Latest news with #BurtBacharach
Yahoo
05-05-2025
- Entertainment
- Yahoo
Diana Krall and more: 5 live shows to see in the Coachella Valley this weekend
Looking for some live entertainment this weekend? Here are my picks for the latest can't-miss live performances in the Coachella Valley and surrounding communities. More: 12 things to do in the Coachella Valley this week, May 5-11 Jazz: In the world of jazz, Diana Krall is not only a trailblazing female singer/pianist, she's the only artist to debut eight albums at No. 1 on the Billboard Jazz Albums chart. She's won two Grammy Awards and has seven multi-platinum albums. Some of her prominent songs are her versions of the Burt Bacharach and Hal David song 'Walk On By' made popular by Dionne Warwick, her duet with Michael Bublé on Gilbert O'Sullivan's 'Alone Again (Naturally)' and the Joni Mitchell hit 'A Case of You.' Krall will perform on Saturday at Agua Caliente Resort Casino Spa. If you go: 8 p.m. Saturday, Agua Caliente Resort Casino Spa, 32-250 Bob Hope Drive, Rancho Mirage. Tickets $69.50 to $129.50. Dance: Experience an unforgettable night of music and movement at this Dance Mojave show dubbed 'The Planets.' Tickets to this outdoor dance performance — which takes place both Friday and Saturday — are $30 per car, so pack as many friends and family members into your ride as you'd like, then head over to Sky's the Limit Observatory and Nature Center in Twentynine Palms to see the show and experience the center's telescopes afterwards. The 75-minute performance is set to Gutav Holst's suite as well as original music arranged by Jeremie Levi Samson. "Planets" features choreography by local dancers, and each piece is inspired by a different planet, from Mercury through Neptune (as well as the Asteroid Belt and Pluto). If you go: 5 p.m. Friday and Saturday, Sky's the Limit Observatory and Nature Center, 9697 Utah Trail, Twentynine Palms. Tickets start at $30. Tribute: When The Doors started playing in 1965 at venues around Los Angeles, lead singer Jim Morrison's stage presence was viewed as both alluring and provocative, along with the blend of blues, electric jazz and rock 'n' roll. In 1967, The Doors' self-titled debut album was a hit, and the band continued to push the bar higher with every release until Morrison's untimely death in 1971. Wild Child, a tribute to The Doors, will perform on Friday in The Rock Yard at Fantasy Springs Resort Casino. If you go: 7 p.m. Friday, The Rock Yard at Fantasy Springs Resort Casino, 84-245 Indio Springs Parkway. Admission is free. Alternative: Dean Wareham is a prominent figure in indie rock, and his 40-year music career includes co-founding the band Galaxie 500 with Damon Krukowski, then Luna and Dean & Britta with bassist and wife Britta Phillips. He began a solo career and released his first self-titled album in 2014. Wareham will perform on Saturday at Pappy and Harriet's. If you go: 9:30 p.m. Saturday, Pappy and Harriet's, 53-688 Pioneertown Road, Pioneertown. Tickets are $39.54 presale and $46.59 day of show. Latin: During the '80s, Amanda Miguel attained notoriety and prominence in Mexican music for her piano playing and melodic pop hits. She also collaborated with her late husband, Diego Verdaguer, who was also an established figure in Latin music. See for yourself when Miguel performs on Saturday at Spotlight 29 Casino. If you go: 8 p.m. Saturday, Spotlight 29 Casino, 46-200 Harrison Place, Coachella. Tickets start at $38.80. This article originally appeared on Palm Springs Desert Sun: Things to do in Palm Springs CA this weekend: Live music, dance
The Guardian
10-02-2025
- Entertainment
- The Guardian
Why we all need sisu – the Finnish concept of action and creativity in hard times
In 2023, I was in the top 0.05% of Spotify listeners of Manic Street Preachers. It was one song on repeat. I would bet good money that there is no one in the world who has listened to their cover of Burt Bacharach's and Hal David's Raindrops Keep Fallin' on My Head as much as me. No one except my daughter, who was also there as it played through the night, and through every nap, too, for the first 15 months of her life. Some babies need white noise to soothe them to sleep; mine needed my arms and James Dean Bradfield's voice. Astonishingly, despite this, I do not now hate the song – in fact, I quite like hearing it. If this column ever makes its way to you, James: thank you. My child chose this song as some pick a favourite teddy. She was crying, being comforted by my husband, who was playing one of his (many, many) Manics albums, when the track changed; on came Raindrops. Within a few notes, she had stopped crying and started listening. My husband called me over and we stood in silence, amazed and a little giddy. As struggling new parents with a tiny baby who cried a lot, we were so relieved to find this gift that seemed to bring her a profound sense of consolation, that helped to bring her back to herself and to us. We sang it a lot. I changed some of the words – our daughter's feet were too small for her bed, rather than too big – and I think the lyrics give crying a bad name. But, with some minor amends, this song became the soundtrack to her infancy and our early parenthood. After listening to it so many times, I came to hear within it some valuable indications for the building of a better life. It's a simple melody, which could easily be saccharine in the wrong hands, but the Manics' cover has something special about it. I think it's because this recording embodies the subject of the song. The lyrics tell of a person who keeps getting caught in the rain, who refuses to let that defeat him and who finds freedom in the knowledge that happiness will return. But this song is not simply about that; it is that – the very sound of that freedom. Raindrops was one of the first songs the Manics recorded after the disappearance of their dear friend and bandmate Richey Edwards, 30 years ago this month. I read that, in the aftermath of this traumatic loss, for a time, the band felt that they could not continue. But with the blessing of Edwards' family, and to the anger of some of their fans, they decided to keep making music. This song was a radical act of survival. Bradfield's singing is the sound of growth through pain. I hear in it a refusal to lose oneself in the dark; music as an active choice of creativity and life amid devastation and grief. When you listen to it, even without knowing this backstory, it touches you – even my infant daughter felt something. What I learned from my psychotherapy training, and again in early motherhood, is that every developmental leap is a grasping for freedom out of the pain of loss. The psychoanalyst Wilfred Bion understood that our very capacity to think in infancy grows out of our need to make sense of the loss of our mother's breast or our bottle at the end of every feed, and to bear that sense of separateness and aloneness. When we are drinking milk, there is no need to think. We can just enjoy feeling sated and merged; we have everything we need. But when we are hungry, we are driven to think of the breast or bottle that is no longer there. It is this difficult experience of longing for something we no longer have, this coming to tolerate the pain of separation, that necessitates the use of thought, propelling our minds into development. I was recently lying in bed awake in the early hours, listening to Radio 4. The programme Something to Declare came on, about the Finnish concept of sisu, which the behavioural scientist Emilia Elisabet Lahti expresses as 'life force in times of adversity'. I understood this to be a more profound concept than resilience, which is often spoken of as a muscle we can train (snore). Sisu is the part of us that comes alive when we feel as if we have nothing left, when we think we cannot go on, but we do. It struck me that this part of ourselves may well not exist prior to being necessitated into existence – like a thought, it is a capacity that grows in the moment of being needed. I think that's what happened to me when my daughter was born: out of the traumatic birth and the traumatic sleep deprivation and the traumatic everything else grew new capacities for survival and growth and love that I did not previously possess. A better life won't always be a happier life. It will necessarily involve periods of extreme unhappiness and difficulty. That's the cost of doing business; sometimes it rains. A better life is not sitting there waiting for you to find it in an exercise routine or a therapist or a self-help book; it comes from living and loving and losing in freedom and in hope. If we can do that, there's no knowing when life's most meaningful moments might grace us. We might hear it in a few words of a radio programme in the lonely darkness of a sleepless night, or in a simple melody with the surprising power to console a crying baby, like light refracting through raindrops. Moya Sarner is an NHS psychotherapist and the author of When I Grow Up – Conversations With Adults in Search of Adulthood Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
