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Yahoo
3 days ago
- Entertainment
- Yahoo
21 Popular Songs You Probably Didn't Know Are Covers Of The Original
Many people prefer certain song covers to the original, which is perfectly fine. On the other hand, there are songs that people are clueless about, even if they are song covers in the first place! Which means I can now rock out to two versions of these classics! Here are 21 songs you didn't know were actually covers: 1."1985" by Bowling for Soup is a cover of the song by American pop-punk band SR-71, which was released just two months earlier in Japan before the manager believed it was a better fit for Bowling for Soup. probably more well-known, the emotional song "Hurt" by Johnny Cash is a cover of the song performed by the rock band Nine Inch Nails. 3."Respect" by Aretha Franklin is a cover of Otis Redding's 1965 song by the same name. Franklin really flipped the lyrics on their head to create an all-time classic. 4."Renegades of Funk" by Rage Against the Machine is a cover of the Afrika Bambaataa & The Soul Sonic Force song of the same name. song "It's My Life" by No Doubt is a cover of the English band Talk Talk's original release in 1984. iconic "I Will Always Love You" by Whitney Houston is a cover of the 1974 song by Dolly Parton, which was featured on her famous album "Jolene." absolute shocker to my '90s brain, but the 1997 hit song "Torn" by Australian singer Natalie Imbruglia is actually a cover originally sung by American rock band Ednaswap, which was released in 1995. popular song "Don't Cha" by The Pussycat Dolls is a cover of the original song by Tori Alamaze. popular '80s hit "Tainted Love" by Soft Cell is a cover of Gloria Jones's "Tainted Love," released in 1964. song "Superman" by R.E.M. is a cover of "Superman" by The Clique. A B-Side track on the album "White Tornado," it's an R.E.M. gem. mega summer hit from 1999 "Mambo No. 5" by Lou Bega is a sample of the original version by Cuban musician Dámaso Pérez Prado from 1950. 1992 song "Achy Breaky Heart" by Billy Ray Cyrus is a cover of "Don't Tell My Heart," which was first recorded in 1991 by The Marcy Brothers. song "If I Were A Boy" by Beyoncé was performed initially by BC Jean in 2008. song "Black Magic Woman" by Santana is a cover of the song by Fleetwood Mac. Mind blown. In my defense, the Santana version has more views on YouTube than any other version by Fleetwood Mac. 15."Blinded by the Light" by Manfred Mann's Earth Band might be the more popular version, but it was originally written and recorded by Bruce Springsteen. popular Joan Jett & the Blackhearts song "I Love Rock 'n Roll" is a cover of the British glam band Arrow's song "I Love Rock 'n 'Roll." 17."Dancing in the Moonlight" by the English band Toploader is a cover of the song originally recorded by Sherman Kelly's band, Boffalongo, which first released it in 1970. Then, Kelly rereleased the song with his new band, King Harvest, in 1972. So, technically, Kelly covered his own song. 18."Black Betty" by Ram Jam is a cover of a song credited to songwriter Huddie Ledbetter. The oldest recorded version was performed by James "Iron Head" Baker and a group of Texas prisoners in the 1930s. 19."Take Me to the River" by American rock band Talking Heads is a cover of the 1974 soul song by Al Green. 1995 hit "Gangster's Paradise" by Coolio (ft. L.V.) is actually a cover of Stevie Wonder's "Pastime Paradise" from 1976. and mainly for the youngins, Post Malone's cover of the alternative rock song "Only Wanna Be With You," originally released by Hootie & the Blowfish, is now a pop song featured in the Pokémon 25 soundtrack, which has 18M views on YouTube. Is there a song you were stunned to learn was a cover? Comment below (the song and artists)! Solve the daily Crossword
New York Times
22-07-2025
- Entertainment
- New York Times
I Don't Know if I Believe in God, but I Believe in Gospel Music
Before I began listening to gospel music about 12 years ago, I was not the most obvious candidate to become a fan of the genre. Raised by divorced parents who were not particularly religious, I didn't give much consideration to faith. Though my father was a longtime member of the Christ Temple Baptist Church — a Black congregation in Ypsilanti, Mich. — he wasn't a regular presence at Sunday service nor did he pressure me to join him when he did go. My mother, who was a nonobservant Jewish woman, spent much of her adult life criticizing what she viewed as a patriarchal religion; we never attended synagogue, and I didn't have a bar mitzvah. My mother's iconoclasm shaped my attitude toward life, including my taste in music. As a teenager I was drawn to punk rock — loud, fast, angry music that reflected my vague and indeterminate outrage at the world. I defied authority, ranting and raving against the powers that be, including cops, politicians, security guards and my teachers at school, though my defiance usually involved little more than cutting holes in my clothes and quoting song lyrics. I was a perpetually cynical and distrustful young man who believed the world's problems could be solved by my music and clothing preferences, not by organized religion. As I matured and entered my 30s, my father and I grew closer. We bonded over Donny Hathaway, Curtis Mayfield and Aretha Franklin, artists who sang love songs distinctly informed by their respective backgrounds in the Black church. These singers were my conduit to gospel. After hearing the Swan Silvertones sing 'Mary Don't You Weep' on a compilation album of early R&B and gospel groups, I was instantly hooked, and I sought out their LPs as well as records by the Davis Sisters, Marion Williams, Brother Joe May and the Blind Boys of Alabama. I was drawn to the music not because of its religious lyrics but because its rhythms and vocal harmonies moved something deep in my core. I felt the music in my soul before I had even acknowledged the existence of a soul. Each minor chord on the piano, each impassioned cry from the singer broke through my cynicism. I was carried away — if only for a few minutes. I came to understand that the music's religious spirit was inseparable from the music: Each served the other, to help us express our connection to and yearning for the ineffable, to give form to that which is unseen. When a gospel vocalist sings of faith and love of Jesus, it sounds to my ears like a higher power is pouring out of them, using the artist as an instrument. At the top of the Staple Singers' 1965 song 'Let Jesus Lead You,' for example, the band leader, Pops Staples, launches into the opening and his three children follow, creating a simple call-and-response: 'Let Jesus lead you/Let Jesus lead you/Let Jesus lead you/All the way/All the way/All the way from Earth to glory,' before Mavis Staples takes over, her voice slowly building, from mortal earth to the heavenly realms. The sound of the Staple Singers' early records is blues-influenced, trading church organs and a large chorus for a small band, stripping the music down to its raw core. But like much gospel, the Staple Singers' music hinges on a buoyant joyfulness that invites the listener to share in their exaltation. Listening to this song, I clap my hands and stomp a foot on the backbeat. My heart swells with each repetition of the refrain, and I feel myself transported to places I've never visited but that the music conjures for me: some storefront church or a down-home revival. I'm connected to a history, to a not-so-distant past that is not a part of my personal experience but is bound up in my cultural heritage. It reached into the hidden, malnourished and underserved parts of my spirit that I so often tried to repress. To paraphrase Mahalia Jackson's memorable description of gospel, the music brought good tidings and good news to my life. In a world that increasingly fosters self-interest and social isolation, gospel points me toward something more intimate, more collective. Though I don't subscribe to any particular denomination, I aspire to lead a life of curiosity, generosity and compassion — all the best hallmarks of any faith and of great gospel music. Want all of The Times? Subscribe.
Yahoo
17-07-2025
- Entertainment
- Yahoo
Drake's ‘What Did I Miss?' Debuts at No. 1 on Hot R&B/Hip-Hop Songs Chart
In his new song, Drake repeatedly asks, 'What Did I Miss?' Well, we know one thing he didn't: No. 1. The surprise track, released on July 5, storms onto the Hot R&B/Hip-Hop Songs chart dated July 19 to give the superstar his record-extending 31st champ. By adding to his chart-topping collection, Drake further distances himself from runners-up Aretha Franklin and Stevie Wonder, each with 20 No. 1s. More from Billboard Drake Reacts to Alex Warren's 'Ordinary' Holding Him Off From Hot 100 No. 1 Debut: 'I'm Taking That Soon Don't Worry' Jason Aldean, Trisha Yearwood, Old Dominion & More Set to Perform at 2025 Nashville Songwriter Awards Tomorrowland 2025 Mainstage Destroyed by Fire Ahead of Festival Here's a look at the acts with the most No. 1s on Hot R&B/Hip-Hop Songs, dating to the chart's consolidation into a single genre-based ranking in October 1958: 31, Drake 20, Aretha Franklin 20, Stevie Wonder 17, James Brown 16, Janet Jackson 15, The Temptations Further, Drake collects his 140th week at No. 1 on the Hot R&B/Hip-Hop Songs chart, doubling the career total of all other acts. Wonder ranks second, with 70 weeks at the summit. 'What Did I Miss?,' released via OVO Sound/Republic Records, earned 22.6 million official streams, 3.6 million in airplay audience and 6,000 sales in the United States for the tracking week of July 4-10, according to Luminate. From those counts, Drake picks up a record-extending 21st No. 1 on the Streaming Songs chart and his 15th leader on the Digital Song Sales survey, while radio results include a No. 36 entrance on R&B/Hip-Hop Airplay. 'What Did I Miss?' also widens Drake's record collection across other Billboard charts: It arrives atop the Hot Rap Songs chart as his unprecedented 31st No. 1 and marks his 81st top 10 on the Billboard Hot 100 with its No. 2 debut. The track is the expected first offering from a potential Drake album. Fans suspect its title will be Iceman, based on Drake using the name across social media captions and video promotions in recent weeks. In winning the Hot R&B/Hip-Hop Songs throne, Drake's track replaces another juggernaut, Kendrick Lamar and SZA's 'Luther,' which soared to a record 28 weeks atop the chart between December-July. The victory avenges the second-place showing for Drake's single 'Nokia' that peaked at No. 2 on Hot R&B/Hip-Hop Songs for 12 consecutive weeks earlier this year behind 'Luther.' Adding another layer of intrigue, 'What Did I Miss?' finds Drake ruminating on feeble allegiances from supposed friends and collaborators in the aftermath of his feud with Lamar, a defining pop-culture storyline of 2024. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100 Solve the daily Crossword
Yahoo
12-07-2025
- Entertainment
- Yahoo
Hard Rock expands Reverb lifestyle brand to Alabama
This story was originally published on Hotel Dive. To receive daily news and insights, subscribe to our free daily Hotel Dive newsletter. Hard Rock International is bringing its Reverb lifestyle brand to Florence, Alabama, developing a new hotel in collaboration with Sak Capital Partners, the hotel company announced Thursday. Slated to open in early 2028, the music-themed hotel will offer 155 rooms as well as more than 2,000 square feet of meetings and events space. Guests will be able to 'connect with the rich soul, R&B, rock, and blues heritage of the area,' where Aretha Franklin, The Rolling Stones and Willie Nelson have previously recorded, according to Hard Rock. The hotel expands the Reverb pipeline, which includes several other properties under development across the country. Hard Rock is growing the brand, aimed at music fans, amid tight competition in the lifestyle segment. The Alabama hotel joins Reverb's pipeline of seven properties in development, including in Kalamazoo, Michigan; Scottsdale, Arizona; and Pensacola, Florida. The brand has two open hotels in Atlanta and Hamburg, Germany. Hard Rock is expanding the Reverb brand — designed to be 'an energetic cultural hub for connection, creation, and inspiration among music fans, locals and travelers' — amid competition in the lifestyle segment. As travelers increasingly value design and uniqueness as well as immersive experiences, more hotel players are entering the lifestyle segment, hospitality pros previously told Hotel Dive. The Florence Reverb is near music-themed demand drivers including The Muscle Shoals Sound Studio and FAME Studios. The new Reverb hotel will play top hits recorded in Muscle Shoals, and the hotel's design will incorporate elements of the area's music history, Hard Rock detailed. Other hotel brands tapping into music-themed design and experiences to draw guests include Marriott International's W Hotels, which renovated its W Austin in Texas to create 'a music-centric entertainment hub.' DJ Kygo, meanwhile, opened a music-focused experiential hotel in Miami last year. Beyond Reverb, Hard Rock is redeveloping The Mirage Hotel & Casino in Las Vegas into the Hard Rock Hotel & Casino and Guitar Hotel Las Vegas. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
11-07-2025
- Business
- Yahoo
Hard Rock works with Sak Capital on new-build hotel project in US
Hard Rock International has partnered with Sak Capital Partners on a new-build hotel project in the US, targeting an early 2028 opening. The REVERB by Hard Rock Florence, Alabama project will expand REVERB by Hard Rock's portfolio, which is designed to offer a cultural hub for music fans, locals and travellers. Hard Rock International global hotel development senior vice-president and head Todd Hricko said: "Hard Rock is thrilled to work with the team at Sak Capital Partners and to watch them develop an incredible new REVERB by Hard Rock property in Florence that celebrates the area's music legacy while also stimulating the local economy and creating over 200 jobs.' The property aims to cater to both business travellers and event planners, featuring around 155 rooms with views of the Tennessee River and more than 2,000ft² of meeting space. The hotel aims to connect guests with the region's musical heritage, which includes contributions from artists such as Aretha Franklin and The Rolling Stones, who recorded in the nearby Muscle Shoals area. The REVERB by Hard Rock Florence will incorporate elements of this musical history and feature tracks recorded in and inspired by Muscle Shoals. Florence offers a range of local attractions, from boutique shops and dining in the downtown area to the Muscle Shoals Sound Studio and FAME Studios for music enthusiasts. Sak Capital Partners project manager Tucker Sigle said: "This project is a tribute to the area's historic music scene and will be a significant boost for our local economy. "We're excited to partner with Hard Rock as we create a lively hotspot that will draw music lovers from near and far while providing fantastic opportunities for our neighbours right here in Florence." The hotel will join other properties of the upscale lifestyle hotel brand, including those in Atlanta and Hamburg, US, as well as seven properties currently in development across various locations. These include Kalamazoo, Scottsdale, Pensacola, and Tampa in the US; Mazatlán, Mexico; and Punta Cana, Dominican Republic. In August 2024, Hard Rock International unveiled plans for its sixth REVERB property, the REVERB by Hard Rock Pensacola in Florida, US, with construction expected to begin next year. "Hard Rock works with Sak Capital on new-build hotel project in US" was originally created and published by Hotel Management Network, a GlobalData owned brand. The information on this site has been included in good faith for general informational purposes only. It is not intended to amount to advice on which you should rely, and we give no representation, warranty or guarantee, whether express or implied as to its accuracy or completeness. You must obtain professional or specialist advice before taking, or refraining from, any action on the basis of the content on our site.
