Latest news with #Blackmagic
Hindustan Times
09-08-2025
- Hindustan Times
iPhone 17 Pro launch nearing, here's my experience with the iPhone 16 Pro camera
I've used the iPhone 16 Pro for almost a year now. I bought it at launch in the White Titanium color (the best, by the way), and since then, I've had enough time to learn this triple-camera system inside and out: its strengths and its glaring misses by 2025 standards. iPhone 17 Pro camera module is expected to get a major refresh.(Bloomberg) As I'm writing this, a few things immediately come to mind with the iPhone 17 Pro launch looming. And mind you, these are not big omissions; in fact, most of them could have been easily added via software. These issues range from the lack of a Pro mode to how the lenses behave depending on the ambient light. Let's dive deep into where the iPhone 16 Pro camera could have been better and what I truly enjoyed. Read on for real-world insights about its performance, reliability, and more. Also read: iPhone 16e quick review: Compact but powerful contender What Could Have Been Better Well, right off the bat, I can't begin to tell you how many times I've missed a Pro mode in the camera app. There were times when I needed to lock the white balance and times when I wanted a dreamy look with a slower shutter speed, but ultimately I compromised. While downloading a third-party app is an option, the results weren't nearly as good as what you get with the default app. Many might disagree, with apps like Blackmagic being absolutely free, but I want things to be quick when I'm shooting on my phone. I'd use my professional camera when I truly want to get the best results. Also read: Samsung Galaxy S25 review: Flagship features in a handful package I'm not asking for much: just basic controls like white balance, ISO, and shutter, all while Apple's computational magic remains in modes like ProRAW. A manual mode but with Apple's simplified approach is something I'd take wholeheartedly. Another area I think the phone could have fared better in is lens switching. Don't get me wrong, it is the smoothest you will find on a phone, but when the light is low, the phone won't switch to the 5x telephoto lens in most cases. Yes, I know the quality from the main sensor would be better in low light, but I want that option. If I'm tapping 5x, let me use the 5x lens instead of a digital crop of the main while I'm nitpicking, I think another area is the macro mode. While the images from the 48MP sensor are sharp and detailed, what you do miss out on is the ability to capture tiny objects from a little farther away. Think about capturing insects or objects with fine details from extremely close, first, you have to fiddle with the shadows, and next, you need to make sure that the organism doesn't fly away because of your proximity. You get the gist. This trouble can be easily mitigated using a telephoto macro, the likes of which you get with the Vivo X200 Pro. It allows you to take macro shots from afar without casting shadows. Also read: Apple iPad mini 7 review: Tiny tablet, mighty potential What I Like For starters, I'd like to say the quality of images you can get from the cameras is easily an A+. It sits in the top 5. You can consistently get high-quality and reliable results, with sharp details and minimal noise. If you shoot in ProRAW mode, you can get images that rival some higher-end mirrorless cameras. They are quite pushable in an edit and have a lot of data, so Lightroom edits are a breeze. Secondly, you have to appreciate Apple for the kind of consistency you can expect from all the lenses. There is minimal color shifting, and the 'look' remains the same. All that changes is the focal length and the image compression, and that's how it should be. I also like the LOG video. It is supremely detailed and ideal if you want to create a specific look. Nothing is baked in, and it avoids the digital flair that smartphones are infamous for. So, if you are shooting for social media and don't want to lug around a professional camera, try shooting ProRes LOG once. I'm sure you will be surprised. But again, remember to carry an external SSD, you will need it to shoot in 4K.
Time Business News
08-08-2025
- Entertainment
- Time Business News
Affordable Videographer Dubai
You can click this link to directly contact us on our contact page Affordable Videographer Dubai by visiting this link great offers are waiting for you here. Dubai, with its futuristic skyline, golden deserts, and rich cultural backdrop, is one of the most visually striking cities in the world. Whether you're planning a wedding, corporate event, social media shoot, or promotional video, capturing the essence of your experience through video is essential. However, hiring a videographer in Dubai can often come with a high price tag. But what if you're on a budget? Is it still possible to hire a cheap videographer in Dubai who delivers high-quality results? The answer is yes — if you know where and how to look. Dubai is a major global hub for media, fashion, and events, so it's no surprise that videographers here come in all tiers — from luxury production teams working with global brands to talented freelancers just starting out. Rates can vary widely based on experience, equipment, services offered, and project scope. High-end production companies may charge AED 5,000 to AED 20,000+ per day, depending on the complexity of the shoot. On the other hand, freelancers and small teams may offer packages starting from as low as AED 500 for a short event or basic video edit. If your budget is tight, your focus should be on finding a skilled but affordable professional — someone who may not have the most expensive equipment or biggest client list, but who has the talent and passion to bring your vision to life. Websites which we made gaming videos are as follows. Before we dive into how to find an affordable videographer, it's useful to understand what influences pricing: Duration of the Shoot: The longer the shoot, the higher the cost. Some videographers charge hourly, while others offer half-day or full-day rates. Video Length and Complexity: A simple 1-minute social media video will cost far less than a multi-camera, drone-assisted, professionally edited 10-minute corporate film. Post-Production Editing: Editing is often more time-consuming than filming. Motion graphics, color grading, sound mixing, and revisions can all add to the cost. Equipment Used: High-end cameras (RED, Blackmagic, etc.), stabilizers, lighting rigs, and drones can increase the rate. Experience and Portfolio: Videographers with years of experience and a large portfolio tend to charge more. Licensing and Permits: Some locations in Dubai require permits, especially for commercial shoots. This can add to your total expense. Now let's explore practical tips for finding a videographer in Dubai on a budget: Websites like: Upwork Fiverr PeoplePerHour …can connect you with freelance videographers at competitive rates. Many talented professionals from Dubai and nearby regions offer packages starting from just a few hundred dirhams. Tip: Always check reviews, sample videos, and response times before hiring. Dubizzle ExpatWoman Facebook Marketplace Reddit Dubai These platforms often have freelancers or students offering affordable videography services, sometimes at promotional prices. Many film and media students at institutions like American University in Dubai or SAE Institute are looking to build their portfolios. You can often hire them for a fraction of the cost of a professional, and still get impressive work. Reach out to schools or post on local forums to connect with up-and-coming talent. Instead of booking a full-service package with drone shots, behind-the-scenes footage, and interviews, stick to the essentials. Ask the videographer for a trimmed-down version that fits your budget. Some videographers offer 'shoot-only' services, where you get the raw footage and handle editing yourself or hire a separate editor. Many videographers are open to negotiation, especially if you're clear about your budget upfront. You might get discounted rates during weekdays or off-peak seasons. Explain your project, your goals, and your constraints — and see if a customized solution is possible. Just because you're hiring someone cheap doesn't mean you should settle for low quality. Here are a few things to check: Portfolio : Always ask to see previous work. Even if it's not extensive, the style, creativity, and editing should match your expectations. : Always ask to see previous work. Even if it's not extensive, the style, creativity, and editing should match your expectations. Communication : A good videographer will be responsive, transparent, and professional — regardless of price. : A good videographer will be responsive, transparent, and professional — regardless of price. Equipment : While they may not use top-tier gear, their camera and audio equipment should still produce clear, usable footage. : While they may not use top-tier gear, their camera and audio equipment should still produce clear, usable footage. Punctuality : This is critical. Make sure they have a track record of showing up on time and delivering edits promptly. : This is critical. Make sure they have a track record of showing up on time and delivering edits promptly. Creativity: Do they bring unique ideas to the table? Can they guide you on framing, lighting, and storytelling? Here's how you can make the most of a small videography budget based on your needs: Instead of booking a full wedding film package, opt for a short highlight reel. You can also hire a videographer only for the ceremony or reception — not the entire day. Influencers and content creators often need short, stylish clips. Many videographers offer 15-60 second packages optimized for Instagram or TikTok. These are often more affordable than traditional videos. Small businesses can benefit from simple, clean videos for product showcases, testimonials, or events. A 1-minute business profile video can cost under AED 1,000 if done with a student or new freelancer. You can buy best nose pads for eye glasses from this link the offers will shock you in one click just. Hiring a cheap videographer in Dubai doesn't mean sacrificing quality — it means being resourceful. Whether you're organizing a private event, building your brand, or trying to create impactful content on a tight budget, there's someone out there who can help. By exploring freelance platforms, negotiating wisely, and focusing on core needs, you can find a budget-friendly videographer who meets your expectations. Just remember to set clear deliverables, timelines, and expectations from the beginning to avoid miscommunication. TIME BUSINESS NEWS
Broadcast Pro
02-07-2025
- Broadcast Pro
Blackmagic URSA Cine 17K 65 joins Netflix's list of approved cameras
This inclusion places the 17K 65 alongside Blackmagic's other approved systems, including the URSA Cine 12K LF, URSA Mini Pro 12K OLPF and the URSA Mini Pro 4.6K G2. The Blackmagic URSA Cine 17K 65 digital cinema camera has been added to Netflix's list of approved cameras, meeting the platform's standards for image capture on high-end productions. The comprehensive criteria—outlined in Netflix's 'Cameras and Image Capture: Requirements and Best Practices'—evaluate factors such as resolution, dynamic range, codec support, and workflow compatibility. Netflix mandates that at least 90% of a programme's final content be filmed on approved cameras. With a 65mm RGBW sensor capable of up to 17K resolution and 16 stops of dynamic range, the URSA Cine 17K 65 offers filmmakers extraordinary large-format cinematic imagery. The camera can record in 65mm open gate 8K at up to 100 frames per second or in 17K at up to 60 frames per second, delivering clarity and colour fidelity across all resolutions, from 4K to the highest settings. Its RGBW sensor architecture balances red, green, and blue pixels to achieve superior colour oversampling. The URSA Cine platform also introduces advanced digital cinema technologies that integrate seamlessly into post-production workflows. It is the first camera in its class to feature built-in high-capacity storage and high-speed network connectivity, enabling media synchronisation directly on set. Filmmakers can also interchange PL, LPL, and EF lens mounts, and utilise WiFi with SRT streaming for remote client viewing. Standard Lemo and Fischer connections further enhance its suitability for demanding film environments. The URSA Cine 17K 65 joins other Blackmagic cameras already approved by Netflix, including the URSA Cine 12K LF, URSA Mini Pro 12K OLPF, and URSA Mini Pro 4.6K G2, reinforcing Blackmagic Design's position as a leading choice for premium streaming productions.
Yahoo
04-04-2025
- Business
- Yahoo
Blackmagic Design Announces New Blackmagic PYXIS 12K
Advanced digital film camera in a versatile design with revolutionary full frame 12K RGBW sensor in EF, PL or L-Mount, Blackmagic RAW and global media sync with Blackmagic Cloud! LAS VEGAS, April 04, 2025--(BUSINESS WIRE)--NAB 2025 - Blackmagic Design today announced Blackmagic PYXIS 12K, a new digital film camera that features a revolutionary 12K RGBW sensor in the versatile PYXIS camera design! This new model features the same sensor as URSA Cine 12K LF with a massive 16 stops of dynamic range along with dual CFexpress media recorders, 10G Ethernet and Blackmagic Cloud global sync, all in a customizable body. Blackmagic PYXIS 12K is available in three models, with customers able to choose between L-Mount, PL or Locking EF lens mounts. Blackmagic PYXIS 12K will be available in July from Blackmagic Design resellers worldwide for US$4,995. The Blackmagic PYXIS 12K will be demonstrated on the Blackmagic Design NAB 2025 booth #SL216. With multiple mounting points and accessory side plates, it's easy to configure Blackmagic PYXIS into the camera customers need it to be! PYXIS' compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extends the ability to mount accessories such as handles, microphones or even SSDs. All this means customers can build the perfect camera for the any production that's both rugged and reliable! Blackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040. That's almost three times larger than a Super 35 sensor and lets customers shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether users are shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets customers shoot up to 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives customers the same quality as the most expensive digital cinema cameras. Using the full area of the sensor gives customers a unique open gate 3:2 image which also lets them reframe their shots in post production. The large sensor also lets customers work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. Customers can even use the classic Super 35 sized window on the sensor to create an instant 'close up' version of their shot that fits seamlessly with open gate footage. Customers can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing customers to use a wide variety of new and vintage lenses. The EF model lets customers use high quality photographic lenses they already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets customers work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. Blackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets customers shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 4096 x 2160 4K. With the 6K model, customers can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. The built in LCD on Blackmagic PYXIS is more than just a simple status display. It's a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means customers can frame and focus their shots without needing to carry around a bulky external monitor. Blackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere. It provides the same controls and overlays as PYXIS' built in LCD, so it's perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight. Blackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. The innovative side plates expand the riggability of their camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1/4″ thread mounts and one 3/8″ thread mount, allowing customers to add microphones, brackets or other accessories. Or customers can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming. Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. This means their images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K. The Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Plus, with dual CFexpress slots, customers can keep recording because they can hot swap full cards without stopping. Blackmagic PYXIS records an HD proxy in H.264 in addition to the camera original media. The small proxy file can upload to Blackmagic Cloud in seconds, even as the camera's recording, so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. When uploading to Blackmagic Cloud, customers can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Customers can also connect via wired Ethernet using the camera's Ethernet port. This lets customers get their media out as they shoot so post production teams anywhere in the world can start work in real time. Blackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means customers can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, customers have two options, one to connect via Ethernet or they can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, customers can see the stream status and data rate in the viewfinder and the LCD. "Since the introduction of the Blackmagic PYXIS 6K, we've been working hard to make our amazing RGBW sensor from the URSA Cine available to even more customers," said Grant Petty, Blackmagic Design CEO. "We have redesigned the electronics and processing to be able to handle the massive sensor and we think customers are going to love shooting incredible large format images in 4K, 8K and now 12K. We are really excited to offer this sensor in the flexible PYXIS design that has been so popular with our customers!" Blackmagic PYXIS 12K Features 36 x 24mm full frame RGBW 12K 12288 x 8040 sensor. Open gate 3:2, full height 6:5 anamorphic and 9K Super 35 for creating cinematic content. Multi scale RGBW sensor for capturing 12K, 8K or 4K at the full sensor size. Choice of models with L-Mount, PL or locking EF lens mounts. Records full resolution up to 40 fps or 112 fps at 8K. Built-in 4″ HDR 1500 nit LCD screen. Records Blackmagic RAW and H.264 proxies. Extremely fast dual CFexpress card recording. 10G Ethernet or mobile data for mobile remote streaming. Optional Blackmagic URSA Cine EVF. Optional Blackmagic PYXIS Monitor. Features 12G-SDI for monitoring with status overlay. Professional mini XLR input with 48 volt phantom power. Complete streaming solution for YouTube, Facebook, X and more. High capacity BP-U series batteries. Availability and Price Blackmagic PYXIS 12K will be available in July for US$4,995, excluding local duties and taxes, from Blackmagic Design resellers worldwide. Press Photography Product photos of the Blackmagic PYXIS 12K, as well as all other Blackmagic Design products, are available at About Blackmagic Design Blackmagic Design creates the world's highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design's DeckLink capture cards launched a revolution in quality and affordability in post production, while the company's Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to View source version on Contacts MediaTerry Frechette+1 408 954 0500 Ext. 321pr-usa@ Sign in to access your portfolio
Forbes
28-03-2025
- Forbes
PNY Technologies Starts Shipping Its New High-Speed USB-C Thumb Drive
The PNY PRO Elite V3 Type-C USB flash drives is available in capacities from 256GB to 2TB. Memory brand PNY Technologies has begun shipping its new USB Type-C series of flash drives with write speeds as high as 1,000MB/s and capacities up to 2TB. In a world where USB thumb drives still seem to mostly use USB-A connectors, it's a bit of a mystery as to why there hasn't been more USB-C drives launched, especially now that most new laptops exclusively have USB-C ports. Now PNY Technologies has started shipping its latest USB Type-C flash drives, headed up by the brand's flagship PRO Elite V3 with read speeds up to 1,000MB/s and write speeds up to 800MB/s which is as fast as many external SSD drives. The new drives are available in a selection of capacities ranging from 256GB to a large 2TB. The new and extended choice of PNY's Type-C thumb drives also include the ultra-compact Elite-X Fit and a basic Elite model which will ship a little later. All drives use, USB-C connectors with a range of data transfer speeds. The Blackmagic Speed Test returned write speeds of 910.4MB/s and read speed of 796.1MB/s. Quoted data speeds don't always translate into real-world performance so I decided to give one of the new PRO Elite V3 thumb drives at test. Using Blackmagic speed test software, the drive returned a respectable 910.4MB/s write speed and 796.1MB/s read speed which is pretty close to the quoted 1,000MB/s and 800MB/s read and write speeds. In fact, the write speed was slightly faster than the quoted spec and the read speed slightly slower. It's good to see a storage product living up to its quoted performance. However, the speed of port the users has can also make a significant difference. If you are using a USB 2.0 port or a dock then you could see speeds reduce significantly. For small files, data speed isn't a huge issue, but when it comes to transferring large 4K video files between two computers using a thumb drive, the time taken can be painfully slow. So, if you are a content creator, graphic designer or photographer with large amounts of data, speed matters. The USB-C connector on the new PNY PRO Elite V3 Type-C USB flash drives retracts into the aluminum ... More body to protect the connection. PNY says that the PRO Elite V3 is made with premium components which should give it the kind of durability and performance a professional users would demand. The drive features a sliding cap for protecting the USB-C connector when not in use. An integrated key loop also makes it easy to attach to a keyring. A small point worth noting with these new faster drives is they are still quite wide which can present a problem when slotting them into a USB-C port if a neighboring port is already in use. For this reason, it would be nice to see the drives ship with a USB-C cable extender which could make life a little easier. The PNY Elite-X Fit drives really are the size of a thumb. These little USB-C drives aren't the ... More fastest but they are convenient and affordable. Also shipping now are PNY's new and ultra-compact Elite-X Fit Type-C thumb drives. These tiny drives have a USB-C connector and are suitable for plugging in directly to a laptop. Unlike the PRO Elite V3, the Elite-X Fit drive is much slower. It's designed for transferring and storing small files and has a leisurely write speed of 100MB/s and a read speed of 200MB/s. The micro-sized format of these smaller drives is easier to carry around and its narrow enough to leave adjacent ports accessible. These smaller Elite-X Fit drives are primarily designed for portability and convenience and are aimed at general office and school duties where price will always win out over performance. The PNY PRO Elite V3 Type-C USB 3.2 Gen 2 and Elite-X Fit Type-C USB 3.2 flash drives are shipping now from or PNY PRO Elite V3 Type-C USB Flash Drives: 256GB: $29.99, 512GB: $49.99, 1TB: $74.99, 2TB: $144.99. PNY Elite-X Fit Type-C USB Flash Drives: 64GB 3-Pack: $27.99, 128GB 2-Pack: $24.99, 256GB: $24.99. PNY PRO Elite V3 Type-C Flash Drive PNY Elite-X Fit Type-C Flash Drive
