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Geek Vibes Nation
5 days ago
- Entertainment
- Geek Vibes Nation
'Dogma': 25th Anniversary Celebration Review - Kevin Smith's Controversial Classic Gets Resurrected
Kevin Smith's fourth feature film is just as prescient now, on its 25th anniversary, as it was during its original release at the Cannes Film Festival before the turn of the century. Similar in approach to satires such as Verhoeven's Starship Troopers (1997) and Judge's Idiocracy (2005), Dogma criticizes all religious sects of Western society, from Catholics to Protestants to Agnostics. Whether you're a believer, denier, or contrarian, Smith has more than a few words for you. Dogma follows two angels, Loki (Matt Damon) and Bartleby (Ben Affleck), on a quest to earn their place back in heaven by walking through the doors of a Catholic church in the midst of a rededication, when all sins will be forgiven. If they can accomplish this, transfer into human form, and then die, they can return to heaven. A young woman named Bethany (Linda Fiorentino) works at an abortion clinic and struggles with her own religious beliefs, but is pulled into the fray and encouraged to stop the fallen angels. Fortunately, she's aided by two slacker prophets, the soon-to-be-infamous Jay and Silent Bob. Along the way, they continue to receive guidance from a seraph (Alan Rickman), a 13th apostle (Chris Rock), and a muse (Salma Hayek) as everyone is in a race to stop the plan unfortunately initiated by Cardinal Glick's (George Carlin) church, though Azrael (Jason Lee) is the original trickster that sets everything in motion. Since its debut, the cast of Dogma has all gone on to successful film and television careers, mostly in front of the camera, not to mention Ben Affleck's six directorial efforts and Chris Rock's balance of acting roles, comedy shows, and award show hosting duties. Many of Smith's frequent collaborators stem from films fleshed out thanks to casting director Don Phillips (Mallrats) or Shana Lory (Chasing Amy), but Smith certainly has an eye for talent and comedic potential himself. The director continues to play with genre in Dogma, as well as tropes and stereotypes, and the line between indie features and traditional studio films couldn't be any clearer. The film constantly oscillates between poking fun at Western religion and culture, the movie industry, the film itself, and everyday life in America in the 90s. Though controversial at the time and momentarily banned and delayed in a few countries, Dogma remains a classic. Though much of the dialogue in Dogma comes across as didactic and expository, the approach and overall tone are consistent and necessary. Especially considering the current resurgence of self-help books, conspiracy theories, and rampant misinformation on the internet. Dogma's willingness to speak directly to and through its protagonist, Bethany, and subsequently the audience, makes for a movie worth listening to, whether its ideology and dogma conflict with the listener or not. Smith's film is also worth revisiting considering the pace at which AI technology is pushing into the filmmaking space, especially since the industry is only a few years removed from the writer's strikes, which took place right on the heels of the COVID-19 Pandemic recovery. Smith's work always reminds us what we're capable of as a collective: a collective of nerds, a collective of young creatives, or a collective of cast-offs and forgotten spiritual beings. If anything, Dogma reminds us to remain curious enough to create and discuss our ideas with others. In honor of the 25th anniversary, the film has been beautifully restored through remastering and color-correction in 4K by Triple Media Film with legendary cinematographer Robert Yeoman (The Grand Budapest Hotel, Bridesmaids). The remastered version, currently on a US tour of 20 cities dubbed DOGMA: The Resurrection tour, began on Easter Sunday, April 20th, at the Grove in Los Angeles, with appearances from Smith and Jason Mewes. Dogma: A 25th Anniversary Celebration is now playing newly remastered in over 1,500 theaters across North America courtesy of Iconic Events.
Economist
19-05-2025
- Entertainment
- Economist
Presentations: It's all in the knees
RADA, a world-famous acting school, has trained Anthony Hopkins, Alan Rickman and Phoebe Waller-Bridge. Add to that list Boss Class host Andrew Palmer. In this episode, he gets tips on how to be a better public speaker. To listen to the full series, subscribe to Economist Podcasts+. Episodes are out on Mondays. If you're already a subscriber to The Economist, you have full access to all our shows as part of your subscription. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account.
Express Tribune
31-01-2025
- Entertainment
- Express Tribune
Celeb memoirs to boost your shelf
SLOUGH, ENGLAND: Do you lovers of novels balk at the spectre of non-fiction? Do you subscribe to the school of thought that non-fiction books were invented as an alternative to medically approved sedatives? Do you cast aspersions on a person's character based on the contents of their bookshelf? From one fiction lover to another, you, of course, are free to cast as many aspersions on non-fiction aficionados as you choose. However, you may need to make a small space in your heart for the purest form of escapist non-fiction the literary world has to offer: the coveted celebrity memoir. One hastens to add that whilst a celebrity memoir may not be as insufferable as a self-help manual, it is still in danger of causing you to weep like an English teacher up to their eyeballs in mediocre essays. Bearing this in mind, please allow a moment of silence for Prince Harry's Spare, with its short sharp RL Stine-esque paragraphs. If this book has taught us anything, it is that in the hands of the wrong writer, the most riveting life becomes slightly less interesting than an economics textbook. Exceptions to the rule Please do not let Harry and his ghost-writing ilk put you off. Every once in a while, we fiction lovers are treated to a rare and dazzling example of an autobiography recounted with the mesmerising skill of an award-winning novelist, as Al Pacino's rather colourful Sonny Boy proved last year. Meanwhile, no one who has devoured Trevor Noah's Born A Crime will have complained of boredom after reading his account of nearly losing his mother to a stray bullet or being hurled out of a moving car as a child ("I was nine years old when my mother threw me out of a moving car. It happened on a Sunday.") If you take away nothing else from this memoir, Noah will have at least confirmed for you that this whole rolling-out-of-a-car charade is not quite as painless as Hollywood heroes would like you to believe. Of course, if you are in the market for a something that slightly more mundane than car chases and gunfights, you could always sift through Alan Rickman's collection of diaries (Madly Deeply: The Alan Rickman Diaries), which definitively proves that Professor Snape's life has the capacity to be as refreshingly dull as a, well, ours. One diary entry picked at random rather delightfully reads reads as follows: "2PM. Dentist. Bleaching. Ouch. 4PM. Refit the Harry P. costume. A bit of taking in is necessary." Not all memoirs can reach the heights that Alan Rickman's beautifully unadorned diaries aspire to, but here are some additional celebrities whose life stories will make a slow, rainy weekend streak past in the blink of an eye. Matthew Perry After Matthew Perry's tragic death in 2023 broke the heart of every Chandler Bing fan, his unapologetic take on his debilitating drug addiction and '90s pop culture in Friends, Lovers, and the Big Terrible Thing is a harrowing but gripping read. Opting for the simple touch, Perry began, "Hi, my name is Matthew, although you may know me by my full name. My friends call me Matty." Laying himself bare thus, Perry preserved his life for posterity with this trademark Chandler-like sarcasm and self-deprecation. From shuffling between his divorced parents to nearly being a ranked tennis player, from yearning for fame and battling the drugs that failed to fill his hunger for something just beyond reach, Perry gives his own unflinching take of his life and the choices he made. "I have spent upward of $7m trying to get sober. I have been to 6,000 AA meetings I've been to rehab fifteen times," wrote Perry. And whilst Friends fans will already be aware of Perry's struggles with addiction behind the scenes, reading his own account twists the knife in just a little further. "I married Monica and got driven back to the treatment centre," he confessed in his memoir, a disquieting reminder that reality is as far away from television as we could possibly imagine. Britney Spears There was once a time when it was considered the height of coolness to loathe this blonde pop princess and her Baby One More Time repertoire. Those days have long since passed, as Spears' painfully honest The Woman In Me has proven. As horrifying accounts of the amount of coercion this once-teenaged idol was put through as a young woman have emerged over the years, we have been taught repeatedly not to judge a book by its cover. Or at least to not judge a woman by the blonde-ness of her hair, or the shallowness of her songs. "There have been so many times when I was scared to speak up because I was afraid somebody would think I was crazy," writes Spears. "But I've learned that lesson now, the hard way. You have to speak the thing that you're feeling, even if it scares you. You have to tell your story. You have to raise your voice." And so in her short, sharp memoir, Spears's cautionary tale is yet another harrowing reminder of the drawbacks of living in the public eye. Where once Spears was a sex symbol and a pop icon, her book shows that she is a relatable figure to any adult woman whose life has been dictated by others. This is less of a story about music, and more of an insider's account of the way women continue to be mistreated in the industry. Far from spinning out a tale of woe, The Woman In Me is a candid eye-opener brimming with (of all things) optimism where it could have justifiably spewed out bitterness. Paris Hilton Speaking of blonde women people loved to hate, Paris Hilton's rather imaginatively titled memoir The Memoir finally proves what people had once assumed was as inconceivable as pigs flying: that there is more to Hilton than meets the eye. However, if you were among those in the noughties who believed it was not humanly possible to be more airheaded than Hilton (who paved the way for influencers before even the hint of TikTok existed in the outer realms of anyone's dreams), The Memoir proves that you have Hilton herself to thank. Or rather, her cunning marketing strategy rather than any cripplingly low IQ. "I came of age during the most turbulent pop culture period ever," Hilton reminds us in her book. "The character I played [...] was my steel-plated armour. People loved her. Or they loved to hate her, which is just as marketable. I leaned into that character, my ticket to financial freedom and a safe place to hide. I made sure I never had a quiet moment to figure out who I was without her." Refreshingly bereft of self pity, Hilton shows us how easily manipulated audiences can be, and what a minefield the early 2000s were for women celebrities. In The Memoir, Hilton owns her story without a speck of martyrdom, and for that alone, she deserves to be read.
