
10 Surprising Facts About Japanese City Pop Icons
Beyond the genre's groovy baselines and earworm choruses lies a fascinating web of stories that rarely make it into the spotlight. Some artists dropped instant classics and vanished. Others led double lives — as pro wrestlers, authors or actors. There are unexpected connections to Pokemon, Nintendo and even the Titanic.
Here are 10 lesser-known facts about the iconic stars of the city pop genre. How many do you know?
List of Contents:
#10: Mariya Takeuchi and Tatsuro Yamashita Are City Pop's Power Couple
#9: Takako Mamiya Released One Album and Disappeared
#8: 'Flyday Chinatown' Singer Yasuha Had a Pro Wrestling Stint
#7: Pokémon's Wobbuffet Is Based On Yasuha's Father
#6: Mariya Takeuchi and Anri Formed a Duo Called Peach&Apricot
#5: Junko Yagami Became June Stanley and Moved to California
#4: Tomoko Aran Was Also a Published Author
#3: Taeko Ohnuki Wrote Music for Mother 3 and Animal Crossing
#2: Hiromi Go Collabed with Yuzuru Hanyu and Played a Disillusioned Salaryman Turned Cowboy
#1 Haruomi Hosono's Grandfather Survived the Titanic
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Image courtesy of Daily Shincho Inc
#10: Mariya Takeuchi and Tatsuro Yamashita Are City Pop's Power Couple
Obviously, you can't talk about city pop without mentioning the iconic, genre-defining song '
Plastic Love
' by Mariya Takeuchi, which essentially kickstarted the genre's rebirth as an international phenomenon when the track was reuploaded onto YouTube.
Takeuchi has been married to
the
Tatsuro Yamashita — another city pop superstar — since 1982, and they have a daughter together. Yamashita is not just her husband, but also the producer behind many of her songs, including 'Plastic Love' and '
Single Again
' from her album
Variety
. Yamashita even joins her in
one of her live performances
in the Nippon Budokan in 2000, stealing the show with his instantly-recognizable vocals.
Image courtesy of Universal Music Japan
#9: Takako Mamiya Released One Album and Disappeared
Takako Mamiya is something of a mystery in city pop lore. She released just one single and album,
Love Trip
, in 1982, which featured tracks like '
Love Trip
' and '
Mayonaka no Joke
' which oozed an aura of sultry, urban sophistication mixed with ennui.
Despite its current cult status, the album didn't perform well on the Oricon charts when it first came out, and Mamiya herself vanished from the public eye shortly after getting married. Her disappearance has only added to her mystique, with fans continuing to search for more information about her life. In recent years,
Love Trip
was highly requested by city pop fans and
officially reissued
by Tower Records under Universal Music Japan.
Image courtesy of Universal Music Japan
#8: 'Flyday Chinatown' Singer Yasuha Had a Pro Wrestling Stint
Yasuha, also known as Yasuha Ebina, rose to prominence in the early 1980s with her bouncy, lively single '
Flyday Chinatown
.' Her story didn't end in the recording studio, and she herself had a bit of a chaotic public presence. She married a well-known
rakugo
(a type of Japanese verbal comedy) performer Koasa Shunputei, and the couple later went through a high-profile and controversial divorce, which they famously announced at a press conference in front of a golden folding screen. Yasuha later published a tell-all memoir titled
Kaiun Rikon
— or
Good Luck Divorce
— about the experience.
She also took part in a professional wrestling match in 2008. You can watch her deck it out with martial artist Youji Anjou
here
… somehow a real piglet gets involved in the fray…
#7: Pokemon's Wobbuffet Is Based On Yasuha's Father
Adding another unexpected twist to Yasuha's story: Her father, Hayashiya Sanpei I, was a famous rakugo comedian whose distinctive gesture (slapping his forehead) and catchphrase, 'That's the way it is, ma'am!' directly inspired the Pokemon character Wobbuffet. In Japan, Wobbuffet's name, Sonans, mirrors the phrase '
sou-nan-su
' or 'that's the way it is.'
Image courtesy of realsound.jp
#6: Mariya Takeuchi and Anri Formed a Duo Called Peach&Apricot
In 2021, two of the genre's most legendary female stars— Mariya Takeuchi and Anri, a.k.a. Eiko Kawashima — teamed up to form a musical duo called Peach&Apricot. The name is a nod to their earlier hits: Takeuchi's '
Fushigi na Peach Pie
' and Anri's debut album
Apricot Jam
. They released their first song together, '
Watching Over You
,' on November 3, 2021, reuniting them both with 80s city pop maestro Tetsuji Hayashi.
Image courtesy of Yamaha Music Entertainment Holdings Inc.
#5: Junko Yagami Became June Stanley and Moved to California
The voice behind '
Tasogare no Bay City
' (stylized as 黄昏のBAY CITY) is also known as June Stanley. After marrying British music producer John Stanley she has been living in Simi Valley, California, since 1986. In 2022, she became the first Japanese person to be inducted into the Women Songwriters Hall of Fame, a prize awarded by a nonprofit organization based in Washington, D.C.
Image courtesy of Tower Records Japan Inc.
#4: Tomoko Aran Was Also a Published Author
Tomoko Aran, the singer behind '
Midnight Pretenders
,' was not just a musical talent — she was also a writer. In 1985, she published a collection of short stories titled
Sabishigariya no Omocha Bako
(
Imitation Lonely
). Over the years, she also released a children's book,
Soshiki-gokko
(
Pretend Funeral
), and an essay collection called
Koi no Road Sign
(
Road Signs for Your Love
). Perhaps the typewriter on the cover of her renowned album
Fuyu Kukan
was a secret nod to her authorship?
Image courtesy of Tower Records Japan Inc.
#3: Taeko Ohnuki Wrote Music for Mother 3 and Animal Crossing
Taeko Ohnuki, known for her refined, atmospheric voice on tracks like
'4:00 A.M.
' and 'Tokai,' remained active in music long after the initial city pop wave. In 2006, she performed '
We Miss You ~ The Theme of Love ~
' for
Mother 3
, the cult classic Game Boy Advance RPG. She also sang the end credits
song for
Animal Crossing: The Movie
, tying her music to two of Nintendo's most beloved franchises.
#2: Hiromi Go Collabed with Yuzuru Hanyu and Played a Disillusioned Salaryman Turned Cowboy
Hiromi Go, one of city pop's early stars, continues to appear in surprising places. In 2014, he performed live during Fantasy on Ice, a touring Japanese ice show that featured Olympic champion Yuzuru Hanyu. Together, they performed Go's emotional ballad 'Ienai yo' ('I Can't Say It').
Earlier in his career, Hiromi Go also appeared in a 1994 Canadian film titled
Samurai Cowboy
, where he plays Yutaka Sato, a salaryman who becomes disillusioned with the hustle of Tokyo and moves to Montana to live out his dream of becoming a cowboy.
Image courtesy of Tower Records Japan Inc.
#1 Haruomi Hosono's Grandfather Survived the Titanic
The '
Koi Wa Momoiro
' singer — as well as a founding member of the Yellow Magic Orchestra — has a family story as legendary as his music. His grandfather, Masabumi Hosono, was the only Japanese survivor of the Titanic. Though he escaped with his life, he was
shamed back home
for not going down with the ship. However, his grandson would later go on to leave a legacy, fusing funk and synthpop into the genre-defining sound that helped put city pop on the map. Needless to say, we would have missed out a lot if he had perished in the Titanic!
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7 Songs That Sound Like Mariya Takeuchi's 'Plastic Love'
City Pop's Endless Summer
Miki Matsubara: A City Pop Icon | Spotlight
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Japan Times
4 days ago
- Japan Times
Fuji Rock's weekend of surprises was one of its best yet
The Green Stage at Fuji Rock Festival had never felt as full as it did last Saturday night for Tatsuro Yamashita. Attempting to squeeze through the packed crowd in front of the main stage was nearly impossible, as thousands of punters crammed together to see one of Japan's most celebrated artists perform at the country's premier summer music festival for the first time ever. He didn't disappoint. Yamashita delivered a show more than worthy of Fuji Rock. The audience hollered early on when he played the opening riff of his 1982 song 'Sparkle.' They bopped around to his old-school funk during an extended take on the '70s cut 'Silent Screamer.' They became delirious when, midway through 'Plastic Love,' Mariya Takeuchi — Yamashita's wife and a beloved singer in her own right — stepped on stage to join a rendition of one of J-pop's most defining songs in recent history. Yamashita's set became the centerpiece of this year's Fuji Rock Festival, held in Niigata Prefecture's Naeba Ski Resort from July 25 to 27, and the mammoth crowd underscored just how busy the festival grounds were all weekend. The line for the shuttle bus from Echigo-Yuzawa Station to the grounds took upward of 90 minutes to get through, while long queues for food stalls often seemed to move at a glacial pace. Tatsuro Yamashita's Fuji Rock set included performances of 'Sparkle,' 'Silent Screamer' and 'Plastic Love,' delighting the packed crowd. | Junichiro Nomi Thousands of people crammed together to see Tatsuro Yamashita, one of Japan's most celebrated artists, make his Fuji Rock debut at the main Green Stage on Saturday night. | Johan Brooks Based on figures provided by organizer Smash, this year's event attracted a total of 122,000 visitors, including the Thursday night kick-off. That's a significant increase from last year's 96,000. Those numbers, coupled with the generally positive vibes enveloping Naeba, served as a big boost of optimism for Japan's festival industry at large, which has faced myriad challenges recently, ranging from a lack of legacy acts as headliners to extreme weather. Such problems still remain — the heat in Niigata was sauna-like at times — but this year's edition was a strong reminder of just how much Fuji Rock has to offer. Marquee shake-up One of this year's standout developments was a new approach to the headliner structure. The three names technically at the top of the marquee weren't necessarily obvious choices: English electronic artist Fred Again on Friday, Michigan funkers Vulfpeck on Saturday and New York sophisti-rock band Vampire Weekend on Sunday. The Japanese names just beneath them — J-pop rising star Vaundy, Yamashita and long-running band Radwimps — seemed more likely to drum up headliner-level excitement and deserving of top billing. Friday night revealed how well this new formation could work, however. Vaundy's penultimate performance on the Green Stage drew a huge crowd, with attendees ranging from Gen Z punters to parents with little children enjoying his anthemic song 'Kaiju No Hanauta.' As it turned out, it became the day's de facto closer in a way — Fred Again's set was delayed nearly two hours due to generator trouble. Yet this proved to be great for the club-ready set Fred Again delivered. The text 'I think it is maybe the most surreal honour of my life to get to play Fuji Rock' appeared on screen behind the artist as he launched into a rollicking performance where he showed off his dexterity on keyboards, samplers and more. The crowd went wild, and Fred Again felt less like a day-ending act and more like a grand start to Fuji Rock's all-night block, while offering a nice contrast to Vaundy's rock. Moved by Radwimps' forceful performance, the audience turned on and waved their smartphone lights, giving the Green Stage field an ethereal glow | Johan Brooks Saturday headliner Vulpeck faced a greater challenge. Going on after Yamashita, the weekend's biggest draw, must have been daunting. Still, the band offered a complementary set, getting the crowd up on their feet and hooting only an hour after belting out Yamashita's 'Ride On Time.' The nonstop upbeat energy could be a little much at times, but mostly offered up lots of fun that kept the positive mood flowing. The combination of a big Japanese name leading into a rising foreign one seems like a sustainable headliner model for the future (though finding a Yamashita-like figure every year might be a challenge). It didn't quite work Sunday, though, as Vampire Weekend's performance came off as ho-hum, save for lead singer Ezra Koenig busting out a sax — the instrument of the Green Stage this year — for one song. Their set may have suffered from following Radwimps, who delivered a particularly forceful performance. Fuji Rock marked one of the band's first major shows since becoming a duo, following the departure of founding member Akira Kuwahara late last year. (Full disclosure: I have written English press materials for the band in the past.) Radwimps brought an extra jolt of energy to the Green Stage, with lead singer Yojiro Noda especially animated — screaming, emoting and fully throwing himself into the performance. The crowd added to the spectacle, waving smartphone lights that gave the entire field an ethereal glow. This year's Fuji Rock attracted a total of 122,000 visitors, a significant increase from last year's 96,000. | Johan Brooks Homegrown sound This year's Fuji Rock thrived thanks in part to Japanese acts who have helped spread the country's music internationally overseas in recent years, whether via anime tie-ups or algorithm-powered interest in city pop (a blend of 1970s and '80s funk, disco and fusion). Rock band Hitsujibungaku used lighting and visuals to make its Sunday night performance on the White Stage all the more evocative, while hip-hop duo Creepy Nuts relied on pure exuberance to get the Green Stage hopping to global hits such as 'Bling-Bang-Bang-Born' and 'Otonoke.' 'Eleven years ago, the two of us played Fuji Rock ... the Rookie A Go-Go stage,' the group's rapper R-Shitei said, referring to the festival's launchpad for emerging artists. 'Now, we've made it to the Green Stage!' Less globally known yet critically acclaimed acts also shined. The Red Marquee stage usually houses thunderous rock acts, which were well-represented in 2025 via domestic highlights such as Tjiros and kanekoayano. It also served as space, however, for singer-songwriter Ichiko Aoba to enchant her audience with a hushed acoustic performance Friday afternoon, using only her guitar, piano and voice to deliver a standout session. Creepy Nuts rapper R-Shitei reminded the Fuji Rock crowd at the main Green Stage that the hip-hop duo first performed at the festival on the Rookie A Go-Go stage 11 years ago. | Johan Brooks Far rowdier was Haru Nemuri at Gypsy Avalon Saturday afternoon. The genre-blurring artist walked on stage holding a flag that said 'No Racism,' a week after catching heat online for releasing a rap diss aimed at far-right political party Sanseito. Dashing around the field in the middle of a rainstorm, Nemuri gave one of the weekend's most politically charged performances, while also distributing more flags to the audience and, at one point, setting off a pink flare. Foreign flair and Fuji surprises Alongside all the Japanese acts, performers from abroad shined, too. Fuji Rock returnees Haim delivered a confident White Stage closer on Sunday night, while Swedish rockers The Hives returned to Fuji Rock after nearly two decades for a frantic set at the Red Marquee. Newer names made their mark, as well. New-York-based artist Mei Semones charmed the Red Marquee midday Sunday with a jazz-tinged set of rock, with the crowd shouting 'Mei-chan' constantly between tunes. U.K. rapper Little Simz — sporting a Samurai Japan soccer jersey with 'Simz' printed on the back — commanded the Green Stage later that day, getting everyone on the field to raise their hands to almost every song. Rock band Hitsujibungaku used lighting and visuals to make its Sunday night performance on the White Stage all the more evocative. | Johan Brooks The most emphatically received new foreign act was Argentinian duo Ca7riel & Paco Amoroso. Taking the Green Stage by storm on Saturday morning in oversized inflatable suits — part David Byrne, part Violet Beauregarde — the pair delivered a high-energy, EDM-dappled set, with their raunchy Spanish lyrics boldly translated into Japanese on the screen behind them. It was the rave of the weekend, leading to a second appearance late at night at the packed Crystal Palace stage. And yet, what really defined Fuji Rock 2025 as one of the strongest editions ever were the special moments, the sort of only-in-Naeba happenings that will be mentioned for years. Saturday, in particular, overflowed with surprise collaborations. Takeuchi's appearance during Yamashita's set — including her stint with the backing chorus for much of the show — was the night's biggest shock, but far from the only one. Japanese singer-songwriter Mei Ehara came out to join American performer Faye Webster for one song, prompting the most 'aw'-inspiring moment of the day when Webster rested her head on Ehara's shoulder while the latter sang. God-level mascot Kumamon joined kid-friendly group Keropons in the morning in what surely was the Takeuchi-Yamashita equivalent for the hundreds of children in attendance. South Korean music collective Balming Tiger wowed at the White Stage on Saturday. | Johan Brooks On Saturday, South Korea's Balming Tiger pulled off the biggest surprise. Back in 2023, the unpredictable rock-meets-rap-meets-pop whirlwind wowed at the Red Marquee. This time, the group took things to another level on the larger White Stage, bringing a louder sound, more flair and a bit of serendipity — during the climactic number 'Trust Yourself,'fat raindrops started falling, turning the mosh pit into a euphoric, rain-soaked frenzy. Even before the weather joined in, Balming Tiger's set was already shaping up to be a 2025 highlight — especially when the group brought out J-pop wildcards Atarashii Gakko!, catching the crowd completely off guard. The audience erupted as the two acts performed their collaborative single 'Narani Narani' live for the first time, complete with playful yet perfectly synchronized choreography. It was one of many standout moments during a weekend full of them, cementing this year's festival as one of the all-time greats.


Japan Times
4 days ago
- Japan Times
Top billing: Tatsuro Yamashita, Vulpeck, Four Tet
Tatsuro Yamashita at Green Stage | Junichiro Nomi As already noted, one-day tickets for Saturday were sold out, and if any one artist on the day's roster was responsible it was probably Tatsuro Yamashita, one of the architects of city pop, who rarely plays live any more. The rain had stopped by the time he showed up on the Green Stage at dusk below red-tinged clouds. The crowd was densely packed and rapturous. Yamashita, wearing jeans and a watch cap, looked to be in exceptionally good shape for a septuagenarian, but more importantly his voice was as supple and pliant as it was when he was a youngster. Tatsuro Yamashita, his band and his wife, Mariya Takeuchi (right of Yamashita), at Green Stage | Junichiro Nomi He played his hits and brought out his wife, Mariya Takeuchi, as a duet partner and backup singer, which got a lot of applause since in many ways she's more famous than he is. Yamashita's band, many of whose members are as old as he is, were also in fine form and got funky when the song demanded it. The smiles were contagious and irresistible. Vulfpeck on Green Stage | Johan Brooks photos But Yamashita wasn't the designated headliner. Vulfpeck, an American collective that plays funk almost exclusively, was, even though they don't have what one would call a following in Japan. Still, people seemed to know what to expect and were dancing from the get-go. Four Tet at White Stage | Masanori Naruse photos The headliner over at the White Stage was Four Tet, better known by his friends and family as Kieran Hebden. It was a stylish and eclectic set of electronica that mostly stuck to danceable material with plenty of break beats. Hebden himself was mostly invisible behind his decks, so in way it could have been anyone up there, but the ease with which he transitioned from one pattern to the next is pretty much his strength as a musician and difficult to copy.


Japan Today
5 days ago
- Japan Today
Nintendo and Lego team up for an awesomely accurate the Lego Game Boy kit
By Casey Baseel, SoraNews24 A little over a year ago, Lego showed off its first ever kit for Nintendo's "The Legend of Zelda" franchise, one that lets you build one of the woodland environments that adventuring hero Link walks through. For the next team-up between the two companies, though, Lego's designers are recreating the Nintendo video game experience from the player's perspective, with an awesomely accurate Lego Game Boy. The design fidelity extends to the size, as this is a 1:1-scale replica of Nintendo's handheld system that changed the industry when it was released in 1989. Measuring 14 x 9 x 3 centimeters (5.5 x 3.5 x 1.2 inches), the dimensions should feel very familiar to anyone who grew up with a Game Boy in their hands, or who's familiar with the hardware as a current-era retro gamer. Included in the 421-piece set are a pair of replica cartridges, or 'Game Paks,' as Nintendo called them, for two of the platform's most memorable titles: "Super Mario Land," one of the Game Boy's launch titles, and "The Legend of Zelda: Link's Awakening," which opened a lot of eyes to the full potential of handheld gaming in terms of scale, complexity, and artistry. Some might argue that Tetris is the true quintessential Game Boy experience, but Nintendo most likely wanted the Lego Game Boy set to showcase titles that it developed entirely in-house. Featuring the Mario and Zelda franchises also makes for cooler artwork for the bundled screen pieces. In a particularly clever bit of design, these pieces don't attach to the outer surface of the Lego Game Boy. Instead, they fit underneath a clear plastic covering that serves as the replica's substitute for a glass monitor, preserving the overall visual effect of the actual system. There's even a piece for the Nintendo logo that appeared as the startup screen when you turned the system's power on. Other impressive touches include the fact that the D-pad, start, select, and A and B buttons are all pressable, and even the volume and screen contrast dials on the sides of the unit are accounted for. It's all so accurate that it's actually a little unnerving seeing the kit in mid-build, since it looks like an actual electronic device is in inoperable pieces. The Lego Game Boy set goes on sale October 1, but preorders can be made through the Lego online store, priced at U.S.$59.99 through the U.S. page here and 9,280 yen through the Japanese one here. Source: PR Times Insert images: PR Times, Lego Read more stories from SoraNews24. -- New Nintendo Lego kit is a beautiful piece of moving pixel art of Mario and Yoshi【Photos】 -- Nintendo goes retro and patents awesome smartphone case that looks exactly like a Game Boy -- Beautiful Legend of Zelda Lego set is series' first buildable block crossover【Photos】 External Link © SoraNews24