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Meet Akshay Kumar's heroine, who quit Bollywood, became a monk, left her luxury bungalow, now lives in mountains, she is...
Meet Akshay Kumar's heroine, who quit Bollywood, became a monk, left her luxury bungalow, now lives in mountains, she is...

India.com

time5 days ago

  • Entertainment
  • India.com

Meet Akshay Kumar's heroine, who quit Bollywood, became a monk, left her luxury bungalow, now lives in mountains, she is...

In the 90s, many new beauties emerged in Bollywood who achieved immense stardom on the basis of their acting and beauty, and created history in Indian cinema. From Aishwarya Rai, Rani Mukherji, Kajol to Sushmita Sen, Divya Bharti, Pooja Batra, Nagma and Preity Zinta, many actresses started their careers in the 90s or at its end. This was the era of Hindi cinema when there was tremendous competition among actresses. There used to be fights among the beauties for films. But, do you know about that beauty queen, who, after setting foot in the world of acting, gave up her shining career and became a monk? This is none other than Barkha Madan, who is now known as Gyalten Samten. Debut with Akshay Kumar's film Barkha Madan made her debut with Akshay Kumar's film 'Khiladiyon Ka Khiladi', which was released in 1996. Apart from Akshay Kumar, actors like Rekha, Raveena Tandon, Inder Kumar, and Gulshan Grover were also seen in this film. Barkha Madan played the role of a girl named Jane in this film. But 'Bhoot' released in 2003, was the film that proved to be a turning point for her career. In this film, she played the role of ghost Manjeet Khosla, and with her tremendous acting, she registered her name in the group of talented actors. What films did Barkha Madan work in? Apart from Khiladiyon Ka Khiladi and Bhoot, Barkha Madan also appeared in films like 'Tera Mera Pyar', 'Samay: When Time Strikes' and 'Soch Lo'. Apart from this, she also worked in TV and worked in serials like Ghar Ek Sapna and Nyay. She also appeared in Zee TV's popular show 'Saath Phere – Saloni Ka Safar', but suddenly she made a decision that surprised everyone. When did Barkha become a monk? Barkha Madan surprised everyone by deciding to become a monk in 2012. She surprised the fans with her decision to become a nun. Now Barkha stays away from the limelight and is living her life as a Buddhist monk. Leaving the luxury lifestyle, she is spending her life on the banks of mountains and rivers. Barkha Madan has distanced herself from films and acting, but is still active on social media. She often shares her pictures and gives fans a glimpse of her life as a nun. View this post on Instagram A post shared by Barkha Madan (@barkhamadan17) The last film released after retirement Barkha Madan announced her retirement in 2012, but one of her films was released even after her retirement. Barkha's last film was 'Surkhaab', which was released in 2015, about 3 years after her retirement. Actually, the shooting of this film was done before her retirement. Which was released after her retirement. View this post on Instagram A post shared by Barkha Madan (@barkhamadan17) When Barkha met the Dalai Lama The biggest change in Barkha's life came when she met Dalai Lama Zopa Rinpoche for the first time. In 2002, she met Dalai Lama for the first time in an event held in Dharamshala and then the thought of taking sanyaas came to her mind. When she expressed her desire to Dalai Lama, he said- 'Why? Have you had a fight with your boyfriend? Living in a monastery does not mean that you run away from anyone.' After this, he gave advice related to Buddhist philosophy to Barkha, the purpose of which was to make Barkha understand why she wanted to become a nun.

Siddhanth Kapoor talks about his passion for intense roles; reveals always liked playing dark characters
Siddhanth Kapoor talks about his passion for intense roles; reveals always liked playing dark characters

Time of India

time5 days ago

  • Entertainment
  • Time of India

Siddhanth Kapoor talks about his passion for intense roles; reveals always liked playing dark characters

Siddhanth Kapoor stars as Ajay Yadav in 'Mandala Murders,' praising co-star Vaani Kapoor and the professional crew. Known for playing dark, challenging roles, he has upcoming films with Navas, Marvel, and a unique indoor thriller. He began acting in 2013 and is recognized for roles in 'Ugly' and 'Bhoot.' In 'Mandala Murders', Siddhanth Kapoor portrays Ajay Yadav , a brief yet pivotal and intense character essential to the storyline. In a recent interview, he discussed how he prepared mentally for this challenging role and shared insights about his upcoming projects spanning various genres and platforms. Working with Vaani Kapoor and the crew Talking to Money Control about working with Vaani Kapoor and other actors during the shoot, Siddhanth described Vaani as amazing and said it was really nice to work with her on set. He mentioned that the whole crew was a very nice team, very professional, and super talented. He appreciated this aspect of the experience. Siddhanth expressed that he has always liked playing dark characters since the beginning because they play an important role, though they are always quite challenging. He found it amazing to play this role. Regarding his future choices, he said he doesn't really think about what projects he will take up or not. Upcoming projects revealed When asked about upcoming projects, Siddhanth revealed that he has a film with Navas and another film with Marvel that he is really looking forward to. He also spoke about a very different character in another film, which is mostly set indoors. Career background and recent works Siddhanth Kapoor, son of actor Shakti Kapoor , began his career assisting director Priyadarshan and debuted as an actor in 'Shootout at Wadala' (2013). He gained recognition with films like 'Ugly' (2014), 'Haseena Parkar' (2017) and 'Bhoot – Part One' (2020). His recent projects include 'Chehre' and 'The Heist'.

These 8 Indian Horror Films Can Give 'The Conjuring' A Run For Its Money
These 8 Indian Horror Films Can Give 'The Conjuring' A Run For Its Money

News18

time24-07-2025

  • Entertainment
  • News18

These 8 Indian Horror Films Can Give 'The Conjuring' A Run For Its Money

1/10 Tumbbad: The folk horror film is about a man's search for a hidden treasure inside a temple, dedicated to the goddess of prosperity. (Image: IMDb) Yavarum Nalam: The Tamil horror movie is about a man, who moves into a new apartment, and sees the future of his family unfold through a soap opera on his TV. (Image: IMDb) Bhoot: The film is about a married couple; the wife gets possessed by a haunting spirit residing in their new apartment. (Image: IMDb) Mahal: Often regarded as the first horror Hindi film, it is about a man who gets visions of a mysterious lady, claiming to be his former lover in their past life. (Image: IMDb) Aamis: The Assamese romantic horror film is about two star-crossed lovers, who bond over their love for different kinds of exotic meat. (Image: IMDb) 1920: The period horror film is about a married couple, moving into a ancient mansion, and the demonic possession of the wife thereafter. (Image: IMDb) Pari: The supernatural horror film centres on a satanic cult called Auladhchakra that sexually assaults and impregnates kidnapped women. (Image: IMDb) Pizza: This Tamil film is about a pizza delivery man, who doesn't believe in the supernatural. However, everything changes one night when he has to deliver pizzas to a bungalow with several dead bodies. (Image: IMDb)

Meet actress who once competed with Aishwarya Rai, Sushmita Sen, a Miss India finalist now living as a monk, her name is...
Meet actress who once competed with Aishwarya Rai, Sushmita Sen, a Miss India finalist now living as a monk, her name is...

India.com

time12-07-2025

  • Entertainment
  • India.com

Meet actress who once competed with Aishwarya Rai, Sushmita Sen, a Miss India finalist now living as a monk, her name is...

Once there was a name that whispered in beauty pageants and Bollywood casting rooms, Barkha Madan seemed to have it all: poise, presence, and promise. For those of you who don't know, she was a finalist in Miss India 1994 alongside icons like Aishwarya Rai and Sushmita Sen. Yes, you read it right! She quickly made her mark in the world of modelling and film. She bagged the title of Miss Tourism India, ranked third internationally in Malaysia, and later, dazzled the screen in Khiladiyon Ka Khiladi (1996) with Akshay Kumar, Rekha, and Raveena Tandon. But while her star rose in public, her soul was quietly searching for something else. What was missing? Despite her success, from intense roles like the haunted Manjeet Khosla in Ram Gopal Varma's Bhoot (2003) to strong performances in TV shows like Nyaay, 1857 Kranti (as Rani Lakshmibai), and Saat Phere — Barkha felt an unsettling void. 'Is this all there is to life?' was a question that echoed louder with every photoshoot and spotlight. The glamour and applause were real, but so was the silence in between. What led Barkha Madan to Buddhism? Having long been drawn to the teachings of His Holiness the Dalai Lama, Barkha wasn't just dabbling in spiritual reading — she was quietly transforming. After years of inner conflict, she made a life-altering decision in 2012: to renounce fame, fashion, and the film industry to become a Buddhist nun. View this post on Instagram A post shared by Barkha Madan (@barkhamadan17) What is Barkha Madan's new name? With her ordination, Barkha shed not only her career but also her name. The actress became Gyalten Samten, a monk living in the peaceful corners of Himachal Pradesh and Ladakh. No makeup, no camera angles, no dialogues, just meditation, service, and silence. Her journey from runway to robe is not just rare, it's revolutionary, a powerful reminder that some souls shine brightest away from the spotlight.

Kajol on ‘Maa': No other title could have defined our film more aptly
Kajol on ‘Maa': No other title could have defined our film more aptly

Hans India

time26-06-2025

  • Entertainment
  • Hans India

Kajol on ‘Maa': No other title could have defined our film more aptly

Bollywood star Kajol has stepped into the world of mythological horror with 'Maa', which the actress said that no other title could have more aptly defined the movie. Talking about what comes to her mind thinking of 'Maa', a word that nearly every child learns to say first, Kajol told IANS: 'I think you put it really well. It's the first word that most children learn to say, to feel, and to think—before anything else. You know, the first person a child turns toward is their mother. So it starts from there and just goes deeper and deeper.' For Kajol, Ma means goddess and her mother Tanuja as well. 'To me, both are the same. It was actually a working title for the film, but by the time we finished it, we realized that the word itself had so many layers that no other title could have more aptly defined our film than that one word.' Bollywood has touched the spooky genre only sparingly, with notable moments scattered across decades from the cult-classic era of the Ramsay Brothers, to the breakout hit Raaz in 2002, followed by the psychological thriller Bhoot starring Ajay Devgn. Vikram Bhatt carried the baton with a string of supernatural films, but it's in recent years that the genre has seen a revival with genre-defying projects such as Tumbbad, Pari, and Bulbbul, Shaitaan and Maa. Why is the industry scared to touch the genre? Kajol said: 'Absolutely. And that's exactly why we wanted to try something new like this. I think horror takes a lot of—firstly—VFX. You need a really big budget for VFX.' Kajol mentioned that even though 'Maa' is a horror film, 'there's a lot of emotion involved in it.' 'That's actually the reason I agreed to do the film. I don't think I would have felt the same way about it if it didn't have so much emotion, such a strong emotional base. It's not just a horror film. It's a mythological horror film.' She stressed that the film has the right 'mix of culture, and at the same time, it has the feel of a thriller.' 'I wouldn't have agreed to do this film if it didn't have such an emotional core. It's not just horror. And I think, as an industry, we're all working toward better scripts. We're working on tighter, stronger writing.' She added: 'We all want better scripts—and writing takes time. So it's not that nobody wanted to touch the horror genre, it's more that we've all been waiting for the right script to come along.' The film is slated to release on June 27.

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