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A giant octopus reached for a filmmaker's camera. In a split-second decision, he let go of the camera

A giant octopus reached for a filmmaker's camera. In a split-second decision, he let go of the camera

Yahoo3 days ago
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Underwater filmmaker John Roney has completed around 1,500 dives in his career, but a dive earlier this month off the coast of Vancouver Island will likely remain a highlight of his career spent underwater – because an octopus borrowed his camera and proceeded to take footage of its web of suction-cupped tentacles.
Roney (@roneydives) was diving with friend and diver Chris Mullen in an area known for housing large octopus when a particularly large Giant Pacific Octopus took an interest in the camera equipment. The creature had begun exploring the equipment with its tentacles when Roney made a decision: to let go of the camera.
'The moment it reached out, I could see it was curious,' Roney told Digital Camera World. 'It quickly engulfed my entire camera rig, exploring it with its suckers. I realized this was a rare chance to see what it would do if I stepped back completely, so I let it have the camera and take the lead. That choice gave us a perspective you almost never get.'
The decision to let go of the camera resulted in a rare glimpse of an octopus' underbelly as the create took the camera and swam with it while continuing to explore the equipment, eventually hitting the button to stop the recording with one of its suction cups and, once its curiosity was satisfied, dropping the camera to the ocean floor.
The camera in question was a Panasonic Lumix GH6, which was encased in a Nauticam housing, and survived the animal encounter. 'It's a tough setup, which is lucky because an animal that size can be incredibly strong,' Roney said.
That's particularly lucky considering one biologist says the way the octopus handled the camera is similar to how the animals act when they find something 'potentially edible.' Marine biologist Jennifer Mather told CBC News said the octopus wasn't actually trying to take a selfie, but that octopuses are curious creatures and will often pick up objects and put them underneath their web of tentacles.
After the large octopus explored the camera, the creature then explored Mullen, reaching out to give the diver a tentacled 'hug,' which, naturally, Roney caught on camera.
The resulting video footage has garnered the attention of news outlets and racked up thousands of likes on social media. 'It's been amazing to see how many people are fascinated by it,' Roney said. 'I think it's the combination of a giant Pacific octopus's intelligence, its otherworldly nature, and the unusual perspective from inside its arms that really captured people's imaginations. If the video gets more people curious about these animals and the ocean they live in, that's a win.'
Out of the roughly 1,500 dives that he's completed over the course of his career, he estimates that he's only had two encounters with an octopus that close. The octopus approached the two divers after they went by – an important distinction, as approaching an octopus on a dive can distress the creature.
Along with being an underwater filmmaker, Roney is also a television editor, including editing work on a series with Cristina Mittermeier and Paul Nicklen. Roney's underwater films have taken him all over the world and have been part of several documentaries.
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The Creator Multi-Tool That's Blowing Up The Internet
The Creator Multi-Tool That's Blowing Up The Internet

Forbes

timean hour ago

  • Forbes

The Creator Multi-Tool That's Blowing Up The Internet

Hacksmith Industries may have started with sci-fi experiments and YouTube stunts, but its latest project is pure business. Co-founded by James Hobson and Ian Hillier, the team has just raised more than $7.4 million on Kickstarter for their flagship product: a futuristic multi-tool designed entirely in-house. With 25,000 units pre-ordered and counting, and two weeks left on the campaign, it's a case study in how content can power commerce. 'It's crazy, totally surreal. We had big hopes for this project, but it's kind of blown that out of the water,' Hillier told me. 'It's both a windfall and a liability. I've got to make, as of today, like 25,000 knives. More every day. It is a great problem to have.' Hacksmith's transition from content to commerce isn't an overnight pivot. It's the product of a multi-year strategy rooted in engineering, storytelling and audience trust. Hillier, now COO, and Hobson aka the Hacksmith, the CEO and on-camera face, have grown their YouTube channel to millions of subscribers by building real-life versions of fictional tech: lightsabers, jetpacks, giant mechs, and electromagnetic Captain America shields. These projects were proof of concept for the engineering ethos behind their full-scale hardware product. 'We started this project a year and a half ago and we set out to make the best multi-tool we could,' said Hillier. 'We invested a lot of money to get there. Probably about a million dollars. So what success looked like in my mind was: okay, I need to make that money back and then a little more on top of that. I was picturing... maybe around three [million Canadian] FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder So why did this launch work where so many creator-backed product launches flop? 'Same as a video,' Hillier explained. 'If you release a good video, it's going to perform well and the algorithm picks it up. In the case of a product, if you release a good product, then it should perform well. This is a fantastic product. It stands for itself.' Hacksmith's multi-tool wasn't a drop-ship scheme or a white-labeled Alibaba item. In fact, Hillier is blunt about what doesn't work: 'If we had gone on Alibaba and just slapped our name on something, we wouldn't be in the position we are now.' Instead, the team iterated for over a year and a half on the design, using the tool every day in their own workshop. The result? A tool that resonated. 'It's something I carry on me every single day,' Hillier said. 'It just resonates with our audience.' That connection is evident in backer behavior. Though Hacksmith offered a tiered reward model with lower-cost versions of the tool, most buyers went straight for the top-tier version. 'We expected more people to go for the cheaper version... And yet overwhelmingly people are choosing the Pro,' Hillier said. 'Because it's the best product. It's the one I would personally buy.' Unlike many creators who license or outsource manufacturing, Hacksmith is building the product in-house in their 15,000 square foot facility in Cambridge, Ontario. That decision was strategic. 'We made the crazy decision to manufacture in-house,' Hillier said. 'Part of that is tariffs, partially quality control... but I also think we sold more because we said we're making it in-house. People want to support that journey.' Of course, this comes with massive logistical challenges. 'Each knife takes 2 hours of machining,' he noted. 'You need to have like 30 machines or more running 24/7 to make that many knives.' The shift from video-driven revenue to product revenue is intentional. 'We've kind of been a bit stuck on the YouTube treadmill,' Hillier said. 'Okay, we need to release a video so we can have a sponsorship so we can pay the employees and the mortgage. We'd love to get out of that.' He credits Linus Sebastian (of Linus Tech Tips) for early inspiration. 'When we did a collab with Linus in 2020, he said: you have to start, and it takes time. But once you start, it's a long burn... it's worth it in the end.' Their early attempts at monetization with t-shirts went nowhere. 'We might advertise a t-shirt in a video and get like five or ten sales. Pathetic,' Hillier admitted. 'Because apparel does not resonate with our audience. But now, even when we're not releasing content, we're getting decent sales because we have residual views and a back catalog of good products.' His advice to creators thinking about launching a product? 1. Build Trust First: Hacksmith spent over a decade building trust with their audience. When they launched a product, it wasn't a total surprise. 2. Design What You Use: They didn't guess what the audience wanted. They built a product they used every day themselves. 3. Tell the Story: The story of how and why the product was made became just as important as the product itself. 4. Don't Go Cheap: Competing on price is a losing game for creators. Instead, compete on quality, authenticity and community. 5. Think Long-Term: A good launch is just the beginning. Hacksmith is already planning recurring revenue from future products, accessories and expansions. 6. Be Transparent: Hillier doesn't shy away from the complexity, cost, or time involved. That honesty builds credibility. So what happens next? 'The future of Hacksmith is more epic builds, more products,' Hillier said. 'We want to work more for ourselves rather than for sponsors.' His dream project? 'A real, commercially viable lightsaber. Not sure how feasible that is, but... given unlimited budget and time, I'd say that's possible.' For now, Hacksmith is proof that when creators bring authenticity, engineering rigor and audience empathy to the table, they can build real companies. 'We've gotten to where we've gotten just purely organically,' Hillier reflected. 'We haven't spent anything on paid ads. So it's been very humbling to get here. And we've got a lot of work to do.' This article is based on an interview with Ian from my podcast, The Business of Creators.

'Plan B,' 'X-Men' star Carolina Bartczak was told to stay in Canada and it was the 'best advice' she received
'Plan B,' 'X-Men' star Carolina Bartczak was told to stay in Canada and it was the 'best advice' she received

Yahoo

time3 hours ago

  • Yahoo

'Plan B,' 'X-Men' star Carolina Bartczak was told to stay in Canada and it was the 'best advice' she received

Yahoo Canada Eh Listers: Carolina Bartczak (Danny Taillon) Carolina Bartczak played Taylor Kitsch's wife in the Netflix series Painkiller, starred alongside James McAvoy, Michael Fassbender, Jennifer Lawrence, and Nicholas Hoult in X-Men: Apocalypse, and now leads the CBC series Plan B for Season 3. The Polish-Canadian actor comes from a family of engineers, but she didn't love studying biochemistry in Toronto, and an invitation to be on a TV redecorating show was a starting point for her to look into working for production companies. "I was working at a production company in Montreal. ... I was watching auditions come in, I just thought, damn, that looks so fun," Bartczak recalled to Yahoo Canada. "But I've never known anyone who's an actor. I never had any contact with [anyone in the industry] and I just thought, ... I'm going to die one day and I might as well take a big swing. ... And if it goes nowhere, cool, as long as I tried." "I always just saw it as an experiment of trying something new and something that I didn't know anything about. But also it checked a lot of boxes as to what I wanted to do in my life. I wanted to work on meaningful projects. I wanted to work with artistic people. I wanted to travel. I wanted to be a bunch of different people. ... So once I went to theatre school I was like, oh this is it. I found my soulmate as a job." Advertisement Bartczak then studied in New York, but like many actors, success in the challenging auditioning landscape after school was difficult to come by. "It's hell. It's so hard. I spent the first year, I was living in New York, couldn't get an agent, couldn't get anyone to even meet with me. And then finally some agent met with me and was like, 'Oh you're Canadian? You should just go back home.'" Bartczak said. "I was so determined to stay in New York, and actually it was the best advice she ever gave me." "I landed in Toronto and started auditioning and man, it takes a long time for people to trust you, to give you a part. But I stuck with it and I've kept going. And it's full of heartbreak. ... You fall in love with the parts you audition for. ... But when it's good, it is heavenly. It is the best." Bartczak admits she did feel like she had to be in the U.S. to be successful. Now the actor says that mostly came from her own "ignorance." Advertisement "I didn't know that there was an entire industry in Canada, and I didn't know there was an American industry in Canada," she said. "When you go to school in a city, I was only with Americans, so I kind of latched on to their dreams, because I didn't know what direction I could go in. But, man, am I grateful that person told me to go back to Toronto, because I've had a lot of luck and a lot of progress, and I've gotten to work on a lot of cool things, because I was in Canada." Yahoo Canada's Eh Listers is an interview series with women and non-binary Canadians in film and television, looking back on their careers with unfiltered stories about their greatest projects. The Smurfs 2 — 2013 But ahead of Bartczak's on-camera work, her first experience on a sizeable professional projects was for the animated film The Smurfs 2. While certainly not one of her bigger roles, it was a particularly positive experience for the actor. Advertisement "I had three lines in The Smurfs 2 movie. It was the most fun I'd ever had," Bartczak said. "It was also one of those movies that has a lot of financing behind it. You get to see the orchestra of everyone doing their job." "And the thing that struck me is that everyone on set is working, is so focused and committed to doing a good job. Even the sound person, I could see him practising his microphone flicks, and the person bringing the cake onto set, and set dressing. [It was] so amazing to be in a job where people are so happy to be there." Throughout her career, Bartczak has seen the difference between working on more big budget projects, and more indie work, with a lot of it having to do with how much control you have on set and with a character. "When you work on something that has a huge budget, that means that there's a lot of people making decisions, and so your decision-making capability is smaller," Bartczak explained. "I remember being on a show that had so much money behind it, was so stylized, and I'm saying to the makeup artist, 'Oh, can I just fix my eyebrows?' And she's like, 'No, you can't. ... That came from up top.' ... Both of them have their benefits and their drawbacks." X-Men: Apocalypse — 2016 Enter a huge franchise with X-Men: Apocalypse was something Bartczak described as a "terrifying" experience, sharing the screen with some of her favourite actors. Advertisement "I don't think I slept for the three weeks that I was there. But also so exciting ... just sitting in the makeup trailer and James McAvoy popping in and being like, 'Hey guys, what's up?'" Bartczak said. "I was like, am I in a dream?" "Actually, Michael Fassbender is one of my favourite actors ... and watching people who are at the top of their game do their job is heavenly." But while she's had success in notable projects with famed actors, Bartczak has also had to learn to navigate the ups and down of being an actor where work isn't consistent. "You do come off this high and then it's a crash down to earth. It's almost like you've had this dopamine high of working really hard, or having long hours and interacting with a lot of people, and you come home and you're like, oh I have to clean cat shit out of my cat litter. It's a very different life," Bartczak said. Advertisement "Among us actors, we always talk about the crash down to real life, and you come off of a high and you're feeling great for a week, and then it's just down. So that's something that you learn as you go along, that you have to take care of your mental health. And I plan a lot of physical exercise, I plan seeing friends to make sure that I can get through that difficult comedown." Bartczak spoke to her X-Men: Apocalypse costar, Rose Byrne, about pushing against being typecast, vying for roles people wouldn't necessarily associate with a particular actor. "From the beginning of my career I have been cast as a mom. I guess I have mom energy," Bartczak said. "I remember actually speaking to Rose Byrne about this when we were shooting X-Men, she was like, I couldn't get a job on a comedy. She was like, everyone saw me as the girl from Damages and they couldn't possibly imagine that I could be funny. And so she had to break through walls to get an audition for Bridesmaids. ... I think that is just the natural part of being an actor, is trying to convince people that you can do other things, and that's just part of the journey." Moonfall — 2022 While Bartczak's latest project, Plan B, firmly sits in sci-fi as a time travelling story, she came to the project after previously experiencing the unique work of Roland Emmerich in the genre with Moonfall, which also starred Halle Berry, Patrick Wilson and John Bradley. Advertisement "That was one of those really cool, big budget films, and Roland Emmerich is an expert in visual effects," Bartczak said. But with all his skill, the cold Montreal winter proved a challenge for Emmerich, impacting how the film was created. "Apparently he doesn't like the cold and we were shooting in Montreal in the winter, so that entire movie is shot on one sound stage, even car chases," Bartczak said. "He invented a way to harness vehicles so that they could move and look like we were racing, but in a room. So every day coming on set I was like, well what am I going to see today? It was very, very interesting." With Bartczak among the Canadians actors who have worked on several U.S. productions that film in Canada, the question regularly comes up about how many of the leading roles in Canadian-filmed American work is actually made available to local talent. While Bartczak recognizes that it's "amazing" that Canadians can get work on American productions, she also wishes that Canadians were more recognized for their ability to take on more significant roles both in front of and behind the camera. Advertisement "On one hand it is amazing that we can support American productions in Canada, because it employs so many people," Bartczak said. "On the other hand, do I wish that they hired more Canadians, that they trusted Canadians to have bigger roles and a bigger input? Yes, I do wish that." "I understand them needing to bring in the star power for financing, and I think what the answer is to educate them that we have very skilled and very talented people in Canada who can take those acting parts, or key hair or key design. ... I think the more productions work here the more they will feel comfortable with the level of professionalism that we have here." Painkiller — 2023 A project that was particularly impactful for Bartczak was working on the Netflix series Painkiller, based on the real life American opioid epidemic and the actions by Purdue Pharma and Richard Sackler in the rise of OxyContin misuse in the U.S. Directed by Peter Berg, Bartczak played Lily Kryger, whose husband Glen (Taylor Kitsch) becomes addicted to OxyContin after being prescribed the drug for an injury. "Because we had all done our research, we all came with this body of sense memory and images, and so I feel like we came and built this fully formed story," Bartczak said. "And also, because it's a true story, ... I heard often from people on set [who knew someone who] died of an opioid overdose. So it was also finding that nuance and respecting the people that actually had gone through some of these tragedies." Advertisement "The subject matter is very complex and I feel like it's going to be one of those stories where we're going to be discovering new facts about it as we go along. ... I thought [Peter Berg] did an amazing job at balancing the macro story as well as the micro story, but not just making tragedy porn out of it. Not just making it about the sadness and the unfairness. He wanted to make it entertaining so that people were more likely to watch it and be able to see the whole story. ... Casting Matthew Broderick as Richard Sackler I thought was brilliant, and making it really quirky and weird, but then having this whole separate drama happen with this family in a small town, I thought that was really clever." This was another reunion project for Berg and Taylor Kitsch, who famously started working together on Friday Night Lights in the 2000s, and have continued to collaborate on multiple projects since. "I get the impression that they're siblings. They argue and they fight and they love each other. So that was really fun," Bartczak said. But in playing the wife to Kitsch's character on the series, Bartczak really wanted to ensure that they were able to authentically capture the couple's relationship. Advertisement "I forced Peter Berg to give me Taylor's contact information, because I knew that we were going to be stepping onto set playing a couple that has been married for 15 years and has a child together, and that requires a certain amount of comfort between two people," Bartczak said. "And so I didn't want to be meeting him on the first day." "I was able to get in touch with Taylor and have dinner and talk about our characters and their relationship, and how they ended up here and how they're going to end up there, which I think really allowed us to sell our marriage and romantic relationship very well. ... I'm always most afraid ... that people don't buy the relationship, because if you don't buy the relationship, then you can't care about the story." Plan B — 2025 In Season 3 of the CBC hit Plan B Bartczak plays Abigail Walker, a TV morning show host who faces the tragic loss of her teenage daughter Lucy (Arianna Shannon) to suicide. Desperate to save her daughter, Abigail looks to the Plan B agency to travel back in time to hopefully change Lucy's life. None of the characters in Plan B was crafted as "good or evil," and this appealed to Bartczak. "They're just quite holistically human. They have their character flaws. They have their character traits that are good, the ones that are bad, and they're good people who are trying their best and making mistakes along the way, which is kind of how I see life," she said. "You're just doing your best and you're making mistakes along the way, and hoping that none of the mistakes are permanent. And that's what I really liked about the writing, is that it was very nuanced, and everyone was likeable in moments, and everyone was hate-able in moments. And when someone's trying their best, it's easier to forgive them as an audience member." Easily the most moving and heartbreaking moment in Plan B is seeing how Bartczak portrayed Abigail finding out her daughter is dead, with the character in complete shock. "I found that reaction quite jarring when I first read the script and thought, why isn't she reacting the way I think she's going to react? And I think we've just been so used to, on television there's a tragedy and the person breaks down into tears and has their emotional outburst. Whereas from the research that I did, more often than not, the tragedy is so great that their brain actually can't handle all the information, because it would just shut them down. So they almost put a little blinder on in order to slowly absorb the tragedy, which I thought was so brilliant in the show," Bartczak said. "Her ex husband, Nick, and her son are so emotional as people, and vulnerable, that when they see the tragedy they're able to react. But she's so tough and impermeable that she can't actually deal with the tragedy until she can break it down in her head." There's also an interesting element to Abigail where she's someone who does so much for people outside her immediate family, particularly women, including being a sounding board for discussions around their mental health, but it wasn't the same in her relationship with her own daughter. "I thought a lot about that. ... We are the least forgiving to the people that are closest to us, and the least forgiving to ourselves, and it's easier to have a kind word for someone who is not in your inner circle," Bartczak said. "I don't know why human beings are like that, but she's unforgiving to herself, and she's very strict with Lucy, but then goes to her women's group and is so generous, and it's such a contradiction." "And that's the writing of Plan B, is that all these people are contradictions. They're not one way or another, they're not angels and they're not demons. They are both. And part of Abigail's journey in the show is to be able to bring that vulnerability into her family." Carolina Bartczak in Plan B on CBC (DANNY TAILLON) She has taken on many different roles in her career, from an animated Smurfs character to the complexity of Abigail in Plan B, Bartczak still wants to try her hand in a big action role. "I want to be a spy. I want to learn how to shoot a fake gun on screen. I would love to do some kind of action thing," Bartczak said. "That's on my bucket list."

California compound that starred in ‘Basic Instinct' lists for $91.35M — about double its previous ask
California compound that starred in ‘Basic Instinct' lists for $91.35M — about double its previous ask

New York Post

time4 hours ago

  • New York Post

California compound that starred in ‘Basic Instinct' lists for $91.35M — about double its previous ask

Sharon Stone's home in the 1992 film 'Basic Instinct' is up for grabs. The 12,441-square-foot residence in California's Carmel Highlands is part of a sprawling cliffside compound. Listing details ooze Pacific romance — rocky beaches, cypress forests and moody ocean views — and none of it comes cheap. The 5.35-acre property can be all yours for a cool $91.35 million. The Wall Street Journal first reported on the listing. 12 The main residence, known as 'The Lodge,' includes eight bedrooms. Tim Allen Properties / Coldwell Banker Global Luxury 12 Sharon Stone's character Catherine Tramell called The Lodge home in 'Basic Instinct.' ©TriStar Pictures/Courtesy Everett Collection The compound, dubbed Seacliff, sits approximately 8 miles south of Monterey and claims an impressive 1,000 feet of picturesque Pacific coastline. Its grounds, encompassed by a cypress forest, nabbed another Hollywood credit when featured in the HBO hit series 'Big Little Lies,' according to listing materials. 'On the whole, Seacliff is perhaps the most dramatic and inspiring oceanfront property I have ever listed or laid eyes on,' said listing agent Tim Allen of Coldwell Banker Realty in a statement. Owners Gary Vickers, a software entrepreneur, and his wife, Kerry Vickers, attempted to list the compound in 2019 after their children left home, the Journal reported. The $52.37 million listing found no attractive offers, according to the outlet. The family subsequently undertook $11 million in renovations across the property and added an extra 1.31 acres in 2023. 12 The sprawling main residence is just one of six homes on the compound. Tim Allen Properties / Coldwell Banker Global Luxury 12 The lofty living room features floor-to-ceiling windows. Tim Allen Properties / Coldwell Banker Global Luxury 12 Stone and her co-star Michael Douglas in a scene shot inside the home. TriStar 12 A sunlit walkway. Tim Allen Properties / Coldwell Banker Global Luxury 12 The two-story Art Deco library. Tim Allen Properties / Coldwell Banker Global Luxury 12 Steve Fossett, the first man to circumnavigate the world in a hot air balloon, previously owned the property. AP 12 A hidden cold plunge. Tim Allen Properties / Coldwell Banker Global Luxury The 'Basic Instinct' house, called 'The Lodge,' is the compound's main residence. That eight-bedroom abode includes three kitchens and 11 fireplaces, the Journal reported. Luxury finishes overwhelm the interiors — a 1,250-bottle wine refrigerator and a 10-burner stovetop here, a sauna and a steam room there. The Lodge's indoor spa amenities are complemented by an outdoor barrel sauna and a cold plunge accessed by a hidden trail. A Zen Garden with raw jade boulders sits nearby. The Vickerses picked up the main residence and the surrounding land from the estate of Steve Fossett — the first person to circumnavigate the globe in a hot air balloon, and disappeared on a pleasure flight in a small aircraft in 2007. The Lodge's two-story library pays homage to Fossett. The Art Deco room's silver-and-gold-leaf domed ceiling depicts a astronomical mural and its oak bookshelves feature records and photos related to Fossett's voyages. The memorabilia is included in the sale, the Journal reported. 12 One of the property's idyllic cottages, built by the current owners. Tim Allen Properties / Coldwell Banker Global Luxury 12 Each cottage hearth is custom-designed with hand-selected stones. Tim Allen Properties / Coldwell Banker Global Luxury 12 A rustic bedroom. Tim Allen Properties / Coldwell Banker Global Luxury Elsewhere on the property sit four cottages built by the Vickerses, as well as a one-bedroom residence. The cozy cottages features dry-stacked stonework and oversized, bespoke fireplaces. 'For me, Seacliff was like a jailbreak from the toils of commerce I had been conducting over the prior 30 years,' Gary Vickers said in a statement. 'In its creation, I became akin, once again, to the nuances of nature.' In recent years the estate has been used as a luxury villa rental, the Journal reported, with the Vickerses residing in one of the cottages. Since the aborted 2019 sale, Allen told the Journal that interest and prices for surrounding luxury properties have surged. Seacliff's most notable neighbor, actor Brad Pitt, purchased his own Carmel Highlands home less than an eight of a mile down the road from Seacliff for $40 million in 2022.

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