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The 'Your Friends & Neighbors' Finale Just Revealed Who Killed Paul and Framed Coop
The 'Your Friends & Neighbors' Finale Just Revealed Who Killed Paul and Framed Coop

Elle

time2 days ago

  • Entertainment
  • Elle

The 'Your Friends & Neighbors' Finale Just Revealed Who Killed Paul and Framed Coop

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. Spoilers below. Throughout its first season, AppleTV+'s Your Friends & Neighbors has explored the trappings of money and status, and what the wealthy class will do to maintain appearances. The season 1 finale 'Everything Becomes Symbol and Irony' hammers its thesis home via the reveal of what actually happened to Paul Levitt (Jordan Gelber), the man Andrew 'Coop' Cooper (Jon Hamm) had been accused of murdering. After perusing Sam's (Olivia Munn) phone records, Coop realizes that his number doesn't appear anywhere in the files—a stark omission given the two were sleeping together and regularly in contact. This leads Coop and his accomplice Elena (Aimee Carrero) to search Sam's house for a burner phone. Instead, they find Paul's suicide note. When Coop confronts Sam, Your Friends & Neighbors swaps the POV. Sam narrates her side of the story, detailing her humble beginnings as a waitress and her initial draw towards Paul's money and the life it offered her. When he began cheating, she realized how unhappy she was in her marriage, and she knew that a healthy divorce settlement would be her only way of maintaining her lifestyle. Paul called her on the night of his death begging for forgiveness and to salvage their marriage. But when she didn't immediately concede, he pulled out a gun and shot himself in the head right there on FaceTime. Sam began to call 911 but stopped when she realized that deeming his death a suicide would nullify his life insurance policy—money she was banking on (literally). Instead, she drove from Boston to New York to stage a murder scene, shooting his already limp body twice before stashing the smoking gun in Coop's faulty Maserati trunk. Coop takes this evidence to the police to exonerate himself, and he's surprisingly chill about the fact that his former lover tried to frame him for murder, especially because her reasoning is pretty weak. 'You weren't very kind to me,' she reasons when he initially pushes her on her motive, and he seems to accept this without pushback. Coop was far from an angel in Your Friends & Neighbors, but he didn't mistreat Sam in a significant way to warrant this kind of backstabbing. And Sam only slightly pays for this—she's arrested, but it's later hinted that she'll get off with a fine and community service. Until that point, Coop spent most of 'Everything Becomes Symbol and Irony' preparing his loved ones for what seemed to be an inevitable conviction and sentencing. His attorney Kat (Heather Lind) thinks a plea deal for manslaughter in exchange for an eight year prison sentence (versus 25 to life for first degree murder) is his best bet, and Coop is this close to giving in and giving up. He gifts his son Hunter (Donovan Colan) one of his most prized and expensive watches as a keepsake, and tries but fails at a real conversation with his daughter Tori (Isabel Marie Gravitt). His bipolar sister Ali (Lena Hall) openly acknowledges Coop's lifelong support during one of her performances, before also blasting her married ex-fiancé in front of the crowd, whom she started sleeping with again. The watch tips off Coop's ex-wife Mel (Amanda Peet), who scolds him for not fighting hard enough—not just for his life right now, but also for their marriage. Mel's real talk is a wake-up call for him, and is the stimulus for his eventual liberation. The soulmates don't exactly get back together—Mel tells Coop at a charity gala late in the episode that she's going to fly solo for a while—but Your Friends & Neighbors is leaving the door open for their eventual reunion. After all, Coop admits to Mel that he was able to forgive Sam so easily because he didn't love her, in contrast to the grudge he held against Mel for her cheating. As for Coop's new career as a professional thief? Despite the predicament he found himself in due to this decision, he can't stay away—even when he has the option to walk. Coop's former employers return to offer him his job back, citing a Swiss client that will only work with Coop. He negotiates his offer, demanding 20 percent of that deal and 25 percent overall, sensing they're desperate enough to say yes. It turns out he's correct, and they agree to convene that evening to fly to Europe for a meeting. But when the time comes, Coop opts out. He leaves the gala early, telling Mel on the dance floor, 'This is where I leave you' (likely a nod to show creator and showrunner Jonathan Tropper's eponymous novel-turned-movie). On his way out, he finds time to threaten Tori's tennis rival's mom to secure his daughter's spot at Princeton, revealing that he knows about the SAT test answers in their home and isn't afraid to announce it to everyone. Some light blackmail to indicate he's no longer the black sheep and is back in the mix of the Westmont Village interpersonal politics. When Coop finally leaves, he detours to a mansion and gets to work instead of heading to the private plane launch pad, leaving his hedge fund colleagues to take the meeting alone. He nicks a piece of art from an unidentified neighbor's home, and leaves without a trace. As he drives away, the trunk of his car pops open one more time. Your Friends & Neighbors has already been renewed for a second season with James Marsden joining the cast as 'a guy who comes from money and has a relationship with Samantha,' according to Deadline. While Coop's stock seems to be up by the end of the first season, there's no question that his past with Sam and his choice to continue robbing his wealthy community will land him in hot water again when the show returns.

Taylor Swift has regained control of her music, buys back first 6 albums
Taylor Swift has regained control of her music, buys back first 6 albums

Boston Globe

time2 days ago

  • Entertainment
  • Boston Globe

Taylor Swift has regained control of her music, buys back first 6 albums

'We are thrilled with this outcome and are so happy for Taylor,' Shamrock Capital said in a statement. Over the last few years, Swift has been re-recording and releasing her first six albums in an attempt to regain control of her music. The series was instigated by music manager Scooter Braun's purchase and sale of her early catalog and represents Swift's effort to control her own songs and how they're used. Previous 'Taylor's Version' releases have been more than conventional re-recordings, arriving with new 'from the vault' music, Easter eggs and visuals that deepen understanding of her work. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up In between re-recordings, she has released new music, including last year's 'The Tortured Poets Department,' announced during the 2024 Grammys and released during her record-breaking tour. Advertisement So far, there have been four re-recorded albums. Swift's last re-recording, '1989 (Taylor's Version),' arrived in October 2023, just four months after the release of 'Speak Now (Taylor's Version).' That was the same year Swift claimed the record for the woman with the most No. 1 albums in history. Fans have theorized that 'Reputation (Taylor's Version)' would be next: On May 19, 'Look What You Made Me Do (Taylor's Version)' aired nearly in full during the opening scene of a Season 6 episode of 'The Handmaid's Tale.' Prior to that, the song was teased in 2023's Prime Video limited-series thriller 'Wilderness' and in Apple TV+'s 'The Dynasty: New England Patriots' in 2024. Also in 2023, she contributed 'Delicate (Taylor's Version)' to Prime Video's 'The Summer I Turned Pretty.' Advertisement But according to the note shared Friday, Swift says she hasn't 'even re-recorded a quarter of it.' She did say, however, that she has completely rerecorded her self-titled debut album 'and I really love how it sounds now.' Swift writes that both her self-titled and 'Reputation (Taylor's Version)' 'can still have their moments to re-emerge when the time is right.' A representative for Swift did not immediately respond to request for comment.

'Your Friends & Neighbors' Was Already Renewed for Season 2—and James Marsden Is Joining
'Your Friends & Neighbors' Was Already Renewed for Season 2—and James Marsden Is Joining

Elle

time2 days ago

  • Entertainment
  • Elle

'Your Friends & Neighbors' Was Already Renewed for Season 2—and James Marsden Is Joining

Apple TV+'s newest show, Your Friends & Neighbors, puts Jon Hamm back on the small screen in his first leading TV role since the Emmy-winning series Mad Men, where he portrayed the successful advertising exec Don Draper. Now, Hamm plays Andrew 'Coop' Cooper, a flailing hedge-fund manager who begins stealing from his affluent neighbors after he loses his job (and his wife, played by Amanda Peet). While season 1 comes to a close with today's finale, we're already anticipating the next one. Here's what we know about season 2 of Your Friends & Neighbors so far. Yes! Back in November, before season 1 even premiered, it was announced that Your Friends & Neighbors had already been renewed for another season. 'It's a wonderful honor,' Hamm told Forbes when asked about the unprecedented move. 'It is a tremendous vote of confidence, obviously, and honestly, they've never done it before, so we were the first one. It's a tremendous feather in our cap. It means we're doing something right.' The show's creator and executive producer, Jonathan Tropper, feels the same way. 'The support from everyone at Apple has been phenomenal,' he told The Hollywood Reporter, 'and the fact that they've ordered a second season before we aired our first is an incredible validation and a tribute to the work of this stellar cast, crew, writers, directors and producers who worked so hard to make this show what it is.' Jon Hamm is set to return for the second season, along with series regulars Peet, Olivia Munn, Hoon Lee, Mark Tallman, Lena Hall, Aimee Carrero, Eunice Bae, Isabel Gravitt, and Donovan Colan. And according to Deadline, season 2's cast will expand to include James Marsden, Arienne Mandi, Erin Robinson, and Bre Blair in recurring roles. Hamm, who also serves as an executive producer, played a huge role in casting some of the show's bigger names. 'He's got a pretty good list of contacts in his phone, and any time we needed to get to someone, usually Jon knew them pretty well,' said Tropper. 'I wanted to cast Amanda Peet. I wanted to cast Olivia Munn. I don't think any of that happens if Hamm wasn't producing the show with me.' Yes. According to THR, season 2 is currently being filmed. Not yet, but stay tuned. This story will be updated.

‘Dept. Q' is a little too grim for the sake of being grim
‘Dept. Q' is a little too grim for the sake of being grim

Boston Globe

time3 days ago

  • Entertainment
  • Boston Globe

‘Dept. Q' is a little too grim for the sake of being grim

By basement office, of course, Moira means a sort of locker room. Morck is soon sulking amongst sinks and urinals (if you've ever wondered how someone would pronounce 'urinal' in a Scottish accent, the answer is 'your EYE null,' and you'll hear it said plenty). He eventually assembles a team in Rose (Leah Byrne), a young detective who's been sidelined after mental health struggles, and Akram (Alexej Manvelov), a Syrian immigrant who's really not supposed to be more than an office assistant, but who has some kind of mysterious law enforcement (or perhaps just enforcement) background from his life in Syria. Advertisement Despite its origins as a series of mystery novels, the show seems very much designed to appeal to fans of 'Slow Horses,' Apple TV+'s cynical government spook drama, which stars Structurally, these shows are quite similar, given that they're portraits of brilliant men extracting good work from woebegone colleagues who would otherwise be overlooked. But the parallels end there. A bone-deep cynicism is the default tone on 'Slow Horses'; 'Dept. Q' skews more melancholy and dark. Morck and team are swiftly drawn into the case of a missing woman, who has long been given up for dead. They don't know for sure if they're pursuing a missing woman or a dead one, and 'Dept. Q' spends excruciating amounts of time delving into the grimy details of her fate. On some level, they're necessary: the structure of this kind of show means viewers need to be one step ahead of Morck and Co, given that our awareness of the woman's ongoing peril ratchets up the tension of whether Morck can solve this case in time. It's very, very grim. I should say that the woman is not tortured with the fear or reality of sexual assault, but given that she's a woman and powerless, it's hard to avoid this context entirely. Advertisement Beyond that, the show struggles with its angle on Morck. He's filled with rage over what happened to Hardy and keeps lashing out inappropriately, but his hidden depths are all implied. The problem with starting the action after he's been through a traumatic event is that it nullifies whatever his history was prior to this — of course he's angry. His prior misanthropy is mostly revealed through other characters opining about what a jerk he is. Goode is stuck emoting at the tortured end of soulful, but the character is a bit of a trap: we have to find him compelling even as the show is stuck on repeat about how upset he is about the world at large. It's an interesting primer on why this sort of thing works better on 'Slow Horses.' Lamb has a lifetime of misdeeds to look back on with a jaded eye. Morck is much younger, and a singular event is driving him right now— our entire perception of him is molded through that lens. The show fares better with Rose and Akram. Byrne brings an irrepressible energy to Rose, and though the character has also been through a traumatic event, she's still allowed to crack jokes. Moreover, she's still interested in engaging with people and learning how to be a good detective. Akram might be smarter than Morck; one gets the sense that, given the opportunity, he'd have the instincts to get this thing wrapped up swiftly. Morck's consistent rudeness to him runs the risk of moving him from compelling misanthrope territory into antagonist. Advertisement There are signs here that a good procedural lurks in the bones of the show across its nine episode season (critics were given the first eight). Sives brings some vital levity and warmth to the proceedings once Hardy heals enough to start helping out with the case. It's clear he's the better mentor between the two of them, with Morck unnaturally forced into the role. If the show could just turn down the dial on its protagonist grimly shouting at people, this motley crew might actually cohere into a crack squad of crime solvers. DEPT. Q Starring: Matthew Goode, Chloe Pirrie, Alexej Manvelov, Leah Byrne, Jamie Sives. On Netflix Lisa Weidenfeld can be reached at

The best new TV shows to stream in June
The best new TV shows to stream in June

Sydney Morning Herald

time3 days ago

  • Entertainment
  • Sydney Morning Herald

The best new TV shows to stream in June

Another month, another stack of streaming titles to add to your roster. There are shows that are going to hit some hard-to-reach spots, whether it's Stan's idiosyncratic sibling comedy Hal & Harper (with bonus dad energy from Mark Ruffalo) or Apple TV+'s hard-nosed arson drama Smoke. Let's get your watching squared away! Apple TV+ My top Apple TV+ recommendation is Smoke (June 27). One sure sign that the creative voices on a show genuinely enjoyed their collaboration is when they sign up to do it all again. That's the case with British star Taron Egerton (Rocketman) and American crime novelist and series creator Dennis Lehane (Mystic River), whose 2022 Apple TV+ crime drama Black Bird drew widespread praise. The pair have reunited for this investigatory thriller, which is inspired by true events in America's Pacific Northwest, where an arson investigator (Egerton) and a police detective (Jurnee Smollett, The Order) reluctantly team up to track down not one but two serial arsonists. The stacked supporting cast includes Rafe Spall (Trying), John Leguizamo (The Menu) and Greg Kinnear (Shining Vale). Loading Also on Apple TV+: Owen Wilson, good to see you! The Wedding Crashers star brings his deadpan delusions to Stick (June 4), a screwball sports comedy about a washed-up former professional golfer who seeks redemption via coaching a young prodigy. Created by screenwriter Jason Keller (Ford v. Ferrari), the limited series stars Wilson as the not entirely reliable Pryce Cahill, who is dodging divorce proceedings when he discovers teenage phenomenon Santi Wheeler (Peter Dager). Qualifying tournaments and goofy golf philosophy ensue, with Marc Maron (Glow) as an unconvinced sounding board. Meanwhile, Sydney Sweeney continues to diversify her Hollywood profile. Having already ticked off a romcom (Anyone But You), a horror flick (Immaculate), and a bad superhero movie (Madame Web), the coronated screen queen stars opposite Julianne Moore in the crime thriller Echo Valley (June 13). Written by Brad Ingelsby (Mare of Easttown) and directed by Michael Pearce (Beast), the feature begins with a tearful, bloodied Claire Garrett (Sweeney) arriving at the horse ranch of her estranged mother, Kate (Moore), claiming that she had to kill her abusive boyfriend in self-defence. When Kate covers up the crime, she becomes an accomplice even as Claire's actions on the night raise questions. May highlights: Should a security cyborg binge space soaps or protect its human clients? Sci-fi black comedy Murderbot had the answer, plus culinary thriller Careme brought Kitchen Confidential into the Napoleonic era. Netflix My top Netflix recommendation is The Survivors (June 6). Netflix has first-rate source material for its new Australian drama: a Jane Harper novel. The author of The Dry creates menacing mysteries that resonate, as is the case with this story of a small seaside town where a tragedy that left several people dead 15 years prior returns to the public eye when a new murder takes place. Confronting the town's collective amnesia is a young couple, Kieran (Charlie Vickers), the son of a local clan returned home with his young family, and his partner, Mia (Yerin Ha), who sees the community's failings. Adapting Harper's novel is Tony Ayres, whose previous shows include Stateless and Fires. Also on Netflix: Squid Game (June 27), the blockbuster South Korean series that helped change the definition of event television, comes to an end with its third season. These new episodes were filmed back-to-back with last December's second season, which culminated in a failed rebellion among the players of the dystopian competition that once again left player turned saboteur Seong Gi-hun (Lee Jung-jae) facing a very uncertain future. Creator Hwang Dong-hyuk will steer the show to its conclusion, safe in the knowledge that Squid Game fascination has not eased. The second season's first three days smashed Netflix viewing records. May highlights: Julianne Moore was compelling as a billionaire's controlling wife in Sirens, Tina Fey and Steve Carell starred in the bittersweet comedy The Four Seasons, and Conan O'Brien: the Kennedy Centre Mark Twain Prize for American Humour was an uproarious celebration. Stan * My top Stan recommendation is Hal & Harper (June 26). Mark Ruffalo is in his do-anything era. After big-screen turns as a cad in Poor Things and a pompous interplanetary dictator for Mickey 17, the former Marvel star comes back to Earth in this bittersweet comic drama. Ruffalo plays a suburban single father whose child-raising techniques have resulted in stunted, co-dependent lives for his now 20-something children, Hal (Cooper Raiff, the show's writer and director) and Harper (Lili Reinhart, Riverdale). The pair's attempts to understand where they're at, and engage with their emotionally shifty dad, form the basis of this limited series. Raiff turned heads with his last movie, Apple TV+'s idiosyncratic rom-com Cha Cha Real Smooth, so there's real promise here. Loading Also on Stan: There are currently many shows about London's fictional crime gangs, including Stan's Gangs of London, so thankfully the setting for this latest British organised crime drama moves north to Liverpool. This City is Ours (June 4) stars Sean Bean (Snowpiercer) as Ronnie Phelan, a drug dealer who has cornered the city's narcotics business and built an empire. Wealth and age have Ronnie thinking of retirement, but that soon creates chaos and instability when he leans towards his right-hand man, Michael Kavanagh (James Nelson-Joyce, A Thousand Blows), over his impatient son, Jamie (Jack McMullen, Hijack). The unofficial mediation process, as fans of this genre well know, is violent and vengeful. May highlights: The murder mystery is never more fun than when Natasha Lyonne's rogue detective is solving them on Poker Face, plus The Walking Dead devotees got a new season of post-apocalyptic New York with the return of Dead City. Disney+ My top Disney+ recommendation is The Bear (June 26). I love this outstanding show's scheduling commitment – late June every year, a new season appears. The fourth instalment of Christopher Storer's celebrated comic-drama about an obsessive chef turning his family's Chicago sandwich spot into a fine-dining restaurant has plenty to resolve. The third season ended with a crucial newspaper review leaving Carmy Berzatto (Jeremy Allen White), once more, torn between satisfaction and torment, while the bills mount and the staff start to fray. All the 'yes, chef!' cast return, plus a further appearance by Jamie Lee Curtis as Carmy's troubled mother, Donna. I wouldn't be completely surprised if the show recalibrated after the third season and leant more into its drama. Loading Also on Disney+: Having previously flooded Disney+ with spin-off superhero series, the Marvel Cinematic Universe has tapped the breaks these past two years. Quality over quantity has been the goal. The latest offering is Ironheart (June 25), a six-part comic-book drama about young scientist Riri Williams (Dominique Thorne), who was introduced in the 2022 blockbuster Black Panther: Wakanda Forever as the creator of her own Iron Man-like suits. Williams returns to her hometown of Chicago, where her belief in technology comes up against magic in a show that leans into community struggle and personal responsibility. May highlights: The accolades continued for Andor, the Star Wars show that matters, while Tucci in Italy was a truly delicious food and travel documentary. Max My top Max recommendation is Mountainhead (June 1). Succession hive assemble! The tech billionaires are far richer and far less regulated than everyone's favourite toxic media moguls in the new feature film from Succession creator Jesse Armstrong. The British satirist, whose inspired dialogue can cause whiplash, charts a weekend retreat for a quartet of digital titans – played by Steve Carell (The Four Seasons), Ramy Youssef (Ramy), Jason Schwartzman (Asteroid City), and Cory Michael Smith (May December) – just as new AI features on one of their platforms is stoking violence and economic panic around the world. A crisis? No, it's an opportunity. Armstrong, who also directs, dissects his delusional new subjects with one tech bro nightmare after another. Also on Max: Mariska Hargitay is one of television's most enduring stars. Since 1999, she's played Olivia Benson, the unyielding New York detective investigating sexual crimes on Law & Order: Special Victims Unit. The 61-year-old has always been open about the void in her own life – when Hargitay was just three her mother, Hollywood bombshell Jayne Mansfield, died in a car accident; Hargitay was asleep in the vehicle's back seat. My Mum Jayne (June 28) is a documentary about Hargitay's attempts to delve into her mother's personal and public legacy. Hargitay, who directs, calls it a, 'a labour of love and longing'. Amazon Prime Video My top Amazon Prime recommendation is We Were Liars (June 18). Shows about the young and privileged are timeless: wealth porn, aristocratic beauty, and unfulfilled privilege have powered everything from Gossip Girl to Elite. The latest variant is an adaptation, by Julie Plec (The Vampire Diaries), of E. Lockhart's 2014 best-selling young adult novel about a teenager, Cadence Eastman (Emily Alyn Lind, the Gossip Girl reboot), trying to fill in the trauma-induced gap in her memory connected to a summer she spent at her family's island compound with her cousins and best friends. Something bad obviously happened, but the truth gets twisted in a narrative that leans more towards psychological thriller than pouty melodrama. Loading Also on Amazon Prime: Adding to the conspiratorial thriller genre – think Condor, Deep State and Rabbit Hole – Countdown (June 25) is a law enforcement drama about an LAPD detective, Mark Meachum (Jensen Ackles), assigned to a task force responding to the murder of a government official. Once the investigators start to unwind the plot, the stakes are very much raised. Derek Haas, who kept procedural television afloat with both Chicago Fire and Chicago P.D., is responsible for a series that should add to Amazon Prime's Reacher -led stable of tough guy TV. May highlights: The Marvellous Mrs Maisel crew put their mark on the ballet world with Etoile, while a new season of Nicole Kidman's Nine Perfect Strangers continued to do heads in (including our critic). ABC iview My top iview recommendation is Bay of Fires (June 15). The first season of this Australian drama was the anti- SeaChange: at-risk finance CEO Stella (co-creator Marta Dusseldorp) and her children are given new identities and relocated to a small Tasmanian town, only to discover that it's full of suspicious criminals, a budding cult and other untrustworthy former government assets. If the debut season required Stella to fight for survival, with a tone that mixed heightened black comedy and thriller tension, the second instalment finds her trying to hold together the fractious coalition she built. It's a very different kind of local politics. This is a chance for the ABC to build a series that doesn't just endure, it evolves. May highlights: It was a month of hardy crime dramas that crisscrossed Britain – The One That Got Away was a gritty Welsh mystery, while Bergerac rebooted the Channel Islands detective, plus feel-good reality series The Piano hit all the right notes. SBS On Demand My top SBS On Demand recommendation is Families Like Ours (June 20). Much like the British drama Years and Years, which viewed that nation's fictional dystopian descent through the lens of an everyday Manchester clan, this Danish drama tackles the vastness of climate change through an ordinary family's struggle. A what-if set in the not-quite near-future, it's driven by the need to evacuate Denmark as rising sea levels will flood the nation. Certainty ends as the country's millions of citizens explore immigration options or forced relocation, facing separation and a loss of a lifestyle taken for granted. The co-writer and director is Thomas Vinterberg (The Celebration, Another Round), who has stressed that his focus is more personal than political. May highlights: A dedicated team of German police detectives made The Black Forest Murders a gripping investigation drama, while an iconic character got a new twist in the period adventure Sherlock & Daughter. Other streamers My top recommendation for the other streaming services is Binge's Mix Tape (June 12). A romantic second chance couched in the past's unquenchable promise and the siren's song of beloved teenage tunes, this Irish-Australian limited series tells a then-and-now story. In 1989, in Britain a connection is slowly forged between teenagers Alison (Florence Hunt) and Daniel (newcomer Rory Walton-Smith), only for them to be irrevocably separated. Cut to the current day and both have built lives of their own, only for Daniel (Jim Sturgess) to discover that Alison (Teresa Palmer) is living in Sydney. What they do next – with a soundtrack of vintage classics – is in the hands of writer Jo Spain (Harry Wild), who adapted Jane Sanderson's 2020 novel of the same name, and director Lucy Gaffy (Irreverent). Loading Also: The Agatha Christie mystery-industrial complex rolls onwards with the BBC's new three-part adaptation of a 1944 novel from the doyenne of detective fiction. Towards Zero (June 3) is very much classic Christie, albeit with an impressively credentialled cast, set at a 1930s British country estate where the imperious order maintained by Lady Tressilian (Anjelica Huston) is interrupted by visitors and then a murder. It falls to Inspector Leach (Matthew Rhys) to interview the assembled suspects and sift the clues.

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