Latest news with #1932
Screen Geek
3 days ago
- Business
- Screen Geek
'Sinners' Sequel Rumored To Be In Development At WB
The 2025 new release Sinners was a major success in every way – financially, critically, and with moviegoers. Therefore, it may not be surprising to hear that a sequel to Sinners is rumored to be in development at Warner Bros. Ryan Coogler tackled the movie which placed a traditional vampire plot amidst the drama and tensions of two criminal brothers returning to their hometown in Mississippi in 1932. Michael B. Jordan played both of the brothers, a pair of twins, while other cast members included Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, and Delroy Lindo. While most of these characters met the kind of fate you'd expect to see in a vampire movie, there is certainly enough room for a follow-up, and that means the aforementioned sequel is a very real possibility. Although nothing is confirmed at this point, a listing on Production Weekly mentions Sinners 2 , suggesting that the film is in development. When considering the success of the film, however, and the many possibilities for expanding the story, it's a listing that does make sense. For those who've seen the film, they know that the movie features a post-credits scene where Michael B. Jordan's Stack and Hailee Steinfeld's Mary are both alive as vampires in 1992. A sequel could follow these characters in that time period, or any other moment in history between 1932 and now. Furthermore, some fans have even clamored for a prequel, one that could further track the spread of vampirism from Ireland to the southern United States. As of this writing, Sinners grossed $341 million worldwide with a $90 million budget. Its earnings led the film to become the seventh-highest-grossing film of 2025. When considering Sinners is an original IP, the accolades are even more impressive. Of course, we'll have to wait and see if a Sinners sequel even gets an official greenlight. For now, however, the possibility of such a follow-up seems high. Stay tuned to ScreenGeek for any additional updates regarding the possibility for Sinners 2 as we have them.
Washington Post
10-05-2025
- Sport
- Washington Post
PGA CHAMPIONSHIP '25: Career Grand Slam winners and those on the cusp
Players who have won the career Grand Slam of all four professional majors, the order they won them and how many tries it took before getting the final leg: U.S. Open: 1922 PGA Championship: 1922 British Open: 1932 Masters: 1935 (first attempt) PGA Championship: 1946 U.S. Open: 1948 Masters: 1951 British Open: 1953 (first attempt)
New York Times
07-05-2025
- Entertainment
- New York Times
‘Sinners' and Beyoncé Battle the Vampires. And the Gatekeepers, Too.
When Beyoncé wails, in the opening moments of her 'Cowboy Carter' album, that 'them big ideas are buried here,' I've imagined 'big' standing in for 'racist' but have never hit pause to wonder about the GPS coordinates. That song's called 'Ameriican Requiem,' so the cemetery is everywhere. And yet partway through Ryan Coogler's hit 'Sinners,' I thought, Oh, this is where 'here' is, inside a movie about a 1932 juke joint whose music is so soulful that vampires, who are also a white minstrel trio, want to suck its blood. She's envisioning utopia — a place where a Black woman feels free to make any kind of music she wants, including country. He's imagined a nightmare in which Black art is doomed to be coveted before it's ever just simply enjoyed. She's defying the gatekeepers. He's arguing that some gates definitely need to be kept. To that end, the movie keeps a gag running wherein vampire etiquette requires a verbal invitation to enter the club, leading to comic scenes of clearly possessed, increasingly itchy soul junkies standing in a doorway begging to be let in. People have been calling certain white performers interested in Black music vampires for years. Here's a movie that literalizes the metaphor with an audacity that's thrilling in its obviousness and redundancy. There's never a bad time for good pop art. There's never a bad time for Black artists to provide it. But these here times? Times of hatchet work and so-called wood-chipping; of chain saws, as both metaphor and dispiriting political prop; a time of vandalistic racial gaslighting. These times might call for an excessive pop art that takes on too much, that wants to be gobbled up and dug into, an art that isn't afraid to boast I am this country, while also doing some thinking about what this country is. These here times might call for Black artists to provide that, too, to offer an American education that feels increasingly verboten. That's not art's strong suit, pointing at chalkboards. But if school systems are being bullied into coddling snowflakes, then perhaps, on occasion, art should be hitting you upside the head and dancing on your nose.
