
Ladysmith Black Mambaso legacy: Meet singer Yandani Shabalala
Yandani Shabalala is the grandson Joseph Shabalala, founder of legendary five-time Grammy Award winning music group Ladysmith Black Mamabazo, and the son of the group's current lead singer Thamsanqa Shabalala. He's now stepping into his own sound.
Shaped by musical greatness, the 19-year-old Durbanite embraces R&B and soul sounds with ethereal vocals and has garnered widespread attention with his latest single, a 'feel-good anthem' titled Honeydew.
View this post on Instagram
A post shared by Yandani (@yandani__)
He shares with TRUELOVE how his family's musical heritage shaped his love for music.
'Growing up watching them perform and go on world tours would make me wish and hope I'd be doing the same thing someday. I've always been interested in music and singing and just watching them continue to sing and perform for so many years inspires me a lot.'
Yandani continues, 'I grew up just being that child who wouldn't stop singing and when I was younger, I used to even perform for my family members, singing Diamonds by Rihanna as if it was my song. One thing everyone knows about me though is that I love Ariana Grande. Any opportunity I get, I will talk about her. She's my biggest inspiration.'
Yandani's musical talent is purely that: talent.
He tells us, 'I don't train at all. I just sing and hope for the best. I do want to get professional training though someday in the future so I can know all the tips and tricks on making sure I protect my vocals as years go by.'
With a full EP on the way while working on solidifying his sound, Yandani has hit the ground running with his sonic passion.
Yandani says, 'I think it's important to not overthink the decision to reach for your dreams. I know we tend to think of what people are going to say or the judgmental remarks we may receive but it's important to use that to drive you to greatness.
'Block every negative person out and focus on yourself. With that attitude you can be anything you want, and you'll definitely succeed in life and reach your goals and dreams.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
18 minutes ago
- Forbes
Beck Revisits ‘Sea Change, ‘Morning Phase,' As Orchestral Run Wraps
'I do have the best seat in the house,' said Beck on stage at Ravinia, turning to face his backing band for the evening. 'You sound amazing. Thank you! Don't they sound amazing?' asked Beck rhetorically of the Chicagoland audience on night six of his orchestral tour, referencing one of the world's great orchestras in the Chicago Symphony Orchestra. 'The orchestra is on the clock. And it's like a very expensive parking meter. So, I don't want to talk too much!' Developing a catalog that's been delightfully impossible to pigeonhole as he emerged from the 90s alternative scene, Beck remains wonderfully whimsical, consistently experimenting with new sounds over the course of 14 studio albums. Over three decades, Beck's moved nearly 20 million albums globally, tallying two platinum albums and six gold records along the way. Beck's father David Campbell, a composer and conductor, has long worked on dozens of films as well as with artists like Carole King and Jackson Browne, recently arranging strings on the latest Rolling Stones album Hackney Diamonds. Campbell also worked on orchestral arrangements for Beck's Sea Change (2002) and Morning Phase (2014) albums. Two of Beck's more introspective studio efforts, the albums stand as companion pieces and lie at the heart of this summer's orchestral run, one which wrapped up last week in San Francisco, making up the bulk of the setlist during the symphonic outing. Beginning the show alongside CSO, Beck closed in a slightly more raucous fashion, joined only by his sizzling three piece band for a six song encore. 'Cycle' is a 39 second orchestral piece which opens the Morning Phase album sans vocals. Last month at Ravinia, the Chicago Symphony Orchestra, alongside conductor Edwin Outwater, delivered it marvelously on a sweltering evening where the heat index pushed temperatures north of 100 degrees along the lakefront on Chicago's North Shore, with Beck sauntering on stage moments later, guitar in hand. 'Thank you so much on this beautiful but very warm evening,' said Beck at the top of the show. 'We brought some friends with us this evening,' he said following 'The Golden Age.' A Laurel Canyon vibe largely defined 'Everybody's Got to Learn Sometime,' a 2004 deep cut from the soundtrack to the 2004 Michael Gondry-directed drama Eternal Sunshine of the Spotless Mind. Organ opened the performance with cello soon cutting through a Beck vocal as the singer swayed, hands in pockets on stage, the epitome of cool despite the heat. On acoustic guitar, Beck chipped in on 'Lonesome Tears,' with trumpets and trombones resplendent early as electric bass set the beat. Strings brought a frenetic and sudden conclusion to the cut which put the full power of the Chicago Symphony Orchestra very much on display. 'I was gonna say maybe we could make the lights a little moodier for this one as we go a little deeper into Sea Change,' said Beck, setting up 'Wave.' Moody was the right word with strings striking that chord early. A Burt Bacharach-like shuffle would soon drive 'Tropicalia.' Beck got the audience clapping along as pizzicato violin and saxophone rang out. 'I'm so tired of being alone,' sang Beck ironically at the top of 'Blue Moon,' surrounded by a massive symphony which deftly delivered flute and keyboard late. 'Lost Cause' followed, standing as a highlight with jangly acoustic guitar sparkling under the stars on a magical evening, the perfect juxtaposition to the sweeping orchestral backing on the number. Prancing and dancing from left to right, Beck looked back on 1996's Odelay for the first time, conjuring up images of the video as he clapped along overhead throughout 'The New Pollution.' Brass rang out during the first chorus as Beck and company picked up the pace following one of Sea Change's more melancholy moments, striking a cinematic tone during an early instrumental section. 'There's like 80 people up here!' joked Beck somewhat accurately. 'It's very expensive. I'm coming back next year as a DJ!' said the artist with a smile. Continuing with the cinematic vibe, Beck waxed philosophical on avant-garde songwriter Scott Walker, allowing the orchestra to stretch out on baroque pop-influenced pieces like 'It's Raining Today' and 'Montague Terrace (in Blue).' 'When I was a child and your favorite artist got an orchestra? That was like the end. Pompous,' joked Beck on stage. 'So, thank you for condoning my pomposity,' he said dryly, setting up the first Walker cover. Beck plucked away at electric guitar during 'Paper Tiger' as bass gurgled underneath with percussion applying a mellow mood throughout as Beck laid down a late solo over the orchestral groove. 'I hope everybody's hair isn't getting as big as mine,' he joked on the hot, humid Windy City evening. 'I've had some very Chicago summer shows,' he continued, looking back. 'I'm having a little PTSD to Lollapalooza '95.' Bassist and guitarist Jason Falkner chipped in on backing vocals during 'We Live Again' with Beck ceding centerstage to CSO for 'Phase.' Starting the song off a cappella, the familiar organ intro to 'Where It's At' soon rang out from the Ravinia stage. Back on electric guitar, Beck spun a whirling dervish in front of Outwater, spitting in rapid fire fashion later. Leaning back and to his right, with his guitar neck up, Beck stared down the conductor as the evening's orchestral accompaniment drew to a close in spectacular fashion. 'Now that they're gone, we can just relax,' said Beck with a smile, shouting out Chicagoland suburbs Schaumburg and Barrington during an elongated take on 'Debra.' Falkner and longtime drummer Joey Waronker percolated to Beck's right as the singer raced left, dancing during a late instrumental portion of 'Devil's Haircut' following a scorching fuzzed out early guitar part. Gripping his mic stand with his right hand before shredding late, Beck messed with his tunings during a gloriously cacophonous outro that stood in stark contrast to the precise exactness of the recently departed full symphony orchestra. Hopping up onto the now vacant conductor stand, Beck tore away at the harmonica, initiating a classic call and response session with the rapt audience. Taking a lap through the empty orchestra seats throughout 'One Foot in the Grave,' Beck strummed a harp, struck chimes and pounded timpani as he explored the space, offering up a bluesy romp in the city which first electrified that artform. While, per his own estimate, 80ish musicians graced the Ravinia stage moments before, Beck still needed a pre-recorded backing track (sitar) to fully flesh out 'Loser' in the show's final moments. But it was a rare deep cut from his 1994 sophomore studio effort Stereopathetic Soulmanure that stood out on stage at Ravinia following the death of a rock icon. 'I wrote a song when I was about 20. And I was really inspired by a lot of the folk singers like Woody Guthrie,' Beck began on stage. 'They'd write these songs about these mythic figures like Tom Joad or John Henry. But who are the mythic figures for me?' he explained. 'Well, there was one. And, sadly, we lost him yesterday. His name is Ozzy Osbourne,' said Beck, setting up his take on 'Ozzy,' reportedly performing the song for the first time since 1997. 'There wasn't much to that song… but everybody knows Ozzy.'


Forbes
an hour ago
- Forbes
Hitting All The Right Notes On A Music-Driven Culinary Tour Of Seattle
There are so many gems in the Emerald City that showcase the area's deep connection to all sorts of music with culinary connections. Ready to rock and roll? Let's go. Home to so many legends Icons including Jimi Hendrix, Quincy Jones and Ray Charles called Seattle home at some points in their lives, then, of course, Ann and Nancy Wilson and the beloved Heart crew. Years later, the incredibly prolific grunge era was born in the PNW. Hit up the Museum of Pop Culture (MoPOP) at Seattle Center for some surprising background on that period of time when Pearl Jam, Soundgarden, Alice in Chains and Nirvana were making some beautiful noise. That ground-breaking trio is featured in a special exhibit that's closing Sept. 7, so get on it. While you're roaming around this stunning Frank Geary-designed space that began as the vision of the late Mircosoft co-founder Paul Allen, be sure and check out the new seasonal menu at Culture Kitchen's newly updated Lounge. Menu highlights include a dry-aged salmon with Braised Bok Choy, Forbidden Rice Congee and a Kombu Dashi, as well as Truffled Mushroom Croquettes and a shareable charcuterie plate with pork sourced from Beast and Clever Butcher Shop/Restaurant. Still in a Smells-Like-Teen-Spirit frame of mind? Consider checking into Hotel Max, where the vibe carries over into the guest rooms on the special Sub Pop Records floor. You're going to dig the doors emblazoned with larger-than-life photos of music legends and the turntables in those rooms. This spot is rightly famous for its nightly beer hour in the lobby, where guests gather and become fast friends. But before leaving Seattle Center, there's so much more to explore. Bumbershoot'n This Labor Day weekend celebration of music and art extends to culinary arts with some of last year's biggest hits making return appearances. Yes, the crowds called for encores from Local Tide -- beloved for its fish-n-chips – Musangtino's x Musang (fantastic Filipino food from chef Melissa Miranda), The Chicken Supply, Eva's Wild, known for its sustainable fishing and low carbon footprint, neighborhood favorite Big Max Burgers, Gold Coast Ghal Kitchen (Liberian and Ghanaian cuisine) and a whole bunch of meats cooked low-and-slow by Jack's BBQ. Newbies that'll have tongues wagging are Seoul Tacos, XX and Indigo Cow, which sources extra rich milk for its crave-worthy soft-serve from Japan. Check out the full culinary lineup on the official Bumbershoot site and tune into my Instagram live feed for a tasting tour at 1 p.m. Pacific on Aug. 30. One more tasty stop while in this neighborhood: Don't miss a visit to the KEXP Gathering Space, where Caffe Vita pulls stellar espresso drinks and serves up pastries from local bakeries including Sea Wolf. Consider yourself lucky and get ready to coffee nerd out if you are able to hit one of the free First Friday cuppings. Also, yes, you need some merch from the Sub Pop Shop that recently opened in the Gathering Space. Good morning from Easy Street Not sure if there's another place on the planet quite like this vinyl-centric record shop in West Seattle that's also home to a popular cafe. To get a sense of the good fun on offer at this venerable diner, just check out the special lineup of bevs: The Cardi B chai latte promises to deliver a sexy sipper, while the Mudhoney is a mocha that gets extra sticky sweet with the addition of, yup, some honey. Come for brunch on a Sunday morning – during the robust Neighborhood Farmers Market – and you might have to wait for a table. Before getting hangry, wander down the block for a pastry from the award-winning Bakery Nouveau or go the other direction and indulge in the food porn-ish sweets from the Little Jaye Cafe and Bakery popup at Lady Jaye. Those now legendary Fruity Pebbles Rice Krispies Treats will make you feel like a kid again. Crank it up Ever noticed how you can barely hear the music that's playing in most dining rooms? Yes, that's why they call it background music. But let's hear it for a restaurant that isn't shy about turning up the volume and setting the stage for meals as entertainment. That's just one reason to fall in love with Ciudad in Seattle's Georgetown neighborhood. This live-fire cooking spot opened in 2016 was initially a collaboration between chef Matt Dillon and Marcus Lalario, a tireless entrepreneur who's got a robust lineup of restaurants and lifestyle/clothing brands under the Sugar Shack Unlimited flag. Dillon's no longer involved, but since he stepped away, there have been lots of interesting developments in the Ciudad space, including adding another eatery nearby – Northern Italian-inspired Mezzanotte opened in 2020 -- and bringing chef Taylor Thornhill on board to expertly run the Ciudad kitchen. But let's back it up to Lalario's early career immersed in music: 'I liked about my age to get my first job at Easy Street Records,' he said with a smile. He was just 16 and before turning 20, he'd bought The Beat Box and turned it into an all-ages club – it later became The War Room. He managed bands and launched a record label called Under the Needle. There were bars, boutiques and barbershops in those early days when Lalario often partnered with frequent collaborator Brian Rauschenbach. Inspired by burger joints he'd frequented while touring with bands, Lalario opened lovable Lil Woody's on Capitol Hill in 2011. It became an instant hit leading to multiple locations including a hot spot in Tokyo. Lil Woody's deserves a big round of applause for shining the spotlight on area chefs during its wildly popular Burger Month each February. A couple years ago, Lalario opened Darkalino's in Pioneer Square, a salute to Old School Italian-American cuisine with chef Sean Russo ably running the kitchen. (The house-made pasta is outstanding and those magical meatballs are likely to remind you of your Nonna.) The restaurant shares the gorgeous space with upscale sports-driven retailer Hometeam, which – get this – just launched a free concert series this summer. Talk about full circle with the whole music thing. Brava! Back to Ciudad, where the wide-ranging menu defies definition. The temptation is to order everything and that wouldn't be wrong. Among the many superstars: fried corn with charcoal aioli, seared haloumi served alongside roasted red peppers, pickled pears, almond, morita chili oil and – wow – those harissa-glazed carrots with herbed goat cheese, dates, garlic walnut crunch. And those are just the starters, setting the table for a spectacular lineup of grilled meats and veggies cooked over charcoal, but don't you dare miss those lamb ribs finished in harissa barbecue sauce, labneh, pickled red onions, fresh herbs. They slap. Finally, that soft, squishy, flavorful flatbread leaves a lasting impression, made for many years by the same dedicated line cook. Big round of applause for chef Kevin! And all that jazz Can't talk about music in Seattle without a conversation about Dimitriou's Jazz Alley, arguably the coolest supper club on the West Coast. Fans pack the place to see an eclectic mix of performances. Ravi Coltrane, Ottmar Liebert and Keiko Matsui are on the calendar soon. For years, Grammy award winner Taj Mahal has settled in for a long run during the week leading up to Thanksgiving. This year marks his 30th anniversary at Jazz Alley. Amazing. Guessing a big part of the pull back to this classy club run by John, Carla and Ari Dimitriou is chef Alvin Binuya's exceptional food. The menu is extensive and while there's plenty to make meat lovers happy – the Double R Ranch Prime New York Steak – is top of that must-try list. Still, seafood is king. Fresh, line-caught wild salmon and halibut preparations are brilliant. And, yes, that seafood gumbo will likely make you hum 'Do You Know What It Means to Miss New Orleans.' Order that classic with a side of Southern-style collard greens and cornbread. One more very cool reason to book a table at Jazz Alley? There's free garage parking nearby, a real rarity in Downtown Seattle.


Los Angeles Times
2 hours ago
- Los Angeles Times
Tamar Braxton says she ‘almost died' in bloody accident that left her with a fractured nose
Tamar Braxton asked her social media fans to 'pray for me for real' as she recovers from a mysterious and bloody weekend accident. The singer and reality TV star opened up about her latest health scare in an Instagram story shared Tuesday, writing, 'I almost died Sunday.' 'I was found in a pool of blood [by] my friend with a face injury. As the days go by the worse it is,' she wrote. 'I fractured my nose, lost some teeth and mobility.' Braxton did not share additional information about the weekend incident, but said it prompted her to adopt a 'totally different' perspective on life. As she takes time to heal, Braxton also wrote 'my mental health journey begins.' The 48-year-old entertainer concluded her Instagram announcement: 'I don't even know what happened to me.' A manager for Braxton, who began her career in R&B alongside four of her sisters including oldest sister Toni Braxton, addressed the 'Braxton Family Value' star's concerning post in their own Instagram story shared Tuesday. Manager Phil Thornton thanked followers for their outpouring of concern and support for Braxton. 'She is resting and recovering. Thanks for your prayers and well wishes,' he wrote. Thornton did not immediately respond to The Times' request for additional information. Braxton has long been open about her health. Over the years, she has spoken publicly about her vitiligo, her experience with pulmonary embolism (which prompted her to drop out of 'Dancing With the Stars' in 2015) and her struggles with depression and anxiety. In 2020, Braxton spoke also about how the allegedly toxic culture of reality TV pushed her to attempt suicide. Earlier this year, Braxton embarked on a solo singing tour, which launched in April in Washington, D.C., and ended in May in Oakland. Braxton was also known for her time on 'Tamar & Vince' with her ex-husband Vince Herbert, 'Celebrity Big Brother' and the syndicated talk show 'The Real.'