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Boston Globe
5 days ago
- Entertainment
- Boston Globe
The Berkshires International Film Fest returns this weekend with Brian Cox as honoree
'I want to be the movie that everyone's talking about,' Christy says. That's the hope of every filmmaker who brings their latest project to festivals such as BIFF, which marks its 19th year this weekend. In addition to screening more than two dozen documentaries and nearly as many narrative features, the festival is set to honor the actor Brian Cox with a special screening of his choice, 'The Escapist' (2009). Get Love Letters: The Newsletter A weekly dispatch with all the best relationship content and commentary – plus exclusive content for fans of Love Letters, Dinner With Cupid, weddings, therapy talk, and more. Enter Email Sign Up Designer Bob Mackie arrives at the Fashion Trust US Awards on Tuesday, April 8, 2025, in Los Angeles. Chris Pizzello/Chris Pizzello/Invision/AP The fashion designer Bob Mackie will be on hand for a new documentary about his glitzy legacy, and the festival expects a large contingent from Needham for Advertisement Kelley Vickery, BIFF's founder and artistic director, created the festival shortly after moving to Western Massachusetts. Having worked at the Kennedy Center and with cultural organizations overseas, she appreciated her new community's dedication to the arts — Tanglewood, Jacob's Pillow, Mass MoCA. 'I thought, it's funny that we don't celebrate film,' she says. 'I combined my skill set with a love of film, and the BIFF was born.' Over the years, the festival has scored some coups. They've hosted the high-wire artist Philippe Petit (the 2009 Oscar winner 'Man on Wire') and the singer Darlene Love (2014 Best Documentary feature '20 Feet From Stardom'). In 2019, BIFF honored Martin Scorsese. Cox, this year's honoree, and his wife, Nicole Ansari, have a home in upstate New York, just over the Massachusetts border. 'They're part of our community,' Vickery says. 'They consider Great Barrington 'their town.'' Ntare Guma Mbaho Mwine will answer questions after the Friday screening of his new documentary, 'Memories of Love Returned,' which is executive produced by Steven Soderbergh. Taylor Jewell/Taylor Jewell/Invision/AP The actor and filmmaker Ntare Guma Mbaho Mwine is another local of sorts. He considers Stockbridge to be one of his hometowns. Born in New Hampshire to Ugandan parents, he lived in the Boston area while his mother attended Boston University and then attended middle school in Stockbridge. Mwine will answer questions after the Friday screening of Advertisement Mwine met Soderbergh after he was cast in 2015 in the dramatic TV series 'The Knick,' which Soderbergh directed. They struck up a friendship. Mwine mentioned his documentary project, and the filmmaker said, 'I'll have a check waiting for you.' Though he now lives in LA, keeps his ties to Uganda, and spent the past six months in New York working on the upcoming series sequel 'Dexter: Resurrection,' Mwine still considers Western Massachusetts to be an inspiration for his documentary. 'I'm literally going back to the genesis of the story for me, in a sense,' he says. 'If we hadn't lost our family photos when my mom moved back from Stockbridge to Uganda, I might not be the same person.' For Christy, who is a graduate of Boston College, it's especially important to present her film in the festival setting. 'Magic Hour' begins and ends with her main character, Harriet, (Miriam Shor), in a cinema — first sobbing over a film in an otherwise empty theater, and later watching her own film, surrounded by cast, crew, friends, and family. The movie theater 'is part of the DNA of the movie,' Christy says. The veteran actor Shor ('Maestro,' 'American Fiction') got her first significant notice in 'Hedwig and the Angry Inch' (2002). The story behind 'Magic Hour' is loosely based on Christy's own experience of going back to film school, years after she founded While heavily fictionalized, she says, the lead character 'is a distillation of all my most neurotic tendencies.' Audiences have been connecting with Harriet's regrets and her unexpected response to her midlife crisis, Christy says: 'Things are in flux in our world.' Advertisement Like a lot of other businesses, film distribution is going through some turmoil. Still, she's keeping her hopes high. 'It's a really unlikely thing for a movie this small to get what I want for it,' Christy says. In 'Memories of Love Returned,' Mwine quotes an old proverb: 'He who moved slowly reaches far.' 'If I'm still talking about this film 40 years from now, I would be thrilled,' he says. 'It's really about celebrating these memories of love that were documented over a 50-year period. We need more of that.' BERKSHIRE INTERNATIONAL FILM FESTIVAL Thursday-Sunday at various venues in Great Barrington and Lenox. James Sullivan can be reached at .
Yahoo
01-03-2025
- Entertainment
- Yahoo
Versace Fall 2025: Going for Baroque
How inventive of Carol Burnett's costume designer Bob Mackie, for that famous 'Gone With The Wind' sendup, to transform parlor curtains, rod included, into an unforgettable Scarlett O'Hara costume. At a time when interior design, hospitality and fashion have never been closer, how cheeky of Donatella Versace to pilfer quilts from the Versace Home collection and transform them into a glamorous, portrait collar puffer jacket; a tutu, and a corset-topped, leg-baring ballgown as sexy as it was cozy. More from WWD How CEO Rati Levesque Is Rebuilding at The RealReal Mschf's Cofounder Talks 'Jesus Shoes,' 'Satan Shoes,' and New Book How a 9-Year-Old Athletic Brand Got 127.7 Million Views at the Super Bowl The house's bold, baroque prints formed the backbone of a strong Versace fall collection, also appearing on leggings, sculpted skater skirts, silky balloon-sleeve blouses – and lining long leather and wool coats. The menswear must have sent Hanan Besovic into raptures, given all the sweeping coats, flashy shirts and gold hardware favored by the fashion commentator known by his Instagram handle I Deserve Couture. Some printed shirts and jeans were glazed with clear sequins for extra oomph. From the moment the show lights went up at the giant streetcar depot, illuminating a very long black runway belching dry ice, you could feel the Versace fierceness that's been missing the past few seasons. (You could also feel the over-the-top luxury of heated bench seats, and rococo-print lap blankets.) The heels on shoes were shaped like daggers, the platforms could give you vertigo, and there were enough leather pants for a Peter Marino lookalike party. You could quibble that the collection was too rooted in the past – but what a past! The extensive show notes highlighted that the studded, V-shaped collars and pockets were cribbed from the fall 1991 collection; the offset shoulders from fall 1997, and a pair of exceptional swagged-fringe dresses in gold and silver from the fall 1998 Atelier couture range. The designer interspersed sleek black tailoring between more opulent looks, and her roomy black blazers looked cool shrugged over strapless minidresses, frilly bodysuits or a lingerie-style slip. The dresses were terrific, from skater styles with crystal-embroidered skirts to chainmail gowns that may very well turn up on Oscar night on Sunday. Versace did not offer previews this season, or backstage interviews, perhaps to avoid questions about the sale of the company – its American owner Capri is said to be in the late stages of finding a buyer – and about her own future as its longtime creative leader. Luckily, the collection spoke for itself, clear and loud. Launch Gallery: Versace Fall 2025 Ready-to-Wear Collection
