logo
Singapore singer Shahfiq, who died in 2024 accident, remembered in brother Syaz Smooth's EP

Singapore singer Shahfiq, who died in 2024 accident, remembered in brother Syaz Smooth's EP

Straits Times07-05-2025

SINGAPORE – Before he died in a traffic accident in 2024 at the age of 27, Singaporean singer-songwriter Mohd Shahfiq composed several songs that he did not get a chance to record.
Two of them are now part of his younger brother Syaz Smooth's debut EP, Bersamamu (With You). The EP was released on May 2, which would have been Shahfiq's 28th birthday.
Syaz, who turns 20 in June, tells The Straits Times: 'When I wanted to start singing, he was the first person to help me. He was my first vocal teache r, my pillar of support, an d the one who told me that I should start writing my own songs.'
Shahfiq, whose full name was Mohammad Shahfiq Irman, came to fame in 2017 after winning the 10th season of Suria's reality singing competition Anugerah. After releasing singles such as Maya (2018), he studied music in Lasalle College of the Arts and planned to become a vocal coach.
He was among a group of Singaporean motorcyclists who were hit by a lorry in Johor in March 2024. Shahfiq and Mr Mohd Firman Nordin, 26, died at the scene, while four seriously injured riders were taken to a hospital in Muar. Shahfiq and his then fiancee were due to tie the knot in December 2024.
Mohd Shahfiq, winner at the Anugerah 2017 final.
PHOTO: BERITA HARIAN FILE
Syaz is also part of SUI, the home-grown vocal quartet that won Suria's reality singing competition Kaki Nyanyi in January.
Shahfiq's tragic and sudden death hit Syaz, who has two other older brothers and three older sisters, hard.
'He was always the first person I turned to when I needed advice. I trusted him with everything,' adds the singer, who performed at the National Day Parade in 2019 and was one of the artistes who participated in that year's anthem, Our Singapore.
The title track of Syaz's EP was written and composed by Shahfiq in 2020.
'He wrote it for me, and we had plans to record and release it,' Syaz, whose real name is Syah Riszuan, says of the orchestral-acoustic pop song.
'It was supposed to be a love song based on experiences that he went through. In my version, the way I tell the story, it's a personal tribute to him and the bond we shared.'
Singapore singer-songwriter Syaz Smooth's debut EP includes songs written by his late brother, singer Shahfiq (right). This photo was taken in 2017, the same year Shahfiq came to fame after winning Suria's reality singing competition Anugerah.
PHOTO: COURTESY OF SYAZ SMOOTH
The other song in the EP written by Shahfiq is the bossa nova tune Ku Harap (I Hope), which was part of his final-year project when he was in Lasalle. He also got Syaz to sing it at a Lasalle recital in 2019.
Syaz recalls: 'He was always trying out new music genres. It was very different from his other songs, but it kind of grew on me.'
Syaz penned and composed the remaining three songs on the EP. Berhenti Mengharap (Stop Hoping) is about finally coming to terms with the loss of his sibling months after the accident took place. 'Sometimes, when I wake up, I would hope that I will see him again. But I have also accepted that he's no longer here, and I always pray that he's doing well up there.'
Another song, Baik Saja (Just Fine), is written like a letter to Shahfiq. 'I'm assuring him that everyone he knows is doing well, and that I will take care of them.'
The EP opens with Doa Untuk Ibu (Prayer For Mother), an R&B-tinged pop track which Syaz wrote for their mother to soothe her heart.
'It expresses deep gratitude and love for a mother's sacrifices and unwavering devotion to her family. When we lost Shahfi q, it affected her the most.'
He also plans to release a music video for Doa Untuk Ibu on Mother's Day, which falls on May 11.
Syaz developed a passion for music at th e age of three. In 2017, he got his first big break when he reached the semi-finals of the second season of Asian reality variety series Asia's Got Talent (2015 to 2019). Canadian music producer and hitmaker David Foster, one of the show's celebrity judges, had said then that he was impressed by Syaz's gift for singing.
In the same year, Syaz sang at ChildAid, the annual charity concert co-organised by The Straits Times and The Business Times. He would go on to perform again in the 2018, 2019, 2020 and 2024 editions.
In 2023, he graduated with a music production diploma from local private school The Songwriter Music College.
When he was 16, Syaz Smooth was the youngest artist signed to music label Universal Music Singapore.
PHOTO: COURTESY OF SYAZ SMOOTH
In 2022, at the age of 16, he joined Universal Music Singapore and was the music label's youngest signee. He left in 2024 so that he could chart his own path as an independent artiste. His new EP is distributed by Malaysian music label Breaking Music.
Syaz, who recently enlisted for national service, says he will continue to write and record music during his free time and has plans to build up his audience beyond Singapore and the region. 'My dream is to bring Singapore's music to the global stage.'
Join ST's Telegram channel and get the latest breaking news delivered to you.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gan Siow Huang apologises over handshaking incident at Cantonese cultural festival
Gan Siow Huang apologises over handshaking incident at Cantonese cultural festival

Straits Times

time16 hours ago

  • Straits Times

Gan Siow Huang apologises over handshaking incident at Cantonese cultural festival

A video that recently made its rounds on the internet shows Minister Gan Siow Huang shaking the hand of another man she was being introduced to before shaking the hand of the man in the red shirt and those of the others. SINGAPORE – Minister of State for Foreign Affairs and Trade and Industry Gan Siow Huang has apologised following a handshaking incident. A video that recently made its rounds on the internet shows her getting out of a car and being greeted by eight men, including one wearing a red shirt. She shakes the hand of one man while being greeted by the others. The man in the red shirt then helps her to close the car door before extending his hands for a handshake. But Ms Gan shakes the hand of another man she was being introduced to before shaking the hand of the man in the red shirt and those of the others. Speaking to The Straits Times on June 8, Ms Gan, who is the MP for Marymount SMC, said the incident happened on May 17. She was attending the inaugural Peck San Theng Cultural Festival at Peck San Theng in Bishan. The Cantonese cultural festival was organised by Kwong Wai Siew Peck San Theng, a 155-year-old cultural institution managed by 16 Cantonese clan associations. Ms Gan said it was her first visit to Peck San Theng, and she was overwhelmed by the group that went to greet her. 'When I got out of the car, I was trying to identify the host of Peck San Theng and shake hands with the host first,' she said. 'I was also a little overwhelmed by the big group that received me when I got out of my car. I sincerely apologise to the man in the red shirt for the delay in shaking hands with him.' The video has been making the rounds on social media, with one post on TikTok garnering more than 185,000 views just a day after it was posted on June 7. Many netizens had commented that they felt Ms Gan's actions were arrogant and disrespectful. Ms Gan said she was thankful for the invite to the festival and the warm welcome, and that she has requested the organiser to convey her apologies to the man in the red shirt as she is currently overseas. Join ST's WhatsApp Channel and get the latest news and must-reads.

Ruby Lin strikes touristy Merlion pose in Singapore at Vivian Hsu's 'recommendation', Entertainment News
Ruby Lin strikes touristy Merlion pose in Singapore at Vivian Hsu's 'recommendation', Entertainment News

AsiaOne

time21 hours ago

  • AsiaOne

Ruby Lin strikes touristy Merlion pose in Singapore at Vivian Hsu's 'recommendation', Entertainment News

When in Singapore, do as the tourists do. That seems to be the cue taken by Ruby Lin when the actress was in town recently. The 49-year-old may be a star in Taiwan and beyond, but a recent Instagram post showed how in Singapore, she can be just like any other merry holidaymaker. But unlike other regular tourists, however, Ruby had the privilege of having fellow celeb Vivian Hsu, 50, as her "tour guide". Vivian, who split from her Singaporean husband Sean Lee in 2023, reportedly lives in Singapore with her only son, but travels to Taiwan frequently for work. In a post published on Saturday (June 7), Ruby wrote about taking the series of "tourist photos" at the encouragement of her "dear sister", Vivian. "Under the strong recommendation of my tour guide, companion cum photographer and dear sister, I've taken this photo which she said I'll thank her for in 10 years' time," wrote Ruby, referring to a picture of herself striking the iconic 'Merlion pose'. "I've therefore taken this series of touristy photos," she joked, alongside a laughing emoji. She also wrote in a series of hashtags, "As long as you're not embarrassed, others will be the ones who are embarrassed" as well as another hashtag stating that the 'photographer' was very responsible and took such photos for the entire group. [embed] For those unacquainted with said pose, it involves people tilting their heads backward, mouths agape, to "catch" the stream of water from the Merlion's mouth. Other photos taken by a third person showed Vivian snapping a photo of Ruby in said pose, though it's not clear if Ruby's actor husband Wallace Huo had joined her on the trip. In an Instagram Story on June 7, Vivian too, reposted the photo, stating: "It's a photo worth remembering", calling herself "the best photographer". On another day, Ruby and Vivian, both wearing masks, stopped for a photo-op outside the ArtScience Museum at Marina Bay Sands. However, Ruby's little sojourn to our sunny island might not have been all that recent. Her post a week ago showed both her and Vivian posing against the backdrop of a visual installation, which the latter indicated in a comment to be the teamLab Future World exhibit at the ArtScience Museum. [embed] In the caption, Ruby expressed her well-wishes to followers for the Dragon Boat Festival. [[nid:708783]] candicecai@

From 'playgrounds' to 'playscapes': Punggol sees new play areas with giant pencils, kinetic bugs and a 'crocodile', Lifestyle News
From 'playgrounds' to 'playscapes': Punggol sees new play areas with giant pencils, kinetic bugs and a 'crocodile', Lifestyle News

AsiaOne

time2 days ago

  • AsiaOne

From 'playgrounds' to 'playscapes': Punggol sees new play areas with giant pencils, kinetic bugs and a 'crocodile', Lifestyle News

SINGAPORE - "Playgrounds" are becoming dynamic urban "playscapes" with three new installations along the scenic Punggol Waterway. No longer just comprising utilitarian play equipment, these outdoor play areas also include larger-than-life totems of pencils, an Instagram-worthy crocodile structure and a kinetic flora and fauna installation. These were the winning designs of the inaugural Urban Redevelopment Authority's (URA) Play@Punggol design competition held in 2023. Unveiled in March along the 4.2km Punggol Waterway, the three installations are Flora and Fauna Kinetics Playscape at the promenade near the upcoming Punggol Regional Sports Centre; Pencils by the Water at the promenade adjacent to Waterway Point; and Wow, A Crocodile! near Adventure Bridge. When Singaporean product designer Raul Vlajic first glimpsed the Flora and Fauna Kinetics Playscape by day, he was struck by how the installation's design of butterflies and dragonflies invited passers-by to join in the fun. The interactivity "keeps to the essence of what a playground should be, and gives movement through the kinetic butterfly and dragonfly features", says the 25-year-old Hougang resident. He often takes a 45-minute bicycle ride through the Punggol Park Connector to Punggol Waterway to view the installation. "There are also light elements, which made me go again at night to see how the lights interact with the surroundings. This was a whole new experience - it not only provided ambient lights to interact with the play space, but also added a fun after-dark element." Singapore's public play spaces have evolved from concrete structures in sand pits since the 1970s to narrative-driven neighbourhood landmarks in the 2010s, through collaborative efforts. According to OpenStreetMap, a free, open-source collaborative mapping platform, there are at least 1,400 playgrounds in Singapore, with about 70 per cent of play areas located in HDB precincts. HDB has also pioneered placemaking - creating public spaces that are vibrant, meaningful and enjoyable for the community - through playgrounds that weave local lore. This can be seen in iconic designs such as Toa Payoh's dragon playground - a terrazzo-clad symbol of communal identity - and Tampines' fruit-themed structures, which pay homage to the precinct's agricultural past. Together, URA and HDB have shifted towards immersive experiences in playscapes that also serve as social anchors for different communities in Singapore. Vibrant public spaces are key ingredients of a happy, healthy city as they anchor a community's sense of place, support social bonding, and promote wellness and active lifestyles, says Yap Lay Bee, URA's group director of architecture and urban design. Its Play@Punggol initiative allows Singapore-based designers to contribute to enhancing public spaces in the waterfront town through creative installations that showcase its identity, history and environment, while also introducing elements of fun and interaction for residents and visitors. The three winning designs were chosen by a jury, comprising representatives from government agencies, academia and the design community. They looked at 81 submissions and selected the winners based on their potential to activate spaces and engage the community, as well as the buildability of their designs. The winning teams walked away with $12,000 each as prize money, while seven runners-up got $2,000 each. The design competition - organised by URA and supported by the National Parks Board, JTC Corporation and the Singapore Institute of Architects - is among a series of initiatives that involve the built environment industry in co-creating more enjoyable spaces for the public around the island. URA will continue to partner architects and designers to enhance public spaces for a more vibrant Singapore, and will reveal more details when ready, Yap adds. "We are heartened by the responses to these vibrant gathering nodes, with users sharing that the installations are inclusive, educational and photo-worthy landmarks." The Straits Times showcases the three winning designs, as well as five other playscapes around Singapore that draw not only children but adults as well. Winning playscapes 1. Flora and Fauna Kinetics Playscape The playscape at the promenade near the upcoming Punggol Regional Sports Centre (RSC) comes alive through kinetic elements that engage the senses, featuring outsized and stylised bees, dragonflies and butterflies. Wind chimes respond to the breeze, creating soothing natural sounds. By day, sunlight passing through colourful plexiglass wings and leaf motifs casts vibrant patterns on the ground, adding a playful visual element. Swing-like seats offer gentle movement and a space to rest, blending sensory play with moments of calm. By night, children can turn hand cranks that activate LED light strips, lighting up and spinning the wings of the sculptures of a butterfly and dragonfly for a dazzling effect. The kinetic play design by landscape architecture firm Land Design One embraces the flora and fauna of Punggol's landscape, inviting residents to immerse themselves in an alternate natural world. The design had three main sources of inspiration, says Isabel Bautista, 27, a Singapore-based multidisciplinary designer with a flair for creating immersive, unforgettable experiences. First, the sparse biodiversity at the location was a challenge for the team to create a vibrant ecological focal point. Second, the upcoming Punggol Regional Sports Centre link bridge that connects to Punggol's Heritage Trail provided an opportunity for the team to envision the installation as a transitional landmark - a whimsical threshold between the modern amenities of the RSC and the rich cultural layers of the heritage trail. Third, "crafted linear, vertical forms that mirror the site's existing canvas framework, ensuring the design feels right at home in its surroundings", says Bautista, who has a diploma in architecture from Singapore Polytechnic and a bachelor of arts in product design from Lasalle College of the Arts. She worked with a team of designers from Land Design One that included Kathleen Lacsina, Brian Baker and Neal Samac. An integral part of the project was in developing a good working relationship with fabricators, which allowed the team to refine every detail through close collaboration. To enhance the sensory experience, the team conducted a series of colour and material workshops focused on the insect and leaf modules. After multiple sessions, they selected translucent acrylics and dichroic films, prototyping light interactions to achieve vibrant ground-level colour reflections. Dichroic films are specialised films that exhibit colour-shifting or iridescent effects. "This project resonates deeply. Growing up in a family of architects and landscape architects, parks were where my siblings, cousins and myself bonded and made lifelong 'park friends'," recalls Bautista. "Post-pandemic, creating spaces for such connections feels especially vital and I hope to give today's children those irreplaceable memories." 2. Pencils by the Water Twelve giant colour pencils are lined up in a grid near the promenade adjacent to Waterway Point, an idyllic spot for residents of Punggol as well as visitors to gather, snap photos or take in the waterfront sights. Inspired by the simple writing tool, the installation reflects the carefree joy of drawing and doodling. There are also chalkboards built into the structures that allow residents of all ages to draw on them and unleash their creative impulses. Pencils by the Water is the brainchild of DP Green's landscape architect Poornima Bargotra. DP Green is a specialist arm of the DP Architects group, focusing on landscape architecture and arboriculture consulting. Together with colleague and fellow landscape architect Thun Kongsub and director Yvonne Tan, Bargotra worked with URA's design brief, which called for repurposing 12 salvaged logs. The team worked closely with URA and playground equipment contractor Swan-Li (Singapore) to transform design sketches into something safe, sturdy and full of character. Although the team wanted to retain each log as a whole piece, they had to think of workarounds that included designing it in modular parts for on-site assembly, as transporting the full log as a single piece posed a logistical challenge. This modularity allowed the integration of features such as information panels and chalkboards. "We wanted to use the logs in their purest form possible," says Bargotra, 33. The installation reimagines the nostalgic 12-colour-pencil set as oversized elements for children and adults to interact with. "I grew up in Chennai, where daily life naturally flows into and on the streets. From shaded corners to open spaces, the bustle of life can be found within these places, creating a strong sense of community and connection to place," she says. That early connection to people and places shaped how she thinks about public spaces. Since moving to Singapore more than a decade ago, she has been inspired by how the city incorporates nature into daily life in ways that are harmonious and natural. Her teammate Thun, 36, a Thai national who has lived in Singapore since 2011, adds that the pencil is also a strong metaphor for the notion of potential, resonating with a young, evolving Punggol town. "Just like a blank page waiting to be filled, this space invites the community to 'pencil in' its own future," he says. He has a strong personal connection to Punggol, having spent nearly a decade working on projects in the area, including One Punggol and Punggol Green, both located near the installation site. "Good design can be transformative, not just visually, but also in shaping the everyday lives and well-being of the community. That's a big part of why we chose to participate in this campaign organised by URA." Since being installed in 2025, Pencils by the Water has become a visual landmark, say Bargotra and Thun, who have returned to the site several times while working on other landscape design projects in the vicinity. Punggol resident Tiffany Chin, who works in hospitality, says the installation is a refreshing and inspiring space for the community. "I love how it blends creativity, sustainability and play so seamlessly," says the 40-year-old mother of two children. "My kids are always excited to visit. It's more than just art - it's part of our everyday lives now. I really hope to see more installations like this across Punggol, as they make our neighbourhood feel alive, thoughtful and full of possibility." 3. Wow, A Crocodile! Drawing inspiration from crocodiles that once inhabited the Punggol region, the installation captures the moment a crocodile emerges from the water. Conceived as both a sculptural landmark and an interactive experience, the installation invites visitors of all ages to explore its cavernous interior, snap Insta-worthy wefies and engage in playful discovery along the sandy banks. Designer Jovan Tong, also from Land Design One, says that, together with his team, their research pointed to mangrove swamps near Alligator Shoal, an area off Punggol's coast. In the 1960s, when Punggol was still largely a kampung settlement, there was a sighting of a 7m-long crocodile that terrorised villagers, a story that fired the public imagination at the time. "We wanted to bring this forgotten tale back to life in a way that's playful and approachable, especially for children," says Tong, 27, who worked on the design with Kathleen Lacsina, Choong Yu Huan, Brian Baker and Neal Samac, all designers at the same firm. Land Design One, which is based in Singapore and Manila, works on design projects across the Asia-Pacific region. "The crocodile's open mouth was conceived as a bold, symbolic form capturing the moment just before it pounces - and frozen in time. Its body has textured blue acrylic panels to mimic crocodile scales, designed to offer a tactile and sensory experience that invites touch, curiosity and interaction," Tong adds. His colleague Choong, who lives close to Punggol Waterway, says he was surprised to learn that there used to be crocodiles in the area. "My family cycles through Punggol every week and that was the motivation to be involved in this competition with Jovan," says the 25-year-old. "Besides being a play space, the installation also tells a story that is unique to Punggol. It adds a visual and emotional identity to the space, especially for younger generations who will grow up with it as part of their everyday environment. Over time, I hope it becomes an iconic feature, something people instantly recognise and associate with Punggol Waterway." Punggol resident Paul Lim says the crocodile installation brings a smile to his face every time he walks past. It reminds him of Punggol's unique history in the earlier part of the last century, when saltwater crocodiles were spotted in the fishing villages there. "It was just made available to the public about two months ago after its construction, but already I see children and their parents there, enjoying a break from their busy day, immersed in the play space," adds Lim, a former educator who is in his 50s. "In time, I hope it becomes a neighbourhood landmark like the dragon playground in Toa Payoh or the watermelon playground in Tampines." Climbing, jumping and sliding in heartland playscapes From a Forest Ramble at Jurong Lake Gardens to a treehouse escape in Bidadari Park, these five playgrounds across Singapore put a new spin on playtime. Bird's-eye view of playtime in Sengkang The Rivervale Shores playgrounds in Sengkang, completed in August 2023, turn playtime into a bird's-eye adventure with three unique "bird's nest"-themed zones. Kids can lounge in rubber hammocks, dig into the sand pit or scramble up to lofty platforms for views of the surroundings. The ground-level trampolines invite little ones to bounce sky-high. Children will also be intrigued by the balancing sticks - just like the twigs birds collect - that challenge them to test their skills. Nature fun in Bidadari At the heart of Bidadari Park's nature playgarden stands a striking 5m-tall "treehouse" beside a sprawling tembusu tree. Completed in September 2024, Adventure Playwoods is a nature-themed playground that invites children to climb, balance and explore with its slides, adventurous climbing nets and a tunnel suspended high above the ground. The park is managed by NParks. Reaching the top of its "treehouse" rewards young adventurers with sweeping views of the park. For more excitement, children can opt for a thrilling zip line or get creative building sandcastles in spacious sandpits - making this garden a haven for hours of fun. Fruitful romp in Tengah Feeling hungry? Plantation Grange in Tengah, completed in December 2023, is bursting with fruit-themed playgrounds that take a leaf from its past as a 1950s fruit plantation. At Ong Lye Garden (Block 132A), a giant yellow pineapple beckons. Children can explore its interior and go down a green slide. Over at Durian Paradise (Block 132C), older children can tackle durian-shaped climbing towers, swings and spiral slides. Little ones can traverse a "fruit farm" near Block 131A, with play zones shaped like pineapples, watermelons and bananas, plus a bright red "lorry" to hop on. Sky-high play at SkyParc@Dawson Step into a wild adventure at Dawson Road's Eco-Jungle Playground, which was completed in 2020. Nestled between Blocks 96A and 96B, it invites children to explore timber sculptures of Singapore's indigenous spotted wood owl and Sunda slow loris, turning playtime into a mini-safari. Set within the lush, park-like grounds of SkyParc@Dawson, the playground is just one of many green spaces woven through the estate. There are also three Insects Hotels, the first of their kind for a public housing project. These are designed to recreate natural habitats to help local biodiversity thrive. Forest Ramble at Jurong Lake Gardens At Forest Ramble, the biggest nature playgarden in the heartland, playtime transforms into a wild adventure across 2.3ha of Jurong Lake Gardens, packed with surprises at every turn. Children set off on a journey across over 10 imaginative adventure stations in Lakeside Garden, each inspired by fascinating local creatures of Singapore's freshwater swamps. Fancy soaring like a grey heron? Try the zip lines. Want to channel your inner squirrel? Bounce and climb through treetop trails. Or splash and scamper like an otter at the otter-inspired station. The playscape, which opened in 2019, is managed by NParks. It is designed for everyone, with inclusive features that welcome children of all abilities to join in the fun. Whether children are gliding, leaping or inventing their own escapades, the playground invites every child to connect with nature and let their imagination run riot. [[nid:519528]] This article was first published in The Straits Times . Permission required for reproduction.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store