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Yahoo
15-07-2025
- Entertainment
- Yahoo
‘Adolescence,' ‘The Penguin,' ‘Disclaimer,' and more last-minute Emmy nominations predictions for Best Limited/Movie Directing
With 91 submissions, this year's Best Limited/Movie Directing category at the Emmys will have six finalists when the nominations are announced Tuesday. There are two series that were directed by a single person and thus had to submit the entire projects: Adolescence, directed by Philip Barantini, and Disclaimer, directed by Alfonso Cuarón. Both are virtually guaranteed to make the Emmy lineup. The Netflix psychological crime drama, whose episodes are each filmed in one single take, is currently projected to win Best Limited Series, while the Apple TV+ program has the four-time Oscar winner behind the camera, and is filled with striking images and beautiful cinematography. More from Gold Derby 'The Young and the Restless' leads Daytime Emmy predictions for Best Drama Series Why 'South Park' has vanished from streaming sites, explained For the other contending limited series, the submissions have ranged from one (Dying for Sex and Say Nothing) to four installments (The Penguin and Monsters: The Lyle and Erik Menendez Story). While single submissions are a wise strategy to prevent splitting the vote, the latter two shows are arguably more popular, with The Penguin having three of its four submissions nominated at the Directors Guild of America Awards earlier this year, and the Monster anthology nabbing two slots in this category for its previous season. It's safe to say at least one from each show has a spot reserved. For Monsters: The Lyle and Erik Menendez Story, there is one clear standout: the Michael Uppendahl-helmed 'The Hurt Man,' which takes place entirely in one room between two characters and filmed in a single take, a technique that is catnip for the directors' branch. Additionally, there are episodes by Carl Franklin ("Blame It on the Rain") and Paris Barclay ("Brother, Can You Spare a Dime?"), both of whom were nominated last season for other projects. The Penguin, meanwhile, is the alternative to Adolescence in Best Limited Series, so we expect the DC gangster series will get multiple slots in this category; the question is how many. One clear choice is the fourth episode, 'Cent'Anni,' by Helen Shaver, which examines the backstory of Sofia Falcone (Cristin Milioti). There is also the premiere by Craig Zobel — the only Penguin submission not nominated at the DGA — and the concluding two episodes, filled with action sequences and tragic, intimate character moments, notably the finale by Jennifer Getzinger. Kevin Bray, the director of the penultimate installment, is also on the ballot as the representative for Clipped, which chronicles the downfall of the notorious Los Angeles Clippers owner Donald Sterling. Speaking of finales, Say Nothing and Dying for Sex only entered their closers, featuring sequences that showcase the directorial achievements of Michael Lennox and Shannon Murphy, respectively. So, if either garner enough passion, they could find themselves among the six nominees. The rest look to be more long-shots, with Presumed Innocent entering its last two episodes, and Black Mirror putting up three episodes, with the latter anthology having never been recognized in directing, despite multiple writing bids. Rebel Ridge's Jeremy Saulnier has the best shot if the branch goes for a television movie. And another famous director on the ballot is Oscar nominee Ridley Scott for the premiere of Dope Thief — amid its three submissions — so he could be another qualifier if the show makes waves. Here is our breakdown of the 2025 Best Limited/Movie Directing category: Adolescence (Philip Barantini)The Penguin (Jennifer Getzinger, 'A Great or Little Thing') The Penguin (Helen Shaver, 'Cent'Anni')Disclaimer (Alfonso Cuarón)The Penguin (Kevin Bray, 'Top Hat')Monsters: The Lyle and Erik Menendez Story (Michael Uppendahl, 'The Hurt Man') Say Nothing (Michael Lennox, 'The People in the Dirt') The Penguin (Craig Zobel, 'After Hours') Dying for Sex (Shannon Murphy, 'It's Not That Serious') Monsters: The Lyle and Erik Menendez Story (Carl Franklin, 'Blame It on the Rain') Monsters: The Lyle and Erik Menendez Story (Paris Barclay, 'Brother, Can You Spare a Dime?') Presumed Innocent (Anne Sewitsky, 'The Verdict') Rebel Ridge (Jeremy Saulnier) Monsters: The Lyle and Erik Menendez Story (Max Winkler, 'Don't Dream It's Over')Presumed Innocent (Greg Yaitanes, 'The Witness') Dope Thief (Ridley Scott, 'Jolly Ranchers') Black Mirror (Toby Haynes, 'USS Callister: Into Infinity') Clipped (Kevin Bray, 'Winning Ugly') Best of Gold Derby Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Everything to know about 'Too Much,' Lena Dunham's Netflix TV show starring Megan Stalter that's kinda, sorta 'based on a true story' Cristin Milioti, Amanda Seyfried, Michelle Williams, and the best of our Emmy Limited Series/Movie Actress interviews Click here to read the full article.
Yahoo
14-07-2025
- Entertainment
- Yahoo
‘Adolescence,' ‘Penguin,' ‘Black Mirror,' ‘Dying for Sex': Here are the front-runners, potential spoilers, and long shots for Best Limited/Movie Writing Emmy nominations
Who will have the write stuff at the Emmys? When it comes to Best Limited Series/Movie Writing, it becomes a bit of a numbers game. With 71 submissions, this year's Best Limited Series/Movie Writing category will have just five finalists when the nominations are announced Tuesday. This is only the second time since the expansion to the popular vote that this category will result in five nominees; the first since 2020. Last year, for example, there were six nominees, with Baby Reindeer ultimately prevailing. More from Gold Derby The 'Superman' Oscar nomination you (probably) didn't know existed 'Can it get any weirder?' Live Aid's last-minute headliner recalls offer to play for 2 billion people In the limited-series race, there are several shows with writers who scripted all their episodes and thus must enter their entire series: Adolescence by Jack Thorne and star Stephen Graham, Disclaimer by Alfonso Cuarón, and Dope Thief by Peter Craig. With Adolescence being the front-runner to win Best Limited since its premiere, the Netflix psychological crime drama is a lock for a writing bid. The other two, however, face a more challenging path to a nomination as there is less passion for them. And while four-time Oscar winner Cuarón is the most famous of the three, that recognition won't help, since scribes' names are not on the ballot. For the shows that had the option of putting up individual episodes, all major contenders went for either their premiere or finale. These installments feature gripping elements of suspense and twists as they either introduce pivotal characters or wrap up intense storylines. Those opting for the opening episode included Dying for Sex, Presumed Innocent, and Apple Cider Vinegar, while The Penguin, Say Nothing, and Clipped went with their closer. Due to the timing of their releases, The Penguin and Say Nothing were both eligible and cited at the 2025 Writers Guild of America Awards, with the former winning, effectively guaranteeing it a nomination and a face-off with Adolescence. And then there is Black Mirror, which has been a staple for the writers' branch, winning this category two consecutive years in 2017 and 2018. Having made its way back in last year after a series of genre shifts, this time the anthology has two tragic episodes on the ballot — both cowritten by showrunner Charlie Brooker. "Eulogy" is headlined by Paul Giamatti as a man reminiscing a past relationship when his ex-girlfriend passes away. "Common People" stars Rashida Jones and Chris O'Dowd as a couple who uses a subscription service for one to survive a terminal diagnosis. Television movies took up half this category two years ago, so we never know what the writers' branch has up its sleeve. Be on the lookout for WGA nominee Rebel Ridge by Jeremy Saulnier, which is also the frontrunner to win Best Television Movie, or Mountainhead penned by Jesse Armstrong, who was undefeated in the drama-series writing category for the four-season run of Succession. The only other double submitter in contention is Monsters: The Lyle and Erik Menendez Story, with its premiere and fifth episode. The latter episode, "The Hurt Man," is heavy with dialogue and takes place in one room between only two people as Erik Menendez (Cooper Koch) reflects on his childhood abuse to his lawyer (Ari Graynor). Here is how we see the 2025 Best Limited/Movie Writing Emmy category shaking out: Adolescence (Jack Thorne and Stephen Graham)The Penguin (Lauren LeFranc, 'A Great or Little Thing')Black Mirror (Charlie Brooker and Ella Road, 'Eulogy')Dying for Sex (Kim Rosenstock and Elizabeth Meriwether, 'Good Value Diet Soda')Say Nothing (Joshua Zetumer, 'The People in the Dirt') Disclaimer (Alfonso Cuarón)Presumed Innocent (David E. Kelley, 'Bases Loaded')Black Mirror (Charlie Brooker and Bisha K. Ali, 'Common People')Rebel Ridge (Jeremy Saulnier) Monsters: The Lyle and Erik Menendez Story (Ian Brennan, 'The Hurt Man')Monsters: The Lyle and Erik Menendez Story (Ryan Murphy and Ian Brennan, 'Blame It On The Rain')Dope Thief (Peter Craig)Mountainhead (Jesse Armstrong)Clipped (Rembert Brown and Gina Welch, 'Keep Smiling')Apple Cider Vinegar (Samantha Strauss, 'Toxic') Best of Gold Derby Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Everything to know about 'Too Much,' Lena Dunham's Netflix TV show starring Megan Stalter that's kinda, sorta 'based on a true story' Cristin Milioti, Amanda Seyfried, Michelle Williams, and the best of our Emmy Limited Series/Movie Actress interviews Click here to read the full article.
News.com.au
13-07-2025
- Entertainment
- News.com.au
This box office flop is the best film of the 21st century
Director Alfonso Cuarón's 2006 dystopian thriller Children of Men starts with a bang – literally. As the film opens, actor Clive Owen's character Theo pops down to the corner cafe to grab a cup of coffee in grimy, inner-city London. It's 2027, two decades since worldwide infertility pushed humanity to the brink of extinction. The cafe is packed, as people crowd to watch a TV announcing that the youngest person in the world – a man named Diego, who was the last known person to be born 18 years earlier – had met a violent end, stabbed by an autograph hunter in Buenos Aires. Theo takes his coffee back out to the street. And then the cafe blows up, with everyone inside. Our 25@25 series will finally put to bed the debates you've been having at the pub and around dinner tables for years – and some that are just too much fun not to include. It's a startling opener to a film that, despite rave reviews, struggled to even make back its budget at the box office in 2006, but has emerged as one of the most prescient films of the 21st century. Based on P.D. James' 1992 novel The Children of Men, the film follows the cynical, world-weary Theo as he's commandeered by a refugee liberation group run by his old flame Julian (Julianne Moore). They need his help to get refugee Kee (Clare-Hope Ashitey) to safety, because she's carrying a huge secret: She's the first woman to fall pregnant in 18 years. The film unfolds as the sort of dystopian chase movie that'll be familiar to fans of shows like The Handmaid's Tale and The Last Of Us. But the world-building in the film is something else. We're never told why humanity suddenly became infertile, we only see what damage it's caused, how nihilistic humanity has become knowing that they'll be the last generation on earth. Theo passes by scenes of devastation, violence and hopelessness throughout the film, and they don't appear to register because it's just how life is now. Danger abounds – one incredible one-take shot sees Theo and the refugee group travelling by car through the apparent safety of a forested area, all breathing a sigh of relief that they've made it out of the chaos and violence of the city. Within seconds, an armed gang emerge from the forest, ambushing them for reasons unknown. They manage to escape, but not without the shocking, violent death of one key character. It's harrowing, edge-of-your-seat viewing as the camera pans around the car to capture the action – and now considered one of the best one-shot scenes in the history of cinema. The film ends on an ambiguous note, a final scene which some viewers interpret as a 'happy ending', while others aren't so sure. Perhaps that ending, coupled with the grim tone of the film, would go some way to explaining why C hildren of Men wasn't a box office hit upon release. But word spread among those who did see it, and in recent years it's appeared on many critics lists of the best films of all time. Multiple rewatches over the past two decades have affirmed my initial impression of Children of Men: It's my favourite film released so far this century. Don't agree with me? Vote in our poll below. As part of our 25@25 series celebrating the biggest and best of the past 25 years, the entertainment team at has collated a shortlist of the 10 best movies of the 21st century, from Oscar winners to family favourites to a mind-bending romance and an iconic Aussie road movie. The Dark Knight (2008) A cinematic masterpiece that redefined the superhero genre. Heath Ledger's portrayal of the Joker is nothing short of legendary, earning him a posthumous Academy Award for Best Supporting Actor. His performance, coupled with Christian Bale's nuanced depiction of Batman, elevates the film to a level of dramatic intensity rarely seen in superhero films. Christopher Nolan's direction, alongside Hans Zimmer's haunting score, creates a dark and immersive atmosphere that captivates audiences. Avatar (2009) A groundbreaking achievement in filmmaking, renowned for its revolutionary use of 3D technology and visual effects. The film's immersive world-building transports audiences to the lush, alien planet of Pandora, showcasing James Cameron's visionary direction. 'Avatar' became a cultural phenomenon, holding the title of the highest-grossing film of all time for nearly a decade, with a worldwide box office gross of over $2.8 billion. Children of Men (2006) A dystopian masterpiece that combines a thought-provoking narrative with stunning cinematography. The film's screenplay, based on P.D. James' novel, presents a bleak yet compelling vision of the future, where humanity faces extinction due to global infertility. Clive Owen delivers a powerful performance as Theo, a reluctant hero navigating a world on the brink of collapse. Cuarón's direction is marked by innovative long takes, particularly the intense single-shot action sequences that heighten the film's realism and urgency. Interstellar (2014) Christopher Nolan co-wrote the screenplay for his second entrant on our list - an epic science fiction film that explores themes of love, sacrifice, and the survival of humanity. Matthew McConaughey's performance as Cooper, a pilot on a mission to save humanity, is both heartfelt and compelling. The film's visual effects, which earned an Academy Award, create a breathtaking depiction of space travel and distant worlds. Hans Zimmer's evocative score further enhances the film's emotional depth. Parasite (2019) A genre-defying film that masterfully blends elements of thriller, drama, and dark comedy. The film's screenplay, co-written by director Bong Joon-ho, offers a sharp social commentary on class disparity and the human condition. Bong's direction is meticulous, with each scene crafted to build tension and suspense. 'Parasite' made history as the first South Korean film to win the Palme d'Or at the Cannes Film Festival and the first non-English language film to win the Academy Award for Best Picture. The Departed (2006) A gripping crime thriller that showcases director Martin Scorsese's mastery of the genre. The star-studded cast, including Leonardo DiCaprio, Matt Damon, and Jack Nicholson, delivers powerful performances that led to critical and commercial success. It earned four Academy Awards, including Best Picture and Best Director. The Social Network (2010) A compelling drama that chronicles the creation of Facebook and the ensuing legal battles. The film's screenplay, written by Aaron Sorkin, is a masterclass in dialogue, offering a sharp and insightful look into the complexities of ambition and betrayal. Jesse Eisenberg delivers a standout performance as Mark Zuckerberg, capturing the character's brilliance and social awkwardness. 'The Social Network' was both a critical and commercial success, earning three Academy Awards. Eternal Sunshine of the Spotless Mind (2004) A poignant exploration of love and memory, distinguished by its inventive storytelling and visual style. Jim Carrey and Kate Winslet deliver exceptional performances, and Michel Gondry's direction, marked by creative visual effects and non-linear storytelling, enhances the film's emotional impact. 'Eternal Sunshine of the Spotless Mind' has received critical acclaim and won the Academy Award for Best Original Screenplay, solidifying its status as a modern classic. Mad Max: Fury Road (2015) A high-octane action film that redefines the genre with its relentless pace and stunning visuals. 'Mad Max: Fury Road' was a critical and commercial success, earning six Academy Awards and grossing over $375 million worldwide. Its groundbreaking action sequences and visionary direction have established it as one of the greatest films of the 21st century. Finding Nemo (2003) An animated masterpiece that combines heartwarming storytelling with stunning animation. The voice performances, particularly Albert Brooks as Marlin and Ellen DeGeneres as Dory, bring humour and emotion to the film. The animation, which vividly captures the beauty of the ocean, set a new standard for visual storytelling in animation. 'Finding Nemo' was a box office sensation, grossing over $940 million worldwide, and won the Academy Award for Best Animated Feature.
Time of India
16-06-2025
- Entertainment
- Time of India
Prasad Film Labs and Belgium's Barco launch world's largest ‘HDR by Barco' colour grading facility at Chennai studio
If you were to watch the remastered editions of Steven Spielberg's 'ET' or 'Close Encounters of the Third Kind' in an HDR-ready theatre today, chances are you might end up squinting while viewing sequences depicting the arrival of the extra-terrestrial motherships on planet Earth, shielding your eyes from the blinding spotlights emanating from the fuselages. For Gen Z arrivals, the nearest equivalent might be the 'daybreak on Earth as seen from outer space' sequence from Alfonso Cuaron's 'Gravity'. Among those pushing the envelope of cinematic immersiveness via post-production, is city-based Prasad Film Labs, which recently joined hands with Barco, a technology company headquartered in Kortrijk, Belgium. The two companies have together launched India's, and Asia's first, and the world's largest 'HDR by Barco' colour grading facility at Prasad's Chennai studio. What does the Barco collaboration mean for the filmgoing experience? Abhishek Prasad Akkeneni, CTO – Prasad Corporation (P) Ltd, began by speaking about the company's journey in the colour grading space. "We were among the first adopters of the Digital Intermediate (DI or colour grading) technology in India. One of the first films we worked on while employing DI was the Bollywood blockbuster 'Khakee'. The process of colour grading is the last part of post production, and it employs some of the most highly-trained professionals in the industry. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 2025 Top Trending Local Enterprise Accounting Software [Click Here] Accounting ERP Click Here Undo These are technicians with a deep understanding of colour science and film grammar," he tells us. Prasad's grading suite is equipped with Barco's HDR Lightsteering technology toolkit, including its proprietary HDR Lightbox and LS4K-P HDR Lightsteering projector. The suite features a large 51-foot screen and the country's longest throw-distance in a DI suite. It enables colourists to work in a theatrical, larger-than-life setting, as opposed to performing colour correction and mastering for cinema and OTT deliverables on conventional large-format HD screens. In India, close to 1,500 films are churned out every year. So, post production is big business. And the work that goes into the 'post' of tentpole films starring A-listers is staggering. "Some of the biggest features, and tentpole films of the year take nothing less than 300 hours for colour grading. Between Prasad's three post production suites in Chennai, Mumbai and Hyderabad, we work on anywhere between 30 and 40 features a month," says Akkeneni. The grading for HDR for two major releases has already begun at the Prasad facility here. Colour grading might be only the tip of the iceberg, as Barco had made another major announcement earlier in May. The company inked a multi-year agreement with Chennai-based Qube Cinema, to deploy HDR by Barco in premium multiplexes across India, Sri Lanka, and Bangladesh. Moviegoers in these markets can expect at least 10 new HDR-ready theatres per year in the coming years, with all locations in the deal deployed by 2030.
Time of India
16-06-2025
- Entertainment
- Time of India
City studio pushes cinematic immersiveness to the next grade
If you were to watch the remastered editions of Steven Spielberg's 'ET' or 'Close Encounters of the Third Kind' in an HDR-ready theatre today, chances are you might end up squinting while viewing sequences depicting the arrival of the extra-terrestrial motherships on planet Earth, shielding your eyes from the blinding spotlights emanating from the fuselages. For Gen Z arrivals, the nearest equivalent might be the 'daybreak on Earth as seen from outer space' sequence from Alfonso Cuaron's 'Gravity'. Among those pushing the envelope of cinematic immersiveness via post-production, is city-based Prasad Film Labs, which recently joined hands with Barco, a technology company headquartered in Kortrijk, Belgium. The two companies have together launched India's, and Asia's first, and the world's largest 'HDR by Barco' colour grading facility at Prasad's Chennai studio. What does the Barco collaboration mean for the filmgoing experience? Abhishek Prasad Akkeneni, CTO – Prasad Corporation (P) Ltd, began by speaking about the company's journey in the colour grading space. "We were among the first adopters of the Digital Intermediate (DI or colour grading) technology in India. One of the first films we worked on while employing DI was the Bollywood blockbuster 'Khakee'. The process of colour grading is the last part of post production, and it employs some of the most highly-trained professionals in the industry. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Giao dịch vàng CFDs với sàn môi giới tin cậy IC Markets Tìm hiểu thêm Undo These are technicians with a deep understanding of colour science and film grammar," he tells us. Prasad's grading suite is equipped with Barco's HDR Lightsteering technology toolkit, including its proprietary HDR Lightbox and LS4K-P HDR Lightsteering projector. The suite features a large 51-foot screen and the country's longest throw-distance in a DI suite. It enables colourists to work in a theatrical, larger-than-life setting, as opposed to performing colour correction and mastering for cinema and OTT deliverables on conventional large-format HD screens. In India, close to 1,500 films are churned out every year. So, post production is big business. And the work that goes into the 'post' of tentpole films starring A-listers is staggering. "Some of the biggest features of the year, such as Mani Ratnam's 'Thug Life', take nothing less than 300 hours for colour grading. Between Prasad's three post production suites in Chennai, Mumbai and Hyderabad, we work on anywhere between 30 and 40 features a month," says Akkeneni. The grading for HDR for two major releases has already begun at the Prasad facility here. Colour grading might be only the tip of the iceberg, as Barco had made another major announcement earlier in May. The company inked a multi-year agreement with Chennai-based Qube Cinema, to deploy HDR by Barco in premium multiplexes across India, Sri Lanka, and Bangladesh. Moviegoers in these markets can expect at least 10 new HDR-ready theatres per year in the coming years, with all locations in the deal deployed by 2030.
