Latest news with #Atmosphere
Hindustan Times
7 hours ago
- Entertainment
- Hindustan Times
With 'Atmosphere,' Taylor Jenkins Reid leaves the Evelyn Hugo-verse behind and travels to space
Taylor Jenkins Reid recalls a moment writing her new novel, 'Atmosphere: A Love Story,' set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. 'I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'' 'Atmosphere," out Tuesday, follows the journey of astronomer Joan Goodwin, an astronomer selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space — until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind 'Captain Marvel,' Anna Boden and Ryan Fleck, are adapting the book into a film with a theatrical release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in 'The Seven Husbands of Evelyn Hugo," the 1970s rock scene in 'Daisy Jones & the Six," 1980s surf culture in 'Malibu Rising' and professional tennis in 'Carrie Soto is Back.' With 'Atmosphere,' though, it took extra time, reading and understanding. 'It feels like a fever dream now when I think about it," Reid told The Associated Press. "It was a very intense period of time.' For this endeavor, she needed assistance. 'I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'" Reid was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. 'He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that.' In an interview, Reid also talked about astronomy, social media and yes, the latest on 'The Seven Husbands of Evelyn Hugo' movie at Netflix. Answers are condensed for clarity and length. —- REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasize enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. REID: I didn't realize how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, 'Taylor, slow down your heart rate.' The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the U.S. Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy.
Hamilton Spectator
2 days ago
- Entertainment
- Hamilton Spectator
With ‘Atmosphere,' Taylor Jenkins Reid leaves the Evelyn Hugo-verse behind and travels to space
Taylor Jenkins Reid recalls a moment writing her new novel, 'Atmosphere: A Love Story,' set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. 'I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'' 'Atmosphere,' out Tuesday, follows the journey of astronomer Joan Goodwin, an astronomer selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space — until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind 'Captain Marvel,' Anna Boden and Ryan Fleck, are adapting the book into a film with a theatrical release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in 'The Seven Husbands of Evelyn Hugo,' the 1970s rock scene in 'Daisy Jones & the Six,' 1980s surf culture in 'Malibu Rising' and professional tennis in 'Carrie Soto is Back.' With 'Atmosphere,' though, it took extra time, reading and understanding. 'It feels like a fever dream now when I think about it,' Reid told The Associated Press. 'It was a very intense period of time.' For this endeavor, she needed assistance. 'I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'' Reid was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. 'He spent hours of time with me,' Reid said. 'He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that.' In an interview, Reid also talked about astronomy, social media and yes, the latest on 'The Seven Husbands of Evelyn Hugo' movie at Netflix. Answers are condensed for clarity and length. —- AP: How has writing 'Atmosphere' changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasize enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. AP: Last fall you left social media. Where are you at with it now? REID: I didn't realize how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. AP: Serena Williams is executive producing 'Carrie Soto' for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, 'Taylor, slow down your heart rate.' The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the U.S. Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. AP: Now for your favorite question. What's up with the 'Evelyn Hugo' movie? REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy.
Yahoo
3 days ago
- Entertainment
- Yahoo
With 'Atmosphere,' Taylor Jenkins Reid leaves the Evelyn Hugo-verse behind and travels to space
Taylor Jenkins Reid recalls a moment writing her new novel, 'Atmosphere: A Love Story,' set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. 'I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'' 'Atmosphere," out Tuesday, follows the journey of astronomer Joan Goodwin, an astronomer selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space — until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind 'Captain Marvel,' Anna Boden and Ryan Fleck, are adapting the book into a film with a theatrical release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in 'The Seven Husbands of Evelyn Hugo," the 1970s rock scene in 'Daisy Jones & the Six," 1980s surf culture in 'Malibu Rising' and professional tennis in 'Carrie Soto is Back.' With 'Atmosphere,' though, it took extra time, reading and understanding. 'It feels like a fever dream now when I think about it," Reid told The Associated Press. "It was a very intense period of time.' For this endeavor, she needed assistance. 'I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'" Reid was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. 'He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that.' In an interview, Reid also talked about astronomy, social media and yes, the latest on 'The Seven Husbands of Evelyn Hugo' movie at Netflix. Answers are condensed for clarity and length. —- AP: How has writing 'Atmosphere' changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasize enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. AP: Last fall you left social media. Where are you at with it now? REID: I didn't realize how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. AP: Serena Williams is executive producing 'Carrie Soto' for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, 'Taylor, slow down your heart rate.' The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the U.S. Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. AP: Now for your favorite question. What's up with the 'Evelyn Hugo' movie? REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy.
San Francisco Chronicle
3 days ago
- Entertainment
- San Francisco Chronicle
With 'Atmosphere,' Taylor Jenkins Reid leaves the Evelyn Hugo-verse behind and travels to space
Taylor Jenkins Reid recalls a moment writing her new novel, 'Atmosphere: A Love Story,' set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. 'I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'' 'Atmosphere," out Tuesday, follows the journey of astronomer Joan Goodwin, an astronomer selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space — until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind 'Captain Marvel,' Anna Boden and Ryan Fleck, are adapting the book into a film with a theatrical release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in 'The Seven Husbands of Evelyn Hugo," the 1970s rock scene in 'Daisy Jones & the Six," 1980s surf culture in 'Malibu Rising' and professional tennis in 'Carrie Soto is Back.' With 'Atmosphere,' though, it took extra time, reading and understanding. 'It feels like a fever dream now when I think about it," Reid told The Associated Press. "It was a very intense period of time.' Reid was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. 'He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that.' In an interview, Reid also talked about astronomy, social media and yes, the latest on 'The Seven Husbands of Evelyn Hugo' movie at Netflix. Answers are condensed for clarity and length. —- AP: How has writing 'Atmosphere' changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasize enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. AP: Last fall you left social media. Where are you at with it now? REID: I didn't realize how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. AP: Serena Williams is executive producing 'Carrie Soto' for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, 'Taylor, slow down your heart rate.' The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the U.S. Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy.
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Business Standard
3 days ago
- Business
- Business Standard
Puravankara's consolidated net loss widens to Rs 88 crore in Q4FY25
Puravankara Limited, the Bengaluru-headquartered real estate major, saw its consolidated losses widen to Rs 88 crore in the fourth quarter ended March 2025, from a loss of Rs 6.71 crore in the same quarter last financial year. Revenue from operations for the quarter declined 40.4 per cent to Rs 563.7 crore, from Rs 946.8 crore in the corresponding period of the previous year. The company's inventory — including flats, land stock, and work-in-progress — ballooned to Rs 430 crore in Q4FY25, up from Rs 45.48 crore in the same quarter last year. Land purchase cost more than doubled to Rs 191.8 crore from Rs 87.6 crore during the period. Sub-contractor costs also rose to Rs 424 crore versus Rs 397 crore, contributing to the overall income turning negative. 'FY25 saw record sustenance sales, and our western India investments are now poised to come to market. We are also actively pursuing several major redevelopment projects. With over 13.5 million square feet in the pipeline group-wide, and key approvals in place, we are optimistic about delivering long-term value to all stakeholders while reinforcing our legacy of trust and innovation,' said Ashish Puravankara, Managing Director, Puravankara Limited. In Q4FY25, pre-sales stood at Rs 1,282 crore, driven by a sales volume of 1.42 million square feet and collections of Rs 946 crore. For the full year FY25, the company achieved pre-sales of Rs 5,006 crore, with a sales volume of 5.67 million square feet and a 10 per cent year-on-year (YoY) increase in sales realisation to Rs 8,830 per square foot. Collections for the year stood at Rs 3,937 crore, reflecting 9 per cent growth over the previous year. Total revenue stood at Rs 2,093 crore, while operating cash inflows rose by 10 per cent YoY to Rs 4,342 crore. The FY25 net loss was reported at Rs 182.92 crore. In comparison, the company had posted a net profit of Rs 42 crore in FY24. For the full year, inventories increased to Rs 1,935.5 crore in FY25, more than tripling from Rs 597.3 crore in FY24. The company said it continues to invest in its Grade A commercial portfolio, with nearly 2 million square feet expected to receive occupancy certificates (OCs) in FY26, thereby enhancing annuity income visibility. Despite approval delays that impacted some project launches — including regulatory shifts such as the new e-khata policy — approvals have now begun to come through, setting the stage for a more active launch calendar in the coming quarters, the company said. Puravankara delivered approximately 3.09 million square feet in FY25 and expects OCs for key projects like Atmosphere, Oakshire, and Capella in Bengaluru, and Adora De Goa in Goa in FY26. These have a combined saleable area of 3.95 million square feet and a gross development value (GDV) of Rs 3,200 crore. The realtor highlighted that net debt stood at Rs 2,949 crore for FY25, up from Rs 2,151 crore in March 2024, largely due to a rise in capital expenditure. Residential debt declined by Rs 132 crore, reflecting strong project cashflows and operational efficiency. However, land-related debt increased by Rs 164 crore due to incremental investment in Mumbai projects during the quarter. 'We have done land investment of Rs 1,284 crore in FY25, including acquisition of landowner's share of Rs 377 crore,' the company said in its investor presentation. In FY26, the company intends to launch 9.25 million square feet, including new projects and phases in existing ones, across Bengaluru, Mumbai, and Kochi. It launched a developable area of 7.38 million square feet and opened 3.6 million square feet for sale at the time of launch in FY25. Of this, Bengaluru constituted 31 per cent, Chennai 23 per cent, Mumbai 29 per cent, and Pune 17 per cent. Puravankara announced its results post-market hours. Shares of the company closed at Rs 262.9 apiece, up 2.08 per cent on the NSE on Friday.
