Latest news with #Bijli
News18
9 hours ago
- Entertainment
- News18
Played Cricket World Cup, Acted With Ranveer Singh. This Singer With ‘Bijli'-Like Aura Is...
Last Updated: Harrdy Sandhu played for the Punjab team as a right-handed batsman and right-arm fast-medium paced bowler. His 'bijli' didn't just light up the music world, but it also shined on the cricket field. Yes, we are talking about Harrdy Sandhu. Most of us know him as the singing star behind popular tracks like Bijli, Naah Goriye, Soch, Backbone and many more. He has also appeared in films. But before all the fame in music and movies, Harrdy had a completely different dream – cricket. His early years were all about runs, wickets and the hope of wearing the Indian jersey one day. Cricket Journey Harrdy Sandhu's real name is Hardavinder Singh Sandhu. He began his career as a cricketer. He played for Punjab as a right-handed batsman and right-arm fast-medium bowler. He was also selected for the India Under-19 team in 2004–05 and came close to joining the ICC U-19 Cricket World Cup squad in 2006. In a podcast called Figuring Out With Raj Shamani, Harrdy shared his cricket journey. He said the Under-19 team held a training camp in Pune while preparing for the World Cup in Sri Lanka. This camp included 30 top young players from across the country. Each player had to play three matches based on which the final team would be selected. Harrdy performed well in his first match. He took the wickets of players like Rohit Sharma, Cheteshwar Pujara, Ravindra Jadeja, Pinal Shah and Yo Mahesh. He believed this performance would help him get selected. But things didn't go as expected. 'We were batting on the third day, and it was my turn to bat. I asked Rahul Sharma, a former India and Punjab spinner, for a bat. Rahul was often called 'Venky.' Coincidentally, Venkatesh Prasad, who was our coach, was sitting in front of me. I called out 'Venky' to Rahul but to my surprise, Venkatesh Prasad thought I was addressing him. Perhaps he took offense to this and it might have influenced his decision to stick with the same squad that had played in the last two U-19 tournaments," Sandhu said. At the time, the selectors were Pravin Amre, Dilip Vengsarkar and one more person. Harrdy wasn't picked for the final team. In 2007, he suffered an unrecoverable injury and had to give up playing cricket. Transition From Cricket To Music After cricket, Harrdy turned to music. He trained in folk and classical singing under Sh. Nirmal Singh. His first album was This Is Harrdy Sandhu which featured modern and upbeat songs. This was followed by Horn Blow. In 2014, his song Soch which brought him a lot of fame. The Hindi version of this track was sung by Arijit Singh for the film Airlift starring Akshay Kumar and Nimrat Kaur. After that, Harrdy gave several hits including Kya Baat Ay, Naah, Joker and more. Acting Career Harrdy didn't just stick to music, he made his mark in films as well. He made his acting debut in 2014 with the Punjabi film Yaaran Da Katchup where he starred with Rana Ranbir, Anita Hassanandani, Jaswinder Bhalla and others. In Bollywood, Harrdy made his debut with 83 that brought his first love, cricket, back into his life in a whole new way. Released in 2021, the movie told the story of India's iconic 1983 Cricket World Cup win. Harrdy played the role of Madan Lal, one of the key fast bowlers in the team. Ranveer Singh played Kapil Dev, the legendary captain who led India to victory. The film featured a big ensemble cast including Deepika Padukone, Pankaj Tripathi, Tahir Raj Bhasin, Jiiva, Saqib Saleem, Jatin Sarna, Chirag Patil, Dinker Sharma, Nishant Dahiya, Sahil Khattar, Ammy Virk, Adinath Kothare, Dhairya Karwa and R. Badree. Harrdy also starred in Code Name: Tiranga, a spy action film co-starring Parineeti Chopra. It was directed by Ribhu Dasgupta. About the Author Buzz Staff A team of writers at bring you stories on what's creating the buzz on the Internet while exploring science, cricket, tech, gender, Bollywood, and culture. News18's viral page features trending stories, videos, and memes, covering quirky incidents, social media buzz from india and around the world, Also Download the News18 App to stay updated! tags : Harrdy Sandhu viral news Location : Delhi, India, India First Published: June 21, 2025, 13:41 IST
India Today
2 days ago
- Entertainment
- India Today
India's cinema halls struggle with dwindling footfalls
(NOTE: This article was originally published in the India Today issue dated June 23, 2025)Amidst the glitz and spectacle of the World Audio Visual & Entertainment Summit (WAVES), one topic weighed on the minds of most film industry stakeholders—the current crisis in the theatre business. 'I have always believed that India has too few theatres, given the size of the country and [number of] people,' actor Aamir Khan said at a session. 'Our biggest theatre hits have had footfalls of 30-35 million. That's 2 per cent of our population in what is a cinema-loving country.' Seated next to him was Ajay Bijli, founder of PVR Cinemas and managing director of country's biggest multiplex chain, PVR INOX Ltd. Bijli replied in jest, 'Main office jaata hoon [I better head to office to get work done].'advertisementThe world's most populous country has just about 9,000 screens, a number that has been steadily declining, largely due to the closure of single-screen cinemas. The figure implies that there are roughly 7-8 screens per million people. More than half of these screens are concentrated in southern territories, predominantly in Andhra Pradesh, Tamil Nadu and Telangana, followed by Karnataka and Kerala. Even as new box office benchmarks have been set post-pandemic with releases like Pathaan, Jawan, Animal, Stree 2 and Pushpa–Chapter 2–The Rule, the hard reality is that footfalls have still not matched up to 2019 levels. As Aamir called for more screens in 'vast tracts where there are no cinemas', Bijli reminded us that existing screens were struggling to put bums on the existing 4 million seats. 'Consistency of content that engages is important, as the consumer is critical,' Bijli said. 'We need to start cinemas pockets where they are not available.'advertisement The latest EY report on India's media and entertainment sector states the need for low-priced theatres in Tier III and IV markets alongside growth in 'mass-themed films'. Five months into 2025, there has been only one that fits the bill—Chhaava, a period action drama on Maratha ruler Chhatrapati Sambhaji Maharaj, which collected Rs 530 crore, a significant chunk of it coming from Maharashtra. Bollywood's sluggish start to the year cannot be attributed to just fewer big releases in the first half. Mid-budget films have also struggled to make an impact, with just a few exceptions such as Kesari-Chapter 2, Raid 2 and Jatt. At Cinepolis India, which has 186 of its 430 screens in Tier II and III centres, the situation is improving, but with a caveat. 'While overall attendance figures have recovered to near pre-Covid levels—85 per cent of 2019 level in 2024—this is primarily due to the increase in screen count rather than per-screen productivity, which is down 25-30 per cent,' says Devang Sampat, the managing director of the multiplex group. 'This disparity highlights the underlying challenges the exhibition sector faces. Ultimately, it boils down to the content the industry is churning out.' The chain's expansion strategy has seen it open cinemas in Kozhikode, Bhopal, Jaipur, Rajkot and Kannur, with plans to set up shop in Jhansi, Pondicherry and Jodhpur in a few DIVIDE Talk to any exhibitor and the conversation ultimately boils down to the lack of a steady stream of compelling films that can lure the audiences back into cinema halls. 'Nobody makes movies for the masses anymore,' says Yusuf Shaikh, whose family operates five single screeners in Gujarat that are just about breaking even. 'We are not ready to understand who our audience is or [have] ignored who they are.' An 'ABCD film', one that connects in all geographic centres, is a rarity, he says. Instead, he praises filmmakers in the South for working out 'their target audience and sale and recovery model' as well as marketing, which has resulted in a few films becoming hits even in the Hindi belt. 'In the South, actors have their own fan clubs. Even the music and trailer launch are events for them,' he no overlooking the fact that the South is way above the rest of India when it comes to big screen viewing. As per of the 6,877 theatres in India, 54 per cent are in the five southern states. Add Maharashtra, and the figure rises to 70 per cent. Screen density in the South too is much higher than the national average. Ashish Pandey, currently head, programming and strategic initiatives, at MovieMax, has been in the film distribution business for over two decades and has some understanding on why the likes of Andhra, Telangana and Tamil Nadu dominate. 'In the South, there's a culture of going to the cinemas. It's not like you are going for the sake of entertainment alone. It's also not considered demeaning to go to the cinemas. So, there's no hesitation,' he says. 'A regular audience comes regardless of which film is released. There's penetration of cinemas even in smaller towns.'advertisement But all is not hunky-dory even in the hero-worshipping South. If there's a Tourist Family (Tamil) or Thudarum or Alappuzha Gymkhana (both Malayalam) which succeeds, there's also a Kamal Haasan-Mani Ratnam's Thug Life, which failed to live up to the hype. Sunil Narang of Asian Cinemas feels some course correction is needed, especially when it comes to aspects such as the theatre-to-streaming release window. In the South, it's just 28 days, compared to 56 days in the Hindi belt. Steep ticket prices as well as those for food and beverage, he feels, are also deterring audiences. 'How can we have more screens when existing screens are not running?' he laments. 'Where are the movies? Where are the numbers? How will the theatres run?' As many as 30-40 single-screen cinemas in the South have closed in the past six months, he says. THE BIG PICTUREadvertisementIf India wants to level up to the markets in China and the United States, what it needs are films that pique audience interest enough for them to make the trip. 'There isn't a regular supply of tentpole pictures or big films. They come once every three months; the rest of the time is when we face a downturn,' says Pandey, whose MovieMax is looking to expand from 80 to 100 screens by the end of the year. 'Once we have a stronger content pipeline, the expectation is that those footfalls will come back. Because people are coming to the cinemas even to watch re-releases and smaller, mid-budget fare like Munjya and 12th Fail.'But even these pleasant surprises are too few and far between. Bijli summarises the cinema theatre business post-pandemic as akin to 'feast and famine', wherein a film does exceedingly well only to be followed by a long dry spell where nothing clicks. Yet, he also realises that new cinemas need to come up in smaller centres as opposed to the big cities. Currently, 372 of PVR INOX's 1,743 screens are located in 66 Tier II and Tier III cities and come with a cumulative seating capacity of 80,947. In 2018, the multiplex giant launched the 'franchise owned, company operated' (FOCO) model to take its presence beyond the metros. Adopting an 'asset-light strategy', FOCO has franchise partners who own the property but with PVR INOX handling the design, operations and customer experience. Under this, 42 screens are operating across 12 locations, with 35 more planned in nine new locations, including Shillong, Gangtok and Shaikh is hoping to revolutionise the film exhibition market with Janta Cinemas, a business idea that emerged from a simple premise: 'Grahak khada hai, dukaan hi nahin hai [(The customer is there. But there's no shop in sight)'. He has tied up with the state governments of Assam and Tripura to convert vacant town halls and panchayat houses into 300-seater cinema spaces. While the morning and afternoon hours are devoted to edutainment, the evenings are reserved for films. Tickets are priced at Rs 99 and Shaikh throws in a chai and samosa too.'What this country needs is cinema halls for the masses. I am planning 10,000 screens in the next two years,' he boasts, adding that he is already communicating with the governments of Uttar Pradesh, Madhya Pradesh, Gujarat, Maharashtra and Delhi to launch more Janta properties. 'I am converting the pirate audience to the ticketed audience.' The ultimate endeavour, he hopes, is that there's a steady maintenance of average collections through modest outlets, which, in turn, helps build a loyal audience. It may not have swanky recliner seats or fancy food and beverage offerings, but what it can ensure is that the show goes on. A houseful one at to India Today Magazine
