Latest news with #BornToDie
The Independent
4 days ago
- Entertainment
- The Independent
Lana Del Rey shares new song teaser referencing Ethel Cain feud
Lana Del Rey has shared a snippet of her new song which references her feud with Ethel Cain. In a clip shared to her Instagram on Wednesday (13 August), the 'Born To Die' singer listens to an upcoming song whilst sitting in a car. In the first line of the ballad, Del Rey swoons: 'Ethel Cain hated my Instagram post / Think it's cute reenacting my Chicago pose.' Fans have speculated that the pair of singers are reportedly feuding over Jack Donoghue, Del Rey's ex who is also friends with Cain. The Instagram lyric is suspected to refer to similar photos that both singers have taken with Donoghue. Cain posted to her Instagram Stories on Thursday (14 August), writing: 'Update: Lana Del Rey has blocked Ethel Cain on Instagram.'
Forbes
6 days ago
- Entertainment
- Forbes
Lana Del Rey Joins Adele In A Historic Chart Feat
Lana Del Rey has been teasing her upcoming album for more than a year now, but details about the project remain scarce. The singer-songwriter has mentioned multiple titles and then changed her mind with all of them. She also at first claimed that it would be a country record, and then decided it would be more in the vein of an American Gothic vibe. Several singles have emerged and even charted, but for the moment, fans still don't know what the project is called or when they'll get to hear the full-length. As they wait to learn more, Americans are continuously consuming Born to Die, Del Rey's breakout project. Well over a decade after its release, the title can still be found on multiple Billboard charts, and this week it hits a major milestone. Born to Die Reaches a Billboard 200 Milestone Born to Die dips two spots on the Billboard 200, landing at No. 117. The title, which Luminate reports moved another 11,400 equivalent units during the most recent tracking period, celebrates 600 weeks on the Billboard 200, the company's ranking of the biggest albums and EPs in the U.S. Lana Del Rey Joins Adele Only 18 albums have spent at least 600 weeks on the Billboard 200. Born to Die is just the second by a solo female artist to make it to that landmark figure. Del Rey comes in behind Adele's 21, which racked up 617 stays on the tally. Unlike Born to Die, however, 21 doesn't regularly appear on the Billboard 200, so in the coming months, Del Rey may pass Adele's globe-dominating full-length. Pink Floyd Continues to Lead The record for the longest stay on the Billboard 200 is still held by Pink Floyd's The Dark Side of the Moon. That title only needs 10 more stints on the list before it becomes the first 1,000-week charter. Next time around, when Billboard publishes its rankings again, Legend by Bob Marley and the Wailers will likely become only the second 900-week winner ever. Lana Del Rey Rises on Multiple Billboard Charts As Born to Die hits an incredible figure on the Billboard 200, the title climbs on the other two Billboard rankings where it can be found. Del Rey's breakout set lifts one spot to No. 13 on the Top Alternative Albums chart and three spaces to No. 27 on the Top Rock & Alternative Albums tally.
Forbes
15-07-2025
- Entertainment
- Forbes
Lana Del Rey's Fan-Loved Album Mounts A Multi-Chart Comeback
Lana Del Rey's Ultraviolence returns to three U.K. charts, while Born to Die remains a mainstay ... More across five, climbing as high as No. 19 on vinyl. BARCELONA, SPAIN - MAY 31: (EDITORIAL USE ONLY) Lana Del Rey performs in concert during Primavera Sound Festival on May 31, 2024 in Barcelona, Spain. (Photo by Xavi Torrent/Redferns) Born to Die is the album that keeps Lana Del Rey on charts all around the world consistently. Her debut project seems to never completely disappear from rankings in places like the United States and the United Kingdom, where it not only continues to rack up enough streams to appear on a tally or two, but also sells consistently. This week in the U.K., Del Rey claims a pair of successful albums, as Ultraviolence joins Born to Die on multiple tallies, mounting a surprise comeback. Ultraviolence Returns to Multiple Charts Del Rey pushes Ultraviolence onto three charts in the U.K. this frame, and the full-length didn't appear on any of them last week. At the moment, Ultraviolence shows up highest on the Official Physical Albums chart, where it lands at No. 88. The same project returns to the Official Albums Sales tally at No. 97 and barely makes it onto the main ranking of the most popular albums and EPs in the country, coming in at No. 99, in second-to-last place. No. 1 and Hundreds of Weeks on the Charts Ultraviolence has already ruled both the Official Albums chart and the Official Physical Albums ranking in the past, and it peaked at No. 5 on the list of the bestselling collections of any kind throughout the U.K. Del Rey has kept Ultraviolence on the Official Albums Sales tally for 91 weeks, while it has ranked as one of the bestselling physical projects for 121 frames. It's only managed 29 stays on the main albums list so far, but it adds to that sum every once in a while, and it was last seen on the Official Albums chart in January of this year. Born to Die Still Dominates Born to Die is still the big winner when it comes to Del Rey's catalog in the U.K. Even as Ultraviolence returns, its predecessor appears on five rankings, and it lives inside the top 40 on all of them. Born to Die improves its standing on all but the Official Albums Streaming chart, where it drops three spots to No. 34. That breakout set, which dropped in 2012 and turned Del Rey into a household name all around the world, currently sits highest on the Official Vinyl Albums tally, where it jumps from No. 33 to No. 19, as sales of the classic on wax have apparently grown considerably from one week to the next.
Forbes
02-07-2025
- Entertainment
- Forbes
Lana Del Rey's Career-Defining Single Reaches A New Peak
Lana Del Rey's "Summertime Sadness" reenters the Official Streaming chart at No. 75, hitting a new ... More peak as Born to Die surges across U.K. rankings. WEST HOLLYWOOD, CA - NOVEMBER 01: Singer Lana Del Rey attends the Nylon Magazine Celebration of "America The Issue" With Lana Del Rey And Marvin Scott-Jarrett at Sunset Marquis Hotel & Villas on November 1, 2013 in West Hollywood, California. (Photo by) Throughout her career, Lana Del Rey has been known more as an albums artist than someone focused on scoring hit singles. The singer-songwriter has charted successful songs before, but unlike other stars in the pop space, her career has not been defined by radio smashes. One tune does rise above the rest as her most popular track. "Summertime Sadness" became something of a breakout smash thanks to a remix by Cedric Gervais, and it's still a hit – occasionally – to this day. The composition always ranks among her most popular, but in the summer months, it experiences something of a surge in consumption. As fans in the United Kingdom revisit the seasonal track, it reaches a special position. "Summertime Sadness" Becomes a Streaming Smash Again "Summertime Sadness" reenters the Official Streaming chart this week, finding its way back to the ranking of the 100 most-played tracks on Spotify, Apple Music, Tidal, and other platforms. The track breaks back in at No. 75. That marks a new high for the song, as Del Rey previously topped out with the cut at No. 77. Cedric Gervais Made "Summertime Sadness" a Hit "Summertime Sadness" was originally released in 2012 from her first major label album, Born to Die. The following year, the Gervais remix made it a surprise hit, but it wasn't until 2022 that Del Rey's version reached the Official Streaming chart. Since then, it has spent 31 weeks somewhere on the ranking, and it may continue as an annual favorite, thanks to an uptick in streams each summer. Born to Die Climbs on Multiple Charts The increase in plays of "Summertime Sadness" helps Born to Die climb on multiple tallies in the U.K. at the same time that the tune returns. The project enjoys huge leaps on lists like the Official Albums Streaming and Official Albums charts, where the introductory collection rockets more than 20 spaces. It's also a bestseller again, as Born to Die finds its way back to the Official Vinyl Albums list at No. 26 and the Official Album Downloads tally at No. 53, while simultaneously returning to the top 40 on both the Official Albums Sales and Official Physical Albums rankings as well.
The National
27-06-2025
- Entertainment
- The National
I went to Lana Del Rey at Hampden. It was NOT worth the money
But let's get this out of the way. Lana's performance at Hampden Park was not it. Fans paid for tickets starting at around £120 to see Lana perform just 14 songs in a festival-length set. Of those, three were unreleased and two were covers. Lana performed only nine original, officially released songs – and treated us to a handful of hologram, pre-recorded versions of others. That means audiences paid around £13.30 per live song. READ MORE: Glasgow Lana Del Rey fans camp out for 27 hours at Hampden This is Lana's first UK stadium tour, and it should be an opportunity for a victory lap. She should have taken to the stage in Glasgow, a place she says is very special to her, and shown how much she's grown as an artist since living here in the early 10s. She should have demonstrated her superstar status, playing the hits, fan favourites and a sprinkle of deep cuts. Instead, audiences got a hastily thrown-together performance, featuring much of the same choreo and staging she's been using for years. There was no wow factor, no attention to detail, no passion. To make matters worse, the sound at Hampden was dreadful. In the standing area you could barely hear Lana's vocals, and good luck trying to decipher the speaking segments in between songs. Given Lana arrived into Glasgow two days early, you'd think she'd have time to iron out the details at soundcheck. The best part of the show was seeing the fans having an incredible time, singing along together and admiring their hero's dress, hair and makeup. While Lana's vocals were barely there, the sound of the full crowd singing along to Video Games, Born To Die and Ride was uplifting. If you treated the concert more like a mass-karaoke session than a live performance, it was a good time. READ MORE: 7 photos show Lana Del Rey arriving in Glasgow ahead of Hampden show I would also take a moment to shout out the stunning dancers and background singers, who brought some life to a dull set. Those women are incredible, and vocalists sent shivers down my spine. It was also a bit sneaky to call this a nearly sold-out show. Lana came nowhere near selling out Hampden, and that's down to her unusual staging. In reality, the stadium was half full. The stage was positioned lengthways along the side of the stadium, rather than at the goal-end as you might expect at a show like this. About half of the remaining standing area was taken up by the expensive golden circle section, which left us peasants who only shelled out £120 or so with no view of the stage. At least the camera work on the big screens was cinematic and ethereal. It's hard to be a Lana fan. She brings bad publicity onto herself by constantly arriving late (around 17 minutes late at Hampden), and promising projects that never materialise (remember the country album she was going to release last year?) But to Lana's credit, she spent around 25 minutes after last night's gig meeting fans at the front row, taking photographs and signing autographs. It's the least she could do after putting on such a lack-lustre show. Verdict: Two stars
