
Nunc est bibendum – to Horace, the lusty rebel
The Horace of Peter Stothard's beautifully written new biography surprises with his sexiness. Not many pages in we find him poring over scurrilous papyri in the libraries of Athens. A verse by the Archaic-era poet Archilochus has caught his eye. It describes a woman with a man, 'head-down, as she did her work like a Thracian drinking beer through a straw'. Golly. This certainly isn't the Horace we met in Latin lessons: lusty, libidinous – a rebel eager to escape his strict upbringing.
He was born Quintus Horatius Flaccus (meaning 'floppy') at Venusia, south-east of Rome, on 8 December 65 BC. His father was a former slave who made his living by salting meat and fish. In his keenness to help his son move up in the world he was willing to pose as his personal slave. Horace repaid him by going slightly wild on his travels and refusing to knuckle down following his return to Rome.
The longed-for promotion came unexpectedly. Horace fought on the 'wrong' side at the Battle of Philippi, aiding the defenders of the Republic against Octavian, the future Emperor Augustus. Still dreaming of Archilochus, who had written less ripely of laying aside his armour out of cowardice, Horace quit the fight.

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Scotsman
12 hours ago
- Scotsman
Edinburgh Fringe theatre reviews: Bog Body
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... THEATRE Bog Body The Vault at Paradise in The Vault (Venue 29) until 24 August ★★★★☆ For those still navigating the murky waters of modern dating, Itchy Feet Theatre's solo show Bog Body feels intensely relatable. The wedding dress-wearing protagonist Petra, played by Maddie White, repeatedly implores the audience not to judge her atypical choice of husband – 'There's no normal ones left!' – and we don't, chuckling along knowingly at her wry, stand-up comedy-style confessions and crowd work. That is, until we discover that her soon-to-be spouse is the preserved corpse of a nobleman from 2000 years ago that she stole from the British Museum. Advertisement Hide Ad Advertisement Hide Ad Maddie White as Petra in Bog Body | Contributed As she prepares for nuptials that prove even more macabre than first expected, White's Petra expertly slips between humorous asides and contemptuous conversations with a voiceover therapist, gradually revealing that her current predicament stems from displacing the trauma of her twin's suicide. She speaks to her sister's spirit as she pores over history books to uncover the cause of her Roman-era lover's death, her desperate attempts to bend the story to her own narrative reflecting both a recognisable dating habit – ignoring red flags and reframing bad behaviour – and her struggle to reconcile the inexplicable nature of mortality and loss. Bog Body may sound like a wild, niche concept, but it's through this madness that Itchy Feet Theatre uncovers profoundly human truths. Over its 40-minute duration, Petra gradually transforms from a self deprecating girl-next-door to a glassy-eyed, quivering figure in a state of mania, revealing how much often lies behind a jovial exterior—and how easily life's challenges can take their toll. EMILY MAY THEATRE Chickens theSpace on the Mile (Venue 39) until 23 August ★★★★☆ By the end of this play, I never want to hear the word 'chickens' again. That's a testament to the fact it has done its job. As Jay, Owen Whitelaw nails the role of a self-involved boyfriend obsessed with buying laying hens for his flat balcony, against the wishes of his pregnant girlfriend Weronika (Paulina Szarek), a level-headed and long-suffering foil to his madness. Audiences may chuckle as Jay spirals further and further into his galline mania – donning chicken-leg socks, clucking and crowing loudly, even slipping into a chicken-esque waddle – yet there is something more sinister beneath the humour. 'You agreed…' 'I picked the best option for us,' Jay insists with a smarmy smile, gaslighting Weronika, who has patiently entertained many of his past hobbies – from playing Tibetan gongs to parachuting – and reasonably explained why his latest obsession has just gone too far. Jay just hasn't listened. Instead, he lays the blame at her door, accusing her of being closed-minded, then booking her theatre tickets and massages without her consent with her so she can 'relax' – triggering alarm bells for any woman whose experienced controlling behaviour concealed behind a 'nice guy' exterior. By the end of the play he's left baffled at what went wrong. If there's a man in your life who thinks women's frustrations come from nowhere, he needs to see this. 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Things seem to be going well, and Zodwa hopes Malcolm doesn't turn out to be a 'Zimbo demon' – one of those Zimbabwean guys she knows to avoid. Directed by Matthew Kissa and Hassan Govia, the leads' performances are relaxed and unflashy, bringing a real sense of internet dating wariness and cultural connection and insight to their characters. Yet as the play progresses and an unexpected darkness shrouded in Zimbabwean mythology descends, it loses this hard-won intimacy even as it gains a bit of thrilling urgency. DAVID POLLOCK THEATRE DRAMA GIRLS theSpace @ Symposium Hall (Venue 43) until 23 August ★★☆☆☆ 'Fill the space,' 'Work with intention.' Anyone who's been to drama school will be familiar with the criticism that comes with the training. It's something that these three young performers parody with fun and flair, particularly sharply in physical comedy routines based on classes with names like 'Animal Studies'. Less successful are the spoken sequences, which touch on inequality of opportunity for those with less resources but suffer from dialogue that feels similarly directionless. A piece comprising of many short scenes, it needs more consistency and a stronger narrative spine to bring everything together. 'Try making it sharper, please,' as their teacher says. SALLY STOTT THEATRE Yellow theSpace @ Niddry St (Venue 9) until 23 August ★★☆☆☆ Advertisement Hide Ad Advertisement Hide Ad Knowledge of Shakespeare's Twelfth Night is not required to enjoy Yellow, a modern-day continuation of the character Malvolio. Set in a run-down law firm, Mal is recovering from a misstep in his previous role as a ministerial advisor to the political figure, Olivia. Recruit Rosie, who will be aiding a large-scale investigation of pension fraud, helps to widen his worldview. 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Produced by Queen Mary Theatre Company, from Queen Mary, University of London, this predictable play is let down by flat, unengaging delivery from its four performers and a Scooby Doo-ish ending (although the actor who plays flatmate Kathy can sell a funny line). Kudos also for tackling such a subject as complex as coercive control with such consideration. DAVID POLLOCK THEATRE English Ako theSpace @ Surgeons Hall (Venue 53) until 23 August ★★☆☆☆ 'Do I have to be white to be English?' Jules Chan asks in English Ako, a true-to-life play that explores Chan's personal experience of growing up with mixed heritage. The piece follows his dual search for his brother and his place in a world that makes him feel too Asian to be English, and too Western to be Asian. 'Why can't I be both?' he continues. 'I am both.' There are moments of magic – puppetry with a blazer, sleight of hand, blood on his face – but in its current form, the production falters before it can achieve the desired impact.


Daily Mirror
a day ago
- Daily Mirror
BGT star Molly Rainsford and Tyler West engaged three years after meeting on Strictly
Strictly Come Dancing stars Tyler West and Molly Rainsford have announced their engagement. The pair met on the BBC Latin and ballroom show just three years ago and now they are set to tie the knot. Taking to Instagram, the pair shared a sweet video with the caption: "Found our forever. 10.8.2025." The pair will get married after the TV presenter got down on one knee during a trip to Mykonos, Greece. Molly and Tyler met on the show after signing up for the competition and went on to fall in love with one another. In the heartwarming video, Tyler said: "I don't know where to start ... "So I'm hoping you can continue making me the luckiest man on this Earth, like you do every single day. So baby... will you marry me?" Both of them were in tears as Molly said yes as Tyler can be heard saying: "Yes! Get in! That's what I'm talking about." Famous friends of the couple were quick to send their congratulations. "Why am I smiling at my phone so hard! Congratulations guys," Melvin Odoom wrote. Fleur East added: "The most beautiful proposal. Congratulations to you both xxxxxxx." Marvin Humes shared: " is a lot, couldn't be happier for two incredible people who are just perfect for eachother..I'm SO happy!!! Ah man this has made my family.."


Time Out
2 days ago
- Time Out
William IV
Islington isn't exactly wanting for good boozers. The fabulous Wenlock Arms and ultra-welcoming Britannia are both within spitting distance of the freshly-revamped William IV, which offers a more refined, gastro take on classic north London pub proceedings. Head to the spacious ground floor for the kind of shabby chic backstreet experience you'll also experience at places like the characterful Earl of Essex – but upstairs is where things get serious. The pub's candle-lit Regency-era dining room, which comes with shades of the Quality Chop House, doesn't just offer an excellent Sunday roast, but week-round dining that feels more King Henry VIII than William IV. We're talking massive salty chops slathered with a Rorschach test of melted butter; an allotment's worth of spuds with a creamy slab of plaice; meaty platters of perky oysters; chickpea panisse that are fatter than the fattest chips and William IV's house speciality – malty and toasted Guinness bread which comes with a honking, ultra-savoury Marmite butter that looks not unlike a dollop of gelato. All of this to a sublime soundtrack of Scott Walker. Come hungry, and feast until you have to be rolled out of the joint like the decadent king you are. Time Out tip This might be a pub, but the wine list is epic and they also make a marvellous martini. The 2:1 Coastal Martini is a light-touch take on the cocktail classic, meaning you can get stuck into a bottle of lovely Savvy B after.