logo
London's V&A Storehouse museum lets visitors get their hands on 5,000 years of creativity

London's V&A Storehouse museum lets visitors get their hands on 5,000 years of creativity

LONDON (AP) — A museum is like an iceberg. Most of it is out of sight.
Most big collections have only a fraction of their items on display, with the rest locked away in storage. But not at the new V&A East Storehouse, where London's Victoria and Albert Museum has opened up its storerooms for visitors to view — and in many cases touch — the items within.
The 16,000-square-meter (170,000-square-foot) building, bigger than 30 basketball courts, holds more than 250,000 objects, 350,000 books and 1,000 archives. Wandering its huge, three-story collections hall feels like a trip to IKEA, but with treasures at every turn.
The V&A is Britain's national museum of design, performance and applied arts, and the storehouse holds aisle after aisle of open shelves lined with everything from ancient Egyptian shoes to Roman pottery, ancient Indian sculptures, Japanese armor, Modernist furniture, a Piaggio scooter and a brightly painted garbage can from the Glastonbury Festival.
'It's 5,000 years of creativity,' said Kate Parsons, the museum's director of collection care and access. It took more than a year, and 379 truckloads, to move the objects from the museum's former storage facility in west London to the new site.
Get up close to objects
In the museum's biggest innovation, anyone can book a one-on-one appointment with any object, from a Vivienne Westwood mohair sweater to a tiny Japanese netsuke figurine. Most of the items can even be handled, with exceptions for hazardous materials, such as Victorian wallpaper that contains arsenic.
The Order an Object service offers 'a behind-the-scenes, very personal, close interaction' with the collection, Parsons said as she showed off one of the most requested items so far: a 1954 pink silk taffeta Balenciaga evening gown. Nearby in one of the study rooms were a Bob Mackie-designed military tunic worn by Elton John on his 1981 world tour and two silk kimonos laid out ready for a visit.
Parsons said there has been 'a phenomenal response' from the public since the building opened at the end of May. Visitors have ranged from people seeking inspiration for their weddings to art students and 'someone last week who was using equipment to measure the thread count of an 1850 dress.' She says strangers who have come to view different objects often strike up conversations.
'It's just wonderful,' Parsons said. 'You never quite know. … We have this entirely new concept and of course we hope and we believe and we do audience research and we think that people are going to come. But until they actually did, and came through the doors, we didn't know.'
A new cultural district
The V&A's flagship museum in London's affluent South Kensington district, founded in the 1850s, is one of Britain's biggest tourist attractions. The Storehouse is across town in the Olympic Park, a post-industrial swath of east London that hosted the 2012 summer games.
As part of post-Olympic regeneration, the area is now home to a new cultural quarter that includes arts and fashion colleges, a dance theater and another V&A branch, due to open next year. The Storehouse has hired dozens of young people recruited from the surrounding area, which includes some of London's most deprived districts.
Designed by Diller, Scofidio and Renfro, the firm behind New York's High Line park, the building has space to show off objects too big to have been displayed very often before, including a 17th-century Mughal colonnade from India, a 1930s modernist office designed by Frank Lloyd Wright and a Pablo Picasso-designed stage curtain for a 1924 ballet, some 10 meters (more than 30 feet) high.
Also on a monumental scale are large chunks of vanished buildings, including a gilded 15th-century ceiling from the Torrijos Palace in Spain and a slab of the concrete façade of Robin Hood Gardens, a demolished London housing estate.
Not a hushed temple of art, this is a working facility. Conversation is encouraged and forklifts beep in the background. Workers are finishing the David Bowie Center, a home for the late London-born musician's archive of costumes, musical instruments, letters, lyrics and photos that is due to open at the Storehouse in September.
Weekly
A weekly look at what's happening in Winnipeg's arts and entertainment scene.
Museums seek transparency
One aim of the Storehouse is to expose the museum's inner workings, through displays delving into all aspects of the conservators' job – from the eternal battle against insects to the numbering system for museum contents — and a viewing gallery to watch staff at work.
The increased openness comes as museums in the U.K. are under increasing scrutiny over the origins of their collections. They face pressure to return objects acquired in sometimes contested circumstances during the days of the British Empire
Senior curator Georgia Haseldine said the V&A is adopting a policy of transparency, 'so that we can talk very openly about where things have come from, how they ended up in the V&A's collection, and also make sure that researchers, as well as local people and people visiting from all around the world, have free and equitable access to these objects.
'On average, museums have one to five percent of their collections on show,' she said. 'What we're doing here is saying, 'No, this whole collection belongs to all of us. This is a national collection and you should have access to it.' That is our fundamental principle.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

When a fox says ‘help' in London, there's often an ambulance on its way
When a fox says ‘help' in London, there's often an ambulance on its way

Winnipeg Free Press

time3 hours ago

  • Winnipeg Free Press

When a fox says ‘help' in London, there's often an ambulance on its way

PADDOCK WOOD, England (AP) — The injured fox is cornered in a cage, teeth bared and snarling at the woman trying to help it. Nicki Townsend is unfazed. Wearing only rubber gloves and an outfit suitable for a yoga class, she approaches with soothing words. 'All right, baby,' she coos as she deftly drapes a towel over his head, grabs him by the scruff of his neck, scoops up his wounded legs and moves him to a clean cage. It's not the way her day typically begins, but there's nothing routine about rescuing foxes. 'You can never predict what you're going to arrive at,' Townsend said. While not as visible as phone boxes or double-decker buses, the red fox is a fixture in London, a city not known for its wildlife. But living on the streets, alleys and back gardens of a dense urban environment can be rough and when foxes need help, they have their own ambulance service — and Townsend may be on her way. The foxes didn't invade London so much as adapt and expand their range inward as the city spread to their habitat in the 1930s and suburbs grew. Love 'em or hate 'em But people and the bushy-tailed member of the canine family have not always lived in harmony, and the species has admirers and adversaries. For everyone enchanted seeing a fox trotting nonchalantly down their street at dusk or basking in a sunny backyard, there are plenty who see them as pests. They poop where they like, tear into garbage and the vixens in heat let out terrifying shrieks in the dead of winter when attracting a mate. 'It's like Marmite with foxes,' Townsend said, referring to the food spread that is an acquired and divisive taste. 'You either love them or hate them.' The divide between the two camps led Trevor Williams to found what became The Fox Project nearly 35 years ago. Once a bass player in the rock group Audience that opened for Led Zeppelin and Pink Floyd, Williams had been active in the campaign to stop fox hunting when he redirected his protection efforts to the city, where foxes were once routinely killed. 'Because of the myths that have occurred over the years, there's still a lot of suspicion about what foxes might be,' Williams said. 'You know, they're going to bite the baby, they're going to eat the cat, they're going to run away with your husband.' The project has since grown from providing information on deterring foxes to rescuing 1,400 a year, including 400 cubs, though only about half survive to be released. City offers cheap eats and unique hazards There are estimated to be 15,000 foxes in London. The project covers a swath of south London and its leafy suburbs while other organizations not devoted solely to foxes handle other parts of the city. While the omnivores survive on small animals, bugs and berries in the wild, they favor easily scavenged leftovers in the city and handouts that make them more dependent on humans. Their main urban menaces are cars, getting snagged in soccer nets or getting stuck in tight spaces. In their effort to get free, they often get nasty abrasions that can become infected. Many also suffer from mange, a parasitic infestation that leads to all kinds of problems. Townsend pilots her VW Caddy on city streets, highways and narrow lanes that roll through lush hills, responding to calls about injured or ill foxes or cubs that have lost their mothers. She's seen a bit of everything since her first humbling call 2 1/2 years ago when the supposedly injured fox bolted. 'In my inexperience, I chased after him, which is comical because you're never going to outrun a fox,' she said. 'I just remember he ran very fast and I looked silly running after him.' Despite many challenging situations — she once managed to rescue a fox that lost its footing atop a fence and ended upside down at eye level with its paw lodged between boards — she's only been bitten once. Heartbreak with hard cases Her van carries the distinctly musky scent of foxes. The odor becomes unpleasant when an anxious passenger in a litter of cubs relieves itself enroute to being delivered to a foster care pen where they will stay until being released in the wild. 'Feel free to open the window,' said Townsend, who is accustomed to the stench. 'This is a stinky job.' On a recent day, she was dispatched to meet a heartbroken couple who found a cub with a puncture wound collapsed on their back lawn. 'We thought he was asleep at first, so we went to go and have a close look because we love them,' Charlotte English said. 'Then he just didn't move, so we knew something was wrong.' That cub had to be put to sleep, as did the adult Townsend transferred at the start of her shift. Cubs that recover are socialized in packs of five until they mature and are then released in a rural location while the adults are freed in the neighborhoods where they were found. The fox does not say 'Thank you' Given a second chance, it's not clear how well the foxes fare, because they are rarely tracked. A 2016 study in the journal Applied Animal Behaviour Science found that rehabilitated foxes were more likely to behave as if they had been displaced when returned to their original territory. They were tracked wandering farther away, potentially exposing them to more traffic and greater stress. 'It is a gap in the knowledge and there's an assumption that when you release them, they thrive and I think that that assumption needs to be challenged more,' said Bryony Tolhurst, a University of Brighton honorary research fellow and lead author of the study. For Townsend, fox deaths are offset by the joy of seeing little ones venture into the unknown or an adult darting into a neighborhood it instantly recognizes. 'Sometimes they look back and people like to romanticize that they're saying 'thank you,'' she said. 'They're just making sure we're not chasing after them.'

Weinstein jury set to keep deliberating after tensions spill into public
Weinstein jury set to keep deliberating after tensions spill into public

Winnipeg Free Press

time7 hours ago

  • Winnipeg Free Press

Weinstein jury set to keep deliberating after tensions spill into public

NEW YORK (AP) — Jurors in Harvey Weinsteinn'ssex crimes retrial appear to be moving past some interpersonal tensions and focusing on one of his three accusers as deliberations stretch into a fourth day Tuesday. At the end of Monday's session, jurors requested to start off Tuesday with electronic copies of emails and other evidence pertaining to Jessica Mann — the accuser with arguably the most complex history with Weinstein. During days of testimony, Mann said the Oscar-winning movie producer raped her in 2013 amid a consensual relationship that continued for years afterward. Weinstein's lawyers emphasized that she kept seeing him, accepting invitations and sending warm messages to him. Mann said she 'compartmentalized' the pain he caused her. Weinstein, 73, has pleaded not guilty to all the charges in the case. In addition to the rape charge, he's accused of sexually assaulting two other women, Mimi Haley and Kaja Sokola. Weinstein didn't testify during the current trial, but maintained through his attorneys that he had completely consensual encounters with his accusers, who wanted his help building show business careers. Weinstein was one of the movie industry's most powerful figures until a series of sexual misconduct allegations against him became public in 2017, fueling the #MeToo movement and eventually leading to criminal charges. The jury is made up of seven women and five men. Their closed-door discussions began Thursday and apparently have been fractious at times. One juror asked Friday to be excused because he felt one member of the group was being treated unfairly. Monday began with two jurors giving contrasting takes on the atmosphere in the deliberation room. First, the foreperson complained to the judge, prosecutors and defense lawyers that some jurors were 'pushing' others to change their minds, talking about Weinstein's past and going beyond the charges. The foreperson didn't specify what was said. Trial evidence has included some testimony about allegations outside the scope of the current charges, such as mentions of the groundswell of claims against the ex-studio boss in 2017. Another juror soon asked to speak to the court. In her estimation, things were 'going well' and jurors were 'making headway.' By the end of Monday, the jury as a whole said in a note that it was 'making good progress.' Weinstein originally was convicted in New York in 2020 of raping Mann and forcing oral sex on Haley. Sokola's allegation was added last year, after New York state's highest court overturned the 2020 conviction and sent the case back for retrial. Meanwhile, Weinstein is appealing a 2022 rape conviction in Los Angeles. The Associated Press generally does not identify people without their permission if they say they have been sexually assaulted. Sokola, Mann and Haley have agreed to be named.

AP PHOTOS: Brazil's Cavalhadas festival celebrates the Holy Spirit
AP PHOTOS: Brazil's Cavalhadas festival celebrates the Holy Spirit

Toronto Star

time8 hours ago

  • Toronto Star

AP PHOTOS: Brazil's Cavalhadas festival celebrates the Holy Spirit

PIRENOPOLIS, Brazil (AP) — The heartland Brazilian city of Pirenópolis is hosting its annual Cavalhadas festival, a Holy Spirit celebration where participants ride horses, wear masks and don floral headpieces. The tradition began in the 1800s with a Portuguese priest who wanted to celebrate the Holy Spirit — one of the entities of the Roman Catholic Church's trinity — and also commemorate the victory of Iberian Christian knights over the Moors.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store