Latest news with #AndazApnaApna
Pink Villa
10 hours ago
- Business
- Pink Villa
EXCLUSIVE: Aamir Khan brainstorms 10 scripts before closing a deal with Rajkumar Hirani; PK 2 also in the discussion
Aamir Khan is among the most celebrated superstars of Indian Cinema, who has delivered legacy films across genres ranging from Qayamat Se Qayamat Tak, to Jo Jeeta Wahi Sikandar, Andaz Apna Apna, Sarfarosh, Dil Chahta Hai, Lagaan, Taare Zameen Par, Ghajini, 3 Idiots, PK and Dangal among others. The actor is presently gearing up for the release of Sitaare Zameen Par on June 20, and will then slip into the prep stage of the Rajkumar Hirani directed Dadasaheb Phalke biopic. And now, Pinkvilla has exclusively learnt that Aamir Khan was creatively involved in at-least 10 scripts, before he decided on Rajkumar Hirani's next. A source shares, ' Aamir Khan, and Rajkumar Hirani have together dreamt of making a film on the Father of Indian Cinema – Dadasaheb Phalke, and the script work was going on for the longest time. While Raju was working on Dadasaheb Phalke, Aamir was simultaneously creatively involved to develop multiple scripts – ranging from two Rajkumar Santoshi films: Char Din Ki Zindagi and Andaz Apna Apna 2, to Ujjwal Nikam biopic with Dinesh Vijan, the Anurag Basu directed Kishore Kumar, and a film with Rakeysh Omprakash Mehra among others.' The source further informs that Aamir also sat down to discuss the Gulshan Kumar biopic with director Tushar Hiranandani and Bhushan Kumar. 'Aamir is a creative person, and loves to work on content that has potential. He did ample of meetings, and is committed to deliver content that hits the bullseye. Every film that he discussed could happen in the near future, though at the moment, he is all committed to play Dadasaheb Phalke,' the source added. Apart from the above-mentioned films, Aamir Khan, Rajkumar Hirani and Abhijit Joshi also jammed on an exciting plot for PK 2, which could also mark the entry of Ranbir Kapoor to the franchise. 'There's a definite idea for PK 2, which Hirani, Abhijat and Aamir are excited about and they will revisit it after the Dadasaheb Phalke. It's a plot that organically leads itself to a sequel, with Aamir Khan and Ranbir Kapoor, but the boat is far away from sailing. Ranbir too is aware of the idea and is excited to play an alien,' the source concludes. Aamir is also in advanced talks for a feature film with Lokesh Kanagaraj for a superhero film, which at the moment is scheduled to go on floors in 2027. Stay tuned to Pinkvilla for more updates.
India.com
a day ago
- Entertainment
- India.com
Meet Bollywood's star, whose name was changed by Sunil Dutt, his daughter's kiss in a film..., her name is.. he is…
In this new generation, Bollywood star kids often grab more headlines than the actors themselves. Every year, several of them step into industry, some manage to build a name, while others quietly fade away. Among them is the daughter of famous on-screen villain, who has now become one of the most talked-about newcomers, especially after giving a kissing scene. Let's see who this actor was, whose daughter has also now gained significant momentum in her career. Here we are talking about Bollywood actor Shakti Kapoor, who is known for his versatility in playing both villainous and comic roles. With a career spanning over 700 films, he has delivered some unforgettable performances that include Taqdeerwala, Andaz Apna Apna, Himmatwala, Chaalbaaz, Bol Radha Bol and many other films. The Early Life and Struggle Of Shakti Kapoor Shakti Kapoor was born in Delhi. His father Sikandar Lal Kapoor was a tailor who managed a clothing store in New Delhi's Connaught Place. But his son had larger goals, so he decided to try his hand at movies. However, his father wanted to make him a tailor as it was their family business which he strictly refused. In 1977, he made his Bollywood debut with the film Khel Khilari Ka , starring Dharmendra and Hema Malini . After long struggle and few minor roles in films, Sunil Dutt discovered Shakti Kapoor while filming Rocky to officially launch his son Sanjay Dutt . Shakti Kapoor was cast as villain in the movie. Sunil Dutt changed his name to Shakti Kapoor before this film because he believed his birth name Sunil Kapoor will not do justice to his villain image. Shakti Kapoor rose from early struggles to become one of Indian cinema's most recognizable actors. Even at the age of 72, he is still active in Bollywood. In 1982, Shakti Kapoor tied the knot with Shivangi Kapoor who is an older sister of renowned actresses Padmini and Tejaswini Kolhapure. The duo has two children, a son named Siddhanth Kapoor and daughter, Shraddha Kapoor, who has now become one of the leading actresses from the industry. Shraddha and Her Immense Popularity Shraddha Kapoor made her debut in 2010 with the film Teen Patti , for which she also won the Filmfare Award for Best Debut. However, she received true recognition from the Aditya Roy Kapoor starrer Aashiqui 2 . Shraddha Kapoor appears to be outperforming everyone in terms of popularity. Apart from filmmaking, the actress makes lot of money from brand endorsements as she has 93.7 million Instagram followers which also makes her most followed actresses as she surpassed Priyanka Chopra, Alia Bhatt, Deepika Padukone and many others. One Kissing Scene Shifted Gears For Shraddha Kapoor Pyaar Ka Punchnama fame director, Luv Ranjan's Tu Jhoothi Main Makkar was released in 2023, in which Shraddha Kapoor and Ranbir Kapoor featured for the first time. After its release, the film earned a mixed response from masses, but performances of the stars were hailed, especially for Shraddha, as the actress had many kissing scenes and a bikini shot, which became highlighted moment for the actress, which she had never done before. In year 2024, the actress featured in the second installment of 2018 horror-comedy Stree which became a huge blockbuster and mounted over Rs 884.45 crore, including domestic and overseas collection and emerged as highest highest-grossing Indian film before the release of Allu Arjun starrer Pushpa 2 .
Mint
2 days ago
- Entertainment
- Mint
Legal experts warn of increasing IP infringement as AI and digital platforms proliferate
With the Delhi High Court granting interim protection to the intellectual property rights of the 1994 Hindi filmAndaz Apna Apnato prevent the unauthorised use of its characters, title, dialogues and artistic elements, entertainment industry experts say there is gradual recognition of the increasing threat to intellectual property (IP) ownership, especially with the proliferation of digital platforms and AI technologies. These rights are being infringed upon in new and sophisticated ways, particularly in the case of older, iconic films through unauthorised use in derivative works, stage plays, YouTube series, or even web content that tries to bank on the popularity of the original. The emergence of social media has led to a surge in clipped movie scenes, fan edits, dubbed Reels, and remixed dialogues, often circulated for ad revenue or to boost influencer engagement. Legal experts say these practices frequently border on or cross into infringement, especially when the content is monetised. As AI technologies make unauthorised use more rampant and accessible, filmmakers who may have earlier relied on reputation or informal industry norms to protect their work are now formally enforcing their rights through innovative legal means. Also Read: How Zakir Khan, Bhuvan Bam and Kusha Kapila hit the big time Last month, the Delhi High Court restrained over 30 individuals and entities from "reproducing, using, or commercially exploiting content related to the film (Andaz Apna Apna) without permission." Vinay Pictures, represented by Shanti Vinaykumar Sinha, the legal heir of the film's late producer, Vinay Sinha, filed the lawsuit. 'Popular films from the past are often commercially exploited without authorisation. Iconic dialogues are printed on merchandise, clips are used in YouTube compilations and social media Reels, and songs are reused in digital content without proper licensing," Aishwarya Kaushiq, partner, disputes practice, BTG Advaya, said. Securing sequels, remakes In some cases, creators produce remakes, sequels, or adaptations—both online and offline—without acquiring rights. AI tools are increasingly used to recreate well-known characters or scenes, and mobile games often incorporate elements that resemble those from classic films, all of which infringe on the original IP, she added. On the monetisation aspect, the apparent objective here is to capitalise on the nostalgia and enduring popularity of these films. By leveraging recognisable characters, quotes, or visuals, infringers aim to drive engagement, boost product sales, or increase views—without sharing revenue with the rightful IP holders. Gaurav Sahay, founder partner, Arthashastra Legal pointed out that AI has further complicated this by enabling the recreation of actors' faces, voices, and iconic scenes, which can then be used in spoof videos, tribute content, or even digital advertising, all without needing any actual footage or consent from the rights holders. 'AI tools can produce content that closely mimics or even recreates the original work, often without needing access to the actual source files, with startling accuracy. The low barrier to entry has democratised creativity, but it has also opened the floodgates to infringement," Sahay said. Also Read: Independent producers, boutique studios veer towards regional cinema for big gains He added that such content spreads rapidly across digital platforms, from YouTube to Instagram, generating views, engagement, and even revenue for creators who have not contributed to the original work. In many cases, viewers may not even realise that what they are watching is AI-generated, blurring the line between original creation and synthetic imitation. AI has accelerated and anonymised the infringement process. It has empowered a new class of content creators who may not fully understand or respect IP boundaries. Enforcing rights 'The use of Gen AI for infringing copyright is a significant legal issue and will only grow with time. It is being used to duplicate film characters and music by amateurs as well as increasingly by businesses in the context of product or business endorsements on social media. This is seen generally in moment marketing campaigns conducted by many brands despite the legal risk associated with such unlicensed or unauthorised use," Ameet Datta, founder and managing counsel, ADP Law Offices, said. To be sure, filmmakers who may have earlier relied on reputation or informal industry norms to protect their work are now formally enforcing their rights. Sahay said proactive IP audits are conducted to identify and consolidate ownership over various elements of films to ensure they have a legally enforceable foundation in place. Where a single viral clip or AI-generated parody can damage or dilute a brand, filmmakers are recognising the need to future-proof their IP through vigilant legal oversight, contracts that reflect modern realities, and timely enforcement when their rights are breached. Filmmakers are now assigning digital rights for their past works or negotiating new licensing deals with OTT platforms and music streaming services, ensuring they maintain control over how their content is distributed and reused. Changing clauses Many are now amending clauses in their existing contracts that account for newer forms of exploitation, including AI-generated adaptations, derivative content, or non-fungible token (NFT) usage. There is also an emphasis on digital watermarking and blockchain-based copyright tracking, which allows filmmakers to prove ownership in cases of online infringement. Also Read: Old hits and IPL screenings offer buzz, but not cash for cinemas 'We're seeing a clear shift in how filmmakers, including veterans, are approaching IP protection. Many are now taking proactive legal steps to not just seek registration of their IP but also seek enforcement of copyright, trademarks, and moral rights," Essenese Obhan, managing partner, Obhan & Associates, said. 'Legal teams are also being engaged for continuous monitoring, takedown requests, and litigation wherever needed," Obhan said, adding that the recent interim stay in theAndaz Apna Apnacase signals an encouraging trend of courts recognising and enforcing these rights, despite the complexities introduced by new technologies.
Time of India
2 days ago
- Entertainment
- Time of India
Aamir Khan opens up about Shah Rukh Khan and 'Dilwale Dulhania Le Jayenge': 'Main Usse Thodi Compete Kar Raha Hu?'
During the 1990s, , , and all gained immense popularity simultaneously. It was inevitable that they would be compared to each other and viewed as rivals. However, Aamir's perspective on this rivalry during their career peaks was unique and focused more on individual growth than competition. Tired of too many ads? go ad free now Healthy Competition Among the Khans Talking to Raj Shamani on his podcast, Aamir discussed his role as a member of the iconic Bollywood trio. He explained that while there was competition among them, it was always healthy and never took on a negative tone. Khan expressed that it is only natural for actors to desire success and appreciation from their fans. He remarked, 'Har koi ye chahta hai ki sabse zyada wo successful ho, sabse zyada log uske kaam ko pasand kare, aur ye acchi baatein hoti hai," highlighting that seeking recognition and love is a positive and common aspiration among performers. Competition Rooted in Self-Improvement, Not Jealousy He clarified that jealousy or rivalry has never fueled his ambition. He said, 'Main negative kaam kar hi nahi sakta. Meri taraf se competition hamesha healthy raha hai. Mujhe dusron ke kaam se inspiration milti hai, unki success se kabhi pareshaan nahi hota. Mera competition khud se hota hai," emphasizing that his competition is always with himself and that he draws inspiration from others' achievements without feeling threatened. Admiration for Shah Rukh Khan's Landmark Film DDLJ Aamir reflected on his experience of watching 'Dilwale Dulhania Le Jayenge', a film that became a cultural landmark and elevated Shah Rukh Khan to legendary status. He admitted, 'Mujhe ye nahi tha ki main DDLJ jaisi badi romantic film karu kyuki mujhe wo film achi lagti hai. SRK ne bahut kamaal ka kaam kiya hai. Bahut achi lagti hai mujhe, mujhe bhi dekh ke mazaa aata hai. Tired of too many ads? go ad free now To main usse thodi compete kar raha hu," highlighting that his feelings stemmed from respect and enjoyment rather than rivalry. Desire for a Khan Trio Collaboration Meanwhile, Aamir recently expressed his desire to collaborate with fellow Bollywood superstars Shah Rukh and Salman on a film. He mentioned that they are currently on the lookout for the perfect script. Speaking at a fan event just before turning 60, Aamir noted that audiences are equally excited about the idea of the three Khans sharing the big screen. Past Collaborations Among the Khans Although Aamir Khan and Salman Khan famously starred together in the 1994 cult classic 'Andaz Apna Apna', Aamir has yet to act alongside Shah Rukh Khan. Meanwhile, Salman and Shah Rukh have shared the screen in several popular films, including 'Karan Arjun', 'Kuch Kuch Hota Hai', 'Hum Tumhare Hain Sanam', and 'Pathaan'.
News18
3 days ago
- Entertainment
- News18
Aamir Khan Says He Loved Shah Rukh Khan In DDLJ: 'Main Usse Thodi Compete Kar Raha Hu?'
Last Updated: Aamir Khan recalls his healthy rivalry with Shah Rukh Khan and Salman Khan and says he never competed out of negativity or jealousy. When three superstars like Shah Rukh Khan, Salman Khan, and Aamir Khan rise to fame in the same era, comparisons and competition are bound to follow. But how did Aamir view this dynamic during the peak of their careers in the 90s? Speaking to Raj Shamani on his podcast, Aamir Khan shared his perspective on being part of the trio that defined Bollywood for decades. According to the Dangal actor, competition existed — but never in a negative sense. 'Har koi ye chahta hai ki sabse zyada wo successful ho, sabse zyada log uske kaam ko pasand kare, aur ye acchi baatein hoti hai," Aamir said, adding that it's natural for every actor to want recognition and love from audiences. He stressed that his drive was never rooted in envy or rivalry. 'Main negative kaam kar hi nahi sakta. Meri taraf se competition hamesha healthy raha hai. Mujhe dusron ke kaam se inspiration milti hai, unki success se kabhi pareshaan nahi hota. Mera competition khud se hota hai," Aamir explained. Aamir also opened up about how he felt watching Dilwale Dulhania Le Jayenge, a film that became a cultural milestone and catapulted Shah Rukh Khan to iconic status. 'Mujhe ye nahi tha ki main DDLJ jaisi badi romantic film karu kyuki mujhe wo film achi lagti hai. SRK ne bahut kamaal ka kaam kiya hai. Bahut achi lagti hai mujhe, mujhe bhi dekh ke mazaa aata hai. To main usse thodi compete kar raha hu," he said, making it clear that admiration, not rivalry, defined his outlook. Meanwhile, Aamir Khan recently said he and the other two Khans of Bollywood -Shah Rukh and Salman- want to work on a film together and are waiting for the right script to come their way. The prospect of the Khan troika appearing in a movie is something the audience is also looking forward to, Aamir said at a meet-and-greet event a day ahead of his 60th birthday. While Aamir and Salman were famously featured in the 1994 cult comedy Andaz Apna Apna, he has never co-starred with Shah Rukh Khan. Salman and Shah Rukh, however, have featured together in films such as Karan Arjun (1995), Kuch Kuch Hota Hai (1998), Hum Tumhare Hain Sanam (2005), and Pathaan (2023). First Published: June 01, 2025, 14:26 IST
