Latest news with #BalletRambert
The Guardian
02-05-2025
- Entertainment
- The Guardian
Sara Lemkow obituary
My mother-in-law, Sara Lemkow, who has died aged 102, was, under the stage name Sara Luzita, an acclaimed dancer for 20 years. As a dance student in London at the outbreak of the second world war, when the capital's theatres temporarily closed, Sara was evacuated to Cheltenham. There, she was astonished at the start of 1940 to be invited to join Keith Lester's new Arts Theatre Ballet. She hurried back to London, and her career took off. Within months she had joined Ballet Rambert at the same theatre. Marie Rambert was an exacting teacher, wartime conditions were hard, the pay was poor and the bombs rained down, yet Sara thrived. She danced with Rambert throughout the war, in theatres, factories and ammunition works, and for troops across the UK, and then in Italy and Austria. At one point Ninette de Valois invited her to join the Royal Ballet, but Sara declined, preferring to concentrate on Spanish dance. 'What a stupid fool I was,' she recalled. She took part in Rambert's groundbreaking 1947-49 tour of Australia and New Zealand, drawing large crowds to her solo recitals. Returning to Europe, she went on to dance in revues and cabaret and on TV and film, often with her partner, the Norwegian actor and dancer Tutte Lemkow. They danced for Benjamin Britten at the Aldeburgh festival, and in John Huston's Oscar-winning 1952 film Moulin Rouge, in which she can-canned in an eye-catching yellow dress. Sara and Tutte married in 1954, and the birth of their two daughters, Rachel and Becky, portended the end of Sara's dancing career. Her ballet swansong was as a soloist in Carmen at the Royal Opera House in 1960. Born in Hanley, Staffordshire, the daughter of Leonard Jacobs, a racing tipster, and his wife, Bessie (nee Page), Sara grew up in Hove, East Sussex, with three brothers. Bessie, unhappy in her marriage, and often without money to pay the rent, threw her energy into encouraging Sara to dance, sitting up late sewing wonderful costumes for her to wear in competitions on Brighton Pier. At 14 Sara left Lourdes convent school to study ballet with Phyllis Bedells in London. There, mentored by Elsa Brunelleschi, she fell in love with Spanish dance, and adopted the stage name of Sara Luzita. As a student, in 1936 Sara danced in the epic productions of Hiawatha at the Royal Albert Hall and for John Logie Baird's early ventures in television at the Crystal Palace. As Sara's dancing career drew to a close, she and Tutte opened an antiques shop in Camden Passage, north London. Their marriage ended in divorce, but she continued to work as an antiques dealer until the 1990s, on her own and in partnership with Rachel. Sara was always hard-working, sweet-tempered and a loyal friend. In retirement she lived in Suffolk, then in Ely, Cambridgeshire, where she moved to be closer to Rachel. At the age of 100, she was still playing the castanets. She is survived by Rachel and Becky, her stepson, Louis, and a granddaughter, Hannah.
Times
30-04-2025
- Entertainment
- Times
Prue Skene obituary: Executive director of Ballet Rambert
Prue Skene had only been with Ballet Rambert for a few months when in 1976 she was tasked with organising the company's 50th anniversary gala performance at Sadler's Wells. 'We tried to invite everybody who had ever been connected with the company,' she told Rambert Voices, the company's oral history project. It was before the days of computers and databases, 'but we did manage to reach an awful lot of people'. Not all Rambert's alumni were co-operative. Diana Gould, a former ballerina married to the violinist Yehudi Menuhin, was still scarred from her experience many years earlier of working with Marie Rambert, the company's founder. 'I can't be in the same building as that woman,' she told Skene, who remembered 'an hour-long telephone conversation about
Yahoo
23-04-2025
- Entertainment
- Yahoo
Prue Skene, CEO of Ballet Rambert and potent behind-the-scenes force in British arts
Prue Skene, who has died aged 81, was a gifted cultural administrator and a discreetly potent force in the British performing arts. She began in the 1970s; her principal domain was dance. Compared to most attracted to that art form, she was inspired relatively late in life – at the age of 30, after seeing the work of New York choreographer Twyla Tharp at London's Roundhouse, where Prue was employed as a secretary. It was there that she also caught a performance by Ballet Rambert, which had been Britain's first independent classical dance company when it was founded in 1926, but had latterly become 'contemporary' – still a novel tag in 1970s London. She was instantly taken by Rambert's The Parades Gone By, a funky, high-camp piece by the late Lindsay Kemp that parodied Golden Age Hollywood, and never looked back. Prue Skene campaigned tirelessly on behalf of Rambert's daring output, finessing international tours, supporting its choreographers and dancers, and becoming its much-loved and reliable executive director (1975 to 1986), then later board chair (2000 to 2009). She also brought her lightness of touch and unswerving advisory hand to other pioneering companies, including the English Shakespeare Company in the late 1980s and, in 2016, Cardboard Citizens, a project bringing in the homeless to create theatre, where she was also chair. As one Rambert colleague put it: 'If Prue said something, it would happen.' Prudence Patricia Skene was born in Amersham in 1944, the second of four children to Phyllis and Robert Skene, and educated at the Francis Holland School when the family moved from Buckinghamshire to London after the war. Her parents had met at Oxford University but Prue showed no signs of following them there. Nor did she recall culture being high on the agenda in a comfortable home, though did think she was taken to the Opera House, where she felt sure she had seen the ballerina Margot Fonteyn but was unable to confirm it. She moved into secretarial work, which brought her to the Roundhouse, considered edgy and rough, almost 'fringe', in the 1960s and 1970s. Huge bands of the era – The Who, Pink Floyd – played there at weekends but they weren't for Prue Skene, not least because she was a weekday worker and went home on Fridays. She came into her own when invited to help administer the dance company that had so electrified her. One of Rambert's great hits was Cruel Garden, designed by Kemp and Ralph Koltai, and choreographed by Christopher Bruce, an important associate director at Rambert. Based on the works, and murder, of the Andalusian poet Federico García Lorca, the piece was made precisely for the Roundhouse space, premiering in 1977. For Skene it remained perhaps the company's signature show. In 1985, she married Brian Wray, marketing director at Imperial Tobacco (cigarette companies then being acceptable arts sponsors) and they made a life together in Bath. This marked a career pause. But within six years she was at Arts Council England, becoming a significant and astute force in the distribution of National Lottery funds to arts organisations. The list of posts she occupied was prodigiously long, and included executive producer of the English Shakespeare Company; director of the Arts Foundation; and trustee of the Nureyev Foundation. As chair at Cardboard Citizens, she showed her trademark steadiness. Founder and former CEO Adrian Jackson recalls: 'Prue was very determined and committed. As CEO life is sometimes easier with a pliant chair: Prue was not that. She tended to get what she wanted.' And few knew about her weaving skills. To a niece in the British Library once, looking together in the entrance hall at a huge tapestry If Not, Not (after RB Kitaj's mid-1970s painting), Prue said: 'I cut the last thread on that: same as launching a boat – smashing a bottle on the prow!' Skene was as modest as she was multi-talented. In 2000 she was appointed CBE for her services to the arts. Brian Wray died in 2002. Skene then shared her life with actor Michael Pennington, who survives her. Prue Skene, born January 9 1944, died March 5 2025 Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
