Latest news with #Anyma
The Irish Sun
14-05-2025
- Entertainment
- The Irish Sun
World's largest nightclub opens in Ibiza in 2 weeks & here's everything we know – from DJ line-up to bizarre disco loos
THE world's biggest nightclub is opening in less than a month's time, and they've shared a first look at the building alongside details of the music line-up. Rising from the roots of what used to be Privilege nightclub in Ibiza, is UNVRS - which is set to become a global destination for clubbing. 4 UNVRS is opening with a brand-new look on the site of Privilege nightclub Credit: UNVRS 4 The superclub will open for the first time in five years on Friday 30 May Credit: UNVRS UNVRS will open on Friday 30 May, making room for 15,000 fans in the super club that's the size of a football pitch. While it's kept its recognisable dome feature from its Privilege days, the club has been given whitewashed walls to blend into the island landscape. To mark its grand opening, UNVRS has unveiled a huge summer line-up of the biggest names in music. Electronic Dance Music residencies this summer include Eric Prydz's Holosphere 2.0 to Anyma. Read More on Ibiza There will also be appearances from Jamie Jones, Fisher, Jamie Jones presents Paradise: Sounds of Solaris, The historic superclub site can accommodate even more club-goers than ever before as UNVRS has upped capacity from 10,000 to 15,000. The club has also been updated with what it's calling 'next-level technology' which is 'pushing every event beyond the limits of the traditional superclub' - so expect some incredible and tech-savvy performances. The party doesn't even stop when you need a bathroom break thanks to the space called 'The Wild Comet' which isn't just a toilet but a fully styled micro-club. Most read in News Travel It will be one of the most unforgettable rooms in the venue, with sound reactive lighting and its own DJ booth. Inside the venue's iconic dome terrace will be a place of peace and quiet where partygoers can take a breather and take in panoramic views over Ibiza. Heythorp Park Ibiza sunsets 4 It has kept some original features, like it's iconic rooftop dome Credit: UNVRS We already know UNVRS isn't your average club, but it also has food and drink as part of the experience. Dishes have been specially created to avoid overpowering smells or messy textures. And drinks are served at optimal temperatures thanks to temperature-controlled storage - so there's no chance of any warm cocktails or beers. The superclub is opening on a legendary site in . The space has hosted world-class nightclubs since the 70s , most famously it was Privilege from 1994 until 2019. Opened in 1994, Privilege Ibiza quickly established itself as a monumental force in the world of Ibiza nightlife. With its immense capacity and eclectic mix of electronic music, Privilege earned its place in the Guinness World Records as the world's largest nightclub - and it's legacy is set to continue. Privilege's dance floor could accommodate up to 10,000 people and an impressive overhead dome housed a massive swimming pool . There have been plenty of icons walking through the venues in the past, from the likes of Tickets for The Opening are still on sale for £130 per person. For anyone And another 4 UNVRS will reopen to 15,000 partygoers in May 2025 Credit: UNVRS
The Irish Sun
08-05-2025
- Entertainment
- The Irish Sun
Ibiza pair P.O.U. release progressive sound Breathe, which has produced three No1s
FRESH from the release of their debut album Breathe, UK and Ibiza-based duo P.O.U (formerly Product Of Us) invite us inside the sonic world that shaped its creation. The dynamic pair - Damon Hess and Ryan Spice - have released their progressive sound on classic label Anjunabeats, Nora En Pure's Purified Records and Miss Monique's Siona Records. Advertisement 3 Ryan Spice, left, and Damon Hess of P.O.U. Credit: Supplied It has culminated in three No1 singles on Beatport. Their music has also been a big hit with the respected outfit, Tale Of Us, who hammered P.O.U's Just A Little More Love at their Afterlife residency at Hï Ibiza last summer. 3 New long player Breathe combines melodic house and techno Credit: Supplied P.O.U's long player, Breathe is a dynamic showcase of progressive and melodic house and techno, featuring collaborations with Jamie Wiltshire, Emilie Rachel, Rory Hope, Oddfellowz, SPARTAA, and Zahra Palmer. 3 P.O.U. were a hit at the Afterlife residency at Hï Ibiza last summer Credit: Supplied The playlist they have put together for us below, is a carefully curated journey through tracks, artists, and moods that have inspired Breathe. Here's what they think of each track: Ferry Corston - Eternity Advertisement Read more Music News Trance has always been in our DNA. Ferry Corsten — a true legend of the genre — inspired us over 20 years ago and he still does today. Eternity is a masterclass in emotional, melodic trance: Warm, powerful, and timeless. It's that same depth and feeling we've aimed to capture in our album, especially in the lead track, Breathe. Music that moves you — that's what it's all about. Anyma & Janus Rasmussen Feat Delhia de France - Claire If you know P.O.U's sound then you already understand the impact Anyma had on our music and on the tracks we curate for OfUsRecords. Advertisement Most read in Music His influence runs deep, from the soaring acid stabs to the thunderous rolling basslines. We're always pushing to match that level of quality and intensity, channelling the same raw emotion and power in everything we release. BT - Flaming June (BT & PVD Original Mix) An all-time classic and one of our personal favourites. BT and Paul van Dyk flipped our world upside down the first time we heard this chilled trance masterpiece. It's a blueprint of melodic brilliance, packed with emotional depth and those unforgettable, soaring breakdowns. This track didn't just inspire us, it shaped the way we approach our own sound Advertisement deadmau5 & Kaskade - I Remember This track is a must-add, even if you're not a die-hard dance music fan, it'll find its way into your playlist. A standout example of melodic house, done right, it hits all the marks: Infectious basslines, layered synths that dance around each other, and a haunting vocal that ties it all together. If you're a fan of that signature deadmau5 vibe, you'll hear echoes of it throughout our catalogue. Advertisement Nalin & Kane - Beachball Quite simply, one of the greatest tracks of all time. Even after 25 years, it still gives us goosebumps. A true club anthem that's stood the test of time, still owning dancefloors and sounding as fresh as ever. Timeless energy, unforgettable vibes. Argy & Omnya - Aria This track from Argy and Omnya is a staple in our sets, and a massive influence on our melodic techno sound. With its heavy rolling bassline and hypnotic tribal vocal, it's the kind of track that grabs you and doesn't let go. Advertisement We're all about weaving in those same addictive, high-impact elements into our own productions, making every release hit hard and stay with you. Chicane - Saltwater If you didn't know, the ethereal vocals in this track are lifted from a song by the Irish band Clannad, sung beautifully in Gaelic. It's a perfect pairing with the essence of trance: Uplifting, emotional, and transportive. Chicane weaves shifting rhythms and evolving beats that lift you to another level, blending seamlessly with its heavenly voice. This isn't just a track, it's one of trance music's true masterpieces. Advertisement Above & Beyond - Alone Tonight (Above & Beyond's Club Mix) The true pioneers of big room melodic trance. Any dance music fan will know the Above & Beyond. Tracks like Sun and Moon (and our pick here) show exactly why they've had such a lasting impact. Their ability to blend emotion with euphoria is second to none. Beyond their own music, their label Anjunabeats continues to be a powerhouse platform for melodic artists around the world, including many who inspire us today. Ayla - Ayla (Taucher Remix) Advertisement Taucher's remix of Ayla is still lighting up dancefloors around the world — and for good reason. It features one of the most unforgettable toplines in dance music history. This kind of timeless character is exactly why we always strive to make the main elements in our tracks stand out, full of emotion, identity, and impact. KAS:ST - Hold Me To The Light (Tale Of Us Remix) Last but not least, Tale of Us. These guys are a major influence on us as producers. One of the key things we take from their sound is how they build their breakdowns — those epic, chilling strings and deep, atmospheric pads that instantly pull you in, making you want to close your eyes and raise your hands to the sky. Advertisement It's that magic moment we always aim to capture in our tracks, giving listeners an experience that they can feel, and remember. We hope our music can emulate this kind of excellence.
The Independent
25-03-2025
- Entertainment
- The Independent
Sziget Festival adds 50 new artists to 2025 lineup
Sziget Festival has announced a fresh wave of artists for its 2025 edition, including British rapper Little Simz, Michael Kiwanuka and FKA twigs. Held on the 'Island of Freedom' in Budapest, Hungary, Sziget offers festival-goers a vibrant and eclectic programme featuring dedicated spaces for music, theatre, cabaret and art. This year's festival stars six huge headliners, Chappell Roan, A$AP Rocky, Charli XCX, Anyma, Post Malone and Shawn Mendes. Other major artists on the staggering lineup include French electronic legends Justice, Belfast rap trio Kneecap, Stockport rock band Blossoms, The Last Dinner Party, Fat Dog, Empire of the Sun, Nelly Furtado, The Dare and Krept & Konan. Charli XCX will perform as part of the continuation of her culture-defining Brat tour, in support of her critically adored hit album of the same name. Meanwhile, Chappell Roan is undoubtedly one of the biggest breakthrough pop artists in years, thanks to her debut album The Rise and Fall of a Midwest Princess and her triumph at the 2025 Grammys as Best New Artist, not to mention her latest single, the country-influenced queer anthem 'The Giver'. New additions for the 2025 event, which takes place between 6 to 11 August, include the Delta District, offering live music arenas and intimate club spaces, an open-air amphitheatre and the Bolt Night Stage. The Independent is teaming up with Sziget, one of Europe's biggest festivals, as its exclusive international news partner of 2025. Tamás Kádár, CEO of Sziget Cultural Management Ltd, commented: 'This partnership with The Independent marks an important moment to fulfil a shared vision to bring Sziget, AKA 'The Island of Freedom', to their independent-minded audience; shining light on the diverse genres, cultural programmes and aspiring inclusivity focus at the festival. 'We look forward to bringing insightful reads to inspire existing and future Szitizens to join the unique magic at Sziget.' Tickets for Sziget 2025, including day and full festival passes, are on sale now.
Euronews
06-03-2025
- Entertainment
- Euronews
My night at the Las Vegas' Sphere with DJ Solomun
Launched last year, the Anyma 'End of Genesys' residency at Las Vegas' Sphere has transformed the underground EDM scene into an immersive storytelling spectacle. Amber Bryce joined award-winning DJ Solomun for his one-night collaborative show. ADVERTISEMENT It's a little after 10pm in Las Vegas, but away from the clatter of slot machines I step into a glowing forest. Branching fractals of trees fizzle with white light, exploding into showers of pixels, each movement hypnotic to a steady bass and rising ethereal hum. And no, I'm not tripping - just inside the Sphere's hallucinatory bubblescape for a one-off electronic dance music (EDM) show by Bosnian-German DJ Mladen Solomun. A mainstay of the Ibiza club scene and four-time DJ award winner, Solomun is one of many high-profile artists to guest for the 'Afterlife Presents: Anyma – The End of Genesys' residency, launched by Italian-American DJ Matteo Milleri in December 2024. The first ever EDM show to headline at the Sphere, Vegas' $2.3 billion (€2.19 billion) cutting-edge arena, it redefines the traditionally intimate rave experience through immersive visuals that explore the relationship between humans and machines. When asked to collaborate last year, Solomun was most excited about the Sphere's cinematic potential, having worked in the film industry before beginning a music career 20 years ago. 'This is the right place to tell a story. I mean, it's the biggest cinema in the world. And this is my other passion. I love movies, I love film, I love storytelling, even if it's not part of my usual concept when I'm DJing and throwing parties, not shows,' Solomun tells Euronews Culture. The project was unlike anything he'd done before, demanding he take on the role of creative director - a pressure that temporarily collapsed his vision into overwhelm: 'I was super stressed the whole summer and [Matteo] was like, 'bro, relax, it's just one show'. But I wanted to do something cool. And then I cancelled [my involvement].' As the Anyma residency neared its end, four additional shows were added for February and March 2025. Matteo approached Solomun once again, who by this point felt more at ease with taking part. 'The pressure was a little bit gone. I [wanted] to tell the smaller story of what I stressed myself last year to tell,' Solomun explains. 'I'm trying to, even in this place, be focused on music and dancing. A continuation of the story that began with the videos for my album 'Nobody Is Not Loved'. A story about the divine power of music that loves all people equally. And building on that, about dance as a universal, the first language of humanity.' From Boiler Room to Sphere Gentle in demeanour, Solomun's laid-back energy and penchant for epic all-night sets have made him a household name on the EDM club circuit. His ability to cultivate a sense of collective catharsis is perhaps best encapsulated in a 2015 performance at Tulum's Boiler Room, where he effortlessly sips wine in shades, surrounded by adoring fans. One of the top comments on the YouTube video, which has 68 million views, reads: 'I have watched this that many times that [I] consider myself good friends with everyone in the crowd.' Translating this unique sense of intimacy to a huge, commercial space like the Sphere might sound impossible, but as I watch glittered ravers gather around the 49-year-old DJ on the decks below, he remains a comforting speck, a heartbeat amidst the abyss of the simulation. An orb-like figure appears across the 160,000-square-foot LED screen, text fading in: 'What does everyone naturally do when they walk into a dark forest alone? They start whistling or singing - and you immediately feel less alone, less afraid. As long as the music plays, you don't have to be afraid.' This idea of disconnecting from the anxieties of reality is not just core to Solomun's show, but the EDM scene as a whole. The music is repetitive, slipping into subgenres blended by beats and synthesised sounds, creating a trance-like state of togetherness. More than just music, it's a state of being, built upon the sort of carefree closeness that bottlenecks existence into a blur. 'This is the most sacred place in the end, the dance floor,' Solomun says, his set combining blazing celestial visuals with glitching dance sequences by Spanish choreographer Blanca Li, who has worked with everyone from Pedro Almodóvar to Beyoncé and Daft Punk. 'It's about protecting the dance floor, where we can just lose ourselves, and the power of music.' ADVERTISEMENT Redefining the EDM experience In a world where everyone is glued to technology, protecting the purity of EDM spaces from external distractions has become increasingly difficult. In this sense, the Sphere feels like the antithesis of the small underground clubs where the scene first flourished, their stripped-back states an essential part of connecting in the moment. However, as artists continue to look for more visually immersive ways to express their ideas and entice new audiences, Solomun believes it's good to have the option of venues like the Sphere - so long as the essence of the scene is still honoured. 'Styles change. Life changes. Technology changes. And then it's always up to the next generation to decide which direction they want to go in,' he says. 'Some people are super inspired by what Matteo's doing with 'Afterlife'. Or some people just love underground dirty clubs. There's always space for everybody. But for me, the most important thing is dancing.' Solomun's words echo in my mind as I remain glued to my seat, watching a flaming Blanca Li forcefully freestyle on the screen in front of me. At this point I should confess: this is my first EDM gig - and the closest thing to a rave I've been to was a neon party at my student union over a decade ago (where I quickly fell asleep on a chair after too much Vermouth.) ADVERTISEMENT A man in a bucket hat and sunglasses approaches and asks if he can sit next to me, explaining that his assigned row was 'not the vibe'. Sitting in my coat with a notebook and pen, I'm not sure I'm the vibe either, but this seasoned raver from Queens quickly sweeps me into the frenetic friendliness of the scene. Suddenly everyone is chatting and dancing, checking in on each other, and the vastness of the space seems to shrink - we have our own little bubble inside the bubble. As the visuals turn to a Blade Runne r-esque steampunk city, the man to my right whispers: 'It's like we're all just so connected right now' - and even in my sober state, I agree. The Sphere itself is undeniably impressive. Completed in 2023 and standing 366 feet (111 metres) high, it appears like an illuminated boil on Vegas' desert of casinos and kitsch. While most things labelled as immersive tend to be gimmicky tourist attractions - and there's certainly an element of that here - it's impossible not to gawp at the sheer scope inside. Much like Vegas itself, the Sphere envelopes you in an artifice that's both dazzling and disorientating - a giant sensory playground. During Solomun's show, it also cradles you in peaceful moments - like the visuals of driving through a neon-washed abandoned city, any soft swell of euphoria from the music tempered by calming lo-fi scenery. ADVERTISEMENT 'Electronic music was always the most important, or the most famous scene in terms of disconnecting from reality,' Solomun says - and nothing captures this feeling quite so literally like being inside a big ball of Matrix. While the Sphere is incomparable to the free flowing authenticity of traditional EDM clubs, Anyma's 'Afterlife' residency proves that it can still provide a uniquely powerful and unified experience; capturing the worlds we quietly conjure on the dance floor with astonishing artistry. The set comes to an end, and I feel both elated and exhausted, as though waking from a vivid dream. A woman in a sequinned cap hands me water while the Queens raver gives me a hug. True to Solomun's words, I feel less alone - back to a reality where, though the sky may be black, music and dancing always light the way.
Euronews
06-03-2025
- Entertainment
- Euronews
'It's about protecting the dance floor': My night at the Las Vegas Sphere with DJ Solomun
Launched last year, the Anyma 'End of Genesys' residency at Las Vegas' Sphere has transformed the underground EDM scene into an immersive storytelling spectacle. Amber Bryce joined award-winning DJ Solomun for his one-night collaborative show. ADVERTISEMENT It's a little after 10pm in Las Vegas, but away from the clatter of slot machines I step into a glowing forest. Branching fractals of trees fizzle with white light, exploding into showers of pixels, each movement hypnotic to a steady bass and rising ethereal hum. And no, I'm not tripping - just inside the Sphere's hallucinatory bubblescape for a one-off electronic dance music (EDM) show by Bosnian-German DJ Mladen Solomun. A mainstay of the Ibiza club scene and four-time DJ award winner, Solomun is one of many high-profile artists to guest for the 'Afterlife Presents: Anyma – The End of Genesys' residency, launched by Italian-American DJ Matteo Milleri in December 2024. 'Afterlife Presents: Anyma – The End of Genesys' Sphere/The Media Nanny The first ever EDM show to headline at the Sphere, Vegas' $2.3 billion (€2.19 billion) cutting-edge arena, it redefines the traditionally intimate rave experience through immersive visuals that explore the relationship between humans and machines. When asked to collaborate last year, Solomun was most excited about the Sphere's cinematic potential, having worked in the film industry before beginning a music career 20 years ago. 'This is the right place to tell a story. I mean, it's the biggest cinema in the world. And this is my other passion. I love movies, I love film, I love storytelling, even if it's not part of my usual concept when I'm DJing and throwing parties, not shows,' Solomun tells Euronews Culture. The project was unlike anything he'd done before, demanding he take on the role of creative director - a pressure that temporarily collapsed his vision into overwhelm: 'I was super stressed the whole summer and [Matteo] was like, 'bro, relax, it's just one show'. But I wanted to do something cool. And then I cancelled [my involvement].' DJ Solomun on the decks at Sphere Sphere As the Anyma residency neared its end, four additional shows were added for February and March 2025. Matteo approached Solomun once again, who by this point felt more at ease with taking part. 'The pressure was a little bit gone. I [wanted] to tell the smaller story of what I stressed myself last year to tell,' Solomun explains. 'I'm trying to, even in this place, be focused on music and dancing. A continuation of the story that began with the videos for my album 'Nobody Is Not Loved'. A story about the divine power of music that loves all people equally. And building on that, about dance as a universal, the first language of humanity.' From Boiler Room to Sphere Gentle in demeanour, Solomun's laid-back energy and penchant for epic all-night sets have made him a household name on the EDM club circuit. His ability to cultivate a sense of collective catharsis is perhaps best encapsulated in a 2015 performance at Tulum's Boiler Room, where he effortlessly sips wine in shades, surrounded by adoring fans. One of the top comments on the YouTube video, which has 68 million views, reads: 'I have watched this that many times that [I] consider myself good friends with everyone in the crowd.' Translating this unique sense of intimacy to a huge, commercial space like the Sphere might sound impossible, but as I watch glittered ravers gather around the 49-year-old DJ on the decks below, he remains a comforting speck, a heartbeat amidst the abyss of the simulation. An orb-like figure appears across the 160,000-square-foot LED screen, text fading in: 'What does everyone naturally do when they walk into a dark forest alone? They start whistling or singing - and you immediately feel less alone, less afraid. As long as the music plays, you don't have to be afraid.' Solomun x Sphere Sphere This idea of disconnecting from the anxieties of reality is not just core to Solomun's show, but the EDM scene as a whole. The music is repetitive, slipping into subgenres blended by beats and synthesised sounds, creating a trance-like state of togetherness. More than just music, it's a state of being, built upon the sort of carefree closeness that bottlenecks existence into a blur. 'This is the most sacred place in the end, the dance floor,' Solomun says, his set combining blazing celestial visuals with glitching dance sequences by Spanish choreographer Blanca Li, who has worked with everyone from Pedro Almodóvar to Beyoncé and Daft Punk. 'It's about protecting the dance floor, where we can just lose ourselves, and the power of music.' ADVERTISEMENT Redefining the EDM experience In a world where everyone is glued to technology, protecting the purity of EDM spaces from external distractions has become increasingly difficult. In this sense, the Sphere feels like the antithesis of the small underground clubs where the scene first flourished, their stripped-back states an essential part of connecting in the moment. However, as artists continue to look for more visually immersive ways to express their ideas and entice new audiences, Solomun believes it's good to have the option of venues like the Sphere - so long as the essence of the scene is still honoured. There's always space for everybody. But for me, the most important thing is dancing. DJ Solomun 'Styles change. Life changes. Technology changes. And then it's always up to the next generation to decide which direction they want to go in,' he says. 'Some people are super inspired by what Matteo's doing with 'Afterlife'. Or some people just love underground dirty clubs. There's always space for everybody. But for me, the most important thing is dancing.' Solomun's words echo in my mind as I remain glued to my seat, watching a flaming Blanca Li forcefully freestyle on the screen in front of me. At this point I should confess: this is my first EDM gig - and the closest thing to a rave I've been to was a neon party at my student union over a decade ago (where I quickly fell asleep on a chair after too much Vermouth.) ADVERTISEMENT A man in a bucket hat and sunglasses approaches and asks if he can sit next to me, explaining that his assigned row was 'not the vibe'. Sitting in my coat with a notebook and pen, I'm not sure I'm the vibe either, but this seasoned raver from Queens quickly sweeps me into the frenetic friendliness of the scene. Suddenly everyone is chatting and dancing, checking in on each other, and the vastness of the space seems to shrink - we have our own little bubble inside the bubble. As the visuals turn to a Blade Runner-esque steampunk city, the man to my right whispers: 'It's like we're all just so connected right now' - and even in my sober state, I agree. Solomun x Sphere takes us to a steampunk city Sphere The Sphere itself is undeniably impressive. Completed in 2023 and standing 366 feet (111 metres) high, it appears like an illuminated boil on Vegas' desert of casinos and kitsch. While most things labelled as immersive tend to be gimmicky tourist attractions - and there's certainly an element of that here - it's impossible not to gawp at the sheer scope inside. Much like Vegas itself, the Sphere envelopes you in an artifice that's both dazzling and disorientating - a giant sensory playground. During Solomun's show, it also cradles you in peaceful moments - like the visuals of driving through a neon-washed abandoned city, any soft swell of euphoria from the music tempered by calming lo-fi scenery. ADVERTISEMENT 'Electronic music was always the most important, or the most famous scene in terms of disconnecting from reality,' Solomun says - and nothing captures this feeling quite so literally like being inside a big ball of Matrix. While the Sphere is incomparable to the free flowing authenticity of traditional EDM clubs, Anyma's 'Afterlife' residency proves that it can still provide a uniquely powerful and unified experience; capturing the worlds we quietly conjure on the dance floor with astonishing artistry. The set comes to an end, and I feel both elated and exhausted, as though waking from a vivid dream. A woman in a sequinned cap hands me water while the Queens raver gives me a hug. True to Solomun's words, I feel less alone - back to a reality where, though the sky may be black, music and dancing always light the way.
