Latest news with #AirplaneMode


Perth Now
2 days ago
- Entertainment
- Perth Now
Tommy Lee and wife Brittany Furlan get closer after catfishing scandal
Brittany Furlan's catfishing scandal has brought her and Tommy Lee back together. The 38-year-old actress revealed last month she had moved out of their marital home and into a hotel after confessing to having been catfished - where someone poses as someone else online - on Snapchat by an unidentified user pretending to be Falling In Reverse frontman Ronnie Radke. However, she's admitted the temporary separation made her and the 62-year-old rocker realise how much they mean to one another. Speaking on her and Brittany Schmitt's This Is The Worst podcast, she said: 'All of this happening has weirdly brought us together, which is really strange. 'I think we really faced like, 'Oh, what would life really be like without each other?'' However, Brittany admitted there is still a lot of "healing" to be done within their six-year marriage. She said: 'We've been through this situation similarly before, and it's hard, and all I can say is that relationships are complicated and everyone has their s*** and we're not immune to that just because we're in the public eye." The Airplane Mode actress had ended up being catfished because she felt "so lonely" within her marriage to Tommy. She admitted: 'I was so lonely. I was messaging Chat GPT for affection. I'm like, 'It talks to you lovingly and it says nice things to you and it's sweet to you and if it could kiss me I would let it.'' And so when the person posing as Ronnie began messaging her, she felt "better" than when chatting to AI and their friendly conversation began to turn more intimate. The Drugstore June actress previously admitted the catfishing scandal had been "embarrassing" for her and Tommy. She said on TikTok: "This is embarrassing for me, embarrassing for my husband. "This whole f***ing thing is embarrassing. I've been struggling with s*** at home [and] I'm in a f***ing hotel. Like, leave us f***ing alone, bro. … I'm done. Anyone can think what they will. All good." Meanwhile, Ronnie had claimed the FBI were investigating who had been posing as him because 'multiple other girls' besides Brittany had been 'tricked and duped' by the mystery person. He told TMZ: 'The FBI is now involved. It's a felony. It's a crime. It's pretty serious, I guess."


CairoScene
22-04-2025
- Entertainment
- CairoScene
‘Bosakber': Marwan Moussa's Descent Into the Subconscious
'Bosakber': Marwan Moussa's Descent Into the Subconscious Last year in 2024, Marwan Moussa teased that he's working on a new album, hinting that it will be a conceptual work exploring five stages of grief, and his personal journey of healing following the tragic loss of his mother. He kicked off his announcement with '3amel Eh', the first preview single and one of his most personal and intimate songs, followed shortly by the first installment of the album 'Denial', presented in three songs: 'Airplane Mode', 'Amot Ana' and 'Mozza'. Both releases marked an extreme shift in his sound, showcasing his fresh experimental approach, and a cohesive and evolved sonic style. This week, the Egyptian rap superstar unveiled 'Bosakber', the second preview signalling a darker and even more intimate tone for his upcoming album, which we now know is titled 'الرجل الذي فقد قلبه'. Produced by HatemBas, the track truly lives up to Moussa's promise of 'a change in sound', as he dabbles in a new sonic terrain a bit further from his signature sonic identity, presenting an intricate fusion of hip-hop beats, sufi elements, oud arrangements and shaabi with touches of contemporary electronics. Through poignant lyricism, the track captures the true essence of what it is like to struggle with mental health issues, trauma and healing, painting a vivid picture of Moussa's psychosis, trust issues, emotional detachment and refusal to surrender to his most painful memories. Throughout the song, Moussa constantly alternates between a contemplative dialogue with himself and a first-person narrative, delivering verses like 'هموم الدنيا نستك أسمك', and 'بكلم نفسي أنا مريض'. It feels as if he's implementing some form of specialised therapy intervention as a way of processing his personal turmoil, struggles, and attempts to erase himself. The music video for 'Bosakber', directed by Yussef Haridy, is a visual diary of vulnerability and confusion, employing striking cinematography that perfectly mirrors the song's emotionally dense aspect. Early in the video, we see Marwan being dragged into what appears to be a dungeon, where masked figures perform a spiritual Sufi dance ritual, seemingly in an attempt to heal his tormented soul. Then, in several cuts interspersed with distorted images, we see him grappling with his own reflection alone in a room - an illustration of his self-isolation, inner conflict and feeling of being trapped. At its core, 'Bosakber' carries a tension that reflects Marwan's strained mind and weary, emotionless heart, ultimately depicting a dissociation with reality, which can be seen as symptoms of post-traumatic stress disorder. It's Marwan in his most vulnerable and real, a powerful act of self-disclosure on his part.