logo
Inside the Dreamiest Wedding at The Beverly Hills Hotel

Inside the Dreamiest Wedding at The Beverly Hills Hotel

Yahoo16-05-2025

Bebe Ding still has childhood photos of herself on the steps of The Beverly Hills Hotel. So, when her mother suggested it as the venue for her wedding to Wei Koh, it felt like the perfect choice. With their home just a few blocks away, the couple has long been enamored by the hotel's signature pink décor.
Both Bebe, the founder of Cru68 Fitness, and Wei, the publisher behind The Rake and Revolution Watch, share a deep love of fashion—and their wedding was the perfect opportunity to express it. They kicked off the festivities with a welcome party inspired by Old Hollywood glamour, where their favorite color, pink, was woven throughout every detail.
'We know that when [our friends] come to L.A., they're going to have a good time, so we don't have to necessarily babysit anyone,' Bebe says. 'They'll have the best food or be able to go to really cool bars and restaurants and try different things...even go to Disneyland!'
Read on for all the details—including the hilarious (and well-known) officiant, a surprise performance by the bride herself, and a guest list sprinkled with familiar Hollywood faces.
Bebe and Wei held their rehearsal the morning before the wedding, followed by an intimate luncheon for their families and wedding party. With loved ones traveling from afar—some flying nearly 18 hours—they wanted to make the most of their time together.
'A lot of them had flown in 18 hours to hang out with us for two days,' says Bebe, who spent her childhood between the U.S. and Singapore. 'My family hadn't been to L.A. in almost 25, 30 years. It was really important to me—especially because my granddad had just passed last year.'
One of the standout moments came during the speeches, when groomsman Andrew Lauren—a film executive and co-producer of The Brutalist—unexpectedly took the mic. 'He got up, [which] we didn't expect him to, and gave this amazing, really warm, really fun speech that just set the tone beautifully,' Wei says.
The couple, who worked with planner Lisa Jaroscak of Elegante Weddings & Events, made it a priority for their personalities to shine through in every detail of the weekend. For the welcome party, they put together a mood board channeling vintage Hollywood glamour.
'It was Gloria Swanson, Rita Hayworth, Ava Gardner. Then for the guys, Gary Cooper and Fred Astaire,' Bebe says. She embraced the theme in a gold Jenny Packham gown, while Wei wore a custom three-piece white silk dupioni suit by tailor Lorenzo Cifonelli.
The event was held at Dante, perched on the top floor of the Maybourne Hotel. 'You see the Getty Museum and then the Hollywood sign. The sun sets over the mountains and it's just the most incredible view,' Bebe says. For Wei, one of the highlights was gathering some of his closest friends—including actors Fred Savage and Michael Nouri of Yellowstone, and artist Wes Lang—all in one room.
The party's dress code—'a touch of pink'—perfectly matched the hotel's aesthetic. The groomsmen wore pink evening shirts by Dunhill underneath their tuxedos, while Wei stood out in a rose-hued shirt from Charvet. To complete the look, the couple gifted their bridesmaids and groomsmen matching Persol sunglasses with pink lenses, along with pink watches.
Bebe began looking for dresses in Singapore. The selection there was limited, so she moved her hunt to Los Angeles. At the last minute she made an appointment at the Monique Lhuillier store, where she tried on a lace gown with a bustier top that she loved. She visited other places after but kept thinking about the one she had tried there and went back to purchase it by the end of the day. She wore it with a matching bolero that she removed following the ceremony. 'I loved it so much that I knew I wanted to stay in it for most of the night,' she says.
For the afterparty, Bebe wore an embellished pink Oscar de la Renta dress that she had pre-ordered with matching pink Manolo Blahnik heels that her mother had bought for her.
Wei wore a black three-piece tuxedo also made by Cifonelli, along with the Chavret shirt and a platinum Cartier watch with a pink dial.
Bebe dressed for the wedding at her parents' house and made her way to the hotel in a chauffeured Rolls-Royce with her father. Although she had initially resisted the idea of a first look, she ultimately decided it made sense with the timing of the ceremony. 'You always think you're going to walk down the aisle to your groom seeing you for the first time and cry. That's the romantic fairy tale that goes on in a lot of girls' minds,' she says. 'To be realistic, we had sunset to fight at four o'clock. I had to give up two days before and say, 'You know what? Screw it, I think we're fine. I think we're going to have to do the first look.''
The ceremony was officiated by Bridesmaids director Paul Feig, who, according to Wei, 'potentially did the greatest job in the history of wedding officiating. He was hilarious but so touching at the same time. Everyone was laughing one minute and crying the next minute.'
Bebe adds: 'It was so special to have that personal connection [with the officiant] and [hear] the stories Paul shared about Wei from the past, along with how he's seen him evolve.'
Bebe's sister and parents and Wei's brother and father all gave toasts. Wei's 87-year-old father, who served as Singapore's permanent representative to the United Nations, is a wonderful speaker. Although he struggles with health issues that prevent him from traveling, he recorded his remarks.
Wei initially felt uneasy about meeting Bebe's parents—given his divorce and significant age difference—so it meant a great deal that they played a large role in the wedding. 'Bebe didn't tell me until I was just about to meet her parents, three years ago, that her parents do not like tattoos,' says Wei, who has many of them. 'I remember the very first meal we had, at the South Beverly Grill. I was in this thick hand-knit Double RL sweater, sweating profusely because I was so nervous, and I couldn't take it off. What was really nice is that we got to a point where we can joke about it. There were so many jokes about my tattoos throughout the evening.'
Bebe knew she wanted to do a performance at the wedding but kept Wei in the dark about the specifics. When he would tell her how much he loved Van Morrison, she would say his songs were boring, but when she got onstage during the reception, she sang 'Crazy Love' followed by Jennifer Lopez's 'Let's Get Loud.'
The reception menu included a wedge salad with blue cheese, a Beverly Hills Hotel specialty, filet mignon, and miso cod. Unfortunately, Bebe and Wei were too busy to partake. 'I was so convinced that I would stay up till sunrise, that I would be partying all night long,' she says. 'But no—because I didn't eat, I fell asleep so early. I was done. I was so confident at the tasting. I was like, 'I'm going to eat my own wedding food and I'm going to be able to be the last one to go home.''
Wei adds: 'It would've been great, in some alternate reality, to attend a 10-hour wedding as a guest and enjoy the food without the stress and responsibility of being the couple getting married.' Still, he says, the event was a blast. 'We heard it was so much fun because everyone was so nice. That's a successful curation of guests.'
The historic Beverly Hills Hotel.
The couple loves pink.
Bebe and Wei hosted a welcome lunch for close friends and family.
There was light teasing all weekend long.
For the welcome drinks, the bride wore a gold Jenny Packham gown that was a perfect fit for the classic Hollywood theme.
The groom smoked cigars with his closest friends.
Actor Michael Nori.
The party was held at the restaurant Dante, an offshoot of the New York City Italian spot.
The restaurant had incredible views of the Getty Museum and the Hollywood sign.
Bebe with her family.
The groom and his groomsmen in pink shirts.
The bride and her bridesmaids.
The ceremony was officiated by Paul Feig, the director of A Simple Favor and Another Simple Favor, 2016's Ghostbusters, and, most fittingly, Bridesmaids.
Bebe wore a lace bolero during the ceremony.
The tablescape.
The happy couple.
More laughs.
The dinner got rave reviews.
No one expected Bebe to go onstage.
Wei looked shocked.
Bebe surprised Wei with her renditions of 'Let's Get Loud' and 'Crazy Love.'
You Might Also Like
The 15 Best Organic And Clean Shampoos For Any And All Hair Types
100 Gifts That Are $50 Or Under (And Look Way More Expensive Than They Actually Are)

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Could AI Help the Emmys? Why the TV Community Is ‘Curious, but Not Yet Committed'
Could AI Help the Emmys? Why the TV Community Is ‘Curious, but Not Yet Committed'

Yahoo

time18 hours ago

  • Yahoo

Could AI Help the Emmys? Why the TV Community Is ‘Curious, but Not Yet Committed'

As Hollywood explores the potential impact of AI, there've been no shortage of conferences, technology testing and conversations to address this topic. In fact, the Television Academy held a well-attended AI Summit in mid-March, though there was still a lot of hesitation around the elephant in the room. Earlier this year, the awards conversation featured several high-profile Oscar contenders that utilized technology during production or post-production, including best picture nominees 'The Brutalist' and 'Emilia Pérez,' both of which incorporated AI audio technology from Respeecher. More from Variety Emmys Just Aren't Quite Sure What to Do With Eligibility for All of This Season's Guest Stars and Cameos Bridget Everett on How 'Somebody Somewhere' Was the Best Experience of Her Life: 'It's Like, Now What Am I Gonna Do?' Alexis Bledel Withdraws From Emmy Race for 'The Handmaid's Tale' Due to New Guest Actor Rules (EXCLUSIVE) Last month, the Academy of Motion Picture Arts and Sciences announced AI guidelines as part of its rules for the 2026 Oscars: 'With regard to Generative Artificial Intelligence and other digital tools used in the making of the film, the tools neither help nor harm the chances of achieving a nomination. The Academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.' Similarly, the Television Academy has Emmy guidelines focused on the human contributions in a submission. 'Emmy rules make clear that submissions must be the work of the submitter, utilizing the tools of their craft,' a TV Academy spokesperson said in a statement to Variety. 'Though there are a few specific guidelines around the use of AI as a tool, the Television Academy continues to monitor it across all categories and will make any updates to our rules and guidelines as needed.' Speaking generally about AI, Eric Shamlin, CEO of new tech-infused production studio Secret Level and co-chair of the TV Academy's AI Task Force, admits that at this stage, he is seeing 'very little that's actively being used' in production, though there's a lot of testing of AI's potential. 'Everybody's kind of curious, but not yet committed.' He observes, 'Some of it is kind of early-stage storyboarding or concept development for maybe a new show or a new season. I think in other situations, it's being seen [for certain tasks in] visual effects or post-production. So, I think you're seeing different teams or different parts of the pipeline explore these tools, but I still think there's a lot of just overall kind of hesitation around the tools.' Shamlin also acknowledges thorny areas that still need to be worked out, such as legal, labor and ethical issues. 'There's still plenty of people that are against AI adoption or just vocally criticizing it, which I also deeply respect, but I do think the overall sentiment has shifted to one of engagement and curiosity and conversation,' he says. 'I want to be firmly on the side of making this a benefit to as many people as possible, and accelerating jobs and expanding jobs, multiplying jobs. But you only do that by engaging with the tools and engaging with the processes and helping guide how they get adopted.' There are many others in the community that feel the best approach is to talk about the technology and how it may be implemented, though not all employers or publicists want their representatives to discuss this publicly. 'It is time for the industry to reveal itself properly,' says another source in the community, requesting anonymity. 'Then, instead of being seen as a victim of AI, the art of moviemaking will be seen to be at the forefront of absorbing this new technology. Perhaps the studios based in technology companies and the technology companies active in the production of the movies will be the right ones to bring this message to the markets.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races

22 Phrases From The Past That Make No Sense Today
22 Phrases From The Past That Make No Sense Today

Buzz Feed

time2 days ago

  • Buzz Feed

22 Phrases From The Past That Make No Sense Today

If you're a certain age, you remember the days when the computer had its own room, and you had to tell your family members to get off the phone if you wanted to use the internet. Recently, SasukesFriend321 asked the r/Millennials community for things that were "normal to say growing up" but would make you sound like a total weirdo if you said them now. Here are some of the best responses: First, there are the ones that show just how far technology has come: "I gotta print the directions, gimme a sec!" "Here's a quarter, call someone who cares." "Would you like to accept a call from 'practice is over, come pick me up!'" "Anyone seen the cordless phone?!" —sonnyg58 "Did you get the newspaper to check the movie times?" "Non-smoking, please." "Call me after 8, I'm out of minutes." "Get off the phone, I need to use the internet." "Phone rings... 'I'll get it!'" "I'm gonna star-sixty-nine your ass!" "Don't text me, I only get 100 texts a month. After that it's 10 cents." —Neo_Man_Dude "Calling the time lady. 853-any4numbers." "Check the TV Guide Channel to see what's on." "Sorry it took so long to call. My mom/sister just would NOT get off the phone." "A kid asking another kid, 'Wanna come play outside?'" Then there are the ones that show how weird our slang was: "Talk to the hand.🫸" —MetalSharkPlayer3 "PSYCH!" "Up your butt and around the corner." "[Snapping] my fingers in a Z formation." "All that and a bag of chips." And finally, there are the little pop culture pieces that have been lost to time (except inside your brain): "Bud-wei-ser." —SMVan "What would you dooOoOo for a Klondike bar?"

From 'Fountain of Youth' to 'Mickey 17,' 10 movies you need to stream right now
From 'Fountain of Youth' to 'Mickey 17,' 10 movies you need to stream right now

USA Today

time25-05-2025

  • USA Today

From 'Fountain of Youth' to 'Mickey 17,' 10 movies you need to stream right now

From 'Fountain of Youth' to 'Mickey 17,' 10 movies you need to stream right now Show Caption Hide Caption 'The Brutalist' trailer: Adrien Brody stars in Golden Globe winner Adrien Brody is a visionary architect in post-World War II America in the three-time Golden Globe-winning "The Brutalist." Love movies? Live for TV? USA TODAY's Watch Party newsletter has all the best recommendations, delivered right to your inbox. Sign up now and be one of the cool kids. It's official: Summer movies have arrived. And once you've had your holiday weekend fill of Tom Cruise and Stitch on the big screen, hit the couch for more flicks. In addition to the Memorial Day dogs and burgers, feast on a mess of films now available on your favorite streaming services, from Netflix and Max to Paramount+ and Hulu. There are theatrical releases if you need to catch up, like a Robert Pattinson sci-fi satire and Jack Quaid action comedy, plus original fare like a Natalie Portman and John Krasinski heist adventure and a revealing Pee-wee Herman documentary. Here are 10 notable new movies you can stream right now: 'The Brutalist' Still haven't see the best movie of last year? Now's the time to finally fix that. Director Brady Corbet's Oscar-nominated historical epic doesn't lose any of its splendor on your TV. A Hungarian-Jewish architect (Adrien Brody) finds a job in postwar America, brings his wife (Felicity Jones) over from Europe, and weathers his own ego and vices in an unforgettable exploration of the immigrant experience and a toxic American dream. Where to watch: Max We've got room on the couch! Sign up for USA TODAY's Watch Party newsletter for film & TV news. 'Fear Street: Prom Queen' The latest slasher movie based on R.L. Stine's "Fear Street" books doesn't have the imagination or innovation of the 2021 trilogy, but it does work as a retro fest with some talented new faces. On prom night 1988, the queen candidates of Shadyside High start dropping like flies thanks to a masked killer, though the best drama is between underdog Lori (India Fowler) and her mean-girl neighbor Tiffany (Fina Strazza). Where to watch: Netflix 'Fountain of Youth' While Guy Ritchie's adventure borrows liberally from "Indiana Jones" and "National Treasure," it tweaks the globe-trotting formula with two A-list heroes instead of one. Natalie Portman and John Krasinski play estranged siblings brought back together to find the mythical Fountain of Youth using art masterpieces and religious artifacts, with cops and a mysterious Vatican-approved protector (Eiza González) trying to foil their efforts. Where to watch: Apple TV+ 'Hard Truths' Mike Leigh's dramedy is worth streaming just for English actress Marianne Jean-Baptiste's stellar performance as a thorny woman with a litany of issues. Pansy (Jean-Baptiste) lays into everyone with angry vigor, be it store workers or her own husband and son. But the whys behind her outbursts reveal themselves as Pansy faces her emotions and her cheerier sister (Michele Austin), who urges Pansy to visit their mom's grave. Where to watch: Paramount+ 'I'm Still Here' Based on a true story, Walter Salles' intense Oscar-nominated family drama is set in Brazil during the politically unstable 1970s. A former congressman (Selton Mello) working as a civil engineer and living an idyllic life by the beach is taken by military forces and disappears. His wife (Fernanda Torres) begins the long process of finding out what happened to him while also fighting to keep their family together and figuring out a new life for herself. Where to watch: Netflix 'The Last Showgirl' In director Gia Coppola's introspective ensemble drama, Pamela Anderson has her meatiest role ever as the feather-clad 30-year veteran of a legendary Las Vegas show who's forced to figure out the next chapter of her life. Anderson proves worthy of some knockout emotional moments, Jamie Lee Curtis shines as a feisty cocktail waitress, and Dave Bautista steals scenes as the show's pensive stage manager. Where to watch: Hulu 'Mickey 17' Oscar-winning director Bong Joon Ho ("Parasite") has another thought-provoking satire, with some 'Monty Python'-style silliness, in this dark sci-fi comedy starring Robert Pattinson as a hapless space worker who keeps getting killed and printed out again like a sheet of paper. Pattinson lets loose with the physical humor as multiple Mickeys have to save the day in a tale of empathy over cruelty. Where to watch: Max 'Novocaine' Jack Quaid stars in the action comedy as Nate Caine, who because of a genetic condition feels no pain. After his first date with a crush-worthy co-worker (Amber Midthunder), she's taken hostage in a robbery, and Nate goes into hero mode risking life and limb – and getting stabbed, burned and more – to rescue her. Quaid makes the most of his first lead action role in a playfully gory romp that also features a nifty villain turn from Ray Nicholson. Where to watch: Paramount+ 'Paddington in Peru' In the third outing in this sweetly goofy series, the adorable Paddington (voiced by Ben Whishaw) has just become an official British citizen when he gets word that his beloved Aunt Lucy is ailing in Peru. The bear and his human family head to South America to visit, discover Lucy has gone missing and go to find her, running into a shady singing nun (Olivia Colman) and a suave boat captain (Antonio Banderas) obsessed with finding El Dorado. Where to watch: Netflix 'Pee-wee as Himself' The fascinating two-part documentary is a must-see for 1980s kids who grew up watching Pee-wee Herman. But here it's Paul Reubens, the comedian behind the pop-culture icon, who finally has his voice heard. Reubens, who died in 2023, is affable but prickly as he navigates topics with humor and honesty, from why he was a closeted gay man to the emotional consequences of his later legal troubles and being labeled a pedophile. Where to watch: Max

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store