Latest news with #Arcangelo
Chicago Tribune
17 hours ago
- Entertainment
- Chicago Tribune
Ganadores en la historia de Belmont Stakes
Por The Associated Press 2025_Sovereignty 2024_Dornoch 2023_Arcangelo 2022_Mo Donegal 2021_Essential Quality 2020_Tiz the Law 2019_Sir Winston 2018_Justify 2017_Tapwrit 2016_Creator 2015_American Pharoah 2014_Tonalist 2013_Palace Malice 2012_Union Rags 2011_Ruler On Ice 2010_Drosselmeyer 2009_Summer Bird 2008_Da' Tara 2007_Rags to Riches 2006_Jazil 2005_Afleet Alex 2004_Birdstone 2003_Empire Maker 2002_Sarava 2001_Point Given 2000_Commendable 1999_Lemon Drop Kid 1998_Victory Gallop 1997_Touch Gold 1996_Editor's Note 1995_Thunder Gulch 1994_Tabasco Cat 1993_Colonial Affair 1992_A.P. Indy 1991_Hansel 1990_Go and Go 1989_Easy Goer 1988_Risen Star 1987_Bet Twice 1986_Danzig Connection 1985_Creme Fraiche 1984_Swale 1983_Caveat 1982_Conquistador Cielo 1981_Summing 1980_Temperance Hill 1979_Coastal 1978_Affirmed 1977_Seattle Slew 1976_Bold Forbes 1975_Avatar 1974_Little Current 1973_Secretariat 1972_Riva Ridge 1971_Pass Catcher 1970_High Echelon 1969_Arts And Letters 1968_Stage Door Johnny 1967_Damascus 1966_Amberoid 1965_Hail To All 1964_Quadrangle 1963_Chateaugay 1962_Jaipur 1961_Sherluck 1960_Celtic Ash 1959_Sword Dancer 1958_Cavan 1957_Gallant Man 1956_Needles 1955_Nashua 1954_High Gun 1953_Native Dancer 1952_One Count 1951_Counterpoint 1950_Middleground 1949_Capot 1948_Citation 1947_Phalanx 1946_Assault 1945_Pavot 1944_Bounding Home 1943_Count Fleet 1942_Shut Out 1941_Whirlaway 1940_Bimelech 1939_Johnstown 1938_Pasteurized 1937_War Admiral 1936_Granville 1935_Omaha 1934_Peace Chance 1933_Hurryoff 1932_Faireno 1931_Twenty Grand 1930_Gallant Fox 1929_Blue Larkspur 1928_Vito 1927_Chance Shot 1926_Crusader 1925_American Flag 1924_Mad Play 1923_Zev 1922_Pillory 1921_Grey Lag 1920_Man o' War 1919_Sir Barton 1918_Johren 1917_Hourless 1916_Friar Rock 1915_The Finn 1914_Luke McLuke 1913_Prince Eugene 1912_No se realizó 1911_No se realizó 1910_Sweep 1909_Joe Madden 1908_Colin 1907_Peter Pan 1906_Burgomaster 1905_Tanya 1904_Delhi 1903_Africander 1902_Masterman 1901_Commando 1900_Ildrum 1899_Jean Bereaud 1898_Bowling Brook 1897_Scottish Chieftain 1896_Hastings 1895_Belmar 1894_Henry of Navarre 1893_Comanche 1892_Patron 1891_Foxford 1890_Burlington 1889_Eric 1888_Sir Dixon 1887_Hanover 1886_Inspector B. 1885_Tyrant 1884_Panique 1883_George Kinney 1882_Forester 1881_Saunterer 1880_Grenada 1879_Spendthrift 1878_Duke of Magenta 1877_Cloverbrook 1876_Algerine 1875_Calvin 1874_Saxon 1873_Springbok 1872_Joe Daniels 1871_Harry Bassett 1870_Kingfisher 1869_Fenian 1868_General Duke 1867_Ruthless
The Guardian
09-03-2025
- Entertainment
- The Guardian
L'Allegro, il Penseroso ed il Moderato review – dazzling opening to London Handel festival
This year's London Handel festival got off to a rousing start with new artistic adviser Jonathan Cohen at the helm of Arcangelo, the crack baroque ensemble he founded back in 2010. On the bill was the colourful pastoral L'Allegro, il Penseroso ed il Moderato, in which wit and jollity look set to gain the upper hand before Handel decides to put a dampener on things by insisting on moderation in everything. Faced with a shortage of Italian singers in 1740, the composer went full English, laying aside ideas for Messiah 'to please the Town with something of a gayer Turn.' His librettist, James Harris, interwove Milton's poem L'Allegro (The Happy Man) with the contrasting Il Penseroso (The Melancholy Man), before adding a codicil at the composer's request in the form of Il Moderato (The Moderate Man). The result, which ends with a paraphrase on Shakespeare's The Tempest, may feel a bit of a mashup, but it provided Handel with irresistible opportunities for turning vivid imagery into equally vivid music. Remarkably, he knocked the whole thing out in just 14 days. Cohen seized upon the score with relish, his keen dramatic instincts ensuring bright tempi while knowing just when to give his singers room to spread their wings. Arcangelo, their plush sound underpinned by chamber organ and two harpsichords, responded with crisp, spirited playing and noteworthy solo contributions. The incisive, 18-strong choir sang with imposing power. Three singers represented L'Allegro, led by Stuart Jackson whose fluid tenor, expressive diction and theatrical nous really brought Handel's multihued music to life. Haste Thee, Nymph with its infectious laughter was a hoot, and he brought an egotistical swagger to I'll to the Well-trod Stage Anon. Paulina Francisco's vivacious soprano was a ray of sunshine, with Adam Plachetka's boisterous baritone offering insistent, though slightly dour support. As Il Penseroso, Rachel Nicholls, a late replacement for Louise Alder, faced challenges with muddy diction and the voice not always ideally steady. But the night belonged to Cohen. With Arcangelo lighting up the baroque interior of St George's Hanover Square, Handel's own parish church, you could have cut the atmosphere with a knife. The London Handel festival continues in various venues, until 10 April
