logo
We're honoured to have shared the screen with Mousumi Chatterjee, say Yash & Nussrat

We're honoured to have shared the screen with Mousumi Chatterjee, say Yash & Nussrat

Time of India25-04-2025

Aarii
, directed by Jiit Chakraborty, is a poignant family drama that delves into the complex dynamics between a mother and her son. The film thoughtfully captures the emotional peaks and valleys that shape their relationship, offering a heartfelt exploration of the strength and fragility of familial bonds. Starring
Yash Daasguptaa
,
Nussrat Jahan
, and the legendary
Mousumi Chatterjee
, the film is extra special as it marks Mousumi's return to
Bengali cinema
after 12 long years.
Calcutta Times
caught up with Yash and Nussrat to chat about their experiences working on the film and what it was like sharing screen space with a veteran actress like Mousumi. Read on...
Tell us the story of Aarii.
Nussrat Jahan:
Aari
is an
emotional rollercoaster
that takes you through the highs and lows of everyday life. It's a film that feels real and familiar, capturing moments that make you laugh, cry, and pause to think. What makes
Aarii
so special is how easy it is to connect with—the characters, the situations, the feelings—they all feel like part of our own lives. With a perfect mix of nostalgia and modern storytelling,
Aarii
is a heartfelt slice-of-life movie that stays with you long after the credits roll.
Yash Daasguptaa:
Aarii
is a story that speaks to the heart—it explores emotions, love, and the weight of duties and responsibilities. It follows the journey of an ailing mother suffering from anterograde amnesia, and her son, whose life revolves around caring for her. It's a touching journey filled with laughter and tears—a true rollercoaster of emotions.
How did the title of the film come to mind?
NJ:
One morning, over a cup of coffee, Yash asked me, 'How do you like the name
Aari
for the film?' I couldn't resist the sweetness of the word.
Aarii
carries a lot of nostalgia. It has this soft, lyrical quality to it—almost like a whisper from the past. It feels personal, tender, and even a bit poetic.
YD:
We used this word innocently throughout our childhood. Whenever we had fights with friends, we used to say,
tor shonge aarii
. Even elders would tell us that
bhab
and
aarii
are part of life. Once the audience watches the film, they'll understand how perfectly the title fits the story.
How often do you two end up arguing and then say 'aarii' to each other?
YD:
The person I have the deepest emotional connection with is the one I argue with the most. So yes, Nussrat and I argue pretty often. But we always mend it—those arguments turn into
bhab
.
NJ:
During the filming of this movie, we've had fallouts and differences of opinion, which I believe are common in any workplace when you're striving for the best outcome. But there's an unspoken rule between us: no matter the issue, we resolve it before going to bed. If I'm at fault, I'm the first to apologize—and Yash does the same.
How is it working together as a couple? Do personal aspects get in the way?
NJ:
The decision to work together toward a common goal stems from a personal space. But on set, we're completely professional. Behind the scenes, we're often busy managing our respective responsibilities. Acting while also handling production is no easy task.
YD:
As producers, we have to ensure everything runs smoothly on set so the entire cast and crew feel comfortable and appreciated. Nussrat and I both make sure of that. Our professional chemistry is great—we always discuss things before making decisions. On screen, we play our parts with honesty, and I believe the audience enjoys our camaraderie.
Did Yash pamper you on the sets?
NJ:
I don't think Yash was in the mindset to pamper me as a heroine on set (
laughs
). Most of the time, we were focused on ensuring others were comfortable. That was our top priority as producers.
How was it working with a veteran actress like Mousumi Chatterjee?
YD:
We call her
Mou
, and she is the 'Shero' of our film. I play her son, and I must say, the affection she has for me is nothing less than what I received from my own mother. The whole team took care of her as much as we could—acting at her age is no small feat. And her acting prowess? Still as strong as ever. She'll always be a mother figure to us, and we're beyond happy and honored to have shared the screen with someone of her caliber. She's now a part of our lives forever.
In an interview with
Calcutta Times
, Mousumi said her chemistry with Yash is better than the Yash–Nussrat camaraderie?
NJ:
(
Laughs
) Absolutely true. A mother's place can never be taken by anyone. The bond between Yash and Mousumi Chatterjee goes beyond cinema—it's for life. I've seen them laugh and cry together on set, and they talk for hours on the phone. Their love is beautiful to witness, and it makes me so happy.
YD:
I'm truly grateful to God. We met for a film… but fell in love instantly, like family. In real life, I lost my mother a few years ago, and she lost her elder daughter. So, in many ways, we filled each other's voids.
Best Hindi Movies
|
Best Tamil Movies
|
Best Telugu Movies
|
Best english Movies
|
Best Malayalam Movies
|

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

West Bengal Minister Bratya Basu, TMC leader Kunal Ghosh cast in Bengali political thriller
West Bengal Minister Bratya Basu, TMC leader Kunal Ghosh cast in Bengali political thriller

New Indian Express

time29 minutes ago

  • New Indian Express

West Bengal Minister Bratya Basu, TMC leader Kunal Ghosh cast in Bengali political thriller

KOLKATA: West Bengal minister Bratya Basu and his Trinamool Congress colleague Kunal Ghosh are set to appear in a Bengali film on the mystery behind the disappearance of a female university official. The thriller will recapture Kolkata's political arena of 1997 when the CPI(M)-led Left Front was in power in West Bengal. The movie 'Karpur' (camphor) is based on a book, 'Antardhaner Nepathye' (behind the disappearance), which had references to a real life incident. It will cast Ghosh, who is a journalist-turned-TMC secretary, and Basu, the education minister and an acclaimed actor-director. "The film is an intense political thriller. It is entirely fictional having no resemblance with any real-life incident or personality," director Arindam Sil told PTI. Ghosh is essaying the role of a political leader, while Basu is portraying the character of a seasoned officer of the homicide section of the Kolkata Police. The role has been conceived keeping Basu in mind, Sil said. "For Kunal, his spontaneity before the camera, his way of speaking and his political acumen made him an automatic choice for the (politician's) role," the director added. Celebrated actor Rituparna Sengupta essays the role of the missing university official. In the movie, 22 years after the disappearance, two investigative reporters of a news portal begin research into the incident and stumble upon many startling facts and the mystery is unfolded, sources in the production house said, revealing the storyline. The film will hit the floors next month. Ghosh shared a picture of the script reading session on social media. "New cinema Karpur. Director Arindam Sil reading script. This was the first session. New experience for me as an actor. Amazing script," he said in the post in Bengali.

Ramayana Fact Check: Vivek Oberoi joins Ranbir Kapoor and Yash's film, NO Anil Kapoor and Vikrant Massey
Ramayana Fact Check: Vivek Oberoi joins Ranbir Kapoor and Yash's film, NO Anil Kapoor and Vikrant Massey

Pink Villa

time15 hours ago

  • Pink Villa

Ramayana Fact Check: Vivek Oberoi joins Ranbir Kapoor and Yash's film, NO Anil Kapoor and Vikrant Massey

The Ranbir Kapoor and Yash starrer Ramayana is among the most awaited Indian movies right now. Billed on a huge production cost, the film has an ensemble star cast which includes some of the immensely talented actors from across the nation. As per the media reports, the star cast has gone bigger with new entrants. Known for his brilliant acting skills in Company, Omkara, Krrish 3, and others, Vivek Oberoi has been roped in to play a crucial role in the film. Reportedly, the actor will be seen donning the character of Vidyutjihva, a demon prince from the daitya clan and the husband of Surpanakha, played by Rakul Preet Singh. His character is expected to have a battleground clash with demon king Ravana, being played by Yash. Contrary to the other media reports, neither Anil Kapoor nor Vikrant Massey has joined the mega starcast. They were rumored to be playing the roles of King Janaka and Prince Meghnad in the movie. However, a source close to the development has rubbished the reports. For the unversed, Ramayana is currently being shot on a lavish scale under the direction of Nitesh Tiwari. The movie features Ranbir Kapoor as Lord Rama, Sai Pallavi as Mata Sita, Yash as Ravana, and Sunny Deol as Lord Hanuman. Apart from the lead star cast, the movie has a strong ensemble which includes Ravi Dubey, Arun Govil, Indira Krishnan, Lara Dutta, Amitabh Bachchan, Kunal Kapoor, Kajal Aggarwal, and others. It will be a two-part big-screen cinematic experience. While Ramayan Part One is locked to release on Diwali 2026, Part Two will arrive on Diwali 2027. Interestingly, both parts are currently in production and are being shot simultaneously, in one go. Bankrolled by Namit Malhotra and Yash, the mythology epic drama has a budget of around USD 1000 million (Rs 835 crore), which makes it the costliest film of Indian cinema. Interestingly, this staggering figure is allotted only for the first part. The makers are planning to go global with this epic Indian story and are in talks with a Hollywood studio, Warner Bros. Pictures, to team up for its overseas distribution. Stay tuned to Pinkvilla for more updates.

‘What's in a name?': Daak Naam confidential
‘What's in a name?': Daak Naam confidential

Time of India

time19 hours ago

  • Time of India

‘What's in a name?': Daak Naam confidential

She loves delving into the mundanities of pedestrian life and unveil the underlying magic that they hold, in her writings. She has dabbled effortlessly between children in her creative writing classes and her workshops for teachers. This has given her an understanding of the spectrum of human emotions that reflect in her articles. LESS ... MORE 'What's in a name? A rose by any other name would smell as sweet,' opines Juliet in William Shakespeare's Romeo and Juliet. It's a lovely line, terribly overused, and I do beg to differ. My name means the world to me, and more than my name, it's my daak naam, my pet name, my call-of-love identity, that really seals the deal. Every Bengali worth their rosogolla has one, and it's never meant for passport use, bank transactions, or Zoom interviews. It's for kitchens echoing with love, red-floored verandahs sprinkled with rain, and that one aunt who can't pronounce your real name even if threatened with fangs of a cobra! Others, of course, don't get it. My husband, for example, a no-nonsense man from a different cultural zone, often wonders aloud, 'Why do you people have two names? Is this a built-in catfish feature?' He finds it confusing, inefficient, and possibly suspicious. This from the same man who chants 108 names of Lord Vishnu without flinching, but thinks 'Mishtu' is the name of a dessert that's used by a sleeper cell as a possible cover-up. (To be fair, it is a dessert.)I tried explaining. 'The daak naam is not a fake ID. It's the name by which my mother refers to me, soothes me, when I'm sick. The name by which my father taps me on my back, when I make him proud. The name that unlocks my childhood.' But he still looked unconvinced, like I'd tried to sell him emotional insurance. It's not just him. The outside world thinks our daak naams are funny. Which, fine, I'll admit, they can be. You'll find a Puchu running a bank, a Ghoton heading the research wing at ISRO, and a Tublu preparing for the UPSC interview. We've got Bappa, Buli, Monu, Khuku, and the evergreen Tinku, who may now be a cardiac surgeon in Houston but will always be Tinku when he visits Gariahat during Durga Puja. Daak naams are not mere names. They are proper nouns filled with affection to the brim. They are musical notes. They are secret codes you never share with the world, unless it's by accident, like when your mother yells 'Tuku!' across the supermarket aisle while you're trying to appear like a functioning adult. It is a name you'll find in no official records, but etched into your childhood lunchboxes, your grandmother's letters, and the back of a now-yellowing school photo. Take my friend, for instance. Officially, she is Anindita, elegant, respectable, capable of passing the UPSC on paper alone. But at home, she's is Bubu. Yes, Bubu. A name that sounds like a hiccup and a giggle had a baby. It's the name that still follows her like a love-sick puppy into adulthood. You may leave Calcutta, but your daak naam will cling to your soul like mustard oil on a sari. They have a tenacity of their own. Like bubble gum on shoes, they stick. Paromita once attended a formal conference where someone introduced her, very grandly, as Dr. Paromita Munshi, when a familiar voice from the back hollered, 'Oi Nontu!' The spell broke. Heads turned. Nontu? Was it a code word? A mild insult? A small furry animal? Paromita sighed. There was no point denying it. Once a Nontu, always a Nontu. My cousin Tumpa (real name: Debarati) has it worse. She was once on a Zoom job interview when her little brother burst into the room and bellowed, 'Tumpaaaaaaaaaa, where's the achar?' The interviewer blinked. 'We'll get back to you,' they said, and they never did. Then there's my friend Jhumpi (real name: Arpita). She was at immigration in Frankfurt when the officer looked at her forms and asked, 'Who is Jhumpi? You're Arpita.' Her mother had filled out an 'emergency contact' form too honestly, where 'Aliases (if any)' featured 'Jhumpi'. The officer looked suspicious, as if she was a double agent smuggling poppy seeds and kashundi (mustard sauce). You see, our daak naam is not just a name. It's a time-stamp. It's a giggle that refused to grow up. It's the way our identities were first shaped, not by society, but by love. It might never appear on our passports, but it travels with us, tucked in the corner of our suitcase like a jar of pickles from home. Bengali daak naams are also strangely creative, sometimes outright absurd. I know a Babla, a Ghoton, a Chhutki, a Bappa, a Papu, a Dhumdam, a Boombam and one immortal Puchku who is now a corporate lawyer in Singapore. They wear suits, speak about deep topics and use serious terms like 'synergy' in meetings, and sign emails with full names, but somewhere within, their daak naam lives on, like a reassuring hug when all else seems alien. And don't even ask us to explain the names. There is no logic. 'Why are you called Laltu?' 'Because I was.' End of story. It's not meant to make sense. It's meant to feel warm like rice with ghee, familiar like a Rabindra sangeet on a Sunday morning. So laugh if you must. Call us strange. Mock the name Bhombol, till the cows come home. But remember this: when the storm hits, it's Bhombol his mother will cry out for, not Bhaskar Chattopadhyay, M.A. Gold Medalist. And that, dear Juliet, is what's really in a name. Facebook Twitter Linkedin Email Disclaimer Views expressed above are the author's own.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store