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38 minutes ago
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Belinda's ‘Indómita' Album & More Best New Music Latin
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week's picks below. Belinda, (Warner Music México) More from Billboard Jon Bellion Was Tired of Songwriters Getting 'Paid F-king Dirt' - So He Flipped the Script With 'Father Figure' Elvis Crespo, Elena Rose, Kapo & More: Vote for the Best New Latin Music This Week The Weeknd Wanders Through Purgatory in 'Baptized in Fear' Music Video When Belinda received the Evolution Award at the 2025 Billboard Latin Women in Music gala, she made it clear that 'Belinda isn't a musical genre.' During a career that spans 25 years, she's navigated through pop, rock, electronic, cumbia, and most recently, música mexicana. 'My career is versatile…it's the perfect word to define my style,' she previously told Billboard. Best representing her fruitful and experimental growth in the industry, the Spain-born, Mexican-raised star dropped Indómita, her sixth studio album and debut set under Warner Music. The 17-track album starts off with nine 'corridos coquettes,' where her alter ego 'Beli Bélica' shines in collaborations with genre hitmakers Natanael Cano ('300 Noches'), Tito Double P ('La Cuadrada'), and Xavi ('Mírame Feliz'). Across the next eight songs, she dabbles in trap music ('Death Note' and 'Silvana'); teams up with Netón Vega and Tokischa for two hard-hitting perreos ('+ Perra, + Bitch' and 'Wet Dreams'); and goes full dance in the Kenia OS-assisted 'Jackpot.' Other collaborators on the set include Alemán, Mala Rodriguez and Thirty Second to Mars. 'The [album's] title is very specific to a movement for women,' she explained of Indómita, which means 'untamed.' 'She's a warrior, independent, a woman who's out of the box, completely irreverent but at the same time strong, sexy, fun… all the things I like and that I am, and I'd like to convey that to people.' — JESSICA ROIZ Óscar Maydon, (Rancho Humilde) Excess, irreverence and romance collide in Óscar Maydon's Rico o Muerto, Vol. 1, a whirlwind of sierreño swagger that feels like a tequila-soaked fever dream. Across 12 tracks, the Mexicali artist channels the debauchery and drama of late-night escapades, weaving tales of fleeting romances ('Mr. Vallarta'), dismissal ('Para Ti') and indulgence ('ZAZA,' the only trap song). The party kicks off on 'Baja Beach,' a sun-drenched anthem named after the infamous Mexican festival, with Junior H and Fuerza Regida joining the revelry. 'Desvelada' turns up the nocturnal chaos alongside Peso Pluma and Netón Vega, while the focus track 'Asquerosamente Rico' with Peso takes playful opulence to new heights. On '2030,' Maydon rides solo, mixing carnivalesque accordion riffs with a pulsing electric bassline to deliver a debauched, dystopian glimpse into the future. The album is the right amount of star-studded that Luis R Conríquez and Gabito Ballesteros also join him on 'Fina Con Los Valentinos.' With pre-released hits 'Tu boda' and 'Amigos? No.' rounding out the collection, Rico o Muerto, Vol. 1 reaffirms Maydon's devil-may-care and romantic style. But more than a party album, it's a work where the unbridled fun and excitement feel as real as the early mornings it invokes. — ISABELA RAYGOZA Elvis Crespo, (Puntería Records) Merengue star Elvis Crespo delivers Poeta Herío, a term from Puerto Rican slang that translates to 'hurt poet.' The 13-track set showcases the vibrant essence of merengue, featuring lively rhythms and heartfelt lyrics encapsulating the joys and struggles of life through his music. The LP is a vibrant tapestry of tropical sounds, featuring an impressive roster of both legendary icons and rising stars. With Elvis Crespo at the helm, the project immerses listeners in his signature genres of spirited merengue, lively mambo and infectious bachata. This new chapter in Crespo's musical journey is fueled by collaborations with a diverse array of artists such as Ivy Queen, Jerry Rivera, Toño Rosario, Tony Tun Tun and Víctor Manuelle. Standout tracks include 'Cora Roto,' an emotionally charged song where Crespo unveils a gripping narrative of betrayal, where hidden truths come to light, revealing a harsh and unforgiving reality. This is followed by several heartfelt goodbye letters and concludes the album with a revamped version of his classic 'Nuestra Canción,' featuring Jerry Rivera. — INGRID FAJARDO Ozuna, 'Sirenita' (Nibiru International) Ozuna hasn't released an album in two years, so he could be setting the tone for a potential LP with the two singles he's released so far this year. His latest, 'Sirenita,' is a vibrant fusion of Afrobeats and the Puerto Rican hitmaker's signature rhythmic-leaning urban production, which serves as the perfect canvas for his sweet and delicate vocals. The lyrics to 'Sirenita' — which tell the story of a girl who's stolen Ozuna's heart — are a testament to Ozuna's knack for writing sensitive, romantic songs. 'Sirenita' serves as the lead-up to Ozuna's summer tour in Europe that will kick off on June 20 in Milan and span over ten cities across the continent. — GRISELDA FLORES Elena Rose, Sistek & Mazzarri, 'SINTIGO' (Warner Music Latina) Accompanied by producers Sistek and Mazzarri, Elena Rose releases 'SINTIGO,' an evocative track with an electronic vibe that explores the emotional contradiction of wanting someone to stay but also wanting them to leave. 'How do I tell you? My life without you makes no sense,' the artist sings over a subtle fusion of house with Afrobeats, resulting in a delicate yet euphoric soundtrack for summer. 'SINTIGO' – a Spanish play of the words 'Sin ti' (without you) and 'Contigo' (with you) – is the first preview of the Venezuelan singer-songwriter's highly anticipated debut LP, following her 2024 EP En Las Nubes – Con Mis Panas. 'This is the first of everything,' Elena wrote on Instagram. 'A summer without drama is coming … full of beautiful things.' – SIGAL RATNER-ARIAS Adriel Favela, Eddy, 'KbrN InfeLiZ' (Fono) Adriel Favela's 'KbrN InfeLiZ,' the first single from his upcoming album Elysium, is a sad sierreño song powered by raw lyrics about a man who realizes that his lifestyle and emotional failings make him incapable of loving someone back the way he is loved. The sierreño-style guitars add an even more dramatic and profound touch to the track, in which the regional Mexican star is accompanied by Eddy, an emerging música mexicana artist who has previously collaborated with Gabito Ballesteros, Calle 24 and Ed Maverick. 'KbrN InfeLiZ' has the makings of an anthem for today's generation. – TERE AGUILERA Kapo, 'Korazong' (Sony Music Latin/La Industria) Kapo's 'Korazong' is a romantic declaration of love powered by a hypnotic Afrobeats sound. Written by the Colombian singer and produced by Gangsta, the song is distinguished by its poetic and sincere lyrics in which Kapo, with his unmistakable raspy voice, sings to that woman who came to heal his heart and transform it with love. Although it is still early to know if it will be his next hit, what is clear is that Kapo reaffirms his knack for authentic songs that touch the heartstrings and appeal to all types of listeners. — LUISA CALLE Check out more Latin recommendations this week below: Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
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39 minutes ago
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Jon Bellion Was Tired of Songwriters Getting ‘Paid F—king Dirt' — So He Flipped the Script With ‘Father Figure'
This week, Jon Bellion returned to center stage after years of remaining behind the scenes: the veteran songwriter-producer released Father Figure, his first album in seven years and a poignant reflection on fatherhood, including his relationship with his own father and his experiences as a dad of three. A deeply personal project that includes a picture of his parents on the album cover and a voicemail from his uncle on the track list, Father Figure also demonstrates Bellion's status as a gifted collaborator, with Luke Combs, Pharrell Williams and Jon Batiste lending their voices to his story. Bellion — who has contributed to hits by Justin Bieber, Maroon 5 and Miley Cyrus, and recently co-helmed 'Friend of Mine,' Rihanna's first new single in three years — says that he's not playing a 'numbers game' with the album, and that the metric of success he'd like to reach with Father Figure is more abstract. 'If my album can give you one more day, then I'm cool with that — that's the goal,' he tells Billboard. 'To give a listener another day of inspiration? I could live with that.' More from Billboard Elvis Crespo, Elena Rose, Kapo & More: Vote for the Best New Latin Music This Week The Weeknd Wanders Through Purgatory in 'Baptized in Fear' Music Video Miley Cyrus Says Madonna 'Was Down' to Mud Wrestle in a '4x4' Music Video, But Her Label Said No Yet along with its emotional power, Father Figure also offers a fresh industry blueprint, as the rare project in which its credited co-writers will receive a percentage of master royalties, or 'points,' on the album. Bellion worked alongside the artists that comprise Beautiful Mind Projects — his management, publishing and label company — including studio whizzes Pete Nappi, Tenroc and Elkan, all of whom also contributed to Rihanna's 'Friend of Mine.' Bellion says that the decision to provide points to his fellow songwriters was the result of his own 'frustrations of being a songwriter and being paid dirt — morally paid dirt — for 10 years. I don't want to hear people talking about, 'Oh, he's made money and he's successful, so he can't talk about how songwriters get paid dirt.' … If you write an entire song with a group of people, and there's $10 and they only pay you 25 cents, there's moral injustice there. 'If it's $10 million and they only pay you $250,000, there's moral injustice there,' he continues. 'It doesn't matter the way you microscopically change that — it's an insane thing to say. I've always been vocal about that, and I don't care what people's perception of that is, because songwriters get paid f—king dirt.' After self-funding Father Figure, Bellion admits that he does have 'a new perspective and a new appreciation for what the label is doing,' but still believes that there's a way for record labels to allocate less money toward promotional efforts and more towards creative collaborators. To that end, Bellion says that he decided to focus his promotional campaign less on short-form content, and more on proper music videos for four songs from the album — including the title track, which received a moving visual on Friday (June 6). Bellion says that the album rollout has been an invaluable learning process. 'You've got to start somewhere,' he says. 'I'm understanding the workings of the label, and stumbling through it. And even if I come out losing money — which I think I will on this album — but still getting the writers paid at least a point or two, and giving them the courage to go into the next meeting to say 'Well, John did it!' … Someone has to be the guy to be like, 'I don't really know how to make my money back while giving out a ton of points if I'm funding the thing myself, but I'm gonna have to jump into the world to put my money where my mouth is.' I don't know if this is gonna work out, but at least I tried to do the thing.' As Bellion gears up to promote Father Figure from the stage — he'll perform a sold-out intimate show at SOB's in New York, and headline Forest Hills Stadium on Aug. 23 — he hopes that his unique standing in the industry will turn his gambit with the album into a successful model. 'I've been on both sides of the spectrum,' he says. 'I've been on the label side, I've been on the publisher side, I've been on the writer side, and I've been on the artist side. So there's more of a holistic angle, and I can try to bring everything in closer, to get to a better place, possibly. 'I'm not trailblazing,' Bellion continues. 'I'm gonna go to Capitol Hill and dedicate my life to — I'm not saying that. But putting my money where my mouth is, where it actually counts? It's a good place to start.' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
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2 hours ago
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The Weeknd Wanders Through Purgatory in ‘Baptized in Fear' Music Video
The Weeknd unveiled the eerie music video for Hurry Up Tomorrow album cut 'Baptized in Fear' on Friday (June 6). In the cinematic clip, the R&B crooner sits alone in a desolate row of church pews as he sings, 'I fell asleep in the tub, I was met with paralysis/ My foot hit the faucet, water started flowin' in/ Couldn't scream for help, I just slowly felt the pressure hit/ Moving one toe was the only form of motion left/ Can't breathe for air, can't breathe.' More from Billboard The Weeknd on the 'Deeply Psychological, Emotional Ride' Behind the Music in His 'Hurry Up Tomorrow' Film Chappell Roan Did the Viral 'Apple' Dance During Charli xcx's Primavera Sound Set: 'Love You B-ch!' 50 Years Ago, Elton John Became First Artist to Enter Billboard 200 at No. 1 - Just How 'Fantastic' Was the Feat? From there, the artist born Abel Tesfaye watches in wonder as his hand is slowly engulfed in a liquid marble akin to the soulless statues that populate the visual before wandering out into the equally empty grounds of the churchyard, which, according to a release, represents the singer's 'battle with inner demons, a purgatory that he must endure, fighting for rebirth.' Though not released as an official single like 'Timeless,' 'São Paulo' and 'Cry for Me,' 'Baptized in Fear' has become a fan-favorite highlight of The Weekend's latest No. 1 LP, which he previously billed as his final album under his famous moniker, but has since noted that it may be a 'rebirth' instead. Billboard ranked the track among the best on Hurry Up Tomorrow upon the project's January release, calling the cut both 'dark and morbid' and 'The Weeknd at peak form.' The surprise video for 'Baptized in Fear' also follows the theatrical release of Hurry Up Tomorrow, the full-length psychological thriller directed by Trey Edward Shults that serves as a companion piece to the album. Watch The Weeknd's new music video for 'Baptized in Fear' below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
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2 hours ago
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Chappell Roan Did the Viral ‘Apple' Dance During Charli xcx's Primavera Sound Set: ‘Love You B–ch!'
Charli xcx had a very special guest for her Primavera Sound set in Barcelona at the Parc del Fòrum on Thursday night (June 5). On opening night of the festival, Chappell Roan shocked the crowd when she showed up to expertly do the viral 'Apple' dance during Charli's set (watch the moment below). Chappell, wearing a grey skirt and black top covered by a cut-up sweatshirt, slapped on a pair of oversized bug-eye glasses as she joyously bounced along to the song from Charli'x Brat album along with a handful of other fans from what looked like a balcony. Roan lip synched along to the lyrics 'I think the apple's rotten right to the core/ From all the things passed down/ From all the apples coming before' while doing the dance's signature hand jive. More from Billboard Wayne Gretzky Gets Introduced to 'Pink Pony Club' & Wants Chappell Roan's Hit as His Ringtone Elvis Crespo, Elena Rose, Kapo & More: Vote for the Best New Latin Music This Week The Weeknd Wanders Through Purgatory in 'Baptized in Fear' Music Video The footage was shared on the big screens flanking the stage, which made the crowd go wild. Roan appeared to be loving it and Charli also seemed elated by the A-list pop in, shouting, 'Make some f–king noise right now! Chappell I f–kin' love you b–ch!' as Roan shook her butt for the camera. Roan will get her chance on stage at Primavera when she headlines on Saturday night (June 7). The special moment came 20 songs into Charli's 31-song setlist as part of a tradition during the singer's Brat-era shows when the camera finds someone in the crowd to do the dance. Roan isn't the only fellow star to take on the challenge, either. To date, everyone from BLACKPINK's ROSE to Clairo, Foo Fighters singer Dave Grohl and daughter Harper, Stephen Colbert, Ashley Tisdale, Cara Delevingne, Kerry Washington, Glen Powell, Daisy Edgar-Jones and Anthony Ramos, Joe Jonas, Jessica Alba and many more have taken a swing at the choreo created by TikToker Kelley Heyer. In addition to Roan, Saturday night's Primavera Sound lineup also features Haim, Beach House, Stereolab, Sabrina Carpenter, Wet Leg and TV on the Radio, among others. Check out Roan's 'Apple' dance below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
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2 hours ago
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Newsboys Respond to Sexual Assault Allegations Against Ex-Singer Michael Tait: ‘We Are Horrified, Heartbroken & Angry'
Contemporary Christian Music group Newsboys responded to recent allegations of sexual assault and drug use against former lead singer Michael Tait, who abruptly stepped away from the group in January. On Wednesday, The Roys Report published what it referred to as a two-and-a-half-year investigation into allegations against Tait. The outlet claims it spoke with more than 50 sources, including three people who claim that Tait groomed and sexually assaulted them while touring or at Tait's home. The accusers allege that the incidents took place between 2004 and 2014. Multiple people in the report also claimed that Tait was involved in drug use. More from Billboard The Weeknd Wanders Through Purgatory in 'Baptized in Fear' Music Video Miley Cyrus Says Madonna 'Was Down' to Mud Wrestle in a '4x4' Music Video, But Her Label Said No Belinda's 'Indómita' Album & More Best New Music Latin In an Instagram post on Thursday, the group's four current members — Jeff Frankenstein, Jody Davis, Duncan Phillips and Adam Agee — responded to the allegations, writing, 'Last night our hearts were shattered when we read the news alleging drug abuse and inappropriate sexual actions by our former lead singer, Michael Tait. While Michael has not addressed these allegations, we are devastated by even the implications. 'First and foremost, our hearts are with the victims who have bravely shared their stories,' the band's message continued. 'If you are a victim, we urge you to come forward. We absolutely do not condone any form of sexual assault. The four of us are husbands and fathers. Between the four of us, we have fourteen children. Our wives and children have made many sacrifices while we have dedicated our lives to playing music together that glorifies God. We are horrified, heartbroken and angry at this report and in many ways, we feel as if we and our families have been deceived for the past fifteen years.' Tait has not released a public response to the allegations contained in the report, and Billboard has not yet successfully reached him or a representative. A Newsboys rep did not respond to comment beyond the band's statement. Tait stepped down from his role in Newsboys in January just days before the group launched the second leg of their Worldwide Revival Nights Tour. At the time, Tait issued a statement, saying, 'I have made for me what is a monumental and heartfelt decision that it is time to step down from Newsboys. This decision does not come lightly and has been a shock to even myself, but amidst prayer and fasting, I have clarity that this is the right decision.' He joined Newsboys as their lead singer in 2009 following the exit of Peter Furler. Tait is also known for his founding role in the groundbreaking CCM group DC Talk from 1988-2001. That group, which also included TobyMac and Kevin Max, had such hits as 'Jesus Freak,' 'What If I Stumble?' and the Billboard Hot 100 hit 'Between You and Me.' Their 1995 album Jesus Freak, with its pop and hip-hop fusions, reached No. 16 on the all-genre Billboard 200 and won a Grammy for best rock gospel album. In 2000, the band went on hiatus, and Tait launched a decadelong solo career before joining Newsboys. If you or someone you know has experienced sexual assault, you can call the National Sexual Assault Hotline at 1-800-656-HOPE (4673). Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
