Latest news with #Afanador
Korea Herald
14-05-2025
- Entertainment
- Korea Herald
Interview: Marcos Morau's strange and beautiful worlds
Marcos Morau, one of Spain's most compelling contemporary choreographers, has straddled contradictions: innocence and critique, humor and darkness, elegance and unease. "I'm still feeling like I'm a kid," said Morau in a press conference in Seoul on Wednesday. "I like to create things that are a mix of innocence and humor, but also darkness and a criticism (of how we live)." Three of Morau's works arrive in Seoul this May, each a portal into his rich, often bizarre imagination. The choreographer was chosen for GS Arts Center's inaugural curated Artist Series, along with South African visual artist and director William Kentridge. After the recent performance of 'Afanador' (April 30-May 1), the next chapter begins with 'Pasionaria' (May 16-18) and 'Totentanz: Morgen ist die Frage' (May 17-18) with his own interdisciplinary company, La Veronal, a club of artists active in dance, film, literature and photography. 'Pasionaria,' dystopian planet void of passion Premiered in 2018, 'Pasionaria' introduces a fictional planet bearing the same name — a hyper-advanced world where passion and all other emotions have vanished. 'There was a moment in my life where I became obsessed with the idea of the absence of emotions,' said Morau. 'You can enjoy it as a video game or as a joke. But you can also feel sadness in a depressive allegory of our lives. That's the beauty of it: how the piece transforms your point of view, and how your point of view transforms the piece.' In this allegorical work, Morau explores how humans confront, or fail to confront, the void left by this emotional erosion. 'We no longer look at each other, we don't speak to one another. We live in isolation,' he said. 'Individuality has become stronger than community. This piece is a critique of that way of living. But at the same time, we are part of this system. We can't change it.' Morau encouraged audiences to pay close attention to how the body is used 'in a complex, bizarre way,' he noted. Dancer Angela Boix of La Veronal added the performance as being 'half human, half android.' 'We were looking to cut the body into as many pieces as we could. There was a sense of restriction, we were not so free. The movement became compact.' 'Dancing with death' If 'Pasionaria' imagines a world drained of emotion, "Totentanz," also known as Dance of Death, confronts the one fate that unites us all. 'As both a creator and a human being, we are all curious about death — the idea of it, the disappearing,' said Morau. 'Death is democratic because everyone is going to 'dance with death.' It doesn't matter who you are in life; in the end, we're all together.' With 'Totentanz,' his latest creation with La Veronal, premiered in 2024, Morau explores how death appears in society and how we often look away. The piece transforms the stage — this time, the lobby of GS Arts Center — into a dark, dreamlike space where the boundary between the living and the beyond begins to blur. Four performers engage in a strange, ritualistic performance, using fragmented gestures, extreme postures, and dynamic interactions to channel the emotional spectrum of mortality. 'One thing that is quite liberating as a dancer is that you feel like you are just one layer of many layers,' said Boix. 'You don't have this pressure that everything relies on you, because you are supported by the piece itself, by the music, by the scenography and all the artists in the company. You are just putting yourself as one more piece of this big engine.' hwangdh@
Korea Herald
29-04-2025
- Entertainment
- Korea Herald
Interview: The dance, the company are 'truly one of a kind,' says BNE dancer Youn Sou-jung
First Asian dancer to join company, Youn to perform in 'Afanador' at GS Arts Center When Youn Sou-jung first stepped into the audition room for the Ballet Nacional de Espana, artistic director Ruben Olmo knew immediately that she was special. 'I fell in love. She has her own magnificent style. She's one of the proud dancers of our company,' said Olmo during Monday's press conference for "Afanador." And for Youn, it was her dream come true, now a member of the corps de ballet, who started dancing at the age of three. "Since I was young, it was my dream to join BNE. I used to watch their performances and think, 'I have to be part of that one day,'' said Youn in a separate interview with The Korea Herald following the press event. 'But I never believed it would happen. This is a company with a story, and here, dancers can fully dedicate themselves to dance.' Born in South Korea in 1994 and raised in Spain from the age of seven months, Youn became the first Asian dancer to join the Ballet Nacional de Espana in 2019. The company is celebrated for its preservation and reinterpretation of traditional Spanish dance, and Youn remains one of only two non-Spanish dancers in the ensemble. Now in her sixth year with the company, Youn sees her relationship with dance stretching back a lifetime, and she sees no separation between the two. She first encountered flamenco and other forms of Spanish dance in after-school classes. It wasn't long before she knew she wanted to pursue it professionally. 'It's my life. It's who I am. Dance has always been with me. I never questioned it. And from the beginning, it wasn't just about wanting to be a dancer -- it was about wanting to dance Spanish dance specifically.' At the BNE, dancers are expected to master a wide range of traditional forms, from flamenco to escuela bolera, a Spanish dance style that originated as a fusion of popular Spanish dances, ballet and other influences. 'What attracts me most is that you're always learning. Expressing emotions through movement -- it relieves stress. I love how my whole body is involved, from stamping feet to rhythmic phrasing. It's cathartic and exhilarating.' Youn takes pride in representing a company she calls 'truly one of a kind.' 'We are the only national dance company in the world dedicated to traditional Spanish dance of all kinds. That's our biggest strength,' she said. 'Wherever we perform, the response is incredible. The rhythm, the passion -- people really connect with it. Our works elevate traditional dance into something refined and artistic.' Youn is currently in Seoul to perform "Afanador" with the company on Wednesday and Thursday. She described it as 'unlike anything the company has done before -- from the stage design to the lighting, costumes and movement.' 'I'm truly delighted to be performing in Korea with the company,' Youn said. 'Korean audiences are familiar with traditional flamenco, but this production offers something new -- a fresh perspective, a different flavor. I hope it becomes a memorable experience for everyone.'
Korea Herald
29-04-2025
- Entertainment
- Korea Herald
The dance, the company are 'truly one of a kind,' says BNE dancer Youn Sou-jung
First Asian dancer to join company, Youn to perform in 'Afanador' at GS Arts Center When Youn Sou-jung first stepped into the audition room for the Ballet Nacional de Espana, artistic director Ruben Olmo knew immediately that she was special. 'I fell in love. She has her own magnificent style. She's one of the proud dancers of our company,' said Olmo during Monday's press conference for "Afanador." And for Youn, it was her dream come true, now a member of the corps de ballet, who started dancing at the age of three. "Since I was young, it was my dream to join BNE. I used to watch their performances and think, 'I have to be part of that one day,'' said Youn in a separate interview with The Korea Herald following the press event. 'But I never believed it would happen. This is a company with a story, and here, dancers can fully dedicate themselves to dance.' Born in South Korea in 1994 and raised in Spain from the age of seven months, Youn became the first Asian dancer to join the Ballet Nacional de Espana in 2019. The company is celebrated for its preservation and reinterpretation of traditional Spanish dance, and Youn remains one of only two non-Spanish dancers in the ensemble. Now in her sixth year with the company, Youn sees her relationship with dance stretching back a lifetime, and she sees no separation between the two. She first encountered flamenco and other forms of Spanish dance in after-school classes. It wasn't long before she knew she wanted to pursue it professionally. 'It's my life. It's who I am. Dance has always been with me. I never questioned it. And from the beginning, it wasn't just about wanting to be a dancer -- it was about wanting to dance Spanish dance specifically.' At the BNE, dancers are expected to master a wide range of traditional forms, from flamenco to escuela bolera, a Spanish dance style that originated as a fusion of popular Spanish dances, ballet and other influences. 'What attracts me most is that you're always learning. Expressing emotions through movement -- it relieves stress. I love how my whole body is involved, from stamping feet to rhythmic phrasing. It's cathartic and exhilarating.' Youn takes pride in representing a company she calls 'truly one of a kind.' 'We are the only national dance company in the world dedicated to traditional Spanish dance of all kinds. That's our biggest strength,' she said. 'Wherever we perform, the response is incredible. The rhythm, the passion -- people really connect with it. Our works elevate traditional dance into something refined and artistic.' Youn is currently in Seoul to perform "Afanador" with the company on Wednesday and Thursday. She described it as 'unlike anything the company has done before -- from the stage design to the lighting, costumes and movement.' 'I'm truly delighted to be performing in Korea with the company,' Youn said. 'Korean audiences are familiar with traditional flamenco, but this production offers something new -- a fresh perspective, a different flavor. I hope it becomes a memorable experience for everyone.'
Korea Herald
29-04-2025
- Entertainment
- Korea Herald
‘Afanador,' flamenco reinvented, comes to Seoul
GS Arts Center's 'Artists' series spotlights Marcos Morau's genre-defying work When we think of flamenco, certain images spring to mind: a dancer in a vivid, ruffled dress with skirt flying outward in a whirl of motion; sharp, dramatic arm movements and hands twisting elegantly through the air; heeled shoes striking the wooden floor in a rapid-fire rhythm of castanets. But the Ballet Nacional de Espana's "Afanador," created in high-profile collaboration with Spanish contemporary choreographer Marcos Morau, offers a stark departure from these familiar images. Premiered in 2023, it stands out as one of BNE's latest and most daring major productions -- flamenco rendered in stark black and white, with sweeping ensemble scenes that evoke avant-garde and high-fashion imagery. Extravagant and born from the beauty of light and shadow, it offers a highly theatrical and deliberately distorted vision of the traditional form. "It was like encountering an entirely new world," Ruben Olmo, the artistic director of BNE, said in Spanish during a press conference on Monday at the GS Arts Center in Seoul. "Through our collaboration with Marcos Morau, we sought to bring a new form to Spanish dance. Morau and his company, La Veronal, possess an exceptionally unique dance language. By blending their language with flamenco, we wanted to present audiences with a different universe." Founded in 1978, BNE is Spain's national dance company dedicated to preserving and evolving the country's dance heritage, including escuela bolera, flamenco, academic, stylized and regional folk dances. Since 2019, the company has been led by Olmo, who has emphasized both honoring tradition and pushing creative boundaries. The work draws inspiration from Colombian photographer Ruven Afanador's black-and-white photography collections "1000 Kisses" (2009) and "The Men of Flamenco" (2014), which capture dancers against the stark, searing light and deep shadows of Andalusia. In these collections, dancers often appear in avant-garde haute couture or even nude, offering a surreal, boundary-pushing vision of flamenco. Building on Afanador's surreal imagery, Morau and BNE approached "Afanador" as a creative dialogue between photography and dance. Onstage, some 30 dancers pose as if for a photograph in a studio-like setting. At times, they seem to become part of the picture itself; at others, the space transforms into something resembling a bullring. The dancers sculpt static or dynamic, geometric forms, moving fluidly between stillness and explosive energy. Creative team and dancers alike acknowledged the production's challenges. Miguel Angel Corbacho, associate director and choreographer, recalled, "We had to step outside the framework of Spanish dance as we had learned it from childhood. These were movements that didn't belong to the traditional canon. It was dynamic, energetic but demanding extreme precision at the same time." Principal dancer Inmaculada Salomon echoed the sentiment: "It was a collision of the flamenco world and contemporary dance, and every part of the process was a challenge," she said. "The way we worked with Morau was completely different from the methods we were used to at the company. It required leaving behind the universe each of us had built. But it was an opportunity for growth -- both for the company and for us as individuals." Among the performers is Korean dancer Youn Sou-jung, a corps de ballet member and the first Asian dancer to join BNE in 2019. "It's my first time performing in Korea with the company. I'm thrilled to be able to perform here,' said Youn. She described Afanador as a fresh and striking take on flamenco. "In Spanish dance, we don't usually use the neck as much, but working with Morau, I remember feeling pain from how much neck movement was involved." She added, "It's a production that requires dancers to perform ensemble pieces in very tight spaces, so we had to be very careful about breathing and coordination." The BNE will perform "Afanador" three times, from Tuesday to Thursdat, at the GS Arts Center. The performance is part of the newly inaugurated GS Arts Center's flagship 'Artists' series spotlighting two to three multidisciplinary creators each year for an in-depth exploration of their work. This year, the featured artists are Spanish choreographer-director Morau and South African visual artist and theater-maker William Kentridge. 'Afanador' is one of three Morau works to be presented at the GS Arts Center this spring. The others include 'Pasionaria' (May 16-18) and "Totentanz -- Morgen ist die Frage" (also known as "Dance of Death"). Morau will visit Seoul for performances in May.
