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Geek Girl Authority
27-05-2025
- Entertainment
- Geek Girl Authority
THE LIBRARIANS: THE NEXT CHAPTER Recap: (S01E02) And the Dance of Doom!
Teams of highly intelligent, strong-willed members rarely gel quickly and without conflict. In The Librarians: The Next Chapter Season 1 Episode 2, 'And the Dance of Doom!' Vikram (Callum McGowan) must learn to lead when he's used to operating on his own. Not only that, but he must lead science-minded Lysa (Oliva Morris) and the occult-excitable Connor (Bluey Robinson), who are diametrically opposed in world views. RELATED: Catch up with our recap of the series premiere of The Librarians: The Next Chapter, 'And the Deadly Drekavac' Add to the mix Mrs. Astolat (Caroline Loncq), the castle's acerbic gift shop attendant, who is more than she appeared to be in the premiere episode of The Librarians: The Next Chapter. Oh, and Charlie (Jessica Green) has layers. Like a parfait. Watch for it. The Librarians: The Next Chapter, 'And the Dance of Doom!' A troupe of ballerinas performs in a park. The central dancer loses control of her feet/shoes and dances out into traffic, where she's hit by a truck. Lying unconscious, her feet continue to try to dance. In the Annex, Lysa and Connor disagree on how Atlas handles the weight of the world. Mrs. Astolat appears suddenly, just in time to save Lysa from being sucked into a Chinese Gourd Vessel. Connor's cell phone sparks when he tries to take a photo of a Library book. Mrs. Astolat hands his phone back to him and reminds him that modern tech won't record on Library grounds. Charlie is training on a wooden man dummy when Mrs. Astolat stops to give her some pointers. After demonstrating how to lock your wrists, she asks Charlie to bring her charges to the main room. Mrs. Astolat When they gather, the three wonder who she is and how she knows about the Annex. Vikram (Callum McGowan) joins them and introduces Mrs. Astolat as the Annex's Caretaker. They knew each other before he got caught in the time bubble in 1847, making Mrs. Astolat an immortal being. The Library directed her to wait at Belgrade Castle in case Vikram or the Annex returned. RELATED: Revival : The Dead Have Rejoined the Living in Official Trailer Despite Vikram's protests, she insists on helping now that he is back. She unrolls a map of Belgrade that tracks the spread of the magic Vikram let loose when he reactivated the well. Using a pendulum suspended over the map, they track the occurrence of magical events. When it indicates something happened at Republic Square, Connor discovers the ballerina's story on social media. Charlie, Connor, and Lysa insist on joining Vikram when he goes to see the dancer. Mrs. Astolat declines to join them. Irritated, Vikram leads the team on their mission. Dying to Dance At the hospital, Lysa and Connor speak with the comatose dancer's mother (Danina Moguel). They learn the dancer had just gotten her first solo in the National Ballet Company. Lysa notes that the dancer's dark hair now has a streak of white. RELATED: Revival : Check Out 9 First-Look Photos From Melanie Scrofano-Led Series When they head back to meet Charlie and Vikram, they're squabbling. They share that the victim was a principal dancer at the National Ballet Company. At the National Theatre, they find the company in a frenzy preparing for a technical rehearsal. The choreographer, Yelena Tarkoff (Isidora Simionović), tells them to leave. Charlie tells her they're insurance investigators. Lysa backs her up, insinuating that exposure to a toxin caused the ballerina to dance into traffic. On the stage, the conductor and director, Dame Anna (Arielle Dombasle), argue over the tempo of the finale. The conductor insists that allegro is too fast. Dame Anna states emphatically that allegro moderato renders the music unrecognizable. Charlie comments that Dame Anna is a well-known dancer in her own right. No one had an extension like hers. Charlie's Secret Love Connor realizes that Charlie's knowledge of the people in the ballet world comes from a history with the discipline. She admits she's trained in ballet but dismisses it as just one of many forms of strength training she undertakes. After Dame Anna makes a public announcement on the record with an art critic (Tanasije Ćakić) in the audience that the show will go on and the finale will be played allegro. Vikram and Charlie approach Dame Anna. Lysa goes to question Yelena. Connor takes on the conductor. RELATED: Read our Doctor Who recaps Yelena tells Lysa that the show is only going forward because Dame Anna refuses to let go of her final production by cancelling it. In Dame Anna's office, Vikram and Charlie learn Dame Anna believes the show is cursed. Connor's conversation with the conductor, Gustav (Slobodan Beštić), reveals his deep frustration with Dame Anna and her micromanaging ways. As they are staging Giselle, he feels that everyone knows the music, so she should back off. Dame Anna tells Vikram and Charlie that the problems the show has run into feel personal. She holds up a book and says that it contains her entire career of work and is filled with examples of people doubting her. Her retirement dance production, Giselle , a ballet she's danced herself many times in her youth, will be a triumph for the final page of the book. The Real Power in the Theatre Gustav tells Connor that Dame Anna might think she has the power. However, he believes the real power lies in the conductor's baton. In controlling the music, the baton controls every aspect of the show. RELATED: Geek Girl Authority Crush of the Week: Leverage: Redemption 's Parker Lysa learns that although Yelena wants the artistic director position, she doesn't believe she'll get it. As Yelena is packing her shoulder bag, Lysa notes several bottles of pills inside. Yelena insists that dancers get hurt all the time. Backstage, Lysa and Connor argue over whether the prima ballerina's situation was caused by Gustav's baton or Yelena's drugs. On the stage, Yelena calls for Natalia (Mina Nenadović), the understudy. Lysa and Connor continue to debate. Charlie proposes that the understudy had the most to gain from the prima ballerina being sidelined. They all turn to observe Natalia. Lysa admits she's good. Charlie judges that she's better than good. Natalia's extension is exceptional. As Natalia begins to spin, her shoes start to smoke. Charlie grabs her and strips off the shoes, throwing them to the side. Vikram covers them with his coat. When he lifts it, the shoes begin to dance on their own. It Was Never Going to Be Fair At the Annex, the team discovers the rosin on Natalia's shoes has magical traces in it. Charlie realizes the rosin box must be the source of the magic affecting the show. She heads out to get the rosin box. Mrs. Astolat helps them narrow their search for the rosin's source. By transferring some of the rosin to the pendulum, they track its source to the Old Forest. Lysa and Connor continue to argue over whether it's science or magic. Mrs. Astolat wants a word with Vikram and sends the other two on ahead together. Neither Lysa nor Connor is enthused about the plan. RELATED: A Leverage: Redemption Primer: Get Ready to Steal Season 3 At the theatre, Charlie finds and obtains the rosin box. She hides when she hears Yelena's voice. Yelena and Gustav come in, looking for Natalia. Yelena tells Gustav she can't let the show happen. Back at the Annex, Mrs. Astolat reminds Vikram that he can't go back in time. She warns him that his reputation as a rogue Librarian is well-earned, but he cannot travel back to 1847. He points out that he could, that he left people behind. She argues that Anya had a good life even without him. He says that it isn't fair and leaves. She mutters that it was never going to be fair. Charlie finds Natalia crying on the interior steps of the theater. They share their personal insecurities about failure. Charlie tells Natalia she used to love dancing as a child, but once she started training for her job, she had to let it go. She gives Natalia a pep talk and then asks about Yelena. She shares that she heard Yelena say she wouldn't let the show go on. The Dance Tree As they walk through the Old Forest, Lysa and Connor bicker about his acceptance of magic's existence. Vikram pops up, startling them both. He notices a nearby tree and says that's what they're looking for. RELATED: TV Review: Leverage: Redemption Season 3 He tells them it's a Dance Tree. Connor explains that in ancient times, people would gather around and dance in homage, pouring their vitality into the tree. Walking around it, Lysa discovers the tree has been tapped dry. She realizes that the tree's sap was used as the dance company's rosin — rosin being a solid form of tree resin. (LOL to Connor and Vikram's exchange about 'the reason for the resin in the rosin' here.) Vikram talks through the use of the Dance Tree's power to drain away the vitality of the dancers. This explains the white in the prima ballerina's hair. He comes to the conclusion they're dealing with a witch. This terrifies him. Fractious Back at the Annex, Vikram insists on confronting the witch on his own because Lysa and Connor's constant conflicts will fuel the witch's power. He directs them to research and figure out what kind of witch it is. At the theater, Charlie's looking for Yelena. When she asks a group of dancers, they stare at her in silence. She moves on, and they follow, eyes whitened over. RELATED: Read our Leverage: Redemption recaps Vikram tells Dame Anna about the witch. He asks who in the company has been with her for over a decade. She mentions Yelena and Gustav, then goes to find her records. While she's gone, Vikram picks up her journal and comments that it's a good thing the performance is midday, when most witches are less powerful. Charlie finds Yelena in the studio, drained to a husk of a body. The dancers who followed Charlie attack her and carry her out of the building. In the Annex, under the time crunch of the performance at noon, Connor recalls a mention of Lady Midday, aka The Noon Witch. She would drain her victim's life force by forcing them to dance. Every 70 years, on the Summer Solstice, she would dance, and the adulation would restore her youth. Lysa discovers the solstice is that day and realizes the witch will be the dancer. The Noon Witch Looking through her journal, Vikram discovers that Dame Anna, in her youth, looked exactly like Natalia. He confronts Dame Anna, and she laughs, wondering how it took him so long to figure it out. Revealing several magical artifacts, he claims that she won't be able to pierce his defenses with her spells. She whips out a taser and zaps him unconscious. RELATED: Read our The Lazarus Project recaps Mrs. Astolat activates the magic door to send Lysa and Connor to the theater. Unfortunately, it's so close to the start of the show, the witch's magic is causing blowback, and it blocks them from traveling through the door. Mrs. Astolat also says the extra magic in the air due to the well's leak will allow the witch to drain all her audience's vitality, killing them. Connor grabs Mrs. Astolat's BMX bike and heads out. Lysa follows, asking where she's going to sit. The Show Goes On. Sort Of. The show begins. Natalia/Dame Anna/Lady Midday makes her entrance. All the other dancers' eyes white over as they prepare to dance. Charlie gets thrown out the back door just as Lysa and Connor arrive riding the BMX. They fill her in on the Noon Witch's plan. Charlie tells them about Yelena and figures out the witch is Natalia. RELATED: 5 Great Books About Libraries and Librarians Somehow, they get inside. Charlie takes the place of a company dancer and blends in. Connor and Lysa sneak backstage and decide to stop the show using the set controls. Upstairs, Vikram wakes up. On stage, set pieces and sandbags start falling. Charlie tries to get to Natalia, but the zombified dancers get in her way. As the finale approaches its climax, Connor cuts the lights, but the dancers continue, their shoes glowing with magical rosin. The audience sits, transfixed. Charlie barges through, knocking down the ensemble dancers and spinning Natalia to the ground. The audience, led by the Art Critic, rises to their feet to applaud. Too Late Natalia tells Charlie she's too late. She takes her bows, gloating that she'll live forever on the vitality she gathers here. Down in the orchestra pit, Gustav sits, tied up and gagged. Vikram taps the baton on the conductor's music stand. He reminds Natalia that the baton is the most powerful thing in the theater. By slowing the finale to allegro moderato , the applause began too late to complete her spell. Natalia sinks to her knees, transforms into Dame Anna, and dissolves into ancient dust. The audience applauds again. The team takes a bow. RELATED: Read our recaps of The Librarians: The Next Chapter At the Annex, Charlie lets Vikram know the prima ballerina woke up and should make a full recovery. Unfortunately, Yelena couldn't be saved. The other dancers can't remember anything that happened. Vikram says that's the human mind protecting itself. Walking into the main room, they find Lysa and Connor arguing. They tell him they regret not being more effective at the theater. Vikram says they distracted Natalia so well, she never noticed him slowing the tempo. Therefore, they were extremely effective. He congratulates them on their teamwork. Mrs. Astolat arrives in a beekeeper's suit. She tells the team that she's accumulated a lot of vacation time and plans on taking it now. Starting June 2, new episodes of The Librarians: The Next Chapter drop on Mondays at 9 pm ET on TNT. Everything Coming to Netflix in June 2025 Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.
The Province
02-05-2025
- Entertainment
- The Province
Governor General's Award and Scotiabank Giller Prize winner Madeleine Thien is back with new novel
Vancouver native comes home for Vancouver Writers Fest event to celebrate latest work The Book of Records Award-winning author Madeleine Thien will be talking with fellow writer David Chariandy about her new novel The Book of Records at a Vancouver Writers Fest event on May 8 at the Annex in Vancouver. Photo by Babak Salari / Babak Salari Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Vancouver native Madeleine Thien will be marking the publication of her latest novel The Book of Records, out May 6, with a special Vancouver Writers Fest event on May 8. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Thien, whose book Do Not Say We Have Nothing won the Governor General's Award for English-language fiction, the Scotiabank Giller Prize and was shortlisted for the Booker Prize, will take to the Annex stage (823 Seymour St.) for a conversation with Vancouver author David Chariandy. Postmedia reached out to Montreal-based Thien and asked her a few questions. The Book of Records by Madeleine Thien. Photo by Courtesy of Penguin Random House / Courtesy of Penguin Random House Question: What do you say when someone asks what your new book about? Answer: The Book of Records is set in a building made of time. It is about the ideas that transform us, the lives we imagine for ourselves and others, and the hopes we carry. It is about a father who knows that his time is limited, and who wants to give his daughter an inner world that will sustain her after he is gone. Q: In your book The Sea is a large complex that houses migrants. What makes The Sea different in terms of what we generally perceive as migrant centres? Essential reading for hockey fans who eat, sleep, Canucks, repeat. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. A: In fact, The Sea is not a migrant camp or a detention centre. It's an abandoned enclave that, physically, echoes the now demolished Kowloon Walled City. People who have been displaced by war, by the rising sea, by conflict, by dwindling resources, pass through it; The Sea is just one stop on their search for home. Only a very few remain there, often because something prevents them from moving on. Q: You have been working on this book for a decade. How do you feel about it coming out now with immigration such a hot topic? A: My novel — which, I think it's fair to say, is a strange work — is itself, metaphorically, a building, a place that shelters different philosophies across time; it houses people who are grappling with questions about free will, ethics, and what it means to live a good life. In The Sea, ideas migrate, take on new life, are misunderstood, revised, and sometimes reimagined in the hope that they might guide us when all else seems lost. This advertisement has not loaded yet, but your article continues below. Of course, ideas are not made of air. They are carried by human beings across space and time, across borders. My heart breaks because I do not know a time when migration, displacement, homelessness, and the search for safety were not part of our world. Q: What themes will fans of your earlier work see you revisiting here in this new book? A: I think I keep returning to the force of history and the significance of individual lives. Perhaps The Book of Records continues an exploration of collaboration, collusion and silence, but also the loyalties of friendship; in this novel, more than the others, there's an exploration of namelessness, and what it means to save another person, especially someone with whom we have no ties of kinship, family or national identity. Q: American political theorist Hannah Arendt is once again in your thoughts as the life of a character in this book mirrors Arendt's life. What keeps you coming back to Arendt? This advertisement has not loaded yet, but your article continues below. A: I think often of these words written by Arendt in January 1968, in the preface to her book Men in Dark Times. She writes that 'even in the darkest of times we have the right to expect some illumination, and that such illumination may well come less from theories and concepts than from the uncertain, flickering, and often weak light that some men and women, in their lives and their works, will kindle under almost all circumstances and shed over the time span that was given them on earth.' Q: Your novel Do Not Say We Have Nothing, won the 2016 Governor General's Award for English-language fiction, the Scotiabank Giller Prize, and was shortlisted for the 2016 Man Booker Prize. Your work has been translated into 25 languages. All that said, what do you consider the most successful signpost for your work? A: Every work changes the novelist herself. For me, that's the vocation. I write to see something clearly in this world. I hope this attempt will resonate. But in the end, we are trying to make sense of the brief life that is given to us, and the immensity within this brevity. This advertisement has not loaded yet, but your article continues below. Q: What do you hope readers take away from The Book of Records? A: That every act matters and no choice is insignificant; that everything we do or don't do, say or don't say, is the book we are writing upon this life. Q: When you come back to visit Vancouver what are some of things you like to do when you are here? A: I see my friends. We cook and eat together, we walk everywhere. I feel humbled by this city that has shaped me. Vancouver changed so much since my childhood in the 1980s, and yet I know this place in a very deep and personal, way. I hope it's not too morbid to say that I also tend the graves of my parents and those I love. It's a daughter's duty and one I cherish. 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What's On
14-02-2025
- Entertainment
- What's On
6 of the most romantic bars in Abu Dhabi
This Valentine's Day, if you're looking for a romantic spot for a date night, Abu Dhabi's bar scene has just what you're looking for. From the tallest bar in the capital, to laid-back beachfront bars and some seriously stunning rooftops, these are the most romantic bars in Abu Dhabi. Ray's Bar Cocktails, DJ sets, grazing bites and epic views… this 62nd floor is the highest in Abu Dhabi. It's a great spot for a sunset date night, where you can watch the sun drop behind the soaring city skyline, while sipping crafted mixed drinks like the signature Ray's Mule and Lemon Drop Teatini. Through the week, it's a more relaxed vibe, while on weekends lively DJ sets dictate the tempo. Conrad Abu Dhabi Etihad Towers, Abu Dhabi Corniche, open 6pm to late daily. Tel: (0) 2 811 5666, La Cava Dimly lit with flickering candlelight, this intimate grape cellar is a perfect date night bar in Abu Dhabi. Located in the underground cellar of the Rosewood Abu Dhabi, wall-to-wall cabinets house an impressive collection of over 1,000 premium labels, plus there's a walk-in cigar room for those looking to do a cigar and beverage pairing. Rosewood Abu Dhabi, 6pm to 1am Tues to Sun. Tel: (0) 2 813 5550, Marta Lounge Few locations boast an address as fabulous as Marta: the rooftop lounge is set above Fouquet's Abu Dhabi at the Louvre. This speakeasy-style bar located above Fouquet's restaurant oozes Parisienne sophistication, with plush cushioned chairs, art deco lights and gold accents. It's open throughout the day for those combining a date night with an afternoon of culture, but ramps up the romance come nightfall. Louvre Abu Dhabi, Saadiyat Island, 12pm to 12am Tues to Sun. Tel: (0)2 205 4200, Annex The kind of spot you can book in for sundowners and stay until the early hours, Annex is a three-floor hotspot that ups the tempo as you descend each level. Sip mixed drinks against the backdrop of Al Bateen Marina at the open-air rooftop, then head to Annex Lounge on the second level for light bites, pool and a social vibe. Those looking to keep the party going can enjoy drinking and dancing into the night at the ground floor club, where a regular rotation of DJs spin. Abu Dhabi EDITION, Al Bateen Marina, 6pm to 4am Fri and 6pm to 12am Sat. Tel: (0) 2 208 0000, Azura Panoramic Lounge Spread over three levels at The St Regis Abu Dhabi, Azura Panoramic Lounge is a laid back alfresco lounge with beautiful views of the Abu Dhabi Corniche and the Arabian Gulf. The gently lapping sea provides soothing background music to this outdoor date night bar, although a soundtrack of nu jazz ups the ambience. The St Regis Abu Dhabi, Abu Dhabi Corniche, 4pm to 1am, Tues to Sun. Tel: (0)2 694 4553, Siddharta Lounge The Trilogy by Buddha Bar is a three-tier bar complex comprised of Siddharta Lounge Bushra and Zeera, found at Yas Island's new culinary destination, Yas Bay. It's perhaps fair to say that the spear prong of this bang-on-trend trident is Siddharta Lounge, the Dubai version of which enjoys a reputation for effortless class. This new venture repeats that same lightning strike of laidback luxury with charismatic rooftop views and a menu filled with big contemporary flavours. As is customary for the Buddha Bar crew, for you get edge-surfing, cool-as-funk beats guaranteed. Yas Bay, Yas Island, 5pm to 2am Sun to Thurs, 5pm to 3am Fri and Sat. Tel: (0)50 601 1194, @thetrilogybybuddhabar/ > Sign up for FREE to get exclusive updates that you are interested in
CBC
07-02-2025
- Entertainment
- CBC
Get tickets to Classical Road to the Junos, an upcoming show in Vancouver
The 54th Juno Awards are taking place in Vancouver on March 30, and CBC Music is presenting a concert series in the host city to celebrate local talent leading up to the big night of awards. The newly announced classical showcase, presented by CBC Music and Music on Main, will take place on Tuesday, Feb. 25, at the Annex in Vancouver at 8 p.m. Hosted by In Concert 's Paolo Pietropaolo and recorded by CBC Music for national broadcast during Juno weekend, Classical Road to the Junos will feature performances from zheng player Dailin Hsieh, flutist Paolo Bortolussi, cellist Jonathan Lo and pianist Rachel Iwaasa. In addition to beloved pieces by J.S. Bach and Arvo Pärt, the concert will feature three generations of extraordinary Vancouver composers: Jean Coulthard, Jocelyn Morlock and Saina Khaledi. Classical Road to the Junos follows CBC Music's Road to the Junos series, which took place from Jan. 26-30. It featured performances from Caley Watts, Dakota Bear, Bukola, Art d'Ecco and His Demon Band and more. Keep an eye on for the videos of those performances.
Yahoo
31-01-2025
- Business
- Yahoo
CBL Properties Announces Sale of Monroeville Mall for $34.0 Million
CHATTANOOGA, Tenn., January 31, 2025--(BUSINESS WIRE)--CBL Properties (NYSE:CBL) today announced that it had closed on the sale of Monroeville Mall and Annex in Monroeville, PA, for $34.0 million, all cash. "The sale of Monroeville Mall is a great example of the resilient value of well-located real estate in a dynamic market," commented Stephen D. Lebovitz, CBL's Chief Executive Officer. "This transaction allows us to focus efforts on higher productivity properties, generates significant cash proceeds and further reduces leverage." Approximately $7.1 million of the net proceeds was utilized to reduce the outstanding principal of the Company's outparcel and open-air center loan to $333.0 million, allowing for the release of a collateral parcel as part of the sale. About CBL Properties Headquartered in Chattanooga, TN, CBL Properties owns and manages a national portfolio of market-dominant properties located in dynamic and growing communities. CBL's owned and managed portfolio is comprised of 89 properties totaling 56.2 million square feet across 21 states, including 54 high-quality enclosed malls, outlet centers and lifestyle retail centers as well as more than 30 open-air centers and other assets. CBL seeks to continuously strengthen its company and portfolio through active management, aggressive leasing and profitable reinvestment in its properties. For more information visit Information included herein contains "forward-looking statements" within the meaning of the federal securities laws. Such statements are inherently subject to risks and uncertainties, many of which cannot be predicted with accuracy and some of which might not even be anticipated. Future events and actual events, financial and otherwise, may differ materially from the events and results discussed in the forward-looking statements. The reader is directed to the Company's various filings with the Securities and Exchange Commission, including without limitation the Company's Annual Report on Form 10-K and the "Management's Discussion and Analysis of Financial Condition and Results of Operations" included therein, for a discussion of such risks and uncertainties. CBL_Corp View source version on Contacts Investor Contact: Katie Reinsmidt, Executive Vice President & Chief Operating Officer, 423.490.8301, Media Contact: Stacey Keating, Vice President– Corporate Communications, 423.490.8361, Sign in to access your portfolio
