highland
Cabot Highlands

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Amazing' artefacts unboxed by public
'Amazing' artefacts unboxed by public

Yahoo

time13 hours ago

  • Yahoo

'Amazing' artefacts unboxed by public

Boxes of artefacts belonging to a museum, including many which have never been displayed before, are being unpacked by members of the public. A total of 6,658 boxes from the Museum of Gloucester's collection are being sorted at the city's Discovery Centre in Eastgate Shopping Centre. Lizzie Johansson-Hartley, the museum's collection officer, said Anglo Saxon leather and a Roman tile with a print of a dog were among the "amazing" items which had so far been unpacked, relabelled and "preserved for the future". Archaeologist Mark Horton said the year-long project made archaeology "accessible" to the public. Ms Johansson-Hartley said some of the boxes had not been opened up "for 50 or 60 years". "We're making sure everything is preserved for the future. "We wanted to be in a public space particularly because we wanted to open up the heritage that we have hidden away in storage to the public," she said. More news stories for Gloucestershire Listen to the latest news for Gloucestershire People can drop into the shopping centre to witness history being unboxed and offer a helping hand themselves. Most of the archaeological collections at the Museum of Gloucester date back to the Roman and medieval periods. "We do have some that predate that to the Dobunni tribe - the Iron Age - and pre-that as well," Ms Johansson-Hartley said. Mr Horton said the project, which is supported by Cotswold Archaeology and the National Lottery Heritage Fund, was changing the public's perception of archaeology. "Everyone thinks all these artefacts are precious because they're put in museums, in cabinets and no-one can touch them without proper gloves on. "But this is the real world of archaeology... to make this accessible to the community who can work on this material without worrying it's going to break or anything is so fantastic," he added. Follow BBC Gloucestershire on Facebook, X and Instagram. Send your story ideas to us on email or via WhatsApp on 0800 313 4630. Archaeologists seek volunteers to sort city history Roman lime kiln, grave and buildings found in dig Museum of Gloucester

'Amazing' artefacts unboxed by public
'Amazing' artefacts unboxed by public

Yahoo

time13 hours ago

  • Yahoo

'Amazing' artefacts unboxed by public

Boxes of artefacts belonging to a museum, including many which have never been displayed before, are being unpacked by members of the public. A total of 6,658 boxes from the Museum of Gloucester's collection are being sorted at the city's Discovery Centre in Eastgate Shopping Centre. Lizzie Johansson-Hartley, the museum's collection officer, said Anglo Saxon leather and a Roman tile with a print of a dog were among the "amazing" items which had so far been unpacked, relabelled and "preserved for the future". Archaeologist Mark Horton said the year-long project made archaeology "accessible" to the public. Ms Johansson-Hartley said some of the boxes had not been opened up "for 50 or 60 years". "We're making sure everything is preserved for the future. "We wanted to be in a public space particularly because we wanted to open up the heritage that we have hidden away in storage to the public," she said. More news stories for Gloucestershire Listen to the latest news for Gloucestershire People can drop into the shopping centre to witness history being unboxed and offer a helping hand themselves. Most of the archaeological collections at the Museum of Gloucester date back to the Roman and medieval periods. "We do have some that predate that to the Dobunni tribe - the Iron Age - and pre-that as well," Ms Johansson-Hartley said. Mr Horton said the project, which is supported by Cotswold Archaeology and the National Lottery Heritage Fund, was changing the public's perception of archaeology. "Everyone thinks all these artefacts are precious because they're put in museums, in cabinets and no-one can touch them without proper gloves on. "But this is the real world of archaeology... to make this accessible to the community who can work on this material without worrying it's going to break or anything is so fantastic," he added. Follow BBC Gloucestershire on Facebook, X and Instagram. Send your story ideas to us on email or via WhatsApp on 0800 313 4630. Archaeologists seek volunteers to sort city history Roman lime kiln, grave and buildings found in dig Museum of Gloucester

Chinese Ritual Bronzes Used For Almost 3,000 Years On Display In NYC
Chinese Ritual Bronzes Used For Almost 3,000 Years On Display In NYC

Forbes

time4 days ago

  • Forbes

Chinese Ritual Bronzes Used For Almost 3,000 Years On Display In NYC

The China Institute Gallery in New York is showing one of the world's greatest collections of ancient Chinese bronzes outside of China from a crucial period in the history of human civilization, 12th century BCE to 1st to 2nd century CE. The China Institute Gallery in New York is displaying ancient ritual bronzes owned by the Minneapolis Institute of Art through July 13 Loaned by the Minneapolis Institute of Art, the Bronze Age vessels for food and wine and imaginative animal sculptures are on view for the first time in New York through July 13. According to the China Institute Gallery, 'The emergence of the culture of bronze—an alloy of copper, tin and lead—remains a crucial chapter in the history of human civilization. Although China was not the first country to enter the Bronze Age, its bronzes from this period are unique in world history because of their variety and intricacy, the ritual context in which they developed, and the sheer number that have been unearthed over China's vast territory. The people of Bronze Age China believed in the hierarchy of beings, from the heavens to the king to the royal courts to the people. They created their art to maintain this order on earth and in the afterlife.' The gallery explained that 'in ancient China, ancestor worship, a practice based on the belief in life after death and the connection between the deceased and the living, played a significant role in daily life. Communal good depended on showing respect to ancestral spirits. This practice led to the establishment of ancestral temples to accommodate such rituals. Bronze vessels were made and then used to offer food and wine to the dead in elaborate ceremonial banquets. Their mystical surface decorations, particularly animal images, served as a means to communicate with spirits and deities. Ritual bronze vessels also gave the living an opportunity to acknowledge their debt to their ancestors, as well as the deeds and virtues of the deceased. In this way, ritual bronze vessels enhanced the sacredness and power of a temple.' It added that 'ritual bronzes were also used as funereal objects, buried in the tombs of nobles to provide the deceased with the same material environment they enjoyed in life, thus assuring immortality.' Large sets of bronze bells were also important elements in the ritual ceremonies that allowed the living to connect with the dead. The gallery said this 'is evidenced by the inscriptions on many musical instruments excavated in the past several decades from sites dating to the Western Zhou dynasty (1046–771 BCE). An inscription on a bronze bell dating to the early 900s BCE reads, 'I made this set of harmonically tuned chime bells. Use it so as to please and exalt those who arrive in splendor and to let the accomplished men of former generations rejoice.'' In addition, the gallery said 'there were profound political implications in linking ancestral rites and music. During the Western Zhou dynasty, the Zhou maintained a strict hierarchy based on a patriarchal clan system. An individual's duties, power and term of service were defined by his social status. Without musical harmony, society itself would become discordant. Therefore, music was emphasized as a means to help the populace follow the moral and social order and to regulate their conduct.' During the Eastern Zhou dynasty (771–256 BCE), the gallery also said there were 'important changes in the function, shape, decoration and style of bronzes. Due to advances in casting technology, changes in social conditions, and evolutions in regional taste, new fashions in ritual bronze casting arose. During the Shang and Western Zhou dynasties, bronze vessels were primarily used for sacrifices to ancestors. During the Eastern Zhou, however, bronze vessels diverged from the realm of religious ritual and began to be seen as luxury items in their own right, used by their owners to show off their wealth and power. Bronzes became more ornate in appearance, with extensive use of three-dimensional pendants.' The gallery called the Han dynasty (206 BCE–220 CE) 'the epilogue of the Chinese Bronze Age. During this period, the concept of immortality—the physical departure from human society and the achievement of eternal life—became a national preoccupation. This idea, influenced by Daoist teachings on eternity, had a tremendous impact on daily life and extended to representations in works of art, including bronzes.' The image of a goddess known as Queen Mother of the West. the most popular deity during this period, decorates bronze mirrors, while bronze horses like the one in the exhibition were placed in elaborately furnished aristocratic tombs to provide transportation for the deceased in the afterlife.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store