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Yahoo
02-07-2025
- Entertainment
- Yahoo
Watch Red, White & BOOM! from the rooftops in Columbus: Here's where to go
If pushing and shoving your way into the crowds for this year's Red, White & BOOM! doesn't sound like your definition of a good time, there is another way. Rooftop bars and restaurants all across Columbus will have premiere views of the show, without all the people. Some are hosting specialized events and some are letting the fireworks speak for themselves. When the clock strikes 10 p.m. on July 3, there's no better place to watch the fireworks in the sky than among the clouds on a Columbus rooftop. Here are some options. Brass Eye, 77 Belle St., is a rooftop bar perched on the top of The Junto hotel. Its viewing party will be from 7 to 11 p.m. Tickets are $115 and available at With a ticket, partygoers get a welcome drink and access to two hours of passed appetizers. If the party isn't enough, The Junto is offering a party and a room deal, where you can reserve the package at a reduced rate. Mandrake, 810 N. High St., is the rooftop bar at the Moxy Columbus Short North hotel. From 9 p.m. to 2 a.m., guests are invited to enjoy the view with cocktails and snacks. VIP tickets range from $125 to $2,500 and you can find them at BrewDog Franklinton, 463 W. Town St., has its own spin with Red, White & Brew. Tickets to the beer event are $76.54 and give guests rooftop access, three drink tokens, a cookout buffet and live music from 8 to 10 p.m. Find more information on the event's Facebook page. Goodale Station, 77 E. Nationwide Blvd., is offering drinks, food and air conditioning for its evening party, Red, White & ROOFTOP! For $125 a ticket, guests get a skyline view of the fireworks along with a live DJ and free valet services. You can get tickets at Lincoln Social Rooftop, on the ninth floor of 711 N. High St., offers sprawling views of the city. It will be open until 11 p.m., with drinks and food to order. You can make reservations at or try your hand at walking in. Stories on High, 404 N. High St., will be open until 11 p.m. for firework fans. With a wide range of signature cocktails and a 360-degree view of the city, it will offer a great vantage point to watch the show. Reservations are encouraged but not required and can be made at Budd Dairy Food Hall, 1086 N. Fourth St., has a rooftop that everyone in the family can enjoy. With 11 different food stalls, there is something for everyone. Reservations are not accepted for the rooftop beer garden, so get there early to beat the rush. Find more information at Reporter Sarah Sollinger can be reached at ssollinger@ This article originally appeared on The Columbus Dispatch: 4th of July fireworks in Columbus: Where to watch Red, White & BOOM!
Spectator
15-06-2025
- Politics
- Spectator
Dominic Cummings has run out of answers
On Wednesday, The Spectator dispatched me to Dominic Cummings's Pharos lecture in Oxford. Packed into the Sheldonian theatre were an interesting crowd. I spotted several X anons, my A-Level politics teacher and Brass Eye creator Chris Morris. For many in the audience, this was a rare opportunity to see their hero; for one or two hecklers, it was a unique chance to harrumph at the villain of Brexit, lockdown, and Barnard Castle. You can read a transcript of it here. I'm a Cummings fan. Having first discovered him via our political editor's books, I began reading his blog as a teen. I worked through the reading lists, defended his eye test in my student magazine, and heralded him as the future of the right in an article only last year. Throughout my career, he has been a unique guiding light. Which is why, I'm sorry to report, Wednesday was a disappointment. With the speech being entitled 'What is to be done?' – a nod to the originator by Britain's premier Leninist – one was expecting a call to arms. We sat in the audience sat ready to be given our marching orders. But this was no declaration of revolution. Instead, for those of us habituated into shelling out £10 a month for his Substack, it was dispiritingly familiar. This was Dom's Greatest Hits – David Bowie at Glastonbury, but with more references to the European Court of Human Rights. For 'Starman', take a condemnation of deranged MPs addicted on the old media. For 'Ashes to Ashes', try Whitehall ignoring Cummings over the pandemic and Ukraine. For 'Rebel Rebel', take parallels with post-Napoleonic Europe and the idiocy of a permanent civil service. But unlike with Bowie, one was hoping to hear a few new tunes between the earlier works. There were the usual spicy turns of phrase. The Home Office was said to be waging a 'constant jihad' against talented would-be migrants; Whitehall was condemned for hushing up 'the industrialised mass rape of white English children by Pakistani and Somali gangs over decades' while importing 'people from the exact same tribal areas responsible'. Speak for England, Dom. But as eye-catching as this was – and several other attendees texted me cheering him on – it wasn't new to any habitual X user. We have always known the rape gangs were there; we have always known the state was covering it up; we are now braced for the inevitable whitewash when Keir Starmer's inquiry reports in 2037. Even his concluding recommendations – replacement of senior officials, closing the Cabinet Office and Treasury, reforming procurement, more focus on science and technology, decentralisation, and a wider reading of nineteenth-century Russian literature – were well-trodden. The talk could have been packaged as A Very Short Introduction to Dominic Cummings in the style of the handy, generalist tomes one can pick up at Blackwell's across the street. Yet my trip to Oxford was far from fruitless, and not only because I revisited a couple of my favourite student hostelries. A Q and A with Steven Edginton followed. The US Video Editor of GB News has made a name for himself by asking prominent figures on the right questions the left-leaning media never would. I particularly enjoyed his exchange with Liz Truss, exposing the ex-PM as the clueless, over-promoted and self-obsessed charlatan she is. His approach to Cummings was no different. At times in his speech, the former Number 10 adviser had almost seemed to have forgotten he had been in government: more 'here is what I would do' than 'here is what I should have done'. Edginton pinned him down on his own record, especially on the central and most spectacular failure of the last Conservative government: immigration. Cummings was quick to distance himself from the Boriswave. He was out of government by the time numbers exploded, he argued. Instead, a combination of Boris Johnson's desire to make up with the Financial Times and powerful bureaucratic forces – the Treasury's addiction to human quantitative easing in particular – meant a new immigration system designed to prioritise high-skilled workers was hijacked to take numbers three times higher than the levels that when Britain voted to Leave. Combined with the ECHR preventing the Royal Navy from stopping the 'stupid boats', this meant a total betrayal of the promises Johnson made in 2019. Edginton also asked for Cumming's views on how mass deporations and other remigration policies – citing the US and Sweden as examples – would be with voters. Having tied both Nigel Farage and Richard Tice in knots over this, it was refreshing to hear Cummings explain or why Reform UK are squeamish. Farage formed his views 'in the 1990s and 2000s', and it is 'very hard for [him] to adjust to a world where the conventional ideas of that time are broken down'. Farage and Tice are in their 60s. They are surrounded by a distinctly unimpressive coterie of hangers-on, media personalities and court eunuchs. Are they serious about confronting the institutional resistance and media uproar a sensible centrist approach to immigration would require, or will they fail just as the Tories and Labour have done? The latter, on the available evidence. Will he embrace the vibe shift, or only gesture towards it? They are yesterday's men. Yet seeing Cummings in conversation with Edginton, I couldn't help but get the sense I was watching a new right confronting the old. Edginton ended by asking his interviewee if, after the failure after failure of government after government do what they promised, whether democracy was overrated. Cummings replied by suggesting his hope was to 'find a way of reviving the regime' rather than seeing it 'replaced'. But what does that look like? Another attempted takeover of the Tories? The much-heralded but little-seen Start-Up party? Or a new mass movement, like the 'Looking for Growth' group from academic Lawrence Newport that Cummings has promoted? I've met with Newport and agree with much of his analysis. But Britain's future will not be saved by a few over-eager young men scrubbing the Bakerloo. Who are the coming generation? They have grown up absorbing the analysis of Cummings. They are conscious of living in a Britain blighted by his failure to deliver the reforms of which he has spoken for so long. They live in the Britain of Scuzz Nation, of Yookay Aesthetics, of Nick 30 Ans. Their hope is exhausted. They have enormous respect for Cummings and Vote Leave. But they will not compromise with a regime that they despise. Cummings may still struggle to use the language of mass deportations; to tomorrow's right, they are but a necessary first step. Cummings is still a prophet. Most Brits say the country is in decline, feel poor, hate politicians, and have little hope for the future. For those of us familiar with Cummings, this is all unsurprising. We are a country falling ever further into stagnation and inter-ethnic violence, labouring under a performatively useless political class. A crisis point is being reached. Welcome to Weimar Britain, where politics doesn't work, everyone is getting poorer, and the streets are filled with violence. Can the country be turned around by reviving the existing regime? Or is a different form of government required? And if Cummings was – and is – the man to turn Britain around, why did he allow himself to be outwitted by a patron of the Conservative Animal Welfare Foundation? Why did he topple Johnson without a clear plan to replace him? Will he embrace the vibe shift, or only gesture towards it? He is a Lee Kuan Yew afficionado. Does he still have that iron in him? He has spoken about stepping back. That would be a waste. Robert Jenrick is only a phone call away. Commentators as disparate as friend-of-The–Spectator Curtis Yarvin, Tory MP Neil O'Brien, and my former colleague Henry Hill have all spoken of the need for an Anglo Meiji Restoration – a hard reset of our governing institutions, political class, and economic geography. It is a project requiring the sort of dedicated revolutionary vanguard that I hoped Cummings would call for on Wednesday. His talk was a missed opportunity. The burning questions of our movement remain to be answered.
The Irish Sun
13-05-2025
- Politics
- The Irish Sun
Father Ted creator Graham Linehan vows to continue trans rights fight after pleading not guilty to hate crime charges
FATHER Ted writer Graham Linehan vowed to continue criticising trans rights as he denied hate crime charges in court. He is accused of abusing trans activist Sophia Brooks on social media and They are described by prosecutors as hate crimes — but Linehan remained defiant after his court appearance yesterday. He told supporters outside Westminster magistrates court: 'I have pleaded not guilty and will defend this case at trial. In doing so, there is far more at stake than my own name. For six years, ever since I began defending the rights of women and children against a dangerous ideology, I have faced harassment, abuse and threats. 'I have lost a great deal but I am still here and I will not waver in my resolve.' Read More on TV The IT Crowd co-creator, who has also written for Brass Eye and The Fast Show, has a long-standing history of criticising the trans-rights movement. He has previously said that the charges relate to an incident at the Battle of Ideas conference in London last year. The Ireland-born writer was bailed at yesterday's hearing on the condition he does not contact his alleged victim. His trial was set for the same court on September 4. Most read in News TV Dozens of supporters, many unable to get inside owing to a lack of space, greeted Linehan outside the court. He thanked them for the support, also urging people to join the Free Speech Union. 1 Graham Linehan vowed to continue criticising trans rights as he denied hate crime charges in court Credit: PA
The Independent
15-03-2025
- Entertainment
- The Independent
The 15 most problematic TV shows of the 21st century, from Little Britain to Baby Reindeer, ranked
Television's past is littered with debris. From the 1970s 'comedy' racism of shows such as Love Thy Neighbour to LGBT+ stereotypes including Mr Humphries in Are You Being Served?, it's easy (if often unfair) to conjure up examples of shows whose implied attitudes are, to put it kindly, 'of their time'. But fast-forward to the Nineties and even much-loved and more recent classics like Friends turn out to be full of moments which would cause many modern viewers to wince. And as for Sky's jaw-dropping one-episode sitcom Heil Honey I'm Home! – which mined the imagined home life of Mr and Mrs Adolf Hitler for comedy – well, the less said, the better. TV is often an immediate and reactive medium and much of it isn't built to last. Which probably explains why so much of it, even since the turn of the century, has aged like fine milk. Here's a selection of the 21st century's biggest, nastiest or dumbest clangers to date. 15. America's Next Top Model Ahh, America's Next Top Model. No reality show of the Noughties was quite so good at making absolutely everyone watching – regardless of gender, sexuality, colour or creed – feel like total garbage. Ostensibly a bi-annual search for the most beautiful people in the US, ANTM always had the whiff of a PG-rated snuff film devised by someone with a humiliation kink. We witnessed desperate teenage girls forced to walk down runways while trying to dodge enormous swinging pendulums, and one particular girl forced to pose sexily in a coffin shortly after being told her best friend had died. Television! Let's never do this again. Adam White 14. Brass Eye special Chris Morris's Brass Eye is, in its initial incarnation, a work of borderline genius. But the 2001 paedophilia special was a moment when Morris's desire to confront cosy sensibilities clashed uncomfortably with his moral compass. As a media satire, it was spectacular. As an act of provocation, it was devastating. And as an exploration of taboos, it was, in the context of its era, genuinely courageous. But with hindsight, the show's tone – and Morris's satirical instincts – were too brutal and unsparing for the subject matter in question. At times, the show forgot that the people whose suggestibility it was critiquing were, in addition to being the tabloid media's target market, also its victims. It's still funny of course – but in the decades since, the laughs have started to feel more queasy. Phil Harrison 13. Mrs Brown's Boys Brendan O'Carroll's multicamera sitcom is often cited among the worst television shows ever made – certainly, it's among the very dregs of the barrel when it comes to recent British fare. This in itself has made Mrs Brown's Boys a contentious talking point among viewers. Throw in the show's penchant for crude humour, offensive jokes and stereotypes, and an off-camera racist-joke scandal involving the show's creator-star O'Carroll (who subsequently apologised), and you're left with one of the more problematic missteps in British TV comedy. Louis Chilton 12. The Secret Millionaire Rich people visit poor people and pretend to be poor too and muck in with the poor people and in doing so, learn about their incredible, selfless nobility in the face of seemingly insurmountable odds and drop them a few grand and then everyone hugs and cries and they all live happily ever after. This narrative arc is, of course, a slightly reductive description of The Secret Millionaire 's formula. But it's still basically accurate. Worse still, it feels like there was a real sense of emotional manipulation to this reality series, not to mention a striking reluctance to interrogate a system in which some people work hard and get rich and some people work hard and get nothing. For that reason, the generosity it paraded felt patronising and the catharsis it offered felt fake. PH 11. Citizen Khan Citizen Khan was lauded as the TV homecoming British Muslims had long been waiting for. Years of relentless media attacks had left the community desperate for some light-hearted observational comedy. Released in 2012, it ran for a full four seasons before it was mercifully cancelled. Created by Adil Ray, the BBC satire follows community leader Mr Khan as he navigates his personal and family life in the Midlands. But the gags fell flat, and it's not because we're all straight-faced religious headbangers who can't take a joke. The show divided audiences both Muslim and non-Muslim. Critique about it being blasphemous got mixed up with backlash about its racialised stereotyping, reinforcing tropes about Muslims. From Mr Khan's patriarchal ways to his cheapness with money, it felt more like the kind of performance someone ignorant would expect, geared towards an outside audience, rather than a funny caricature of anyone I actually know. Maira Butt 10. Bo' Selecta! The sketch show created by Keith Lemon comedian Leigh Francis was criticised throughout its time on air (2002-2009) for its racist caricatures, which included the use of blackface. Francis portrayed Black celebrities such as Michael Jackson, singer Craig David and talk show host Trisha Goddard, often using latex masks. Francis apologised for the series in the wake of the Black Lives Matter movement in 2020, stating: 'Back then I didn't think anything about it, people didn't say anything, I'm not going to blame other people. [...] I just want to apologise, I just want to say sorry for any upset I caused. I guess we're all on a learning journey.' The series was subsequently removed by Channel 4 from the online streaming catalogue. LC 9. Entourage HBO's inside-showbiz dramedy Entourage – loosely inspired by the hedonistic friend group of Mark Wahlberg – was a perfectly watchable, well-made series for much of its eight-season run. It was also a hotbed of misogyny, racism, homophobia, and materialism, a show with a gaping moral vacuum at its centre. A-list glamour aside, Entourage was toxic from the get-go – Hollywood superstardom has seldom seemed this seedy. LC 8. The IT Crowd For the most part, this workplace dweeb-com remains a very funny, tonally precise comedy classic, which arguably launched the careers of Katherine Parkinson, Chris O'Dowd and Richard Ayoade and cemented the reputation of creator Graham Linehan as a leading light in TV comedy. But there is one episode which, with the benefit of hindsight, feels like a tough watch. Douglas's breakup with a transgender woman upon learning of her gender identity (an incident followed by a spectacular fight) has a distinctly less savoury look given Linehan's subsequent years, which have seen the Irish writer engage in what many have characterised as a campaign of transphobic rhetoric. (He has described himself as a 'gender critical activist'.) It's not that The IT Crowd is no longer funny, just that the context surrounding its creator has changed more radically than anyone could have imagined. PH 7. The Idol The Idol, HBO's music industry drama starring Lily-Rose Depp as a troubled pop star, was shrouded in murk even before its release. It was optimistically oversold as HBO's next Euphoria, and had a shiny veneer thanks to the involvement of hitmaker The Weeknd, who co-wrote and starred in the series as a sordid cult leader. But things came tumbling down when early episodes of the series underwent a series of reshoots. An investigation saw 13 unnamed sources from the production claim that set conditions were chaotic and that the inclusion of several sex scenes made them uncomfortable (HBO later admitted that the production of early episodes did not meet certain unspecified standards). Critics labelled it 'sexist', 'torture porn' and 'one of the worst TV shows of the year' – largely due to the uncomfortable dynamic between Depp and The Weeknd's characters. The latter's acting skills were singled out and eviscerated by reviewers. It's no surprise HBO cancelled it after one season. The only saving grace was the soundtrack – it was actually pretty catchy. Ellie Muir 6. Beast Games Jimmy 'MrBeast' Donaldson – vapid savant of the YouTube algorithm and totemic household name for anyone under the age of 25 – was always going to attract a fair amount of criticism for Beast Games. His Squid Games -esque Prime Video series saw 1,000 contestants battle for a prize pool of $5m (£3.94m), supposedly the biggest game show prize ever, through a series of 'nail-biting, physical, mental, and social challenges'. Before the series even aired, however, a number of contestants filed a lawsuit against the show, alleging, among other things, that the production had failed to pay them correctly, failed to provide meal breaks, rest breaks and basic hygiene access, and exposed them to 'dangerous circumstances and conditions as a condition of their employment'. Donaldson has claimed that the accusations were 'blown out of proportion', stating that a formal review of the production process had been launched. LC 5. Benefits Street The production company behind Benefits Street were also the people responsible for the bunting-strewn celebration of 'Keep Calm and Carry On' twee-core The Great British Bake Off. And it all makes sense really. While Bake Off is a celebration of Britain in all of its idealised, village fete, crumpets for tea loveliness, Benefits Street was its negative mirror image – a grimly orchestrated demonisation of the poor and vulnerable; seeking out and foregrounding the most feckless, semi-criminal and disreputable inhabitants of James Turner Street in Birmingham while largely refusing to address the systemic neglect underpinning their dysfunction. Dropping during the ugly, divisive austerity era, it seemed perfectly designed to underpin the implicit agenda of its time: do these people really deserve society's help? PH 4. Baby Reindeer One of the best pieces of television on this list, comedian Richard Gadd's Netflix miniseries Baby Reindeer was an occasionally funny, often harrowing look at trauma, abuse and obsession, drawing on Gadd's own experiences with a stalker. Baby Reindeer was inherently messy – both ethically and thematically, in a way that actually made the series a lot more interesting. But after the woman who alleged to have inspired the stalker character ('Martha') went public, objecting to the way she claims the show presented her, Netflix was hit with a multi-million-pound lawsuit. A spokesperson for Netflix said: 'We intend to defend this matter vigorously and to stand by Richard Gadd's right to tell his story.' LC 3. There's Something About Miriam This 2004 Sky One dating show saw a group of British lads vie for the affections of one woman, à la The Bachelorette. The 'twist', though, was that the woman, Brazilian model Miriam Rivera, was transgender – and the six male contestants were only informed about this at the end of the series. The whole affair was grossly insensitive, transphobic and unethical; the male contestants issued a lawsuit that was eventually settled out of court. Rivera, meanwhile, was the victim of unconscionable torment from the tabloid press, and died by suicide in 2019. LC 2. Little Britain With hindsight, Matt Lucas and David Walliams's sketch show now feels less like a TV comedy and more like a living, breathing illustration of why 'wokeness' was a necessary corrective to, well, whatever the hell that was – namely two white, privately educated men joining forces to black up, make fun of teenage single mothers on council estates, dick around in wheelchairs and generally parade their privilege like it was going out of fashion. Which, thankfully, it was. Although sadly, the pair's dodgy follow-up sitcom Come Fly with Me suggested few lessons had been learned. PH 1. The Jeremy Kyle Show Duty of care? That stuff's for losers. Surrounded by hulking security guards (who were the only thing standing between him and the smack in the chops he so richly deserved) and backed up by a production team who, according to a Channel 4 documentary, were encouraged to prime their already volatile guests for maximum hysteria, Jeremy Kyle was a ringmaster, presiding over the early 21st century's small-screen version of bear-baiting. To watch clips from The Jeremy Kyle Show now (you'll have to go to YouTube as ITV has clearly tried to bury it) is to be astounded that this deranged cocktail of voyeurism, class-based disdain and unadulterated public bullying was ever allowed on air. And yet it ran for 17 series and was cancelled only after the suspected suicide of a participant. A vision of dystopia orchestrated for daytime TV, helping no one, belittling everyone. Most of all, its viewers. PH
New European
11-02-2025
- Politics
- New European
GB News host hoodwinked by ‘vile' made-up drug
Grimes claimed that 'West Midlands Police have issued a stark warning about a disturbing new drug called Strawberry Quick – a type of crystal meth disguised as sweets', explaining how 'this vile tactic is designed to trick kids into ingesting highly dangerous drugs. Stay vigilant. Protect our kids.' GB News presenter Darren Grimes had his public service hat on last week, warning his X followers about a disturbing new drug trend in Keir Starmer's lawless Britain. All good stuff – except, of course, that West Midlands Police had not issued a stark warning about a disturbing new drug called Strawberry Quick, and the drug is a hoax going back to at least 2007 and reported as far afield as the US and South Africa. ''Strawberry Quick' warnings shared online by Black Country residents is resurfaced 'hoax',' ran the headline in the Wolverhampton Express & Star. It's now 28 years since Chris Morris's Brass Eye hoodwinked various celebrities into getting worked up over a made-up drug, Cake. Seems some people are just as credulous as ever! Meanwhile, bad news for fans of Conservative internal democracy paraphernalia – the podium used when ITV hosted a Tory leadership debate in 2022 has been sold. The broadcaster last week placed the podium used by host Julie Etchingham to quiz Kemi Badenoch, Penny Mordaunt, Rishi Sunak, Liz Truss and Tom Tugendhat on eBay. It stated that 'the podium's flat clear perspex top has a sleek and modern look, and the heavy black base ensures stability,' unlike, er, the eventual winner of the contest. Alas, it has now been snapped up for just £55, meaning you're denied the chance to reenact such moments as Sunak accusing Truss of 'socialism', Mordaunt moaning she had been the victim of a 'toxic' smear campaign from rivals and Truss criticising Sunak's polished style as she acknowledged she was not the 'slickest performer on this stage' but had a record of 'delivery'. That, as they say, hasn't aged well.
