logo
Michael Phelps journals to find the ‘best version' of himself. When I tried it, the results surprised me

Michael Phelps journals to find the ‘best version' of himself. When I tried it, the results surprised me

New York Times20-02-2025

Michael Phelps knows himself.
He knows if he doesn't exercise throughout the week, he'll turn into some 'big ass ogre that no one wants to be around.'
He knows Post Malone's music has recently worked best for cardio days and Eminem's for heavy lifting.
He believes in structure, which is why he has his four sons place their shoes and backpacks neatly by the door.
Advertisement
He understands that while he hardly ever swims these days, it's still the one thing that will help him through a bad mental health spell. And he knows that peace, for him, is cooking breakfast and dinner for his wife and sons each day.
There is an easy answer for why Phelps, the most decorated and accomplished Olympian of all time, knows these idiosyncrasies about himself: He writes down even the most minuscule details of his day in a journal, then reads over his entries later on, viewing it as a tool to better understand himself.
'I have to be the best version of myself and give myself that chance,' he told me.
We talked about many things: his love for old school hip-hop, the scorpions that have recently been hiding around his house and how he's able to maintain a positive headspace in part because of journaling.
I swam competitively for 15 years and, like most swimmers, idolized Phelps for his 23 gold medals over five Olympics. But as the years went on, something else stood out: His emotional intelligence and sense of self.
To better understand where that came from, I decided to test Phelps' journaling method. The idea was simple: One notepad, one pen and one week to see what I might pick up from the best Olympian of all time.
In Phelps' world of journaling, there are two rules.
The first: No limits.
No prompts, no planning, just riffing.
Phelps established this as a first-time journaler, and it's been his style since.
'It was my way of just getting all the thoughts and feelings and emotions on paper,' he said. 'To where I wasn't really carrying them as excess weight around my life.'
The second rule comes naturally if you're following the first: Document everything.
How did you feel when you woke up? What was on the agenda for the day? Did an interaction make you feel weird? What did you eat for dinner?
Advertisement
At first, Phelps admitted his intention was simply a desire to remember. But he came to see the entries as useful in another way.
'I always want to constantly learn,' he said. 'Reliving those memories again, I'm always learning different things.'
So that night, I cracked open my own journal. I put on my writing music of choice, Bon Iver and Beach House, placed my phone across the room and clicked my pen. Before this experiment, I'd call myself a loose journaler, picking it up here and there or documenting a trip I really wanted to remember. But I've never done it the way Phelps does, noting small details about a regular day.
I worried I wouldn't have anything to say. But in order to journal the Phelps way, I started with little mundane details about my morning:
Been feeling sick so I've been waking up way slower than usual recently. This morning I drank two cups of blueberry coffee and had yogurt with granola and raspberries.
OK. Nothing groundbreaking.
Was texting Lauren and Kasey today and talked about our trip to Philly in March, so excited for that.
I continued to write, elaborating on why that excited me, which led me to my first surprise. Those friends are some of my best friends from college. I used to see them every day. Now we live hundreds of miles away from each other and instead of walking to each other's apartment, hanging out requires a flight or long drive. I didn't know where exactly my thoughts were coming from, but I filled up several pages on our friendship and how it has evolved.
It felt like one of those magic tricks where the magician pulls a never-ending scarf out of their sleeve: More and more unexpected thoughts kept rolling out.
I wrote about the group chat we have, called Hoping for Highs. To stay connected, we used to send our highs and lows of the week every Wednesday. A little tradition that I loved. It always made me feel up to date with their lives. But I realized while journaling that we hadn't done that in forever.
We're just so much busier now and we are so much further away from each other and I hate it. I hate growing pains.
Phelps picked up a journal for the first time in his early 20s as a last-ditch effort to avoid seeing a therapist.
His mom, Debbie, raised him and his equally active two older sisters while simultaneously working as a school principal and studying as a graduate school student. He made it clear that two sentiments of his upbringing are true: His mother did 'a f——- hell of a job' raising him and his sisters, but there was no time for emotions.
Advertisement
'My mom taught us to stuff it down and pretend like everything's fine,' Phelps said. 'She did the best she could in providing and pretending like everything was great on the outside, but I think for myself and my two sisters, that's why we took to journaling. Because we wanted to get this stuff out.'
Phelps is now a big advocate for therapy, but the journaling stuck.
He journaled on the day each of his four sons was born, jotting down every detail — what he was doing, what the trip to the hospital was like and how special each of those milestones were for him and his family. He also has countless entries of bad days. Or filler days where nothing major happened.
But all of his days to him, good, bad or boring, are puzzle pieces.
He first started viewing his life as a puzzle during his swimming career. There were parts of him, or rather pieces, that didn't quite fit. Some he couldn't understand. Unexpected 's—head moods' and 'hating who he was' when looking in the mirror. Each one confusing him when holding them up to the rest of the pieces of his life.
When he realized he could employ the help of his journal entries, he slowly began to crack some sort of code.
'I'm like, 'Oh, I was in a s—head mood because I slept four or five hours for three days in a row,'' he told me, laughing. 'Like, hmm, no wonder you were not very nice!'
By recording as many details as he can, he's able to go back and access everything when he needs it. Essentially, to Phelps, re-reading entries is piecing together the puzzle.
'I feel like when I don't do it, I'm not giving myself the best chance to be me,' he said. 'And I know that when I'm just my authentic self, it's a lot easier and a lot happier to live life.'
On my second day, I turned on Leon Bridges and Fleetwood Mac. I was a little more excited than day one, knowing that I might stumble into something unexpected. Once again, I started with my morning: Still kind of feeling sick so mixed it up this morning and drank chamomile tea with milk and honey. Forgot how good tea is.
Advertisement
Wait a minute, I thought. Tea is really good. I love tea! Why am I not drinking tea regularly?!?
I know, I know: Forgot how good tea is. Not exactly a life-altering revelation. But the simple act of writing about tea caused me to stop and think. Maybe that's what Phelps was talking about when he told me you'll discover things about yourself that can lead to routine changes.
'If you're not doing these small things that make you the best version of you,' Phelps said, 'then you're skipping, you're cheating big parts of life. You're not being your authentic self. For me, I believe we are all so special in our own ways and we're supposed to be our authentic self and if we're not doing that, then c'mon.'
As the days went on, I started to really look forward to journaling each night. In a way, it became 10 to 15 minutes of my day when all I had to worry about was remembering what I did and how I felt. And no matter how much I didn't expect there to be something to expand on, there always was.
One day I realized I'd spent too much time on my phone so before going to bed, I set my phone to 'do not disturb,' and I've slept better ever since. Another day I realized I had hardly drank any water, which made me stop and think. I get tons of headaches and usually write it off as allergies. But maybe, just maybe, I'm chronically dehydrated? I made an effort to drink more the rest of the week and will try to tally how many headaches I get in my journal to see if there's a trend. Small changes, but maybe I wouldn't have made them otherwise.
It reminded me of something Phelps said about 'doing little things well and stacking those things on top of each other.'
'As long as I'm doing something right or something positive throughout the day,' he said, 'then I feel like I'm learning from that.'
Advertisement
Four days after my first journal entry, I did something I hadn't done in a while. I texted the highs and lows of my week to our group chat. While we still talk often, nothing makes me feel more connected with my friends than hearing about their recent highs and lows. A few minutes later, they texted back their lists, too.
Ultimately, I'm just surprised at how many details I'm aware of now, by letting myself marinate in situations or topics longer than I ever would have. And maybe the most telling part of the experience has been reading back the entries, even a week later.
It's allowed me to look deeper into how I function, forcing me to hover over the versions of myself from each day of the week. Or, in Phelps' terms, to scan each puzzle piece until I know what fits.
(Illustration: Dan Goldfarb / The Athletic; Clive Rose / Getty Images)

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sir Andy Murray not ruling out return to coaching despite Novak Djokovic split
Sir Andy Murray not ruling out return to coaching despite Novak Djokovic split

Yahoo

timean hour ago

  • Yahoo

Sir Andy Murray not ruling out return to coaching despite Novak Djokovic split

Sir Andy Murray has not ruled out a return to coaching despite his short-lived link-up with former world number one Novak Djokovic coming to an end after just four tournaments last month. Murray was speaking at Queen's Club in London, whose centre court was officially inaugurated as the Andy Murray Arena on Monday ahead of the venue's new WTA 500 event, the first time the west London site has hosted women's tennis in 52 years. Advertisement Murray, who retired from playing after the 2024 Olympics, linked up with Djokovic in November and despite the pair terminating their relationship in May, the 38-year-old says he may accept a similar role in the future. Andy Murray relished his return to Queen's Club on Monday (John Walton/PA) Murray told BBC Sport: 'I would do it again at some stage. I don't think that will happen immediately. 'I wasn't planning on going into coaching as soon as I finished playing but it was a pretty unique opportunity. It was a chance to learn from one of the best athletes of all time. 'It was a brilliant opportunity for me. We got to spend some really nice moments away from the court. Results weren't as we wanted but we gave it a go.' Murray, a three-time grand slam winner and five-time winner of the men's title at Queen's, joked his tennis was now 'diabolical' before rallying with a 10-year-old doubles partner on the court. Advertisement 'My tennis is diabolical, apologies for what you are about to witness,' he said before pairing up with Gloria, 10, for the ceremonial two-round rally against Laura Robson, who won an Olympic silver medal alongside Murray in 2012, and Jay, 7. 'I've obviously missed being out here,' he added. 'It's the first time, obviously, not being involved in a grass court season for a while, but I've got a new life now and I'm enjoying being away from the sport a little bit.' Centre court at the Queen's Club was renamed in Murray's honour (John Walton/PA) The Scotsman also revealed he has a special connection to this event – he was coached as a 12 and 13-year-old by Russian Olga Morozova, the last women's singles winner here in 1973. Advertisement 'I think it's brilliant,' said Murray, when asked about the return of women's tennis to Queen's. 'This court has had many great matches on it. I think it's a great chance for women to showcase themselves out there.' The former world number one first competed in the main draw at Queen's as an 18-year-old and for the last time last season before retiring in Paris. He also claimed the doubles trophy in 2019 alongside Feliciano Lopez. Murray added: 'This tournament has so many special moments for me. It's the place where I won my first match on the ATP Tour, it's my most successful event. 'Coming back here at the start of the British summer and I'm very proud of the results I have here. 'I'm very grateful and thankful for whoever it was who decided to name the stadium this way. I hope there's lots of great matches and you all enjoy the tennis.'

Jonathan Daviss To Lead Pending Snoop Dogg Biopic
Jonathan Daviss To Lead Pending Snoop Dogg Biopic

Yahoo

timean hour ago

  • Yahoo

Jonathan Daviss To Lead Pending Snoop Dogg Biopic

The Snoop Dogg biopic has found its lead. Actor Jonathan Daviss has been tasked with playing the veteran rapper in the pending project. According to an exclusive report from Deadline, the Outer Banks star landed the role after the studio named Craig Brewer director. Still unnamed, the film will be produced by Snoop Dogg, Brian Grazer, and Death Row Pictures president Sara Ramaker. 'Bow wow wow,' shared Daviss on Instagram as he revealed the news. In a separate post, Snoop Dogg added 'Let's go nefew !!' marked with an assortment of emojis. 'it's time.' The casting comes after the 'Sensual Seduction' rapper announced last year his quest for a younger actor to 'embody the spirit' of his younger self. He explained, 'Actually, I'm looking for somebody who can embody the spirit when I was that young, rough around the edges—trying to discover who I was, and that to me is going to be a phenomenal actor.' Snoop Dogg's biopic was first announced in 2022. Per Deadline, the movie will explore how the West Coast rapper entered the Hip-Hop scene and earned the stage name Snoop Dogg. As described by the outlet, 'Snoop brought his laid back drawling delivery and sharp lyrics to Death Row Records, where he worked with Dr Dre on his smash debut album Doggystyle. He broadened into other platforms to the point he might well be seen rubbing elbows with Martha Stewart or getting in the pool with Michael Phelps during the 2024 Paris Olympics, where he became one of the high points of that Olympiad on NBC and Peacock.' The film is the first project under Death Row Pictures' overall deal with NBCUniversal Entertainment & Studios as the label moves into motion pictures. More from Jamie Foxx To Be Honored As Ultimate Icon At 2025 BET Awards Snoop Dogg Claims He "Bought Everything" Suge Knight Owns On New Song Snoop Dogg Responds To Warren G's Claims Of Being Left Out: "It's Pain We've Never Fully Addressed"

Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'
Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'

Yahoo

time3 hours ago

  • Yahoo

Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'

If you've enjoyed a live TV music special in recent years, chances are Ben Winston produced it. Since signing off The Late Late Show with James Corden in 2023, which he executive produced, he's more than had his hands full with his company Fulwell Entertainment, bringing a slew of music specials to the screen — with Dua Lipa, Elton John, and Brandi Carlile this year alone — along with Carpool Karaoke Christmas, Ellen DeGeneres: For Your Approval, The Kardashians, to name a few. More from GoldDerby 'Ballerina' stumbles at the box office while 'Lilo & Stitch' surfs to another $32.5M Brian Tyree Henry on how 'Dope Thief' let him 'reclaim' his name: 'I was just Paper Boi to people,' and now 'I became Brian again' Emmy experts debate Comedy Series race: 'Hacks' will compete against 'a bunch of new kids on the block' He also took on his own Mission: Impossible when he orchestrated Tom Cruise's jump off the stadium roof as part of the Olympic torch handoff from Paris to L.A. as part of the closing ceremony. And then there was this year's Grammy Awards — held in the wake of the devastating fires that ravaged Los Angeles. Here, Winston opens up to Gold Derby about his life as a producer: Yes, he still gets nervous before going live; no, he doesn't want to tackle the Oscars — and as for the 2028 Olympics, he's waiting for the phone to ring. Gold Derby: Do you miss the late-night days? Ben Winston: Oh, I miss it so much. But it's given us the opportunity to do other things, and we never wanted to overstay our welcome. We never wanted to be irrelevant. We always wanted to be in the zeitgeist. So I think that we left the stage at the right time, as much as I miss it. What does it take for content to break through these days? I think really compelling storytelling is always the way. Whether we're making an episode of The Kardashians or whether we're launching the LA28 games, I think it's about how do you make something that surprises and delights and gets people talking. I think in this environment where there is so much out there that it's hard to find your audience, I think if we can do something, whether that be Benson Boone and Doechii at the Grammys or whether it be Tom Cruise jumping off a plane or jumping off the roof at the Paris Stadium or whether it be Kim and Kourtney going to India for an episode of The Kardashians, if we can create real big moments of content that get people talking and discussing and sharing, then I think we're winning. But it's harder and harder. So when a project lands on your desk like the Grammys or the Olympics, how do you approach it? I think, 'What's the idea? What do I want to say?' The biggest one I would say of this last year would have been the LA28 special. Because usually the handover is kind of a nothing moment in a closing ceremony. I remember in London, I was at the closing ceremony. I think the next Olympics was Brazil. It was just some Brazilian dancers and a musician. So when I sat down with Casey Wasserman and the LA28 team, literally two years before we did it, it was like, what can we do for ten minutes in the closing ceremony that really grabs attention and makes a statement about L.A.? I was really keen to do something big that embraced the Hollywood of L.A., that embraced music because I think music is a huge part of the culture here. I wanted to show off the city because, yes, we don't have the Eiffel Tower and the Seine and the Notre Dame, but we do have beautiful beaches. We have really iconic symbols, whether it be the Griffith Park Observatory or the Hollywood Sign. But more than that, what I had to think about with L.A. was the theme. What is the Olympics? The Olympics is a thing that people from all over the world go to, and they try and achieve their dreams there. And Los Angeles is a city where people from all over the world come to, and they try and achieve their dreams here. Linking all of those things together suddenly got me thinking. I'd worked with Tom Cruise quite a bit over The Late Late Show days. We've done lots of sketches with James [Corden], whether it would him being Pumbaa and Timon in Lion King or jumping out of a plane or flying those Top Gun planes with James, and I've gotten to know Tom well. And I had this idea that maybe he jumps off the roof, shocks everybody, grabs the flag, and then takes that flag out of the stadium and drives from Paris to his airplane, jumps out of the airplane, lands in Hollywood and takes over the sign. And then we showcase some real sporting icons of L.A. who then take that flag and land at the beach, and then we just do a huge beach concert. I love how you start with a really small idea. Gotta think big! It was difficult to do. But it was such a fun, bold, ambitious idea. And everyone was in. So in the end, it became a one-hour special that encompassed all of those ideas that was a real celebration of L.A. What was beautiful about it for L.A. and for me is that the next day of the closing ceremony, the image that was around the globe was Dre and Snoop in front of the LA28 sign and Tom jumping off the roof. So we'd achieved our goal of announcing and launching LA28 in a really great way. So going back to the other question, how do you get attention? That is a great example where I think unscripted television really gripped the world and made an impact. You had to have been worried about pulling all of that off. What was your biggest concern? There were so many. The fact that the biggest movie star in the world is standing on a roof and about to jump off it, that is always a concern. We lost our beach with about four weeks to go, for various reasons. And then it's just all those elements coming together. I was really excited when NBC loved the idea so much that they gave us a special for it, though that meant that what was a 16 minute idea that was live could then become like an hour's special with more music and more Tom could breathe a little bit more in prime time. But that was a very nerve wracking on the day because although it was pre-taped it was live in the ceremony. That was the most nervous I think I've ever been, of anything I've done. You still get nervous? Live television is always nerve-wracking. I always never quite know why we do it. As it gets towards 5 p.m. on Grammy Sunday, I have this sort of sick feeling in my stomach where I'm always like, why on earth did I agree to do this again? We only have six weeks to make that show because the nominations come out around Thanksgiving. Nobody will do anything before they're nominated. You can't even pick up the phone to ask them. And this year with the fires, most of our team were evacuated. Some of our team lost their homes. And suddenly, we were making a show for Feb. 2 with all of that going on as well. The way I always think about it is you're climbing this mountain, you get to the top of that mountain at 5 on Grammy Sunday, and you jump off. And you just hope the parachute opens and you have a really nice flight. But you also know that it's live television. Anything could happen, and you could smack your head on the way down. Luckily, I think this year was probably the show I'm most proud of. Why is that? Because I think that the fact that we were making it around the time of the fires, the fact that there were murmurs of people saying you shouldn't be doing the Grammys a month after the fires have broken out, the fact that I had a real passion to do it and was really feeling that we could actually do something really beautiful for the city of L.A. I worked out that 6,000 people earn a living in some way from the Grammys happening. Now that doesn't mean I employ 6,000 people. That means florists or local car companies or staging companies or removal vans or venue security — 6,000 people earn a living from the Grammys, and they live in Los Angeles. And the worst thing you could possibly say to 6,000 people is because of our concern for you right now, we're not going to employ you at the Grammys. I just thought it was such a ridiculous mentality. I was very passionate as an LA guy that we wanted the show to happen, but I also felt like we could do good. We raised nearly $30 million that night. What changes did you make to the show to address the fires? Every ad break, we gave a commercial to a local business. It was a local florist, and we had Doja Cat doing a commercial for them. Or we had Charlie Puth at the local karate den that got burned down or Avril Lavigne at the skate park in the Palisades. And I just thought it was a really lovely idea of showcasing local businesses who had lost so much in the fires and partnering them with a Grammys artist. And then there was also the question of who starts the show. I was having a conversation with Brandi Carlisle, and we were talking about the song 'I Love L.A.' And interestingly, I was playing that in my car as I was driving from my hotel into the office, because I was evacuated. I thought, well, actually, that's a really beautiful way of starting the show, but then who plays it? And then Brandi said to me, do you know the band Dawes? They lost their homes and their studio in the fires. Allowing them to open the Grammys with a supergroup of artists, John Legend and Brittany Howard and all these incredible artists, Sheryl Crow, Brad Paisley — that could be an amazing way to open the show. Everything from the way we reacted to the fires all the way to featuring the best new artists for the time in the history of the Grammys. We didn't stop the music. It just went one after the other after the other after the other. And I love the way we did that in that Trevor went in the audience. He walked through and he introduced each one of them, and you just thought he was going to throw to the package. And he says, oh, let's take a look at the music from these best new artists. And then Benson Boone gets out his microphone and the suit rips off, and that started that was the trigger, and then all the other artists run to their corners, Shaboozey and Doechii and Raye, bringing down the house. And so that was a really lovely moment that was technically incredibly hard. Hamish Hamilton did an amazing job directing that, but staging it where the music never stopped. I love the idea of music never stopping. You also had the added pressure as the first award show back to make it OK for there to be award shows again. Whether it be the commercials for the local businesses, whether it be the fire department presenting the Grammy award for album of the year to Beyoncé, whether it be Dawes opening, which I thought was really powerful. We love this show, and we love music, and we love television. Yes, the fires were brutal for all of us, but they actually made us they made us sharpen our lens. They made us go, OK. How do we make this OK, and how do we pay tribute this city, and how do we make a love letter to this city? And in a way, I think it was an advantage going first because everyone could follow our lead. You've done so many kinds of live TV. What's on your wish list? What do you still want to do? We've been really lucky. We've done a few really wonderful music specials. I love working with artists. I love the challenge of live television. There's a big thing happening in three years in this city, so hopefully, I'll be a little bit involved in that. I'm not after doing more award shows. I really like the one that I make. I love the Grammys. I'm proud of the Grammys. It's become part of me. I don't have a burning desire to suddenly start running other award shows. So no Oscars for you? Nope. Definitely not. I think Raj [Kapoor] does a great job on that, and that's one for him, not me. We're developing a reality show right now in Calabasas, to partner with our Kardashian show, and I'm really enjoying the casting process of that. I'm looking at doing a kids' show with a streaming platform right now, which I've never done before, but it could be quite impactful. As a dad of a 5-year-old and an 8-year-old, if you'd asked me 10 years ago about a kids' show, I'd be like, what are you on about? (Laughs.) I think about what could I be doing at the World Cup next year? I love working with Trevor Noah — what is the next form of variety show that we could do together? I'm really excited about the opportunities that we have over here at Fulwell, and just really want to make things that I'm proud of and I love and I'm passionate about. So what do you have up your sleeve for the 2028 Olympics in LA? I don't know right now, because nothing's been announced. But if I had the opportunity of being involved in LA28, I would love that. I think it's going to be a phenomenal Olympics, and I'd be honored to be involved. I hope they call me! Best of GoldDerby Marlon Wayans on laughing through tragedy in 'Good Grief' and why social media has made comedy 'toxic' Minha Kim 'confronted all new emotions that I had never anticipated' in Season 2 of 'Pachinko' 'Étoile': Exclusive 4-part conversation with creators, star Luke Kirby, cinematographer, and choreographer Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store