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Late photographer and jazz promoter Rashid Lombard remembered as an icon

Late photographer and jazz promoter Rashid Lombard remembered as an icon

CAPE TOWN - Cultural activist and jazz promoter Rashid Lombard has been described as an icon who not only documented South Africa's struggle history but cemented himself as a big player in the country's rich heritage.
Lombard died in Cape Town on Wednesday, surrounded by his loved ones at the age of 74.
President Cyril Ramaphosa has offered his condolences to the Lombard family and his extensive network of friends nationally and internationally.
He will be buried on Thursday morning, according to Muslim rites.
Originally from the Eastern Cape, Lombard was born in North End, Gqeberha on 10 April 1951.
At age 11, his family moved to Cape Town, where he would later become respected in media and music circles.
Trained as an architectural draftsman and later as an industrial photographer, Lombard began his career with a major construction company.
But his political consciousness was later amplified through the influence of the black consciousness movement and he left the corporate world.
He went on to work as a freelance photographer and television sound recordist during the height of the anti-apartheid struggle.
He worked for a few international media outlets, including Agence France-Presse (AFP), the BBC, and NBC.
Over the course of his career, he documented pivotal moments in South Africa's journey to freedom, including the rise of the democratic movement in the 1980s, the release of Nelson Mandela in 1990, and the country's first democratic elections in 1994.
But the music was calling and in 1997, Lombard founded espAfrika, the company which steered him to become an influential jazz promoter and founder of the then Cape Town edition of the North Sea Jazz Festival.
He was at the helm of the company until his retirement in 2014.
His work received widespread acclaim, and he was honoured with numerous awards for both his contributions to news photography and his impact on music and tourism.
In 2014, he was awarded the prestigious National Order of Ikhamanga in Silver "for his excellent contribution to arts and culture and his dedication to promoting jazz music that has put South Africa on the map for many jazz enthusiasts around the world".
He is survived by his lifelong partner Colleen Lombard, his sister Fazoe Sydow and his children Chevan, Shadley, Yana, Zach, and Daniel, and six grandchildren.

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Legendary photographer and cultural activist Rashid Lombard, who passed away on Wednesday at the age of 74, surrounded by posters of iconic musicians. Rashid was a formidable news photographer and captured some excellent pictures of protests and police action during the 1980s, but his real love was taking pictures of people, especially musicians, says the writer. Image: Brenton Geach/Independent Newspapers (Archives) Ryland Fisher When I was introduced more than 40 years ago to Rashid Lombard, who passed away on Wednesday, I thought his name was 'Pusher'. Later on, I heard people calling him 'Moena'. I never understood why he had those two names. Such was the humility and popularity of the man that many people at the time did not even know that his name was Rashid Lombard. Not many knew that his second name was Ahmed. 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I worked part-time at first and later full-time for the Grassroots community newspaper after being employed by a newspaper belonging to the Argus Company, while Rashid worked for an overseas photographic company. Rashid became one of many photographers who provided Grassroots with photographs that their bosses would not use, but they felt should be published. The fact that Grassroots had a 'no-byline' policy helped these photographers hide their association with a paper that would often be banned by the apartheid regime. Rashid was peripherally active in the Media Workers Association of South Africa (MWASA), but appeared to have found a new lease of life when a group of progressive journalists formed an organisation called the Association of Democratic Journalists (ADJ) with all of us proudly declaring ourselves 'media terrorists'. 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Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Ad loading Liya Williams, granddaughter of cultural activist photographer Rashid Lombard, rests her head on his coffin before his burial according to Muslim rites on Thursday June 5, 2025 in Cape Town. Image: Ian Landsberg / Independent Media After we became a democracy, Rashid decided to follow his first love, jazz music and worked as the first station manager at Fine Music Radio before joining P4 Radio (now Heart FM) as programme manager. He also took the audacious step in the late 1990s to bring the North Sea Jazz Festival to Cape Town and, within a few years, transformed it into the Cape Town International Jazz Festival, which is now one of the leading jazz festivals in the world. In 2008, as the CEO of Sekunjalo Media, I led the negotiations to buy a 51 per cent stake in ESP Afrika, the company organising the jazz festival which was formed by Rashid and his partner, Billy Domingo, who also acted as production director of the jazz festival and ESP. After Sekunjalo successfully bought into ESP, I became the chair of the company for about a year before I left to pursue other interests. It was easily my favourite job, and I learned so much about music and event planning from Rashid, Billy and Eva Domingo, Billy's wife. I also learned much about music from Rashid's daughter, Yana, who booked all the talent for the festival at the time. We worked together well and very hard to turn around a company that was doing well publicly, but privately it was struggling to make a profit, which is one of the most important things for any business. One memory that stands out for me from that time was travelling with Rashid and Billy to Mozambique to investigate the establishment of a jazz festival in Maputo. The idea was to have a series of jazz festivals throughout the sub-continent at around the same time, which would lead to economies of scale when booking foreign artists. For three days, we were hosted in Maputo by leading jazz guitarist, Jimmy Dludlu, who proudly showed off his hometown and country. Over the years, Rashid and I would often meet, either at functions or sometimes just to catch up. I remember how proud he was a few years ago when he announced his partnership with the University of the Western Cape to preserve his photographic archives along with that of some other photographers, such as the late George Hallet. Rashid was a humble man and did not always know the influence he had on the lives of many people throughout South Africa. He loved music and photography (he was never without his camera), but I suspect he loved people more. He was one of those people who could never leave a party without speaking to everyone in attendance. He loved to party and would often be one of the last to leave. I remember offering to give him and his wife a lift home from one party and then having to wait until he had said all his plentiful goodbyes. Over the last year or so, Rashid became ill and did not venture out much. In fact, when his good friend, James Matthews, passed away in September last year, Rashid was conspicuous by his absence. But he was already very sick at the time. Rashid married the love of his life, Colleen, in 1970 and they had three children, Chevan, Shadley and Yana. Colleen had been a trade unionist and ANC underground activists during the 1980s. He had two other younger sons with Heidi Raizenberg, the daughter of one of his friends. Rashid returned to Colleen a few years ago after she became very ill and he undertook to look after her. But they did not know that he too would become ill and that she would eventually outlive him. The last time I saw him was at a gathering of struggle journalists in Kalk Bay last year where we talked about ways of intervening in the media landscape to give more voices to ordinary people. Yesterday, his funeral was attended by a who's who of South African politics, business and civil society. Most people arrived way before the starting time of 12h45 and only left as the sun set in the early evening. Rashid received a simple Muslim burial, with a sendoff from his house in Burwood Road, Crawford, the coffin being carried through the streets to the mosque in nearby Taronga Road, and finally being laid to rest in the rough clay ground at the Mowbray cemetery, in the shadow of Table Mountain, before the mourners returned to the family house to wash their hands and have a meal. The simplicity of his burial belied the greatness of the man. * Ryland Fisher is a veteran journalist and former newspaper editor. ** The views expressed do not necessarily reflect the views of IOL, Independent Media or The African.

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