
Rawaa Al Barazi and Jihan Al Jundi write love letter at Urbanist Gallery
Urbanist Art Gallery has unveiled A Love Letter to Damascus, an exhibition featuring the works of Syrian diasporic artists Rawaa Al Barazi and Jihan Al Jundi (May 31 – June 14). The opening in the gallery's space in Dubai drew collectors, curators, and art lovers from across the region.
The show is deeply personal and poetic, offering an artistic dialogue between two voices rooted in memory, resilience, and the timeless beauty of their shared homeland. Each piece in the exhibition serves as a visual ode to Damascus – a city of layered history, cultural richness, and historical depth.
Rawaa Al Barazi channels nostalgia through bold forms and an expressive colour palette, crafting compositions that oscillate between abstraction and architectural memory. Her work explores the emotional aftermath of displacement; she invites viewers into a world of familiarity that has fragmented, with quiet longing. In contrast, Jihan Al Jundi's pieces capture intimate moments and delicate symbols, weaving personal narratives and collective memory.
Her mixed media practice embraces both material and metaphor, reflecting the tenderness and complexity of a city that lives on in exile, and which refuses to die.
Together, the work of the duo resonates with themes of belonging, loss, and enduring love for a place that continues to inspire, despite distance and a perilous present. 'This exhibition is more than a showcase of talent — it's a testament to the power of art to preserve identity and reclaim home through visual storytelling,' said Amjad Malki, Director, Urbanist Art Gallery.
Streetside view.
'Visitors are welcome to experience this emotional journey through the artists' eyes.' Born and raised in the city of Hama, Syria, Rawaa is a devoted mother of six and a proud grandmother of fourteen. Her journey into the world of art was not guided by formal education, but by a passionate heart, tireless hands, and an unshakable determination to express herself.
Without ever attending an art school, she taught herself everything she knows through informed curiosity, endless perseverance, and an enduring love for creativity. Whenever she encountered a new technique or form, she would spend hours researching it, experimenting over and over, until she mastered it — her persistence became her teacher. Her artwork reflects not only her inner world, but also her deep connection to her family, her culture, and the evolving world around her. Each of her pieces at Urbanist is a testament to her resilience, grace, and ability to communicate without words — through colour, shape, and emotion. Rawaa continues to inspire her children, grandchildren, and all those who encounter her art. Her work is not just a display of paintings, but a continuing story of strength, love, and the transformative power of creativity.
'Art is my language of expression, a dialogue between my soul and the canvas. Each stroke carries emotion, each colour tells a story, and every piece reflects a journey — sometimes personal, sometimes universal. As a painter, I find inspiration in the raw beauty of existence — the seen and the unseen, the fleeting moments of light, the depth of human emotion, and the harmony of the universe. With a background in storytelling through writing and media, I strive to translate feelings into visual experiences, inviting the viewer to step into my world and feel, rather than just see. I hope this collection speaks to you in ways words cannot,' says Jihan Al Jundi about her works. 'Painting has always been my way of expressing what can't be said — emotions, memories, and moments of stillness.'
Jihan Al Jundi smiles at the world.
The Syrian art diaspora encompasses Syrian artists who have relocated outside of Syria, often due to conflict or political instability. The artists, while residing in various locations, continue to engage with their heritage and the Syrian context, creating work that reflects personal and collective experiences. The diaspora has also led to the development of online platforms and initiatives to connect and support Syrian artists, both inside and outside of Syria (from AI).
'The war in Syria,' says Nour Asalia, writing for Atassi Foundation for Arts and Culture, 'has generated extremely complex and intertwined questions, both personal and general in their focus ... Over the last decade, a time of dispersal and diaspora, Syrian artists have found new frameworks for creativity and inspiration, the forms and sources of their work as diverse as the geographies over which they have spread and the cultures in which they move.
Rawaa Al Barazi is a self-taught artist.
The growing realisation that there was a pressing need to document and bring this art to wider attention – for scholarly, cultural-intellectual, or revolutionary reasons – sparked a desire to conduct radical reassessments of its historiography, archives and criticism, and update the theoretical frameworks through which it is classified and taught.'
Damascus has a long history as a cultural and artistic hub, playing a crucial role in the development of Syrian art and the exchange of ideas. Its location at the crossroads of civilisations has made it a melting pot of cultures, fostering artistic exchange and innovation (from AI). Urbanist Art Gallery on Box Park Al Wasl Road in Dubai is an elegant space, occupying the ground and upper floors of a modern building. It attracts artists, collectors and art enthusiasts from local and international communities.
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Gulf Today
a day ago
- Gulf Today
Rawaa Al Barazi and Jihan Al Jundi write love letter at Urbanist Gallery
Urbanist Art Gallery has unveiled A Love Letter to Damascus, an exhibition featuring the works of Syrian diasporic artists Rawaa Al Barazi and Jihan Al Jundi (May 31 – June 14). The opening in the gallery's space in Dubai drew collectors, curators, and art lovers from across the region. The show is deeply personal and poetic, offering an artistic dialogue between two voices rooted in memory, resilience, and the timeless beauty of their shared homeland. Each piece in the exhibition serves as a visual ode to Damascus – a city of layered history, cultural richness, and historical depth. Rawaa Al Barazi channels nostalgia through bold forms and an expressive colour palette, crafting compositions that oscillate between abstraction and architectural memory. Her work explores the emotional aftermath of displacement; she invites viewers into a world of familiarity that has fragmented, with quiet longing. In contrast, Jihan Al Jundi's pieces capture intimate moments and delicate symbols, weaving personal narratives and collective memory. Her mixed media practice embraces both material and metaphor, reflecting the tenderness and complexity of a city that lives on in exile, and which refuses to die. Together, the work of the duo resonates with themes of belonging, loss, and enduring love for a place that continues to inspire, despite distance and a perilous present. 'This exhibition is more than a showcase of talent — it's a testament to the power of art to preserve identity and reclaim home through visual storytelling,' said Amjad Malki, Director, Urbanist Art Gallery. Streetside view. 'Visitors are welcome to experience this emotional journey through the artists' eyes.' Born and raised in the city of Hama, Syria, Rawaa is a devoted mother of six and a proud grandmother of fourteen. Her journey into the world of art was not guided by formal education, but by a passionate heart, tireless hands, and an unshakable determination to express herself. Without ever attending an art school, she taught herself everything she knows through informed curiosity, endless perseverance, and an enduring love for creativity. Whenever she encountered a new technique or form, she would spend hours researching it, experimenting over and over, until she mastered it — her persistence became her teacher. Her artwork reflects not only her inner world, but also her deep connection to her family, her culture, and the evolving world around her. Each of her pieces at Urbanist is a testament to her resilience, grace, and ability to communicate without words — through colour, shape, and emotion. Rawaa continues to inspire her children, grandchildren, and all those who encounter her art. Her work is not just a display of paintings, but a continuing story of strength, love, and the transformative power of creativity. 'Art is my language of expression, a dialogue between my soul and the canvas. Each stroke carries emotion, each colour tells a story, and every piece reflects a journey — sometimes personal, sometimes universal. As a painter, I find inspiration in the raw beauty of existence — the seen and the unseen, the fleeting moments of light, the depth of human emotion, and the harmony of the universe. With a background in storytelling through writing and media, I strive to translate feelings into visual experiences, inviting the viewer to step into my world and feel, rather than just see. I hope this collection speaks to you in ways words cannot,' says Jihan Al Jundi about her works. 'Painting has always been my way of expressing what can't be said — emotions, memories, and moments of stillness.' Jihan Al Jundi smiles at the world. The Syrian art diaspora encompasses Syrian artists who have relocated outside of Syria, often due to conflict or political instability. The artists, while residing in various locations, continue to engage with their heritage and the Syrian context, creating work that reflects personal and collective experiences. The diaspora has also led to the development of online platforms and initiatives to connect and support Syrian artists, both inside and outside of Syria (from AI). 'The war in Syria,' says Nour Asalia, writing for Atassi Foundation for Arts and Culture, 'has generated extremely complex and intertwined questions, both personal and general in their focus ... Over the last decade, a time of dispersal and diaspora, Syrian artists have found new frameworks for creativity and inspiration, the forms and sources of their work as diverse as the geographies over which they have spread and the cultures in which they move. Rawaa Al Barazi is a self-taught artist. The growing realisation that there was a pressing need to document and bring this art to wider attention – for scholarly, cultural-intellectual, or revolutionary reasons – sparked a desire to conduct radical reassessments of its historiography, archives and criticism, and update the theoretical frameworks through which it is classified and taught.' Damascus has a long history as a cultural and artistic hub, playing a crucial role in the development of Syrian art and the exchange of ideas. Its location at the crossroads of civilisations has made it a melting pot of cultures, fostering artistic exchange and innovation (from AI). Urbanist Art Gallery on Box Park Al Wasl Road in Dubai is an elegant space, occupying the ground and upper floors of a modern building. It attracts artists, collectors and art enthusiasts from local and international communities.


Broadcast Pro
03-06-2025
- Broadcast Pro
Sydney Film Festival adds MAD titles to 2025 line-up
These two additions will spotlight deeply human narratives from the Arab world and its diasporas The Sydney Film Festival, set to run from June 4 to 15, has announced the addition of two titles from MAD Solutions to its 2025 programme: Yunan and Têtes brûlées, both of which bring emotionally resonant storytelling to the international stage. Yunan, the latest work from Syrian filmmaker Ameer Fakher Eldin, is the second installment in his HOME trilogy, which delves into the emotional landscape of estrangement and exile. The film follows an Arab writer who, burdened by disillusionment, leaves his life in Hamburg and retreats to a secluded island on the North Sea, intending to end his life. His unexpected encounter with an elderly woman and her quiet acts of compassion slowly reignite his will to live. Directed, written and edited by Ameer Fakher Eldin, the film is a Canadian-German-Italian co-production, with contributions from Palestine, Qatar, Jordan and Saudi Arabia. The cast includes Lebanese actor and filmmaker George Khabbaz, German actress Hanna Schygulla, Palestinian actor Ali Suleiman and Game of Thrones stars Sibel Kekilli and Thomas Wlaschiha, alongside Lebanese theatre veteran Nidal El Ashkar. Ameer Fakher Eldin, a Syrian filmmaker based in Hamburg, was born in Kyiv in 1991 to Syrian parents from the occupied Golan Heights. Joining Yunan in the festival's program is Têtes brûlées, a poignant coming-of-age story from Belgian-Tunisian-Danish director Maja Ajmia Zellama. The film centers on 12-year-old Eya as she grapples with the sudden death of her older brother Younès. Through a heartfelt exploration of grief, Eya finds solace in her imagination, her brother's close-knit circle of friends, and her own inner strength, as she begins to navigate a world without him. Produced by Komoko, with co-productions by Quetzalcoatl and 1080 Films, Têtes brûlées is a Belgian film enriched by Tunisian cultural influences. The cast features Safa Gharbaoui, Mehdi Bouziane, Mounir Amamra—known for his role in DIVINES—along with Adnane El Haruati, Saber Tabi, Nicolas Makola, Mehdi Zellama and Monia Taieb.


Sharjah 24
26-05-2025
- Sharjah 24
Dibba Al Hisn Theatre Fest continues into second night
Syrian Play "Khalas Fardi" captivates audience On the second day of the festival, audiences enjoyed the Syrian play "Khalas Fardi," written and directed by Samer Mohammed Ismail, and performed by Raghad Salim and Mohammed Shamma. The play centers on "Adel," a 40-year-old playwright plagued by despair as he struggles to complete his script. His life is disrupted by Judy, a spirited 20-year-old who arrives under the pretext of cleaning his apartment but quickly becomes entangled in his world. Through their dialogue, themes of love, death, and hope emerge, blurring the lines between reality and imagination. Judy gradually takes on the persona of Layal, Adel's lost lover, who died in a tragic car accident . Depth of themes and ontrasting dualities praised A critical symposium followed the performance, moderated by Syrian writer Amina Abbas. Participants lauded the play for its exploration of contrasting themes—fantasy versus reality, joy versus sorrow, classical Arabic versus colloquial speech, and the poetic versus the mundane. These elements, they noted, enriched the narrative and heightened the visual and emotional intensity of the performance. The minimalist set, consisting of a small office and bookcase, and subtle lighting further accentuated the introspective tone of the play . Director honoured at festival symposium At the conclusion of the symposium, Syrian director Samer Mohammed Ismail received a certificate of appreciation from Major Abdullah Al-Tunaiji of the Dibba Al Hisn Comprehensive Police Department, which sponsored the second day's events . Sharjah Arab Theatre Forum and Festival workshops enrich second day of events Opening of the 20th Sharjah Arab Theatre Forum The second day of the festival commenced at 5:00 PM with the launch of the 20th edition of the Sharjah Arab Theatre Forum, held under the theme "Theatre and Life." Emirati scenographer Walid Al Zaabi introduced and moderated the session, beginning with a tribute to His Highness the Ruler of Sharjah for his enduring support of the theatre movement across artistic, academic, and intellectual domains. Al Zaabi reflected on the forum's legacy over two decades, noting the range of topics, theatrical generations, and critical contributions it has produced. First presentation: Theatre as a mirror of life Jordanian researcher Mays Al Zaabi delivered the first presentation, titled 'The Father of the Arts and Life: A Study of New Aspects and Variables.' She argued that theatre serves as a mirror to societal complexities, far beyond a form of entertainment. Highlighting its role in fostering awareness and social cohesion, she cited examples such as Augusto Boal's therapeutic theatre and a Jordanian study showing the art form's positive impact on education. She also addressed modern challenges facing theatre, including digital competition, reduced funding, and shifting societal values, but affirmed its resilience and enduring relevance. Second presentation: Theatre and the concept of 'bare life' Under the title 'Theatre and Negative Life,' Tunisian researcher Dr Omar Alawi explored the philosophical notion of 'bare life' as discussed by Giorgio Agamben, where individuals lose meaning under rigid societal norms. Citing the play Bartleby, Alawi highlighted how simple acts of refusal, such as the protagonist's non-compliance, serve as powerful resistance. He asserted that theatre can help reclaim human essence and resist the dehumanisation of modern life. Third presentation: Theatre through the lens of human existence Egyptian researcher Bilal Elgamal presented a study titled 'Theatre as a Mirror of Existence... From Beginnings to Extensions.' He outlined the evolution of theatre through three phases: Existence (primitive drama), Reality (classical and realist theatre), and Humanity (modern avant-garde). Elgamal discussed how theatre not only reflects but also shapes society, offering therapeutic relief and helping individuals navigate existential crises such as alienation and identity loss. 'School Theatre Directing' workshop Alongside the forum, a "School Theatre Directing" workshop was held at the Dibba Al-Hisn Society for Culture, Arts, and Theatre, led by Tunisian director Dr Hatem Al-Maraoub. Around 40 participants attended the session, which was divided into theoretical and practical components. Dr Al-Maraoub explained foundational directing concepts, the transformation of literary texts into stage performances, and techniques for building theatrical characters using dramatic games. Attendees actively engaged in the exercises, and the session concluded with festival coordinator Aisha Al Hosani presenting a certificate of appreciation to the workshop leader.