Latest news with #AChangeIsGonnaCome
Black America Web
3 days ago
- Entertainment
- Black America Web
Remembering Jet Magazine's Top 20 Singles Chart & Its Impact On Exposing Black Music
Source: Scott Olson / Getty Jet Magazine, a cultural mainstay in the African American community, has long been celebrated for capturing the pulse of Black America. Among its many features, the 'Top 20 Singles of the Week' chart became an essential barometer of musical success, offering a unique lens into the evolving soundtracks of Black culture. From its inception to its lasting legacy, this chart mirrored the rhythms, struggles, and victories of a community and left an indelible mark on the music industry. Origins of the Chart Jet Magazine was launched by John H. Johnson in 1951 as a companion to his first publication, Ebony . While Ebony focused on photo spreads of Black excellence, Jet served as a weekly digest of news, culture, and entertainment. Recognizing the centrality of music to Black life and identity, Jet introduced the 'Top 20 Singles of the Week' chart in the 1950s. Its mission was to spotlight the songs that resonated within the community, distinct from mainstream pop charts that often neglected Black artists. Authenticity defined the Jet chart. Its rankings weren't just about radio airplay or sales but about what truly mattered to its audience. It celebrated not just hits but cultural touchstones, elevating R&B, soul, gospel, and later hip-hop as they rose to prominence. Cultural Significance Before the digital age allowed instant access to music, Jet's Top 20 chart was a lifeline for fans eager to stay connected to the latest sounds. Its influence stemmed from its role as both a tastemaker and a time capsule. Each week, the chart reflected the collective mood, aspirations, and energy of Black America. It affirmed identities and uplifted artists who were often overlooked or underestimated by mainstream music platforms. More than just a list of songs, the chart captured key moments in Black history. During the Civil Rights Movement, tracks like Sam Cooke's 'A Change Is Gonna Come' resonated deeply and rose through the rankings, embodying the quest for equality. Later, in the 1980s and 1990s, hip-hop's ascendancy was chronicled in real-time through artists like Run-D.M.C., LL Cool J, and Tupac Shakur, as their anthems became staples of the chart. Reflections of Change Over the decades, the chart told the story of music's evolution and, by extension, shifting cultural landscapes. Early charts were dominated by soul and rhythm & blues, celebrating pioneers like James Brown, Aretha Franklin, and Marvin Gaye. These artists laid the foundation for the genre's crossover success while maintaining their roots in Black culture. By the late 1970s and early 1980s, disco fever hit the chart, with artists like Donna Summer and the Jacksons delivering infectious dance tracks that united people on the floors of nightclubs. The 1990s brought a wave of hip-hop and neo-soul, with artists like Lauryn Hill and Maxwell bridging the gap between old school and new school influences. Each entry on the chart bore witness to the community's changing tastes and values. Impact on the Music Industry Jet's chart was more than a reflection of its audience's preferences; it was a tool for shaping the music industry's recognition of Black talent. Record labels paid attention to Jet's rankings, treating the chart as an indicator of what would succeed commercially. For many Black artists, landing on Jet's Top 20 signified both representation and validation, a milestone that reflected their connection with the audience that mattered most. The chart also played a vital role in breaking boundaries. It challenged mainstream industry norms by shining a light on independent and emerging artists, sometimes serving as a stepping stone to broader success. When traditional institutions overlooked genres like rap or downplayed the rise of regional music scenes, Jet tipped its hat early, amplifying a diversity of voices. Key Milestones The chart's long history encompasses numerous defining moments: The emergence of Motown classics in the 1960s, with chart toppers like The Supremes and Marvin Gaye setting new standards for crossover appeal. The rise of funk and disco in the 1970s, led by groundbreaking acts like Parliament-Funkadelic and Earth, Wind & Fire. The explosion of hip-hop in the 1980s and 1990s, reflecting the growing dominance of the genre as a voice for a new generation. The recognition of female R&B stars in the 2000s, with artists like Beyoncé and Alicia Keys dominating the rankings and ushering in an era of empowered Black women in music. A Legacy of Influence Jet Magazine's 'Top 20 Singles of the Week' chart ended its run when the publication ceased print production in 2014, transitioning to a digital-only format. However, its legacy endures. It stands as both a reminder of the power of music to connect people and an archive of Black America's evolving tastes and triumphs. From soul-stirring ballads to defiant rap lyrics, the chart encapsulated the heartbeat of a culture. While Jet's print days have ended, its soundtrack remains timeless. The 'Top 20 Singles of the Week' chart wasn't just a list of hits; it was, and still is, a symbol of joy, resilience, and artistry in the African American experience. Want to know what was on Jet's Top 20 Singles around this time 35 years ago? Scroll down to find out! (Featuring Jet's Top 20 Singles the week of June 11, 1990) Remembering Jet Magazine's Top 20 Singles Chart & Its Impact On Exposing Black Music was originally published on Black America Web Featured Video CLOSE
Black America Web
20-05-2025
- Entertainment
- Black America Web
Jamal Roberts Becomes 1st Black Male American Idol Winner In 22 Years
Source: Mike Coppola / Getty On May 18, history was made on the American Idol stage as Jamal Roberts, a 27-year-old father and P.E. teacher from Meridian, Mississippi, became the Season 23 champion. Read more about how he became the first Black man to win the competition in 22 years since Ruben Studdard. With his soulful voice and magnetic stage presence, Roberts not only beat out finalists Breanna Nix and John Foster but also became the first Black man to win the competition in 22 years—since Ruben Studdard's iconic victory in 2003. Throughout the season, Jamal captivated audiences with performances of 'Tennessee Whiskey,' 'A Change Is Gonna Come,' and his original single 'Heal.' Known for his emotional range and powerful vocal control, Roberts consistently brought the house down, becoming a fan favorite and a symbol of perseverance, purpose, and pure talent. 'I'm anointed. I know how to use it. I know how to tap in,' he told Gold Derby , moments after rolling around in confetti and making a snow angel on stage—a first for the Mississippi native. 'It still hasn't settled in yet,' he added, humbled by the support from his hometown, which showed out in full force during his pre-finale visit. Roberts joins a short but mighty list of Black Idol winners, including Fantasia Barrino, Jordin Sparks, Candice Glover, and Just Sam. His win also signifies a cultural moment for the show, highlighting a resurgence of R&B and soul in mainstream competition after years dominated by country-pop artists. Judge Carrie Underwood praised the season's talent, comparing the finale's energy to early Idol seasons. Showrunner Megan Wolflick echoed the sentiment, saying Jamal's win had 'old-school Idol finale' vibes reminiscent of the Ruben vs. Clay Aiken showdown. Despite skyrocketing fame, Jamal insists he's staying grounded. 'I love my city,' he said. 'There's no traffic. I don't wait in line to eat. I love my life!' With plans to record an 'inspirational soul' album, Jamal Roberts is just getting started. And with this monumental win, he's carved out a powerful new lane for Black male artists in the world of televised music competitions—two decades in the making. Congrats, Jamal! SEE ALSO Jamal Roberts Becomes 1st Black Male American Idol Winner In 22 Years was originally published on Black America Web Featured Video CLOSE
Yahoo
09-05-2025
- Entertainment
- Yahoo
Pentatonix's Kevin Olusola Reveals the Surprising Reason Why Jay-Z Inspired His Debut Solo Album (Exclusive)
Kevin Olusola's debut album was inspired by a Jay-Z lyric The singer, cellist and beatboxer is known for his work in the a cappella group Pentatonix Dawn of a Misfit dropped Friday Pentatonix's Kevin Olusola can thank a Jay-Z lyric for his very first solo album. The singer and cellist speaks with PEOPLE ahead of his debut solo album Dawn of a Misfit coming out, revealing how the rapper inspired him to branch out from the a cappella group he's known for. When asked what he hopes fans will get out of Dawn of a Misfit, Olusola, 36, says that he'd like for fans "to see me for who I really am." "I think in a lot of ways, if you're a Pentatonix fan, you may see this album and go, 'Well, this is not the Kevin that I know,' and that's perfectly fine." Olusola paraphrases a lyric from the 2009 song "On to the Next One," where Jay-Z, 55, raps that should fans "want my old s---, buy my old albums." "I think one thing that Jay-Z says I appreciate of goes, 'If you like my old albums, buy my old albums,' " the singer says. "For me, if you like me in Pentatonix then watch me in Pentatonix, but the evolution of me as a man and a father and also understanding my identity, you're going to get the full extent of that." Olusola digs deeper, saying that his new album "may make you feel uncomfortable." "And that's perfectly okay as long as I'm being truthful to who I am, which is I've known I've always been a misfit." As far as new fans picking up his album and hearing his music for the first time, the father-of-two hopes they will "connect to the messaging of it's okay for you to be a misfit." "It's okay for you to not feel like you fit in because the things that make you unique, that maybe you were teased about and maybe you were bullied for are the exact things you're going to need to change your world." is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! Dawn of a Misfit features a range of songs from instrumental covers to pop songs like Gnarls Barkley's "Crazy" and "A Change Is Gonna Come" by Sam Cooke, to sampling classical music from artists like Vivaldi and Beethoven. There's even a playful song dedicated to his daughter, Kaia. All include Olusola's flair and passion for classical music as a cellist — especially his lead single "Dark Winter." After being a premed student at Yale University, Olusola thought he was going to be a doctor who lived in China. After original Pentatonix members Kirstin Maldonado, Mitch Grassi, and Scott Hoying saw a video of him playing the cello while beatboxing to Mark Summer's "Julie-O" in 2011, he changed course into a field that he never thought he would be in. "To have this wild opportunity to do something I never thought that I was even qualified for, I'm just super appreciative of that opportunity," he says. While working on the album, Olusola says he journaled about what he wanted out of the process, which included a "healing process" for him, "thinking about all the identity issues I've gone through throughout my life." "And I feel like this album has done exactly that and so now to release it out into the world, it just feels so therapeutic and such a climactic moment in my life, and so I'm just super appreciative." Dawn of a Misfit is available to stream. Read the original article on People
Yahoo
06-05-2025
- Yahoo
Panel discussion in Shreveport to address 1873 massacre that left dozens of black men dead
SHREVEPORT, La. (KTAL/KMSS) — Residents of Shreveport are invited to an important panel discussion addressing past racial issues. St. Mark's Cathedral invites the public to its 'Bridging the Gap' event. The panel discussion will bring together Reverend Avery Hamilton and Dean Woods. Both men had ancestors who stood on opposite sides of the tragic Colfax Massacre of 1873. Civil rights icon Dave Dennis on how his activism grew in the 1960s According to the Smithsonian Magazine, the Colfax Massacre happened in Colfax, Louisiana, on April 13, 1872, when an armed group of white supremacists attacked a courthouse guarded by a mostly-black militia. A bloodbath ensued as the militia surrendered and the white supremacists carried out a day-long terror that resulted in the deaths of more than 100 black men. In the end, 97 members of the white mob were indicted, but only nine men were charged with violating the Enforcement Acts of 1870 and 1871, which intended to guarantee the right of freed men. Sam Cooke wrote 'A Change Is Gonna Come' because of an incident in Shreveport Hamilton and Woods will share how they formed an unlikely friendship rooted in truth and healing. The event is free and open to the public. The panel discussion will be held on Thursday, May 8, at St. Mark's Cathedral, at the corner of King's Highway and Fairfield. The event starts at 6:00 p.m. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
USA Today
22-04-2025
- Entertainment
- USA Today
Meet Miles Caton, the 'Sinners' breakout having an 'unreal' moment
Meet Miles Caton, the 'Sinners' breakout having an 'unreal' moment Show Caption Hide Caption 'Sinners': A vampire wants to crash Michael B. Jordan's party Cornbread (Omar Miller) isn't acting like his old self when trying to re-enter the party in Ryan Coogler's period horror movie "Sinners." Miles Caton has toured the world with a Grammy-winning artist and tussled with vampires, all before turning drinking age. In director Ryan Coogler's genre-smashing horror movie 'Sinners,' the 20-year-old musician/actor makes his film debut surrounded by booze and blood. From being part of the movie to walking red carpets for the first time, 'I'm still processing it, but it's been really an unreal experience, man,' says Caton, a New York City native. 'Sinners' (in theaters now) centers on Smoke and Stack, 1930s gangster twins played by Michael B. Jordan who return to their Mississippi hometown and run afoul of bloodsuckers. Just as key to the narrative is Sammie (Caton), the brothers' young sharecropping cousin – and son of a preacher – with a gift for blues guitar and a mesmerizing voice. Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox The movie has proven a success so far, with a $48 million opening weekend, 98% fresh reviews on Rotten Tomatoes and an A CinemaScore grade (a horror movie first). Here's what new fans need to know about Caton: 'Sinners' star Miles Caton toured with H.E.R. as a teen The son of gospel singer Timiney Figueroa, Caton started singing with his family in church at age 3. The first tune he learned was Sam Cooke's 'A Change Is Gonna Come,' taught to him by his aunt. 'That's a song I've sung probably more times than I can remember,' he says. Caton spent his childhood 'building up my own resume': When he was a tween, a video of him singing Nina Simone's 'Feeling Good' went viral and ended up in Jay-Z's '4:44' short film, and Caton also appeared on the NBC competition show 'Little Big Shots.' When he turned 16, Caton snagged the opportunity to become a background singer for H.E.R., and juggled going on tour with his studies. He completed high school online, and two years ago, Caton came home from a Global Citizen show in Paris the same day he attended his graduation. That week "was lit, for sure,' he says. Miles Caton got an acting masterclass from Michael B. Jordan and Delroy Lindo While music was his 'main thing,' Caton grew up watching movies – his uncle turned him on to everything from comedy to horror – and acting was "something that always piqued my interest, just being like the family clown,' he says. 'As a kid, that was something that I subconsciously wanted to do, but I didn't really know how.' When he got the script for 'Sinners' and learned Coogler was directing, Caton enthusiastically sent in an audition tape: 'I said, 'Hey, maybe this is my chance.' ' Caton could relate to Sammie 'in so many different ways,' he says. 'We both had such a strong ambition, especially in music, just to pursue it and to be great.' The fledgling actor also learned to play blues guitar because his instrument means so much to Sammie: 'When everything around you in the world is going crazy, the guitar was something that he could really hold onto that was kind of safety for him, and also his first love.' Even though it was his first role, Caton had plenty of role models around him. Watching Jordan develop his twins was 'really inspiring,' Caton says, while Delroy Lindo's performance (as aging blues man Delta Slim) made the youngster 'want to dive deeper into acting and just learn more about it.' 'Sinners' youngster seeks to be both actor and singer Caton is a Marvel superhero fan, and he gets a big grin when asked if Coogler has hit him up about 'Black Panther 3' yet. 'Man, that would be crazy. We've got to see,' Caton says. But he's also fostering his other career, and a sound influenced by Donny Hathaway and Stevie Wonder. He would like to bounce between the music and movie worlds, a la Jennifer Lopez or Will Smith. 'I'm looking forward to seeing what the future holds, but I'm a musician at heart,' he says. 'I'm definitely excited to work on some more acting roles, for sure, and just see where everything goes.'
