
Hyderabad's bridal industry empowering young women, turning them into entrepreneurs
Sania Tabassum
Hyderabad's wedding culture, steeped in Nizami grandeur, has fuelled a booming bridal industry, helping transform young Muslim women into entrepreneurs. From intricate henna designs to bespoke makeup, young artistes are redefining financial freedom in a multi-crore market driven by personalised services.
Nineteen-year-old Saara, daughter of a motor mechanic, grew up in financial hardship. Her mother's tailoring business waned as readymade bridal wear surged, pushing her to contribute to the family earning after Class 10. She honed her henna and makeup skills under the mentorship of a skilled bridal artiste, Fathima. Now charging ₹3,000 per henna session, with clients covering travel, Ms. Saara's success quelled her father's initial concerns about late-night events. Her story reflects a broader movement among Hyderabad's young Muslim women, turning bridal services into a path to independence.
Woman-centric industry
In Hyderabad's Old City, from Charminar to Yakutpura, young women from modest backgrounds are reshaping tradition. The bridal industry, once parlour-bound, now thrives on creativity and independence. The bridal industry offers a safe, women-only space, free from male-dominated workplaces. Clients often arrange transport, easing logistical challenges. Social media has revolutionized access, allowing artistes like Ms. Saara to compete with high-end studios. Brides like Meherunisa say that she discovered talent online, drawn to Ms. Saara's ability to deliver precise looks inspired by celebrities like Alia Bhatt's minimal henna design or Anushka Sharma's pastel lehenga. This digital shift has democratized the industry, enabling artistes to serve diverse budgets while fostering a vibrant community of shared techniques and global trends.
High-end artistes like Aliya Baig, founder of Aliya Baig Makeovers and Aliya Baig Academy of Makeup (ABAM), ranked among Asia's top three, mentor aspiring artists. 'At ABAM, we transform women into confident entrepreneurs,' Ms. Baig says. Her academy guides students from their first brushstroke to building portfolios and securing clients. Many graduates become freelancers, studio owners, or educators. Similarly, Meena Mehendi, a pioneer with eight years of experience, teaches at MS Degree College, training hundreds annually. 'I started for money, but now I uplift my community's girls,' Ms. Meena shares. Her students view henna as a lucrative career.
Educational and government support
Colleges like Andhra Mahila Sabha College offer makeup and beauty courses for ₹15,000, enrolling over 200 girls annually, 80% of them Muslim. Director Laxmi Cakancharla notes: 'They learn fast, earning quickly.' Government initiatives bolster this growth. The Mahila Udyam Nidhi Yojana by SIDBI provides up to ₹10 lakh loans with flexible repayment, enabling artistes to invest in quality products. Telangana's women-focused programs, like the Telangana State Rural Livelihoods Mission, offer grants and skills training, empowering rural women to enter the industry.
Challenges amid growth
Despite its vibrancy, there are challenges like when clients undervalue services, offering as little as ₹1,500 for premium work requiring costly products and travel. Safa Khan, mentions late payment . 'Clients call us 'parlour walis', but this is art,' she says. Social biases and the need to constantly learn trends pose a challenge. Yet, the women-only field breaks barriers, offering a lifeline to those once pushed toward early marriage.
Social media amplifies these artistes' reach, earning them awards like social media icon honours and empowerment recognitions at local events. These platforms spotlight their creativity, inspiring more Muslim girls to build online presences and pursue bold dreams. Workshops by mentors like Ms. Fathima further empower girls, teaching them to wield brushes as tools of change.
As Hyderabad's weddings dazzle with Nizami splendor, artists like Saara, Safa, and Meena craft legacies of beauty and empowerment, proving every design is a step toward a bolder tomorrow.
(The writer is intern at The Hindu, Hyderabad)

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The Hindu
10 hours ago
- The Hindu
Hyderabad's bridal industry empowering young women, turning them into entrepreneurs
Sania Tabassum Hyderabad's wedding culture, steeped in Nizami grandeur, has fuelled a booming bridal industry, helping transform young Muslim women into entrepreneurs. From intricate henna designs to bespoke makeup, young artistes are redefining financial freedom in a multi-crore market driven by personalised services. Nineteen-year-old Saara, daughter of a motor mechanic, grew up in financial hardship. Her mother's tailoring business waned as readymade bridal wear surged, pushing her to contribute to the family earning after Class 10. She honed her henna and makeup skills under the mentorship of a skilled bridal artiste, Fathima. Now charging ₹3,000 per henna session, with clients covering travel, Ms. Saara's success quelled her father's initial concerns about late-night events. Her story reflects a broader movement among Hyderabad's young Muslim women, turning bridal services into a path to independence. Woman-centric industry In Hyderabad's Old City, from Charminar to Yakutpura, young women from modest backgrounds are reshaping tradition. The bridal industry, once parlour-bound, now thrives on creativity and independence. The bridal industry offers a safe, women-only space, free from male-dominated workplaces. Clients often arrange transport, easing logistical challenges. Social media has revolutionized access, allowing artistes like Ms. Saara to compete with high-end studios. Brides like Meherunisa say that she discovered talent online, drawn to Ms. Saara's ability to deliver precise looks inspired by celebrities like Alia Bhatt's minimal henna design or Anushka Sharma's pastel lehenga. This digital shift has democratized the industry, enabling artistes to serve diverse budgets while fostering a vibrant community of shared techniques and global trends. High-end artistes like Aliya Baig, founder of Aliya Baig Makeovers and Aliya Baig Academy of Makeup (ABAM), ranked among Asia's top three, mentor aspiring artists. 'At ABAM, we transform women into confident entrepreneurs,' Ms. Baig says. Her academy guides students from their first brushstroke to building portfolios and securing clients. Many graduates become freelancers, studio owners, or educators. Similarly, Meena Mehendi, a pioneer with eight years of experience, teaches at MS Degree College, training hundreds annually. 'I started for money, but now I uplift my community's girls,' Ms. Meena shares. Her students view henna as a lucrative career. Educational and government support Colleges like Andhra Mahila Sabha College offer makeup and beauty courses for ₹15,000, enrolling over 200 girls annually, 80% of them Muslim. Director Laxmi Cakancharla notes: 'They learn fast, earning quickly.' Government initiatives bolster this growth. The Mahila Udyam Nidhi Yojana by SIDBI provides up to ₹10 lakh loans with flexible repayment, enabling artistes to invest in quality products. Telangana's women-focused programs, like the Telangana State Rural Livelihoods Mission, offer grants and skills training, empowering rural women to enter the industry. Challenges amid growth Despite its vibrancy, there are challenges like when clients undervalue services, offering as little as ₹1,500 for premium work requiring costly products and travel. Safa Khan, mentions late payment . 'Clients call us 'parlour walis', but this is art,' she says. Social biases and the need to constantly learn trends pose a challenge. Yet, the women-only field breaks barriers, offering a lifeline to those once pushed toward early marriage. Social media amplifies these artistes' reach, earning them awards like social media icon honours and empowerment recognitions at local events. These platforms spotlight their creativity, inspiring more Muslim girls to build online presences and pursue bold dreams. Workshops by mentors like Ms. Fathima further empower girls, teaching them to wield brushes as tools of change. As Hyderabad's weddings dazzle with Nizami splendor, artists like Saara, Safa, and Meena craft legacies of beauty and empowerment, proving every design is a step toward a bolder tomorrow. (The writer is intern at The Hindu, Hyderabad)


The Hindu
13 hours ago
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Business Standard
14 hours ago
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'New chapter': Govt launches UMEED portal for Waqf property management
The government on Friday launched the UMEED portal that would create a digital inventory after geo-tagging of all Waqf properties with Minority Affairs Minister Kiren Rijiju calling it a historic step that would ensure that community-owned Waqf assets are utilised effectively and fairly for poor Muslims. The UMEED central portal, short for Unified Waqf Management, Empowerment, Efficiency and Development Act, 1995 will serve as a centralised digital platform for real-time uploading, verification, and monitoring of Waqf properties. "The UMEED portal will add a new chapter in the history of Waqf property management and administration in India. It will not only bring transparency but will also help the common Muslims, particularly women and children," Rijiju said after launching the UMEED central portal. The portal, developed by the Ministry of Minority Affairs, was officially inaugurated in the presence of Union Minister of State for Minority Affairs George Kurian. Calling it a historic step, Rijiju emphasised that the UMEED central portal is more than just a technological upgrade. "It is a symbol of the government's firm commitment to safeguarding the rights of minority communities and ensuring that community-owned Waqf assets are utilised effectively and fairly, for the poor Muslims, for whom, it was originally meant," he said. Later, in a post on X, he said, "A momentous occasion to launch the 'UMEED' Central Portal (Unified Waqf Management, Empowerment, Efficiency & Development Act, 1995) in New Delhi today. MoS @GeorgekurianBjp, officials of @MOMAIndia, States, UTs & Waqf Boards attended online. It's a big step towards better administration & management of Waqf properties across India." The portal aims to improve greater transparency, accountability, and public participation. The key features of the portal include the creation of a digital inventory with geo-tagging of all Waqf properties. It also includes an online grievance redressal system for better responsiveness and transparent leasing and usage tracking. The portal also involves integration with GIS mapping and other e-governance tools and public access to verified records and reports. Addressing the gathering, Kurian said the portal is a long-awaited reform that will curb misuse and bring the Waqf administration closer to the people. "The system ensures that every property is accounted for and used in accordance with the purpose it was endowed for," he said. Ministry of Minority Affairs Secretary Chandra Shekhar Kumar said he expected the UMEED portal to become the backbone of digital Waqf governance, thereby ensuring that the Waqf assets contribute meaningfully to education, healthcare, livelihood generation and social welfare, especially for underprivileged sections within the Muslim community. Earlier this week, the All India Muslim Personal Law Board had opposed the launch of the portal in view of the petitions against the Waqf (Amendment) Act being pending before the Supreme Court. President of the All India Muslim Personal Law Board Maulana Khalid Saifullah Rahmani said the new Waqf law introduced by the government is currently under consideration in the Supreme Court and added that all Muslim organisations have rejected it. "Opposition parties, human rights organisations, as well as Sikh, Christian, and other minority communities have also declared it unacceptable. However, it is unfortunate that despite this, the government is launching the "Waqf Umeed portal" from June 6 and is making the registration of waqf properties mandatory through it. This action is entirely illegal and clearly constitutes contempt of court," the AIMPLB had said in its statement.