Latest news with #Aari
Time of India
5 days ago
- Business
- Time of India
Free skill training for women; 7.5cr allocated
Chennai: To empower women through self-employment opportunities, Greater Chennai Corporation has announced free skill development training programmes. The training will cover a range of in-demand skills, including tailoring, embroidery, Aari work, beautician courses, and computer-based accounting software. These programmes aim to enhance the employability and entrepreneurial capabilities of women across the city. During the budget session for the financial year 2025-26, mayor R Priya announced that free skill development classes will be conducted for women. "As per the Standard Operating Procedure (SOP) outlined for the initiative, one training centre will be established in each of the 15 zones. A budget allocation of 50 lakh/zone has been made, amounting to a total of 7.5 crore for the entire project," said a senior official with the corporation. He added that the initiative is expected to equip thousands of women in Chennai with necessary skills to start their own ventures or seek gainful employment. The training will be provided free of cost. The corporation set a total of 880 training hours. Of this, tailoring and Aari classes will comprise 270 hours, beautician courses 240 hours, and Tally courses 370 hours. "Through skill development courses, women will be able to start their own businesses as tailors or beauticians, which will help support their families, especially those from economically disadvantaged backgrounds," said the official. The corporation will soon release the detailed schedule and enrolment procedures for interested participants.
Time of India
15-05-2025
- Entertainment
- Time of India
Now, there's a lot of confusion about what the audience wants: Aari
Aari is currently playing the lead in 4th Floor , directed by LR Sundarapandi, an assistant of Hari. Actor Aari Arujunan says he finds a deep sense of fulfillment in balancing the demands of film shoots and hosting a TV show. In a conversation with us, Aari opens up about his upcoming action-thriller 4th Floor , how he manages his dual roles in cinema and television, the comparisons between his show, Vaa Thamizha Vaa , and Neeya Naana , and on the recent success of low budget films over high-budget productions... 'TODAY, MARKETING A FILM WELL IS JUST AS IMPORTANT AS MAKING A GOOD FILM' Reflecting on the current trends in the film industry, Aari says he's inspired by the growing success of low-budget films at the box office. 'Films like Lubber Pandhu and Love Today are great examples of low-budget movies that have done really well at the box office. They may not be ₹100 crore projects, but they've made a big impact,' he says and adds, 'The film industry is going through a phase of change. There's a lot of confusion about what the audience really wants, which makes it hard for producers and actors to choose the right scripts. Promotion has also become a big challenge. Today, marketing a film well is just as important as making a good film. Even getting media attention is harder now, as many promotions are paid. 'MY NEXT IS AN ACTIONTHRILLER WITH EMOTIONAL & PSYCHOLOGICAL ELEMENTS' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Free P2,000 GCash eGift UnionBank Credit Card Apply Now Undo Aari is currently playing the lead in 4th Floor , directed by LR Sundarapandi, an assistant of Hari. Speaking about the project, he says, ' 4th Floor revolves around the blurred line between dreams and reality. The protagonist faces a psychological dilemma — he's unsure if the problems he faces are the result of a dream or just illusions. After moving to the fourth floor, a series of strange dreams and issues unfold, forming the crux of the story. It is an action-thriller with emotional and psychological elements.' 'HOSTING A TALK SHOW GIVES ME A SENSE OF FULFILLMENT' Aari admits that he was initially hesitant about managing both TV and cinema. 'I have two shoot schedules per month for the show, and I plan my film work accordingly around that,' he shares. 'Each episode gives me the opportunity to interact with around 50 individuals, where I can engage with people from diverse backgrounds. That gives me a deep sense of fulfillment. Witnessing the positive impact of the show on people's lives brings me joy,' he adds. 'I HAVE IMMENSE RESPECT FOR GOBINATH SIR' Addressing the comparisons between the show and Neeya Naana , Aari says, ' Neeya Naana 's contribution to fostering diverse discussions is truly commendable. I have immense respect for Gobinath sir. Hosting a show consistently for over 15 years is no small feat. I cannot replicate what he does. The real question I ask myself is: what kind of identity am I building for myself? This isn't about competition — it's about crafting a meaningful show that resonates with people and offers thoughtful solutions.' The actor feels that talk shows serve as important platforms for public dialogue. He elaborates, 'In a densely populated state like ours, such avenues are essential for sharing varied perspectives. Even if there are thematic similarities between the shows, there is always something meaningful to take away from each. Over the years, people have identified me through many roles — initially as an artiste, then as Bigg Boss Aari, and now, as Vaa Thamizha Vaa Aari. These titles were bestowed upon me by the audience, so I wear them with pride.' On his upcoming projects... Talking about his upcoming releases, Aari shares, 'My next film is with Hansika. The shooting is complete, and post-production is currently in progress. I'm also working on Goli Soda 3 with Bharath and Paal Dabba . It's a multi-starrer featuring Telugu actor Suniel along with several other Telugu stars.' Addressing the delay in some of his projects, he explains, ' Bagavan is a mythological period film. We've completed a few portions, but we need more time to work on the CG. As for Aleka , the film is complete, and ready for release.'
Time of India
27-04-2025
- Entertainment
- Time of India
Moushumi Chatterjee reveals she's slapped some of her 'sexist' co-stars: 'They deserved it'
Veteran actress Moushumi Chatterjee , known for her outspoken personality, recently opened up about her experiences with misbehaving male co-stars in the film industry. Slapping heroes According to Hindustan Times, in a candid interview with Subhash K. Jha, the actress shared stories from her earlier days when she didn't hesitate to slap her co-stars if they crossed the line. "They deserved it, they were sexist," she said, reflecting on the behavior of male leads who expected heroines to reciprocate their flirtations. Moushumi explained that the men were often raised in an environment where they were pampered by mothers, wives, and sisters, and therefore didn't understand boundaries in their interactions with women. Uncompromising Dignity: The cost of speaking out Moushumi also spoke about the personal cost of maintaining her dignity in an industry often driven by egos. "I lost a lot of roles as I wouldn't pander to anyone's ego," she revealed, touching on the challenges she faced. Her refusal to compromise her values and dignity meant she missed out on several roles, including a notable one in Gulzar's Koshish, which was later offered to Jaya Bachchan. Despite this setback, Moushumi highlighted her reconciliation with Gulzar years later, where they worked together in Angoor with actor Sanjeev Kumar , who had been her hero in Koshish as well. A recent return: Moushumi's latest project Though she has seen her fair share of challenges, Moushumi continues to keep a strong presence in the industry. Her most recent appearance was in the Bengali film Aari, which was released earlier this year and marked her return to Bengali cinema after along gap of 12 years. The movie was directed by Jiit Chakraborty.
Time of India
25-04-2025
- Entertainment
- Time of India
We're honoured to have shared the screen with Mousumi Chatterjee, say Yash & Nussrat
Aarii , directed by Jiit Chakraborty, is a poignant family drama that delves into the complex dynamics between a mother and her son. The film thoughtfully captures the emotional peaks and valleys that shape their relationship, offering a heartfelt exploration of the strength and fragility of familial bonds. Starring Yash Daasguptaa , Nussrat Jahan , and the legendary Mousumi Chatterjee , the film is extra special as it marks Mousumi's return to Bengali cinema after 12 long years. Calcutta Times caught up with Yash and Nussrat to chat about their experiences working on the film and what it was like sharing screen space with a veteran actress like Mousumi. Read on... Tell us the story of Aarii. Nussrat Jahan: Aari is an emotional rollercoaster that takes you through the highs and lows of everyday life. It's a film that feels real and familiar, capturing moments that make you laugh, cry, and pause to think. What makes Aarii so special is how easy it is to connect with—the characters, the situations, the feelings—they all feel like part of our own lives. With a perfect mix of nostalgia and modern storytelling, Aarii is a heartfelt slice-of-life movie that stays with you long after the credits roll. Yash Daasguptaa: Aarii is a story that speaks to the heart—it explores emotions, love, and the weight of duties and responsibilities. It follows the journey of an ailing mother suffering from anterograde amnesia, and her son, whose life revolves around caring for her. It's a touching journey filled with laughter and tears—a true rollercoaster of emotions. How did the title of the film come to mind? NJ: One morning, over a cup of coffee, Yash asked me, 'How do you like the name Aari for the film?' I couldn't resist the sweetness of the word. Aarii carries a lot of nostalgia. It has this soft, lyrical quality to it—almost like a whisper from the past. It feels personal, tender, and even a bit poetic. YD: We used this word innocently throughout our childhood. Whenever we had fights with friends, we used to say, tor shonge aarii . Even elders would tell us that bhab and aarii are part of life. Once the audience watches the film, they'll understand how perfectly the title fits the story. How often do you two end up arguing and then say 'aarii' to each other? YD: The person I have the deepest emotional connection with is the one I argue with the most. So yes, Nussrat and I argue pretty often. But we always mend it—those arguments turn into bhab . NJ: During the filming of this movie, we've had fallouts and differences of opinion, which I believe are common in any workplace when you're striving for the best outcome. But there's an unspoken rule between us: no matter the issue, we resolve it before going to bed. If I'm at fault, I'm the first to apologize—and Yash does the same. How is it working together as a couple? Do personal aspects get in the way? NJ: The decision to work together toward a common goal stems from a personal space. But on set, we're completely professional. Behind the scenes, we're often busy managing our respective responsibilities. Acting while also handling production is no easy task. YD: As producers, we have to ensure everything runs smoothly on set so the entire cast and crew feel comfortable and appreciated. Nussrat and I both make sure of that. Our professional chemistry is great—we always discuss things before making decisions. On screen, we play our parts with honesty, and I believe the audience enjoys our camaraderie. Did Yash pamper you on the sets? NJ: I don't think Yash was in the mindset to pamper me as a heroine on set ( laughs ). Most of the time, we were focused on ensuring others were comfortable. That was our top priority as producers. How was it working with a veteran actress like Mousumi Chatterjee? YD: We call her Mou , and she is the 'Shero' of our film. I play her son, and I must say, the affection she has for me is nothing less than what I received from my own mother. The whole team took care of her as much as we could—acting at her age is no small feat. And her acting prowess? Still as strong as ever. She'll always be a mother figure to us, and we're beyond happy and honored to have shared the screen with someone of her caliber. She's now a part of our lives forever. In an interview with Calcutta Times , Mousumi said her chemistry with Yash is better than the Yash–Nussrat camaraderie? NJ: ( Laughs ) Absolutely true. A mother's place can never be taken by anyone. The bond between Yash and Mousumi Chatterjee goes beyond cinema—it's for life. I've seen them laugh and cry together on set, and they talk for hours on the phone. Their love is beautiful to witness, and it makes me so happy. YD: I'm truly grateful to God. We met for a film… but fell in love instantly, like family. In real life, I lost my mother a few years ago, and she lost her elder daughter. So, in many ways, we filled each other's voids. Best Hindi Movies | Best Tamil Movies | Best Telugu Movies | Best english Movies | Best Malayalam Movies |
Time of India
21-04-2025
- Entertainment
- Time of India
I had a lot of fun shooting for Aari after a 12-year gap : Mousumi Chatterjee
Aari, directed by Jiit Chakraborty , is a family drama that explores the intricate relationship between a mother and her son, delving into the highs and lows that define familial bonds. The highlight of this film is the return of legendary actress Mousumi Chatterjee to Bengali cinema after a 12-year hiatus, portraying the role of the mother. Yash Daasguptaa plays her son, offering audiences a chance to see him in a more nuanced and emotionally driven role. Nussrat Jahan takes on the character of Aditi, a writer, adding depth to the narrative with her performance. Calcutta Times spoke to Mousumi, where she shared her thoughts on Aari, her equation with Yash and Nussrat, and much more. Read on... Tell us about the film— Aari . Aari is a joyride of emotions, navigating the simplicity and complexities of everyday life. The film beautifully captures universal experiences and feelings, weaving a narrative that will make you laugh, cry, and reflect. What makes it truly special is its relatability—every viewer will find a part of themselves in the story. Aari , a true slice-of-life tale, blends nostalgia with contemporary storytelling, offering a cinematic experience rich in emotion, drama, and authenticity. What made you say 'yes' to this film after such a long hiatus from Bengali movies? Jiit came to Mumbai to narrate the story, and he was adamant about casting me as Yash's mother in the film. After my elder daughter Payal passed away, I confined myself to my home, as I still haven't been able to get over such a huge loss. In the meantime, many offers came my way, but I refused them all. This time, however, my younger daughter Megha insisted that I hear the story before deciding. It was both the story and Megha who convinced me to do the film. And I'm happy that I agreed, because working with Yash and Nussrat was truly a pleasure. As producers, they are marvellous and took great care of me. Also, I must say, my chemistry with Yash is something the audience will love watching on screen. Yash is extremely composed, quiet, and well-behaved, while Nussrat is beautiful, chirpy, and always smiling. With them around, it felt more like fun and a picnic on set. Share your working experience with Yash, who plays your son in this film. Do you know that Yash and I both close our eyes when we laugh? That's something we have in common! Nussrat knows that the camaraderie between Yash and me is fantastic—better than with her at times (laughs). On a serious note, what I liked most about Yash and Nussrat is their sincerity and empathy towards the team. There are emotional scenes between Yash and me where he bowled me over with his acting and body language. The key to emotional scenes is restraint—avoiding going over the top—and Yash did that perfectly. We heard you enjoyed having taaler bora (sweet palm fritters) while shooting for the film? Oh yes! While in Kolkata, I love having bhaat , daal , along with gondhoraj lebu . One day, I asked the team if I could get taaler bora , and I couldn't believe that Yash made sure I had it. The team sourced the taal and made bora on set. I enjoyed having it even more because of the sweet gesture behind it. You were the leading actress in the 70s. What differences have you observed while working in films now? I feel that discipline is lacking in many people nowadays—'short cut' has become the mantra. We used to consider our director as our guruji . Working with responsibility is something that's missing in today's generation. I see most of them busy with their phones, whereas in our time, we used to observe others acting so that we could learn and grow as artists. But believe me, I'm still learning—from the director to the spot boy—because that sincerity is ingrained in me. Were you nervous when you gave your first shot for Aari after so many years? Not at all—once an actor, always an actor. I was more curious to see how today's teams operate and shoot scenes. Many people ask if I missed the limelight during these years. Honestly, I didn't, as I was too involved with my family and dealing with the grief after losing my elder daughter. Is the character you played similar to you in real life? Yes—except that she suffers from dementia in the film, and I don't in real life. Otherwise, we are very similar—always laughing, enjoying life, and full of positivity. In real life, I want to live happily and focus on the positive side of everything because ups and downs are part of everyone's journey. I learned this from my parents, who were spiritual by nature. They taught me to enjoy every bit of life, as no one knows what tomorrow holds. I always say, I am God's special child who has received a lot from the Almighty. So, no regrets in life. Sobar shonge bhaab, karo shonge aari noy. (Stay friendly with everyone, hold no grudges.) You're still known as Balika Bodhu and for your infectious smile... Thank you to my audience—it is their love and appreciation that have made me who I am today. Everyone used to adore Uttam Kaku's (Kumar) smile. But he once told me, 'I get confused—whose smile is better, yours or mine?' What more could I possibly ask for?
