
Consider the cocktail watch, the trending jewelled timepiece style
With an icon in hand, Cartier has now added new levels of preciousness to its sublime oval design. The Jewelled Baignoires are gently sized up and set on every conceivable surface with gemstones. See, above, Cartier ambassador Anna Sawai wearing a model with 229 brilliant-cut diamonds weighing 7.70 carats, 272 blue sapphires weighing 4.4 carats, complemented with aquamarines and spessartite garnets; and a gold dial covered with 162 diamonds totalling 1 carat and a spessartite garnet at 12 o'clock to indicate the right side up. Tiffany & Co.'s new Rope watch—a Jean Schlumberger-inspired design of twisted gold and beautifully-set diamonds that speaks to the brand's core as a jeweller. Courtesy of Tiffany & Co.
Jewellery houses, unsurprisingly, offer some of the best in class when it comes to the sensitive proportions and balance of design on a cocktail watch. Tiffany & Co. recently introduced the Tiffany Rope, a radical new timepiece that is entirely powered by light—no batteries or winding, thank you. It features an advanced solar movement that charges indoors and out, and the inimitable look of Jean Schlumberger's rope jewellery motifs. The American luxury brand is making moves into watchmaking, with the distinct propositional bent of fully retaining and honouring its identity as a jeweller first and foremost.
Other places you might find this sensibility of cocktail elegance are heritage watch brands. If a watchmaker has been around for, say, more than a century, odds are it has in its history produced exactly the kind of old-world jewelled timepieces for women that are back in trend. Audemars Piguet, for one, revived a tradition of miniaturised watches last year with its trio of Royal Oak Minis in a frosted gold finish. The change in proportion and finish turns a sporty silhouette on its head, imbuing the Royal Oak with a jewelled sensibility even without any gem-setting.
Or consider Jaeger-LeCoultre, which has in its broad array of Reverso models a line like the Reverso One with a taller, elongated proportion. It makes all the difference, transforming the Art Deco design from its origins as a watch for polo players into something more feminine and chic. The ultimate touch of beauty to a Reverso One might be the Precious Flowers designs from Jaeger's Métiers Rares workshops. The gold cases are fully diamond-set, with works of art on the reverse dial: floral illustrations writ in black lacquer, grand feu champlevé enamel and snow-set diamonds. Courtesy of Cartier
1 / 11 Cartier Baignoire jewellery watch mini model in white gold with diamonds, sapphires, emeralds and blue tourmalines, price upon request Courtesy of Boucheron
2 / 11 Boucheron Serpent Bohème in white gold with diamonds, $81,200 Courtesy of Tiffany & Co.
3 / 11 Tiffany Rope 27mm in yellow gold with diamonds, $25,700 Courtesy of Audemars Piguet
4 / 11 Audemars Piguet Royal Oak Mini Frosted Gold in pink gold, $53,200 Courtesy of Franck Muller
5 / 11 Franck Muller Round Skeleton Baguette in white gold with diamonds, $133,000 Courtesy of Piaget
6 / 11 Piaget Limelight Gala Precious in white gold with diamonds, $60,000 Courtesy of Van Cleef & Arpels
7 / 11 Van Cleef & Arpels Fleurs d'Hawaï secret watch in white gold with aquamarines and diamonds, $185,000 Courtesy of Jaeger-LeCoultre
8 / 11 Jaeger-LeCoultre Reverso One Precious Flowers in pink gold with diamonds, price upon request Courtesy of Chanel
9 / 11 Chanel Première Ribbon in yellow gold and titanium with diamonds, $16,550 Courtesy of Chopard
10 / 11 Chopard L'Heure du Diamant Moonphase in white gold with diamonds and an aventurine dial, $154,000 Courtesy of Chaumet
11 / 11 Torsade de Chaumet in white gold with diamonds, price upon request
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Vogue Singapore
3 hours ago
- Vogue Singapore
Zoe Saldaña is now, officially, a Cartier ambassador
It's the ambassadorship that you might've seen coming months ago. The French jeweller Cartier has just welcomed Academy Award-winning actress and producer Zoe Saldaña, officially, into its orbit as an ambassador of the maison. 'I am honoured,' says Saldaña in a press release, 'to become an ambassador for Cartier, following many years of warm collaboration.' This year alone, Cartier selected the actress to front the global debuts of new high jewellery designs on the red carpets of events like the Academy Awards and the Golden Globes. At the Oscars, she wore the Panthères Versatiles, a transformable piece with a 10.10-carat Zambian emerald that was one of the highlights of Cartier's Nature Sauvage high jewellery collection. And at the Golden Globes, Saldaña wore the Melis, a radiant suite of yellow diamond high jewellery. On both occasions, the Parisian jewellery maison's creations accompanied Saldaña's triumphs: her first Oscar and Golden Globes wins. After a season of career-high wins in 2025 at the Oscars and Golden Globes decked in Cartier jewels, it will come as little surprise that Zoe Saldaña is now an ambassador for the maison. Here, she's wearing a La Panthère jewellery watch, and a new double-head Panthère bracelet. Agnes Lloyd-Platt, courtesy of Cartier Saldaña has, in the past, also worn one of Cartier's most audacious and unconventional designs. For the 2023 Vanity Fair Oscars after-party, she collaborated with Cartier on an outfit-slash-jewel that was a highlight of the glitzy night: a bespoke chainmail cape crafted from 67,000 hand-assembled yellow gold links, with faceted onyx pendant drops, gold zips, and 150 diamonds set into the design. 'I have long been an admirer of the maison's boundary-breaking savoir-faire that creates incredible pieces of wearable art, and I look forward to continuing this special relationship,' shares Saldaña of her experiences with Cartier. Award season and its standout jewels may be over for now, but Zoe Saldaña has a slate of projects lined up and in the works that mean we will surely be seeing her decked out in Cartier jewels again soon enough. Her starring role in James Cameron's Avatar film series will include three more films, the latest of which is Avatar: Fire & Ash that's slated for a December release this year. Here's one star whose future red carpet looks we will be anticipating.


Nylon
2 days ago
- Nylon
Cartier presents Spring-Summer 2025 Eyewear Collection
Cartier's eyewear icons continue its evolution with a new Spring-Summer 2025 collection that evokes the Maison's jewellery and watchmaking through exceptional craftsmanship and contemporary design. Image courtesy of Cartier. One of the standout features of the season is the introduction of the Clash de Cartier frames, which pay homage to the exquisite techniques of the jewellery collection, and play with the signature studs reminiscent of the hardware elements introduced by Jeanne Toussaint in the 1930s. Image courtesy of Cartier. The temples of these rimless frames are available in classic and innovative shapes, adorned with intricate ribbed mesh motifs that reimagine Clash de Cartier's picot studs and clou carrés as a tactile, three-dimensional embellishment. Image courtesy of Cartier. Image courtesy of Cartier. Another key theme to look out of the is the Santos de Cartier concept with its increasingly elaborate and streamlined designs. Reflecting the iconic watch launched in 1904 in honour of the celebrated aviator, the frames feature pilot and navigator styles enhanced by striking chromatic contrasts and distinctive screw details. Crafted from thin sheets of metal, the innovative structures are elevated by bilayer front sections and geometric temple tips that mimic the contours of the watch case, while the dual-tone finishes in gold and platinum lend an additional luminous touch. Image courtesy of Cartier. Image courtesy of Cartier. Influenced by Cartier's first eyewear designs released in the 1980s, the Première selection is a blend of vintage flair and modern edge showcased across four distinct executions featuring emblematic motifs, such as the godron and C de Cartier, and complemented by metal wire cores engraved with the godron pattern, visible through the temples of the transparent acetate variations. This range shifts from lightweight acetate styles, enriched with sleek temple tips inspired by the leather goods collection, to combi constructions and notable options featuring special temples sculpted from materials like horn and wood. You'll also find coloured lenses as well as rimless frames for a stylish look. Image courtesy of Cartier. Image courtesy of Cartier. Rounding up the collection is the Décor C Classique which channels vintage elegance through modern rimless frames fitted with colourful lenses. Available in either gold or platinum finishes, the rectangular and oval models are finished with finely engraved godron motifs along the temples, further complemented by the Décor C detail on the hinges. The new Cartier Spring-Summer 2025 Eyewear Collection is now available at all Cartier boutiques and online at


Vogue Singapore
6 days ago
- Vogue Singapore
Behind the scenes for Chanel's FW 2025/26 pre-collection with Jennie
In the gardens of the Palais Royal in Paris, South Korean singer and actor Jennie is dressed in a large navy coat, white T-shirt and jeans for the Chanel fall-winter 2025/26 pre-collection campaign. Earlier, in a Paris apartment, she blew kisses to the Vogue cameras in a light blue tweed jacket and skirt and then posed defiantly in front of the palace's fountain, wearing a beret and a tweed jacket slung over one shoulder. A series of other very Parisian, and very Jennie, looks followed, each of them emblematic in their own way of the Chanel pre-collection, which, in a nutshell, 'was created by Chanel using Jennie, the house's ambassador, and the protagonists of American romantic comedies of the 1990s as muses.' For Jennie, the 1990s are a special time. 'I've been influenced by everything from the 1990s,' she says. She means 'everything' literally—not only its fashions, but also its films, music, and art. In short, the decade as a whole. The collection embraces the same influences too. The Chanel Creation Studio has given an interesting twist to the masculine yet feminine styles that were worn by the stars of 1990s romantic comedies, like Julia Roberts in Notting Hill . The contrasting and opposing elements are evident in the broad-shouldered black jackets with belts, flared trousers with menswear tailoring, corsets reminiscent of men's waistcoats and a navy jacket paired with shorts that has a certain military vibe. Courtesy of Chanel Another theme is lace. One of the symbols of Chanel, lace lends a delicate and poetic touch to the entire collection. From silhouetted dresses to jumpsuits adorned with camellia motifs, detailed skirts and sporty white hoodies paired with floral tights, lace elegantly subverts stereotypes of femininity in unexpected ways. It also appears on tweed and knitted fabrics, reflecting Chanel's soft and poetic sensibility. For the house of Chanel, lace is more than just a detail; it's symbolic of both women's inner and outer worlds at once. In the end, the pre-collection is about more than just clothes, it is also redefining femininity. Ribbons and lace, tweed and denim, corsets and flared trousers, these disparate elements come together to create a new vision of femininity—sometimes elegant and sometimes more rough-edged, sometimes soft and at other times hard. This pre-collection is for all those 'other women' who don't easily fit into simple categories, and Jennie is an icon who represents that complex femininity. Jennie, the inspiration for Chanel's fall-winter 2025/26 pre-collection, shot the campaign with Craig McDean in Paris. Vogue was there to capture the shoot as it took place. Peter Ash Lee In a behind-the-scenes film with Vogue, Jennie shared that, 'every Chanel collection has an iconic woman as its muse, and it was such an honour to be part of the creative process, sharing my favourite things and my own style. Some of the looks are modern interpretations of Chanel pieces I've worn in the past and others are pieces that hold special memories for me. I wanted the collection to capture the appeal of contrasts. I love that Chanel has always celebrated the strong and assertive side of women, and I want every woman to be inspired to follow her dreams and express herself in her own way.' As the face and voice of this pre-collection from Chanel, Jennie shared her taste, style and perspective on women today exclusively with Vogue. Ultimately, the Chanel fall-winter 2025/26 pre-collection is a story about women. How do you and Chanel see women? We have a lot in common. We support all women and want women all over the world to be free to follow their dreams and do what they really want to do. The collection was inspired by 1990s romantic comedy protagonists, Paris and Jennie's own style. Peter Ash Lee The campaign was shot with Craig McDean. What was the atmosphere like on set? It was my first time working with him, and I was really impressed. I studied his work before the shoot, looking at everything I could find. He has his own way of making models stand out, and I especially fell in love with the way he uses colour. I thought a lot about how I could collaborate with him more organically and effectively. Once the shoot started, everything flowed so smoothly. It was as natural as if we had worked together many times. A behind-the-scenes film was also shot for Vogue. Peter Ash Lee The collection has a lovely 1990s vibe to it, like a romantic comedy. I've always been inspired by the fashion, art, music and films of the 1990s, and Notting Hill is my favourite film of all time. The first time I saw it, I fell in love with the atmosphere, the colours, the music and Julia Roberts' style. I still watch it every now and then when I have time. Her style is feminine yet boyish, romantic yet preppy, and I often think of her as a style muse. Was there a look or detail from the collection that you particularly loved? I really liked the denim looks and the ones that appear effortless. I love fashion and I love to dress up, but comfort is always the most important thing to me. Denim is casual and cool, so it's always a staple in my wardrobe. I often mix and match it with different pieces. I also loved the ribbon details throughout the collection, which made it even more special because it's so iconic of Chanel. For her first collaboration with Craig McDean, Jennie says that she looked at his photographs and offered some of her own suggestions. The star kept the mood positive with her infectiously upbeat energy. Peter Ash Lee The key to the Chanel fall-winter 2025/26 pre-collection is the juxtaposition of contrasts: femininity and masculinity, classic Parisian looks and your own style. It's what you and Chanel do best. Chanel has always played with the contrast between femininity and masculinity, and I find that really interesting. It's a brand that makes women feel confident when they wear their clothes, and they reinterpret that contrast in each collection, so it never becomes boring. This collection has the essence of Paris, which I love, but it also incorporates my personal fashion style from over the years. There were looks in the collection that I looked at and thought, 'This is just like something I've worn in the past!' I felt that Chanel really understood my style. This story was originally published on Vogue Korea.