‘The Desert Rose' fashion event referenced Omani embroidery and Bedouin silhouettes in Bidiyah

Observer

20-04-2025

Under the amber glow of a setting sun and the haunting silence of endless dunes, Sahar Al Aufi unveiled 'The Desert Rose' - a fashion presentation that was less a runway and more a revelation. Over two transformative days in the Bidiya desert, the celebrated Omani designer fused the raw majesty of nature with the grace of couture, offering the Arab world a bold new chapter in fashion storytelling.
'This wasn't just a show. It was a feeling, an emotion, a movement,' Sahar said, standing barefoot on the sands where models had just sashayed in her flowing creations. 'The desert didn't just serve as a backdrop - it became part of the narrative.'
The setting was as bold as the vision. The Desert Dome Resort was reimagined into a surreal canvas where elegance met elemental beauty. Thirty meticulously crafted garments swayed in the desert breeze, their soft silks, chiffons, and tulles echoing the muted palette of dunes, twilight skies, and desert winds.
Fluid silhouettes mirrored the landscape's rhythm - gentle, sweeping, alive. Pulling off such a production without an external event planner, with a team of over 100 creatives, was no small feat. From sunrise prep calls to navigating windstorms that threatened to unravel entire sets, the team leaned into the chaos with grace.
'Every stitch, every seam was born of intention and love,' said Sahar. 'It was creatively fulfilling, but it also tested every ounce of our stamina and faith.'
The garments themselves carried deep cultural references - revived Omani embroidery styles, subtle Bedouin silhouettes, and symbolic desert motifs embroidered with metallic threads and crushed stone appliqué. The production involved hours of hand-finishing, and certain dresses were sewn on-site during the final hours. 'There's something sacred about creating in the very environment that inspires you,' she said.
The spiritual connection to the land resonated deeply. 'There was a moment during the shoot,' Sahar recalled, her voice catching slightly, 'when the light hit just right, the models moved in unison, and I realised - we'd done something historic, something rooted in our soil.'
Through her brand Melis, and its Arabic line Melis Arabia, Sahar is on a mission to elevate Arab design to global consciousness. 'Arab fashion isn't a trend - it's a legacy,' she affirmed. 'It's storytelling in motion. And it's time the world took notice.'
Collaboration fuelled the vision - makeup artist Hajar Sami, hairstylist Hassna, and the creative team at 7 De Studio co-created an aesthetic that honoured both nature and heritage. 'They didn't just support me,' Sahar said. 'They elevated the entire experience.'
Looking forward, The Desert Rose is just the beginning. Sahar's team is already working on an immersive fashion film that captures the desert project for a global digital audience. International showcases in Europe and Southeast Asia are in development, aiming to position Oman not only as a fashion muse but also as a luxury destination for weddings and honeymoons.
She's also in active discussions with the Ministry of Heritage and Tourism to create collaborative campaigns that merge fashion with national identity. 'I want people to discover Oman's soul through my fabrics - the elegance of our embroidery, the curves of our dunes, the softness of our skies,' she said. 'This is about fashion, yes - but also about inviting the world into our story.'
The trends are shifting. As the global fashion industry leans towards eco-consciousness and authentic storytelling, Oman's emerging designers like Sahar are well-positioned to lead. 'This is slow fashion, rooted fashion,' she explained. 'And people are craving that more than ever.'
As the final sun dipped behind Bidiya's dunes, a collective hush fell over the audience. In that golden silence, it was clear - The Desert Rose wasn't just a show in the sand. It was the beginning of a movement.